A Collection of Reference Books mainly on woodblock prints and print artists of the Meiji and post-Meiji periods, including Kuniyoshi: From The Arthur R. Miler Collection, 2009; Fresh Impressions, Early Modern Japanese Prints at the Toledo Museum of Arts, ed. Carolyn Putney, 2013; Yoshitoshi's One Hundred Aspects of the Moon, John Stevenson, 2001; The Women of Shin Hanga, The Judith and Joseph Barker Collection of Japanese Prints, ed. Allen Hockley, Hood Museum of Art, New Hampshire, 2013; The Male Journey in Japanese Prints, Roger Keyes, 1989; Yoshitoshi, The Splendid Decadent, Shinichi Segi (translated by Alfred Birnbaum), 1985; Paul Binnie, A Dialogue With the Past. The First 100 Japanese Prints ed. Eric van den Ing, 2007; Poems of The Pillow and Other Stories, Gian Carlo Calza, 2010; Modern Japanese Prints 1912-1989, Lawrence Smith, 1994; The Japanese Print Since 1900,, Old Dreams and New Visions, Lawrence Smith, 1983; Shunga, Sex and Pleasure in Japanese Art, eds. Clark, Gerstle, Ishigami and Yano, British Museum, 2013; Hashiguchi Goyo, Prints Paintings and Drawings Ronin Gallery catalogue, 2013; Woodblock Kuchi-E Prints, Reflections of Meiji Culture, Merritt and Yamada, 2000; Seven Masters: 20th Century Japanese woodblock Prints from The Wells Collection, Andreas Marks, Minneapolis Institute of Arts, 2015; All The Woodblock Prints of Shinsui Ito, ed Masahito Iino and others, Yamanashi Prefectural Museum of Art, 1992; Dreams and Diversions, Essays on Japanese Woodblock Prints from The San Diego Museum of Art eds. Marks and Quintanilla, 2010; Printed to Perfection, Twentieth Century Japanese Prints from the Robert O. Muller Collection, ed. Amy Reigle Newland, Smithsonian Institute, 2004; Japanese Popular Prints, Rebecca Salter, 2006; Guide to Modern Japanese Woodblock prints: 1900-1975, Merritt and Yamada, 1992; and various other works on 20th Century Japanese prints
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Kiyokata Kaburagi (1878-1972): A Collection of 16 Woodblock Prints in inks and colour on paper after Kiyokata, mainly of bijin and of various sizes, all signed and/or sealed; A Large Format Kuchi-e after Kiyokata, 25cms by 37.4cms; And four unattributed Sashi-e prints; all First Half 20th century
Torii Kiyomitsu (fl.1970s-80s): A Woodblock Print in inks and colour on paper entitled Moon from her series Snow, Moon, Flower, edition limitation seal to the reverse no. 17/300, signed in the block Kiyomitsu with red seal, size overall 45cms by 30.4cms, published 1980s She was the daughter of Torii Kotondo and in 1982 became the 9th head of the Torii Kabuki-e School and first female head of the school.
Paul Binnie (b.1967): A Woodblock Print Tasogare (Twilight) in inks and colour on paper, from his series Azuma nishiki bijin awase (A Collection of Eastern Brocade Beauties), signed in pencil to lower margin with edition limitation 19/100 and blind printed Binnie, image size 38cms by 8.1cms, 2010; Another Woodblock Print Shoya (First Night) from the same series as above, in inks and colours on paper with gofun and mica details, blind printed Binnie to lower margin with pencil signature and edition limitation 23/100, 2011; And Another Woodblock Print Adesugata (Alluring Figure) in inks and colour on paper with gold and silver details, from the same series, signed and numbered 21/100 with blind stamped Binnie to lower margin, image size 38cms by 26.5cms, 2015
ZHAO SHAO ANG (1905-1998) MAGPIES AND BAMBOO A Chinese painting, ink and colour on paper, inscribed and signed by Zhao Shao Ang with four artist's seals, dated summer of xin hai year (1971), framed and glazed, 117cm x 53cm. Provenance: from the collection of Li Fook Kow (d.2011) and Edith Li (d.1992), purchased in the 1970s in Hong Kong. Magpies are always auspicious symbols, the birds of good fortune and love. The first character for the name of the bird, xi que, has the same sound as xi, 'happiness'. Magpies are also a symbol for the wish for a happy marriage, success at examinations and for getting rich. 趙少昂（1905-1988） 喜鵲翠竹 設色紙本 鏡框款識：高節人相重，虛心世所知，辛亥夏五月少昂于金山。鈐印：趙、少昂、足跡英美法意瑞德日印菲諸國、生於乙巳中和節。來源：李福逑及鄺美蓉伉儷收藏（逝于2011年及1992年），1970年代購於香港。
GUO MO RUO (1892-1978) CALLIGRAPHY IN RUNNING SCRIPT A hanging scroll of Chinese calligraphy, ink on paper, inscribed and signed Guo Mo Ruo with one artist's seal, together with another painting of swallows, 63.5cm x 31.5cm. (2) Provenance: from a private collection, the calligraphy was a gift to the current owner's father, Li Bo Yan (1913-1983), by the artist, in appreciation for his help and support given to him during the Chinese Civil War. Li Bo Yan was born in Beijing, after his graduation from Yan Jing University, he became the Vice Principle at the School of Classical Theatrical Art, and was friends of great Beijing Opera stars like Mei Lan Fang. From 1937 to 1943, he joined the Chinese Government Foreign Service as a diplomat, first as chancellor in Poland and then as attaché in Turkey. After moving to the United Kingdom in 1968, he joined Leeds University Chinese Studies Department with Owen Lattimore as Head of Department. 郭沫若（1892-1978）等兩件 書法 水墨紙本 立軸款識：諸葛武侯畢竟是傑出人物，即其集眾思，廣書益，一語已足，永垂不朽，近人有詆毀之者，多見其不自量也。伯言先生雅正。郭沫若。鈐印：郭沫若。來源：私人收藏，郭沫若送給現藏家父親李伯言（1892-1978）作為助其逃離國民黨的感謝。李伯言生於北京，從燕京大學畢業之後就擔任京劇學院副教授，并于很多當時的名角交往甚密，如梅蘭芳，孟小冬等。從1937年至1943年，李伯言加入了中國政府外交部，曾擔任波蘭及土耳其的外交官及使臣。1968年移居英國之後，他成為了利茲大學中文系的系主任。
此件拍品将没有网络拍卖请联系威立士拍卖行进行竞投。ONLINE BIDDING WILL NOT BE AVAILABLE FOR THIS LOT - PLEASE CONTACT THE AUCTIONEER DIRECTLY TO PLACE ANY BIDSYANG FEI YUN (1954-) THE NORTHERN GIRL A Chinese painting, oil on canvas, signed September 1987, Yang Fei Yun hua Peng Peng, framed, with a paper label for the Hefner Galleries, Inc., 88cm x 70cm. Provenance: Exhibited in 1987 at the inaugural 'National Oil Painting Exhibition' in Shanghai, winning the first prize. Exhibited in 1988 at the Hefner Galleries Inc. New York, 'Contemporary Oil Paintings from The People's Republic of China'. Purchased by Dame Anita Roddick (1942-2007) c.1990 from Hefner Galleries Inc., New York. Sold on behalf of the Roddick Charitable Foundation. Literature: 1. F Y Yang, Soul and beauty: Yang Fei Yun and Fan Xue De's Conversation, cover page. 2. Q X Gao, Art and Truth: Yang Fei Yun and Chinese Classic realism, cover page and appendix page. 3. F Li, Love in the painting: Yang Fei Yun, p.5. 4. F Y Yang, Zhong Guo Xie Shi Pai: Yang Fei Yun, p.5, No. 51. 5. F Y Yang and D J Jia, Searching the Literature: Chinese Art Academy, Yang Fei Yun Shi Sheng Zuo Pin Ji, p.3. 6. F Y Yang and C L Zhu, Gu Dian Xie Shi Yu Yan, p.231. 7. F Y Yang and H Wang, Zhong Guo You Hua Shi Jia: Yang Fei Yun, p.12 8. F Y Yang, Zhong Guo Gu Dian Zhu Yi Dai Biao Hua Jia, p.37 9. F Y Yang, Ming Jia Ming Hua: Yang Fei Yun Zuo Pin, cover page. 10. J C Liu, Zhong Guo Dang Dai Shi Li Pai You Hua Jing Pin Cong Shu: Yang Fei Yun,p.19. 11. T Z Shui, S H Dai and S Lu, Yang Fei Yun: Zhong Guo Xian Dai Yi Shu Pin Ping Cong Shu, p.21, No.5. 楊飛雲（1954-） 北方姑娘 油彩畫布 畫框款識：1987年9月，飛雲畫芃芃。楊飛雲（背面）展覽：1987年参加上海‘全国第一届油画展’，《北方姑娘》获得优秀奖。1988年参加美国纽约哈夫纳画廊举办的‘中国当代油画展’，之后由哈夫纳画廊收购此画。来源：1989-1990年由著名英国护肤品牌The Body Shop的创始人由安妮塔·羅迪克（1942-2007）购于美国紐約赫夫納畫廊，安妮塔过世之后一直由其家族收藏至今。背面附畫廊標籤。著錄：楊飛雲、范學德及昌旭正，《靈魂與美感——楊飛雲范學德對話錄》，廣西師範大學出版社，2017年8月，封面作品。高全喜，《畫與真——楊飛雲與中國古典寫實主義》，北京時代華文書局，2014年2月，封面及附錄。李放，《情在畫中——楊飛雲》，天津楊柳青畫社，2013年1月，P5。 楊飛雲，《中國寫實畫派——楊飛雲》，吉林美術出版社，2009年1月，P5，No
French Indian Settlements: 1872 OLS from Pondicherry to Bordeaux, 6a 8p rate pair 8p x 4 and single 4a tied by Pondicherry '111' duplexes for DE 12 72, endorsed "By first post, Alexandria, via Bombay", face also bears 'POULAIN Freres' h/s, 'PD' in red and POSS.ANGL. V. SUEZ/ALEXANDRIE cds for 30 DEC 72, reverse bears Bombay transit and Madras Frontier TPO hexagonal ds for DE 15 72, a few tones and filing creases but attractive and scarce (Plate)
Military Post in China: 1915 two stampless Feldpost cards used to Austria, the first with K.U.K. Feldpostamt/304 cds and s/l K.U.K. schmalsp. China/Feldkanonen Division 1/fruher III Batterie No2 h/s, the other FPO 306 and k.u.k. China Mun. Zens/Kolonne 3/G.5 h/s, also Netherlands Indies 1941 censored cover to USA and Japanese Occupation of Burma 1a brown p.s. env with 'Peacock' h/s, this unused and not guaranteed
First Day Covers: Pre 1970 collection in album starting with 1951 May 3rd plain cover (folded) with the set of Festival high values and the 5 low values, then useful range of defins and commems, incl 1958 (29 Sept) N.Ireland, Scotland and Wales 6d and 1s3d on illustrated covers, cond varies (Approx 90)
First Day Covers: Collection in 32 volumes from 1978 to around 2005 including some postal stationery, frama labels, Christmas Island and Cocos, appears quite comprehensive (not guaranteed to be so), also two volumes of worldwide stamps and covers connected with Ausipex 84, 2000 Sydney Olympics gold medallist book, a volume of Year Packs from 1995 to 2012, several pages of modern reproduction engraved proofs and a number of 1980s specimens, mostly fine (Hundreds)
1904 piece (340 x 95mm) with two 'sets' of India 3p - 1r, the 3p grey Queen Victoria and the _a - 1r KE VII. Each value cancelled with LAHSSA CDS, one 'set' dated 3 AU 04 and the other 22 SE 04. These dates are the first and last dates of operation of the Postal Agency opened by the 1904 Younghusband Military Expedition, so this piece took some foresight to prepare. The piece is watermarked 'ERNMENT OF NDIA'. There are a couple of folds, one affecting the _as, and some light soiling and toning, but an interesting piece
Collection from first issues to 1980s in two volumes including Aitutaki, Niue and Penrhyn with both mint and used present for many issues and light duplication with some small multiples, better items (m/mint unless noted) include Cook Islands 1892 to 10d incl at least three of each used and two unused, 1893-1900 all values to 1s with shades, 1899 _d on 1d (3), also one with inverted surch (faults), 1891 1d brown 'crown' opt, 1902 to 1s, 1913-19 to 1s, 1919 to 1s, 1921-23 to 5s incl 2s 6d trimmed opt, 1926-28 2s Jones paper wmk inv, 1931-32 Cowan paper £3 green, good run-through of later issues incl 1967 $2 on £1 to $10 on $5 used on piece, Penrhyn 1903 vals to 1s, 1917-20 2_d no stop var in strip of 3 and run-through of modern issues to mid 1980s, Aitutaki 1903 to 1s and run-through of issues to mid 1980s, Niue from 1902 including 'long' postal fiscals to £1 and 'Arms' to £1 and range of later issues to mid 1980s, also NZ Antarctic Victoria Land _d and 1d, condition very mixed with many mint issues adhering to page and with toning (most of those tested could be removed), a fascinating and valuable lot despite condition problems (Hundreds)
1840 1d grey-black plate 6 (RA), of superficially unused appearance with part o.g., however extensive gum thinning, light crease and 1992 RPS cert states '...physically cleaned and regummed", also 1d black plate 2 (GJ) used by black mc, this lightly creased, 1841 1d red-brown (RL) with part margin at right (just touched at upper left), large part o.g., 1841 2d pale blue plate 3 (NJ), heavily cut into at upper right with large margins elsewhere, unused without gum, first two with four margins, others as described
1840-1992 (c.) mixed mint and used selection house in five carton (one oversize) including used 1840 1d. (2), 2d., 1841 1d. (22), 2d. (6), 1847-54 Embossed 6d. (2), 10d. 1s. (2), good range of Surface-printed issues to £1., KEVII values to 5s., KGV Seahorses to 10s. with 2s. 6d mint, 1929 P.U.C. £1; also postal history, first day covers, presentation packs and yearbooks; condition mixed. (thousands)
1929 Prince Farouk's Ninth Birthday, set of 4 from special printings with centres in black (5m) or brown (SG 178a/81a), with normals for comparison, also 1932 100m on £E1 (SG 188) and a 1926 Port Fouad set, however these with forged overprints, all large part o.g. but first some adhesions from black album page, cat £770 (Plate)
KG VI mint range in red Crown album, which has been partially remaindered at some stage. Some complete sets but many to 10/- or equivalent, condition mixed. We note useful Aden, Antigua, Bahrain 1938 set (mostly toned) and 1942 set, Cooks, GEI, HK 1938 (less first $10) and Centenary, North Borneo with 25ct SG 313a albino, Nyasaland Dues, St Helena, SWA and BVI; and scattered high values throughout
BOOKS - MOTORING Nutter, John, editor. The Golden Jubilee Book 1936-1986, first edition, Bentley Drivers Club Ltd, Long Crendon, 1986, cloth, dustjacket, illustrations, octavo; Thirlby, David. The Chain-drive Frazer Nash, Motoraces Book Club, London, 1967, boards, dustjacket, illustrations, octavo; and assorted other works, (23).
BOOKS - MOTOR-RACING Moss, Stirling. A Turn at the Wheel, first edition, Kimber, London, 1961, boards, dustjacket, black and white plate illustrations from photographs, octavo; Bamsey, Ian. A History of the Turbo Charged Racing Car, first edition, Haynes, Sparkford, 1989, boards, dustjacket, colour and black and white illustrations throughout, tall quarto; and ten other works, (12).
THREE CORGI RACING CARS comprising a No.152, Ferrari 312 B2, red and white, racing number 5; No.154, Lotus Texaco F1, black and gold, racing number 1; and No.162, Elf Tyrrell Project 34, blue and white, 'First International Travelers Checks' sponsor logos, racing number 4, each mint or near mint and boxed, the boxes good.
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596780 item(s)/page