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A collection of floral brooches the first modelled as a chrysanthemum with pavé-set diamond detail, stamped 750; another modelled as a floral cluster claw-set with seven round brilliant-cut diamonds, modelled in 18ct gold; the last modelled as a flower head with red enamel and pavé-set diamond petals, with a central claw-set hessonite garnet, stamped 750
Two 19th-century chrysoberyl and pink topaz brooches the first of scrolling design with pendant swag detail, set throughout with oval-cut pink topaz and cushion-cut chrysoberyl, unmarked; the second of filigree design, set throughout with foil-backed pink topaz, unmarkedDimensions:Widths: 5cm & 4.5cm
A collection of novelty brooches the first modelled as a bird of paradise with enamel decoration, eight-cut diamond detail and a small round-cut emerald eye, indistinct foreign marks; the second modelled as a stag beetle with green and red enamel decoration and small round-cut diamond eyes, stamped 18k ITALY: the last modelled as a winged beetle, with a cultured pearl body and enamel wings, stamped 18k
Two diamond bar brooches the first set with a central cluster of old round-cut diamonds, eight-cut diamond detail and an old round-cut diamond to each shoulder, unmarked; the second of geometric design, set throughout with round and eight-cut diamonds, stamped PT 18CDimensions:Lengths: 3.8cm & 6.7cm
Two multi-gem set floral brooches the first of giardinetto design, claw-set with various amethysts, garnets, citrines, peridots etc, modelled in 9ct gold; together with another modelled as a bouquet of flowers, set with round-cut sapphires, rubies and diamonds, unmarkedDimensions:Widths: 3.3cm & 4cm
Two gem-set pendant necklaces the first claw-set with a pear-shaped sapphire in a border of round brilliant-cut diamonds, modelled in 18ct gold, to an 18ct gold trace-link chain; the second modelled as a cross, set with graduated round brilliant-cut diamonds, to an 18ct gold trace-link chain Dimensions:Length of pendants: 1.9cm & 1.6cm
White (Henry Kirke) - Clifton Grove a Sketch in Verse with other Poems, first edition, with advertisement for Vernor & Hood, original boards, soiled and worn, 8vo, London: Vernor & Hood 1803, John T Godfrey and James Ward - The Homes and Haunts of Henry Kirkwhite, 4to vellum, aeg, London 1908, Robert Southey - The Remains of Henry Kirk White of Nottingham, 7th edition, 2 vols in 1, London 1816 and - 6th edition, vol 1 only 1813 (4)
An ash comb back Windsor armchair, Thames Valley or Lincolnshire, first half 19th c, with spindle back, incurved arm supports, wavy birch comb and elm seat, on turned legs with crinoline stretcher, 43cm h Lacking one of the two back struts connecting the seat wedge to the comb, much encrusted with dirt and bird lime but original and unrestored, structurally sound
An ash ladder back armchair, Lancashire or Cheshire, late 18th c, rush seated, seat height 42cm, three ash hoop back Windsor side chairs, late 19th c, one with crinoline stretcher, elm seats and two beech and ash spindle or bar back kitchen chairs (6) The first much encrusted with dust and birdlime, the joints loose. The five other chairs structurally sound and relatively clean
An ash comb back Windsor armchair, Thames Valley or Lincolnshire, first half 19th c, with spindle back, incurved arm supports, wavy birch comb and elm seat, on turned legs with crinoline stretcher, 43cm h Lacking strut from one back leg, much encrusted with old dirt and grime, speckled with bird lime, slight movement but entirely original and unrestored
Two Victorian ash Windsor chairs, Thames Valley Region, with wheel splat and elm seat, one with yew wood arms, seat height 43 and 44cm First chair - localised worm damage to back hoop, seat edge and legs. One arm support with old damage and repair. Second chair - localised old worm damage, back hoop with old repairs, breaks. Back legs and one stretcher replaced
Two Royal Crown Derby paperweights of penguins and others the first standing penguin feeding its chick, the second emperor penguin standing proud, together with a puffin, pelican and walrus, all decorated in typical colours of green, brown and blue and heavily embellished with patterns and gilt decoration, each with gold stopper to the underside (5)the tallest 14cmCondition: All in good original condition with no major chips or cracks. The emperor penguin appears to have a little ding by the peak. Without their original boxes.
A collection of Belleek porcelain,later 19th century and later, including: a Tridacna pattern tea kettle, 1st period black mark to base; a Tridacna pattern teapot, 2nd black mark to base, both with pink decoration; six Neptune pattern tea cups and saucers, green mark to base, with opalescent yellow decoration; a Shell pattern tea cup and saucer, green mark, with pink decoration; a flower shaped cup and saucer; a First period woven basket, encrusted with floral and foliate decoration, impressed stamp to base; a model of a pig, with green stamp together with a Royal China Works Worcester wall pocket, in the form of a shell, (13)the basket width 31cm Condition: Good condition overall - some discolouration to some pieces - one teapot with small chip to inside lid.
A Royal Doulton Flambe Peruvian penguin, designed by Charles Noke, bearing stamp to base and signature, together with a Royal Doulton Flambe model in the form of a pair of huddling penguins, stamped to base and impressed 108 and a further Royal Doulton Flambe model of a penguin, (3) the first height 22.5cmCondition: Peruvian Penguin - good condition overall, Noke signature feint. Penguin - good condition overall fault / crack visible to foothuddling penguins - mark/ fault visible to front right penguin.
A collection of seven pieces of Moorcroftincluding: two 'African Lily' pattern vases, design slightly differing each decorated against a blue green ground; a miniature 'Pomegranate' pattern baluster vase; two 'Spring Flowers' patterned ashtrays, one decorated against blue green ground, the other a green ground; a 'Poppy' pattern candlestick and a 'Columbine' pattern vase, all bearing impressed makers marks (7)the first height 10.75cmCondition: African Lily vases - generally good orderPomegranate - Broken and piece missing Ashtrays - blue green ground chipped, the other generally good orderCandlestick - Broken cracked and gluedColumbine vase - generally good order.
A collection of six pieces of Murano and Mdina type art glass,including: a large Murano Sommerso type vase, of flared form, in blue and amber colour; a signed Mdina glass vase, blue green colour of globular form; a cylindrical signed Mdina vase; a signed Mdina fish type paperweight; an art glass jug, in yellow brown coloured glass and a blue aventurine glass scent bottle, (6)the first height 24cm Condition: Overall condition good - some pieces with flaws visible. The larger Murano vase measures height 24cm, width 32.5cm, depth 11cm. In good condition overall and with some scratches to its base, as you would expect. See images.
A late 19th century bottle glass dump paperweight, by J. Kilner, Wakefield, with three red centred flowers, marked to base, together with a 19th century green glass dump paperweight, with ten flowers in a vase, (2)the first height 13.5cmCondition: Both overall good condition - the second with chipped rough mark to base - both with minor surface scratches. The first base mark miss struck
A Victorian figured walnut and parquetry banded writing slope and a Regency mahogany sarcophagus shaped tea caddyfirst with fitted interior and blue tooled velvet and gilt tooled Morocco writing surface, brass shield shaped escutcheon and reserve, second two division interior with lids, on compressed ball feet, (2)first width 35 cm.Condition: First in good condition with key. Some discolouration to velvet. Small loss near one hinge. Caddy in good condition

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596772 item(s)/page