London. Lysons (Rev. Daniel), The Environs of London, two volumes issued and bound as four parts as per, second edition, [with] An Historical Account of Those Parishes in the County Middlesex, which are not described in The Environs of London, first edition, London: T. Cadell and W. Davies, 1811 & 1800, the two first parts of the Environs with additional engraved title-pages with named-view vignettes, the Historical Account with engraved title-page only, full-page engraved plates and maps, a few folding, some toning and marking in places, but good copies, uniformly bound in slightly later 19th c tan morocco gilt over cloth boards, 4to, (5)
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Debtors' Prisons. Report from the Committee on The King's Bench, Fleet, and Marshalsea Prisons, &c. (Communicated by the Commons to the Lords.) Ordered to be printed 1st June 1815. 268pp, 2 folding engraved plates of floor plans over two stories, with contemporary hand-colouring in wash, Birmingham Law Society copy, their Victorian cloth binding, their neat stamp to title-page and first leaf of the report, 20th c reback with gilt-lettered morocco piece, folio (33.5 x 22.5cm); Treaties, Constitutional and further Legal History: [Rymer (Thomas) & Sanderson (Robert, editor)], Foedera, volume XIX only: 1628-1635, London: J. Tonson, 1732, imprimatur leaf, black-ruled title-page, double-column, ex-Public Record Office copy, their black cloth binding and bookplate, folio (37.5 x 24cm); & an early 20th c ledger, barely-inscribed with manuscript, contemporary red quarter-roan over moiré boards, somewhat worn, marbled edges and endpapers, folio (33.5 x 22cm), (3)
Art. Bosse (Abraham), Moyen universel de pratiquer la perspective sur les tableaux, ou Surfaces Irregulieres [...], two parts in one, first edition, Paris: Chez ledit Bosse, en l'Isle du Palais, 1653, additional engraved allegorical title-page, engraved divisional title, complete, collating: [ii], 79, [1] (imprimatur), illustrated with 31 engraved diagrams, one of which is folding, erased title-page ownership inscription, two or three foxed spots, a quarter of the leaves' fore-edges with slight vertical chips, never with loss of letters and not affecting the plates, contemporaneous vellum over stiff boards, warped and bowed, 8vo in 4s
Polynesia. English School, first-half 19th c - Tahaitanani, Queen of the Marquisas (sic; Marquesas) Islands in the Pacific, an ethnographic study of one of her legs and their tribal tattoos, titled and dated 1839, pen-and-ink on paper, picked out in blue-grey wash, 34.8 x 20.8cm Drawing and colouring in good order. The sheet with some toned portions, signs of marginal handling. The lower-right edge with a corner stain. Please see images.
Wales. Madame de Sévigné and Her Contemporaries, two-volume set, first edition thus, London: Henry Colburn, Publisher, 1841, uniformly bound in contemporary red quarter-calf over marbled boards gilt, unusual sewn-in silk bookmarks, 8vo, (2) Provenance: Diana, Lady Hamlyn-Williams (née Whitaker; 1766-1849), married Sir James Hamlyn-Williams, 2nd Baronet (1765-1829), of Edwinsford, Carmarthenshire, and Clovelly Court, Devon, sometime MP and High Sheriff of Carmarthenshire; each pastedown with her monogrammed book label and with her ink manuscript ownership inscription: Lady Hamlyn-Williams/Norwood [Surrey] Jan:y 1842, the ffep of volume I with a pen-and-ink and pencil sketch of a cottage orné, almost certainly by her hand.
Fletcher (Phineas) & (Giles), The Purple Island, or The Isle of Man. An Allegorical Poem. To which is added Christ's Victory and Triumph, a Poem, two parts in one, first edition thus, London: Printed by Frys & Couchman, et al, 1783, general and divisional title-pages, contemporary calf, rebacked, 8vo Provenance: Benjamin Giles King, linked to financial interests in slavery; early 19th c crested bookplate to pastedown.
Arthurian Fantasy Fiction. White (T.H.), The Witch in the Wood, first UK edition, London: Collins, 1940, half-title, original publisher's pictorial dustjacket, spine with chipped head, some further minor losses, preserved under a later transparent wrapper, grey cloth, top edge green, contemporaneous papered slipcase, with green morocco fore-edge, 8vo Provenance: Ex Libris Eric Gordon Lawrence (1923-2009); armorial bookplate to recto pastedown. The second title in the Once and Future King series, being the successor to The Sword in the Stone.
James Bond, 007. Fleming (Ian), Thunderball, [&] You Only Live Twice, each first editions, first impressions, London: Jonathan Cape, 1961 & 1964, each with their original pictorial dustjackets designed by Richard Chopping, both with varying degrees of worn losses, with You Only Live Twice being the most affected, original black publisher's cloth, with evident wear from reading and handling, Thunderball's fore-edge with three or four chipped &/or creased leaves, yet strictly marginal when present, and a Ludlow Grammar School prize bookplate to ffep, 8vo, (2)
Cornwall. Tregellas (J.T.), Cornish Tales, in Prose and Verse, first edition, Truro: James Netheron, 1865, original yellow pictorial wrappers, preserved in contemporary black half-roan over marbled boards, chipped and split, but holding, 8vo; Bottrell (William) & Blight (Joseph, illustrator), Traditions and Hearthside Stories of West Cornwall, Second Series, first edition, Penzance: Printed, for the Author, by Beare and Son, 1873, split but holding firm, original publisher's green cloth, uncut, contemporary bookseller's ticket: J.A.D. Bridger of Penzance, 8vo; Forfar (William Bentinck), Pentowan: or, The Adventures of Gregory Goulden, Esq., and Tobias Penhale. A Cornish Story, first edition, Helston: R. Cunnack, et al, 1859, original publisher's blue cloth, pictorial gilt, uncut, some wear and slight twist, 8vo; North (I.W., Chaplain), A Week in the Isles of Scilly, first edition, Penzance: Printed and published by E. Rowe and Son, et al, 1850, lithographed named-view plates, split and loose, some foxing, original publisher's blue cloth, split and disbound, 8vo; Harris (J. Henry), The Luck of Wheal Veor, Truro: Joseph Pollard, et al, 1901, original cloth, slight twist, 8vo; Blight (J.T.), A Week at The Land's End, Truro: Lake and Lake, et al., 1876, lithographed frontispiece and title-page, folding map, original cloth, lacking ffep, 8vo; Ballantyne (R.M.), Deep Down: A Tale of the Cornish Mines, London: James Nisbet & Co., 1875, original publisher's green cloth, refreshed with later endpapers, 8vo; Cornish Tales, in Prose and Verse [...], London: Madgwick, Houlston & Co., n.d. [c. 1890-1900], original pictorial wrappers, crudely held together with tape, some movement, slight chips, 8vo; Quiller-Couch's Ancient and Holy Wells, 1894, cloth, 8vo; further folk lore; other provincial Truro imprints; Robert Hawker; Bernard Moore; etc., mixed bindings and sizes, (22)
Scotland. An early 18th c commonplace book, n.d., inscribed with five distinct manuscripts in various hands, comprising 1) The Scot Litany, [3]pp, being a satire on both the Act of Union (1707) and the Church of England meeting the Presbyterian Church of Scotland; 2) You coman and pears [...], [2]pp of verse; 3) The new way ye lass of Pegges Mill (sic), [2]pp, a ballad of 4 stanzas; 4) The Laasst I came O'er the Muir, [2pp], a ballad of 5 stanzas; & 5) O where ha you been Lord Randal my son, [2]pp, a rendition of the Anglo-Scottish Border ballad, the remaining leaves blank, contemporary calf over boards, rubbed, worn and slightly chipped, lower-cover detached, oblong 4to Collector's palaeographic MS. Note viz. its known provenance and contents to ffep, including: [...] The Contents [...] The first four appear to have been written in or soon after the year 1710, but the fifth seems to me be in a hand considerably later, although the ink is quite as much faded. This version of Lord Randal is not identical with any of those already known to me in print. Wm. Macmath, Edinburgh, 4th May 1880. Provenance: 1) Charles Mackie /19 Aug:t 1808, scratched ownership inscription inscribed to lower-cover; 2) Adam Smail, Bookseller, Edinburgh, bought by; 3) William Macmath FSA (Scot) (1844–1922), scholar and collector of Scottish ballads and manuscripts; his Note to ffep dated Edinburgh, 4th May 1880 - presumably contemporary to purchase, as well as his bookplate to recto pastedown, and ownership inscription to verso pastedown. 4) William Saunders / Hys Booke (sic), early-mid 20th c pictorial bookplate to ffep.
Military History. Gneisenau (General Count, translator), The Life and Campaigns of Field-Marshal Prince Blücher, first edition thus, London: Sherwood, Neely, and Jones, 1815, portrait frontispiece, folding and full-page maps, contemporary quarter-roan gilt over marbled boards, 8vo; Maxwell (Herbert), The Life of Wellington, two volume set, fourth edition, London: Sampson Low, 1900, plates, original publisher's red cloth gilt, top edges gilt, 8vo; The Battle of Waterloo, fourth edition, London: J. Booth and T. Egerton, 1815, stained folding plates, original publisher's boards, split and loose, uncut, 8vo; Seeley's Life and Times of Stein, three volume set, first edition, Cambridge University Press, 1878, plates, original publisher's cloth, 8vo; Napier's Peninsular War, six volume set, Chandos Classics, n.d. [c. 1900], original publisher's cloth, top edges gilt, others uncut, 8vo; Oman's Peninsular War, seven volume set, Oxford: Clarendon Press, 1902-30, ex-library copies, red cloth, wear, 8vo; Alison's History of Europe, 1774-1815, twenty volume set, seventh edition, 1847-48, original publisher's cloth, wear, uncut, 8vo; Johnston (Alex. Keith), Atlas to Alison's History of Europe, Library Edition, 1875, original publisher's cloth, rebacked, later endpapers, oblong 4to; Wilson (General Sir Robert), Narrative Of Events during the Invasion of Russia by Napoleon Bonaparte and the Retreat of the French Army 1812, London: John Murray, 1860, contemporary quarter-calf, worn and perished, but holding, 8vo; A Report from the Committee, Appointed to Consider The State of His Majesty's Land Forces and Marines, [...], with an appendix, s.l, [London]: s.n., 1746, later marbled wrappers, folio; Cobbett's Political Register, Volume VI only: July to Decemeber, 1804, contemporary russia over papered boards, split, perished spine, 8vo; etc., (54) Provenance: 4th: The Reverend Thomas Worsley (1797-1885), Master of Downing College, Cambridge; crested bookplates to pastedown.
Theatre. A sammelband of seven plays, 18th c, comprising: 1) Griffith (Mrs. Elizabeth), The Times: A Comedy,first edition, London: Fielding and Walker, et al, 1780, lacking half-title; 2) Colman (George), The Jealous Wife, first edition, London: Printed for J. Newbery, et al, 1761, lacking half-title; 3) Mason (William), Caractacus, York: Printed by A. Ward; et al, 1777, half-title; 4) idem, Elfrida, second edition, London: J. and P. Knapton, 1752, lacking half-title, red and black title-page; 5) [Martyn (Benjamin)], Timoleon. A Tragedy, first edition, London: J. Watts, 1730; 6) Dodsley (Robert), Cleone, first edition, London: R. and J. Dodsley, 1758, [&] 7) [Mallet (David)], Mustapha, first edition, London: A. Millar, 1739, each drama bound together in later 18th c sheep over marbled boards, split and worn, holding, 8vo; [&] [Walpole (Horace)], The Castle of Otranto, a Gothic Story, fourth edition, London: Printed for J. Dodsley, 1782, half-title, contemporary calf, split and boards loose, spine worn, ffep with a 19th c MS ownership note as to the provenance of the volume, via the Molyneux and later Plumptre families of Paulton Manor, near Cirencester, Gloucestershire, and then the Carters, their 20th c armorial bookplate, 8vo, (2)
Military. Gunpowder: An Abridgment and Abstract of the Laws Relating to the Ordnance, first edition, London: Printed by J. Tonson in the Strand, 1725, half-title, black-ruled title-page, [iv], 101, [7]pp (tables); [bound with] Articles of War/Rules and Articles For the better Government of our Horse and Foot-Guards, And all other Our Land-Forces In Our Kingdoms of Great Britain and Ireland, And Dominions beyond the Seas, first edition, London: Printed by John Baskett, et al, 1725, half-title, black-ruled title-page, [viii], 38pp, the sammelband possibly a presentation copy, bound in contemporary armorial calf, the covers blocked in gilt with the Board of Ordnance/Ordnance Office's coat of arms, the boards split and crudely tacked-on with sellotape, some chipped losses, loosely-inserted printed and manuscript slip from Sotherans, 8vo Provenance: The Cottesloe Military Library; sold Sotheby's, London, 19th November 2019, lot 231 (1 of 10)
Cookery. Simmons (Owen), The Book of Bread, first edition, one of 350 Edition de luxe copies, London: Maclaren & Sons, Offices of "The British Baker", n.d. [1903], red-ruled throughout, half-title, photographically-illustrated with 10 tipped-in silver bromide prints on black card, further illustrated with 12 chromolithographed plates and further in-text illustrations, advertising leaves and list of subscribers to verso, original red morocco over slightly bevelled boards, rubbed and worn, but holding, gilt-lettered upper-cover, all edges gilt, marbled edges, 4to
Local Interest. Blackner (John), The History of Nottingham, embracing its Antiquities, Trade, and Manufactures, from the Earliest Authentic Records, to the Present Period, first edition, Nottingham: Printed by Sutton and Son; et al, 1815, aquatint named-view frontispiece, further full-page plates throughout, contemporary Regency black calf gilt over marbled boards, folio (31 x 25cm); Romanticism: Godfrey (John T.) & Ward (James), The Homes and Haunts of Henry Kirk White, with Some Account of the Family of White, of Nottingham and Norfolk, deluxe large paper copy printed on Japanese vellum, London: Simpkin, Marshall, Hamilton, Kent & Co., Ltd., Nottingham: Henry B. Saxton, 1908, half-title, plates and in-text illustrations, contemporary vellum gilt over cloth boards, morocco lettering piece somewhat scuffed, top edge gilt, Nottingham Mechanics' Institution Reference Library bookplate to pastedown, 8vo (27.5 x 18.5cm); [&] Stretton (William, of Lenton Priory), The Stretton Manuscripts: Being Notes on the History of Nottinghamshire, one of 100 copies only, Nottingham: Privately Printed, 1910, frontispiece and in-text illustrations, original blind-ruled reverse calf, lettered in gilt and blocked with a coat of arms, top edge gilt, others uncut, 4to, (3)
Art. [Aglionby (William)], Painting Illustrated in Three Dialogues, Containing some Choice Observations upon the Art. Together with The Lives Of the Most Eminent Painters [...], With an Explanation of the Difficult Terms, second edition of the first systematic treatise on the history and criticism of painting in English: also containing the first English translation of eleven of Vasari's Lives, London: Printed by John Gain, for the Author, And are to be Sold by Walter Kettilby, at the Bishop's Head, in St. Paul's Church-Yard, 1685, imprimatur leaf, black-ruled title-page printed in red and black, [38], 194pp, signatures collating: π⁵ a-c⁴ d² A-Z⁴ ²A-Z⁴ ³A-B⁴ ³C², all before [a4] repaired, some further discreet repairs in places throughout, some contemporary and later manuscript annotations and corrections in places throughout, in-keeping 20th c calf, panelled in blind, six-compartment spine of raised bands, lettering piece in the second, uncut, later endpapers, 4to Provenance: John Griffiths [of] Bickton (sic; Bicton, South Shropshire); title-page with contemporary 17th c ink MS ownership inscription, some of the annotation apparently in his hand.
Children's Books. Wain (Louis), Music in Pussytown, [from Father Tuck's "Wonderland" Series], first edition, London: Raphael Tuck & Sons Ltd., n.d. [c.1910-20], printed in polychrome with in-text illustrations and full-page plates, original printed pictorial wrappers over limp card, worn with some slight losses, oblong 4to
Illustrated Books. Lang (Andrew, editor) & Ford (H.J., illustrator), The Lilac Fairy Book, New Impression, London: Longmans, Green and Co., 1914, half-title, 6 coloured plates as called for, further monochrome plates and in-text illustrations, original publisher's lilac cloth, pictorial decorated in blind and gilt, top edge gilt, refreshed endpapers, contemporaneous ink MS ownership inscriptions to ffep, 8vo; & The Inklings: Tolkien (J.R.R.) & Baynes (Pauline Diana, illustrator), Farmer Giles of Ham, first edition, seventh impression, London: George Allen & Unwin Ltd., 1970, printed by photolithography, colour plates and monochrome in-text illustrations, original pictorial dustjacket, price-clipped and somewhat stained, over orange cloth, 8vo, (2)
Pamphlets. [William Camden] Oratio in memoriam clarissimi viri Guilielmi Camdeni [...], [London]: s.n., [1623], 4pp, disbound, 4to; [Politics] Morris (William), How I Became a Socialist. With some account of his connection with the Social-Democratic Federation. London: Printed and Published by the Twentieth Century Press, Limited, October, 1896, title-page with portrait of the author, the tract loose from the original wrappers, the latter chipped in places, 8vo; Shakespeare (William), Hamlet, London: Bradbury and Evans, 1859, later wrappers, 8vo; another two plays, Otway (Thomas), Titus and Berenice, a tragedy. With a Farce call'd The Cheats of Scapin, two parts in one, [London]: J. Tonson, 1734, frontispiece, disbound, 8vo; Brough (Robert R.), Alfred the Great, London: Thomas Hailes Lacy, n.d., [1860], later wrappers, 12mo in 6s; Anon, A Letter from a Curate of Suffolk to a High-Church Member [...], first edition, London: s.n., 1712, disbound, 8vo; Johnson (The Late Rev Samuel), An Answer to the History of Passive Obedience, just now reprinted under the Title of a Defence of Dr. Sacheverell, London: Printed by John Darby, 1700, disbound, 8vo; Anon, Some Short and Plain Directions For the Spending of One Day well [...], seventh edition, London: T. Trye, 1741, disbound, 8vo, (8)
Royalty. Charles III, HRH The Prince of Wales Watercolours, half-title signed and dedicated with an autograph inscription by the now King: For Julian - With very best wishes for Xmas 1991 from Charles, first edition, London: Little, Brown and Company, 1991, colour illustrations, original pictorial dustjacket over grey cloth, some slight wear, oblong 4to Provenance: Julian Bicknell (b. 1945), New Classical architect and designer of the Palladian Henbury Hall, Cheshire; a signed and dedicated copy presented to him by the King as Prince of Wales at Christmas, 1991, during which time Julian Bicknell was much involved in the Prince's Institute of Architecture as a trustee, as well as member of their academic board and a tutor in London and the summer schools in both France and Italy.
Miniature Books. Gigantick (sic) History, Volume the Second. Which completes The History of Guildhall, London. With other curious Matters. The Second Edition. London: Printed for Tho. Boreman, nears the giants in Guildhall, and at the Boot and Crown on Ludgate-hill, 1741, architectural woodcut frontispiece, black-ruled title-page, decorative vignettes, complete, collating: A-H⁸; [v], vi-xxiv, [25]-128, inclusive of subscribers list and publisher's advert, frontispiece a trifle stained, the title somewhat soiled, the latter with one hole at the opening T of the fifth line, otherwise generally fresh, contemporary embossed papered boards, somewhat worn, perished spine, holding with some slight movement, lacking ffeps, recto of frontispiece with indistinct 19th c ownership inscription dated 1845, 32mo (6 x 4.6cm) A rarity from arguably the first English publisher of children's books, and a forerunner, along with the rest of the Boreman's Gigantick Histories series (1740-42), of Newbery's Lilliputian Magazine (1752); commonly held to be the first secular children's chapbooks.
Derbyshire. Hutton (William, FASS), The History of Derby; from the Remote Ages of Antiquity, to the Year MDCCXCI. Describing its situation, air, soil, water streets, buildings, and government. With the illustrious families which have inherited its honours. Also, the ecclesiastical history, the trade, amusements, remarkable occurrences, the eminent men, with the adjacent seats of the gentry, first edition, London: Printed by J. Nichols, et al, 1791, [xvi], 320pp, folding frontispiece panorama (The East Prospect of Derby), folding plan of the then town, and 17 full-page named-view topographical plates, all of which are engraved by Robert Hancock after George Moneypenny, contemporary speckled calf, some light wear, but holding, gilt-lettered red morocco piece, 8vo
Children's Books. The New Adventures of Rupert, being the first Rupert annual, Daily Express Publications, Printed in Great Britain by Greycaine Limited, Watford, n.d. [1936], lacking all before contents, internal chipping, mostly principally marginal, further wear, split with movement, original red pictorial cloth only, worn, but OK-good, 4to in 8s; another 30 Rupert Annuals, 1946-1970, various states, original bindings, 4to; 16 reproductions, various, 4to, (47)
Military. [Crimean War] Rhodes (Captain Godfrey, 94th Regiment of Foot), A Tour of Military Inspections in various parts of European Turkey [...], first edition, London: Longman, et al, 1854, including a detailed description of Turkish baths, folding plan, 20th c institutional red cloth, one or two library stamps, 12mo; [RAF in Second World War] Richards (Denis), Royal Air Force, 1939-1943, three volume set, mixed editions and impressions, London: Her Majesty's Stationery Office, 1953, original publisher's dustjackets over cloth, card boxes of issue en suite, 8vo; Captivité, Paris, 1940, lithographs of prisoners-of-war, original wrappers, worn and split, 4to; 1992 facsimile reprints of Napier's History of the Peninsular War, third edition, 1835, six volume set, dustjackets over black cloth boards, 8vo; etc., (14)
Bindings & Bibliophily. Auction catalogue: Messrs Sotheby & Co:~ Catalogue of Valuable Printed Books and Fine Bindings, from the Celebrated Collection: The Property of Major J.R. Abbey, [Part I], June 1965, colour frontispiece, further monochrome plates and in-text illustrations, tipped-in errata, loosely-inserted prices and buyers' names, finely bound in contemporaneous brown calf gilt over marbled boards, 4to; Bouchot (Henri), Les Ex-Libris, et Les Marques de Possession du Livre, first edition, copy no. 673/750, Paris: Édouard Rouveyre, Éditeur, 1891, additional pictorial title, 104, [4]pp, lithographed illustrations, finely bound in English quarter-vellum gilt over marbled boards by Birdsall & Son, Northampton, signed ffep, top-edge gilt, others trimmed, marbled endpapers, 12mo in 6s, (2) Provenance: 2nd: 1) Isambard Kingdom Brunel Junior (1837-1902); bookplate. 2) Peter Summers, FSA; Reynolds Stone calligraphic book label. 3) Peter Lionel Allpress (1922-2014); armorial bookplate.
[Pezzi (Lorenzo)], Vinea Domini: cum breui descriptione sacramentor[um] et Paradisi, Limbi, Purgatorij, atq[ue] Inferni, à cathechismo catholicis q[ue] patribus excerpta, first edition, Venetiis [Venice]: Apud Hier. Porrum [i.e. Girolamo Porro], 1588, engraved title-page, historiated and foliated initials, decorative headers and footers, complete, collating: A⁸ *-**² B-M⁸ N⁷ i.e. [xxiv], 59, [1] (errata), [1] (colophon), [3] (blanks), [61]- 186pp, illustrated with 13 engravings, including the double-page Last Judgment, ffep and first two leaves with worm trails to inner-gutter, quire E just holding, the well-proportioned lower-margin from G6 to the end with a graduating and then fading worm trail, never approaching letters, some minor handling marks in places, contemporary vellum over limp boards, beginning to split, but holding well, recto pastedown with contemporaneous ink MS ownership? inscription, verso with MS numbering, 8vo
Children's Book. Potter (Beatrix), The Pie and The Patty-Pan, first edition, London: Frederick Warne and Co., [printed by] Edmund Evans, The Racquet Press, 1905, colour frontispiece and 9 full-page illustrations, b/w in-text illustrations, gutter splits but holding, original publisher's blue-grey boards, inset illustration of a cat, lettered upper-cover and spine, the binding with signs of light wear, bumped, sunned/faded in places, slight twist, lavender endpapers, ffep clipped with loss, small 4to, [Linder p.425; Quinby 9]
Smith (Wilbur), a collection of seventy-eight works, comprising Pharaoh, signed by the author, limited edition copy no. 638/1000, HarperCollins, 2016, original publisher's black cloth pictorial gilt, all edges gilt, red cloth slipcase en suite, gilt with Ancient Egyptian hieroglyphs, 8vo; Assegai, signed limited edition, unopened in wrap of issue, Macmillan, 2009, dj, hb, 8vo; twenty-six further signed &/or dedicated first editions, including On Flinders' Face, original wrappers, 12mo; When the Lion Feeds, first edition, Heinemann, 1964, original dustjacket, somewhat worn, cloth boards, 8vo; five further first editions from the Heinemann imprint, including their own office's file copy of Cry Wolf, 1976, dj, hb, 8vo; six uncorrected original proof copies, publisher's pictorial wrappers, mixed sizes; further modern firsts, original publisher's bindings, principally hardback, mostly 8vo; The Early Years Collection, signed and dedicated DVD-CD boxset, original case, (78)
China. Howard (David) & Ayers (John), China for the West: Chinese Porcelain & other Decorative Arts for Export illustrated from the Mottahedeh Collection, two volume set, first edition, London & New York: Sotheby Parke Bernet, 1978, colour and monochrome in-text illustrations, original pictorial dustjackets, somewhat tatty and worn, but holding, over blue cloth gilt, folio (34 x 25cm); Brinker (Helmut), Lutz (Albert), & Swoboda (Susanna, translator), Chinese Cloisonné: The Pierre Uldry Collection, New York: The Asia Society Galleries, 1989, illustrated, dustjacket over cloth boards, 4to; & two Christie's auction catalogues, Fine Chinese Ceramics, Hong Kong, 8th October 1990, & Fine Japanese Works of Art, London, 5th-7th June 1990, original wrappers, 4to, (5)
Art. Raphael (Sanzio da Urbino), Imagines Veteris ac Novi Testamenti...in Vaticani Palatii Xystis, Rome: J. Jacobus de Rubeis, 1675, dedication and title leaves engraved by Pietro Aquila, 48 plates of Old Master engravings of Vatican frescoes (of 52), broad margins, inner top and bottom margins stained, yet never affecting in or near the image of the plates and growing fainter throughout, though the first two engraved leaves somewhat affected, no. 16 fore-margin with torn loss just touching within the plate, no. 29 loose and its edges tatty, contemporary Italian vellum over boards, worn, chipped and split, but holding, oblong folio (39 x 49.5cm)
India, Hindu Philosophy. Samkhyakarika: Colebrooke (Henry, Thomas, translator) & Wilson (Horace Hayman, MA, FRS, translator), The Sánkhya Káriká, or Memorial Verses on the Sánkhya [Samkhya] Philosophy, By Íswara [Isvara] Krishna; Translated from the Sanscrit [Sanskrit], Also The Bháshya or Commentary of Gaurapáda; Translated, and Illustrated by an Original Comment [...], first English editions of each text, Oxford: Printed for the Oriental Translation Fund of Great Britain and Ireland, by S. Collingwood, Printer to the University, 1837, engraved title-page vignette, xiv, 194, [56], [4]pp (publisher's catalogue), later 19th c cloth by Palmer Howe & Co of Manchester, their stamp to ffep, spine with retained sectional chip, folio (28 x 22.5cm) Provenance: 1) Louis Casartelli (1852-1925), fourth Roman-Catholic Bishop of Salford (1903-1925), scholar and polyglot, elected to The Royal Asiatic Society of Great Britain and Ireland; his pictorial bookplate enclosing a portrait of Dante to pastedown, E Bibliotheca L.C. Casartelli, No. 4395, his library stamp to title-page: L.C. CASARTELLI/No 202 OR, and gilt L.C.C. monogram to base of spine. 2) Later sold by Arthur Probsthain, Oriental Bookseller, 41 Gt. Russell Street, London WC1B 3PL; 20th c bookseller's ticket to pastedown.
Senca & L'Estrange (Sir Roger, Knt, translator), Morals, By Way of Abstract. To which is added, A Discourse Under the Title of an After-Thought. London: Printed for E. Ballard, et al, 1775, engraved plates, 19th c pencilled manuscript annotations, contemporary sheep, rebacked and recornered in conforming 19th c sheep, split and holding, 12mo; Montesquieu's Spirit of Laws, volume II only, fourth edition thus, Edinburgh: A. Donaldson, 1768, 20th c quarter-calf over marbled boards, 8vo in 4s; Dickens (Charles), The Life and Adventures of Martin Chuzzlewit, first "Cheap" edition, London: Chapman and Hall, 1850, double-column, half-title, lacking frontispiece, otherwise unexamined, contemporary green quarter-morocco gilt over marbled boards, marbled edges and endpapers en suite, 8vo; Motte-Fouqué (Friedrich de la) & Montolieu (Isabelle, translator), Ondine [Undine], third French edition, Paris: Arthus Bertrand, 1822, finely bound in English Regency grey faux straight-grained morocco gilt, marbled edges, purple endpapers, contemporaneous printed calligraphic book label: C.J. Ellis, 8vo; Kipling's The Five Nations, first edition, London: Methuen and Co., 1903, fine binding of brown morocco gilt, splitting, some further wear, all edges gilt, doublures, marbled endpapers, 8vo; 1933 Surtees in Hatchards' red half-morocco, 8vo; Samuel Rogers; four odd volumes of Gibbon's Decline & Fall, 8vo; calculus; etc., miscellaneous leather and part-leather bindings, mixed sizes, (17) Provenance: 1st: John Thomas Hope (1761-1854); armorial bookplate to pastedown, presumably his annotated marginalia.
Shakespeare. Paton (Sir J. Noël, RSA, illustrator), The National Shakespeare: A Fac-simile of the Text of the First Folio of 1623, three volume set, London: William Mackenzie, n.d. [1888-89], black-ruled double-column, photogravure plates, original publisher's green cloth, pictorial gilt, slight wear, top edges gilt, others uncut, folio (41.5 x 27cm); Staunton (H., editor), Memorials of Shakespeare [...] Reproduced in Exact Fac-simile by Photo-lithography [...], first edition, London: Day & Son, n.d. [1864], split, original publisher's cloth, Cambridge Free Library: Shakespeare Library Shelf 26 No. 19, label, folio (39.5 x 25.5cm); [&] Crane (Walter, illustrator), Eight Illustrations to Shakespeare's Tempest, London: Dallastype Press, 1893, loose gatherings as issued, original publisher's cloth portfolio, folio (38 x 31cm), (5) Withdrawn ex-library stock, with their bookplates and labels, stamps &/or stickers. Some stamps might affect letterpress or plates. Unexamined and sold with all possible faults and not subject to return.
Virgil & Palmer (Samuel, translator & illustrator), An English Version of The Eclogues, first edition thus, presumably one of the 135 large paper copies, yet lacking the numbered leaf or any inscription to that effect, London: Published by & Seeley & Company, 1883, half-title, xv, 102pp, 14 plates after Palmer, 5 of which are etchings as called for, minor and occasional finger soiling, an occasional foxed spot or two, contemporary vellum over slightly bevelled boards, covers blocked in gilt with armorial supralibros of New College, Oxford, lettered olive green morocco pieces, top edge gilt, others uncut, marbled endpapers, 8vo (32.5 x 23cm) Provenance: The Reverend Canon Sydney Cooper (1862-1942), matriculated New College, Oxon, 1880, later vicar of St Probus, Truro, Cornwall, and later chancellor and canon emeritus of Truro Cathedral.
Children's Book. Blyton (Enid) & Evans (Treyer, illustrated), The Christmas Book, signed by the author and with related ALS, first edition, London: Macmillan and Co., Limited, 1944, b/w frontispiece and in-text illustrations, half-title inscribed by the author: G.H. Gray/Best wishes from/Enid Blyton, original publisher's pictorial dustjacket over green cloth gilt, slight wear, top edge stained a yuletide green, pictorial endpapers, 8vo, enclosing a loosely-inserted autograph letter signed by the author, manuscript on Green Hedges writing-paper, dated December 13. 44, thanking Gray for the copies of their poems, and for their letter which, judging by Blyton's reply, presumably was in praise of this book, before signing off Yours sincerely/Enid Blyton, EB wishes the boy or a girl: a very happy Christmas, (2)
Illustrated Books. Robinson (Charles, illustrator) & Jerrold (Walter, editor), The Big Book of Fairy Tales, first edition thus, London: Blackie and Son Limited, 1911, monochrome plates and in-text illustrations, slight foxing and creases in places, original publisher's blue cloth pictorial gilt, some wear and stains to covers, 4to; Detmold (E.J., illustrator), The Arabian Nights, first edition thus, London: Hodder & Stoughton, n.d. [1924], colour plates, original pictorial cloth gilt, 4to; Maeterlinck (Maurice), Teixeira de Mattos (Alexander, translator), & Detmold (E.J., illustrator), Hours of Gladness, first edition thus, London: George Allen, 1912, some upper-marginal staining, not affecting letters, colour plates and b/w illustrations, original pictorial cloth gilt, 4to; [Campbell-Blair (Edith)] Three Stories by MOY, first edition, London: John & Edward Bumpus Ltd., 1939, b/w illustrations, original grey over red cloth, uncut, 4to; Pogany (Willy, illustrator) & FitzGerald (Edward, translator), The Rubáiyát of Omar Khayyám, London: George G. Harrap, n.d., lacking some tipped-in colour plates, original publisher's binding, uncut, 8vo; Heath Robinson's Hans Andersen's Fairy Tales; other illustrators, including Margaret Tarrant and F.D. Bedford, etc., mixed sizes, (9)
Geology. Mantell (Gideon Algernon, LLD, FRS), Thoughts on a Pebble, or, A First Lesson in Geology, Eighth Edition; with Thirty-two Illustrations. London: Reeve, Benham, and Reeve, 1849, half-title, portrait frontispiece, black-ruled, xiii, [1], [5]-102, [8] (publisher's catalogue), 4 hand-coloured lithographed plates, monochrome in-text wood engravings, gutter split at title-page, yet holding firm, original publisher's blue cloth gilt, blocked in blind, upper-joint split, chipped spine, but holding, yellow endpapers, with the original yellow pictorial cover of Mantell's Catalogue of the Museum (Lewes: Castle Place, 1829) loosely-inserted, retaining ffep with a contemporary presentation inscription from the author: Miss Lo**dell with Mr Mantell's Compl:ts, further pencil MS provenance inscriptions, square 12mo in 6s Provenance: Robin de Beaumont (1926-2023), bibliophile, President of The Private Libraries Association and benefactor to The British Museum; his book label.
Architecture. Fréart (Roland, sieur de Chambray) & Evelyn (John, FRS), A Parallel of the Ancient Architecture with the Modern [...], To which is added an Account of Architects and Architecture, [...], With Leon Baptista Alberti's Treatise of Statues, two parts, second edition thus, London: Printed for D. Brown, et al., 1707, title and divisional title-page, the latter dated 1706, [xx], 115; [vi], 75, [1] (publisher's advert), the first part with engraved full-page illustrations and diagrams, line and wood-engraved vignettes, some staining, mostly marginal but touching some letters and illustrations, contemporary panelled calf, covers detached, slightly rubbed, folio (36 x 24cm), [Harris 232]
GÄSTEBUCH MIT UNTERSCHRIFTEN VON SPITZENPOLITIKERN UND MONARCHENGästebuch der Österreichischen Motorisierten Verkehrstruppe mit 34 anlässlich der Lotsungen im Rahmen von Staatsbesuchen geleisteten eigenhändigen Unterschriften internationaler Politiker, Monarchen und deren Familienmitgliedern. (Wien), 1957-1962. 18,1 x 14,3 cm. 106 Bll. (davon 21 mit Eintragungen). Ldr. mit reicher Goldverzierung auf dem Vorderdeckel und zentral montiertem goldfarbenen Papiermedaillon mit rotem Bundesadler.(Berieben. Innen papierbedingt etwas gebräunt. Einzelne Blätter im Unterrand gering braunfleckig. Name des Beförderten, Anlass des Besuchs und Datum von unbekannter Hand in Versalien in schwarzer oder blauer Tinte meist beigeschrieben.) Enthält die Unterschriften folgender Persönlichkeiten: 1) Sardar Mohammed Davoud (Ministerpräsident Afghanistans). 12. Mai 1957. Mit kurzer Widmung.2) Adolf Schärf (Bundespräsident der Republik Österreich). 27. Mai 1957. Mit kurzer Widmung.3) Konrad Adenauer (Bundeskanzler der Bundesrepublik Deutschland) und Heinrich von Brentano (Außenminister der BRD). 16. Juni 1957. 4) König Paul I. von Griechenland, Friederike von Griechenland, Prinzessinnen Sophie und Irene sowie Herzog Konstantin von Sparta. September 1957.5) Einar Gerhardsen (Ministerpräsident Norwegens). 6. Oktober 1958. Mit kurzer Widmung. 6) Rodion Jakowlewitsch Malinowski (Verteidigungsminister der Sowjetunion). 15. Juni 1959.7) Nobusuke Kishi (Premierminister Japans). Juli 1959.8) Julius Raab (Bundeskanzler der Republik Österreich). 29. Juli 1959.9) Gaston Eyskens (Ministerpräsident Belgiens). 15. September 1959.10) Sukarno (Präsident Indonesiens). 22. April 1960. Mit kurzer Widmung.11) Mohammad Reza Pahlavi (Schah von Persien). Mai 1960.12) Mahendra Bir Bikram Shah Dev (König von Nepal). 28. Juni 1960.13) Nikita Sergejewitsch Chruschtschow (Erster Sekretär der Kommunistischen Partei der Sowjetunion). 4. Juli 1960.14) Andrei Andrejewitsch Gromyko (Außenminister der Sowjetunion). 8. Juli 1960.15) Alexei Nikolajewitsch Kossygin (Erster Stellvertretender Ministerpräsident der Sowjetunion). 8. Juli 1960.16) Willy Brandt (Regierender Bürgermeister Berlins). 13. Oktober 1960.17) Gustav VI. Adolf (König von Schweden). April 1961.18) Urho Kaleva Kekkonen (Präsident der Republik Finnland). 1. Juni 1961.19) John F. Kennedy (35. Präsident der Vereinigten Staaten von Amerika) und Jackie Kennedy (First Lady). Juni 1961.20) Mamadou Dia (Premierminister Senegals). 9. Oktober 1961.21) Heinrich Lübke (Bundespräsident der BRD) und Wilhelmine Lübke. März 1962.22) Juliana Königin der Niederlande und Prinzgemahl Bernhard. Mai 1962.23) Frederik IX. (König von Dänemark) und Ingrid von Schweden (Königin Dänemarks). Juni 1962.24) Sithu U Thant (Generalsekretär der Vereinten Nationen). 4. September 1962.25) Josip Broz Tito (Staatspräsident Jugoslawiens). 15. Februar 1967.
PABLO PICASSOPIERRE REVERDY: Le chant des Morts. Poèmes. Lithographies originales de Pablo Picasso. Paris: Text, Draeger Freres; Lithogr. Mourlot Frères 1948. 42,3 x 32,2 cm. Mit 125 (davon 2 auf den Deckeln) OrLithographien von P. Picasso. 116 SS. Lose Bögen in illustr. Papierumschlag in grauem OrLeinenumschlag mit Rt. in grauem OrLeinenschuber.(Schuber leicht berieben und minimal beschmutzt; Leinenumschlag leicht berieben; teils deutlicher Abklatsch; geringfügige Bräunung des Papiers.)Nr. 55 von 250 Exemplaren (GA 270). - Im Druckvermerk von Reverdy und Picasso signiert. - Cramer, Picasso, No. 50. - "At first, Picasso thought he would illustrate the text in the usual way - that is, with illustrations separated from the text. The artist changed his mind, however, and decided instead to illustrate Reverdy's text page by page, in the manner of the old illuminated manuscripts." (Cramer).
'The Lady and the Unicorn' - French Tapestry for hanging on the wall, made of tapestry fabric. Machine-woven, based on the famous medieval tapestry 'The Lady and the Unicorn', which was woven in the fourth quarter of the 15th century or the first quarter of the 16th century, and is now in the collection of the Cluny Museum in Paris, France. Size: 68X98 cm. Period: 20th century
Menorah of the Israel Broadcasting Authority, a tribute to Shmuel Shay, made of silver and gold-plated metal. Made of sterling silver (925) and gold plated metal. Bearing the symbol of the first channel, given in a Plexiglas, wood and velvet box, bearing a dedication. Without a silver stamp, but identical menorahs were sold in the past that were stamped 925, also the purity of the silver was tested and it is indeed 925 sterling silver, The net weight of the menorah excluding the stand and cover: 808 grams, Menorah height: 11 cm, Menorah length: 28 cm, Box dimensions: height: 24.5 cm, width: 29.5 cm, depth: 16 cm. Period: 20th century
African Elephon mask, also called Epa mask, of the Yoruba people, from Nigeria. Made of carved wood coated with a layer of clay and pigments. Masks of this type were used in ceremonies in honor of the ancestors; the participants danced with them mainly during periods of drought, accompanied by music and countless costumed dancers. The Epa mask comes in all shapes and sizes. Most will have a large structure on top, but others will only feature Orangon, the first defiant Yoruba king, like this piece here. Apa festivals last for several days during which sacred ceremonies are held in honor of ancestors. The mask can also be worn during funerals and rites of passage. The height of the mask itself: is 43 cm, height including the dedicated stand: is 58 cm, width: 26 cm. Period: Thirties (1930-1940)
'The Lady and the Unicorn' - French Tapestry for hanging on the wall, made of tapestry fabric. Machine-woven, based on the famous medieval tapestry 'The Lady and the Unicorn', which was woven in the fourth quarter of the 15th century or the first quarter of the 16th century, and is now in the collection of the Cluny Museum in Paris, France. Dimensions: 83x115 cm. Period: 20th century
3 hand-painted miniatures and signed according to ell-known masterpiec, painted miniatures on bakelite plates. 1. "Beautiful Greek" according to the famous painting by Salomon-Guillaume Counis, a painter of Swiss origin who once lived in Florence, Italy, who lived between the years: 1785-1859 in which the figure of Marie Pauline Bonaparte is depicted (she was an Italian noblewoman, the sovereign duchess The first of Guastella in Italy, a princess of the French Empire and a princess by marriage of Solomona and Rousseau. The sister of Napoleon Bonaparte and the wife of Charles Leclerc, a French general, who died in 1802. She later married Camillo Borghese, the sixth Prince of Solomona) - the original painting is now in the Uffizi Gallery in Florence, Italy. 2+3. Two portraits based on well-known paintings by the German painter Joseph Karl Stieler, who lived between the years: 1781-1858 who was the court painter of the Bavarian kings. He is known for his neoclassicism portraits, especially in the Nymphenburg Palace Gallery in Munich. Gilded copper frames, the dimensions of the frames: Width: 6 cm, Height: 7 cm. Period: 20th century
Adorable blonde Baby on decorative pink with 24k gold accenting Pillow. This Porcelain mini captures innocence and sweetness of baby play. Interior holds trinkets or baby's first tooth. Gilded bow clasp opens to reveal Teddy Bear and CKB 98 Peint Main Limoges France. N 2 of 50 LC inside. Artist: CKBIssued: 20th c. Dimensions: 3â€L x 3â€W x 2.75â€Country of Origin: FranceCondition: Age related wear.
A glossy figure of a fairy kneeling on a flower-adorned branch. The first Annual Edition of the Lladro Privilege Collection in a series of three entitled The Enchanted Forest. Lladro backstamp. This item has its original box: 12.5"L x 9"W x 7"H. Artist: Joan CoderchIssued: 2001-2003Dimensions: 6.25"L x 3.25"W x 9"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.
Sir RANULPH FIENNES improvised ski goggles worn on expeditions to the North and South Poles (Similar to ones in the image of Sir Ranulph)I wore these goggles during my epic Transglobe Expedition, when a group of us circumnavigated the world on its polar axis, using only surface transport. These goggles and I travelled 52,000 miles, from the North to the South Pole, over three years. The Expedition earned us the Guinness World Record for the first successful surface circumnavigation via both geographical poles. In the Antarctic, the wind chill factor was -82 degrees Celsius, in which exposed skin freezes in under 25 seconds. The visibility was two yards. I wore five layers of clothing, and a large duvet jacket of duck down. Despite three-later footwear, mitts, caps, goggles and facemasks, the cold would cut through as though we were naked. Such a small but important part of my exhibition clothing list, but I hope these goggles find a good new home in which to live a quiet and warm retirement.Marie Curie is there for anyone with an illness theyre likely to die from, and those close to them. Whatever the illness, wherever you are, Marie Curie is with you to the end. The charity brings 75 years of experience and leading research to the care they provide at home, in their hospices and over the phone. And they push for a better end of life for all by campaigning and sharing research to change the system. Marie Curie is a charity working across the UK and needs your support to do their vital work.Condition Report: Worn and grubby and scratched commensurate with wear!
Rambo First Blood Officially Licensed Knife: From Hollywood Collectibles Group this is an authentic reproduction of the knife used by Sylvester Stallone in Rambo: First Blood. Features: 9 Stainless steel blade; hollow handle; waterproof O-ring; survival kit; stainless guard with Phillips and Standard screwdriver tips;non-magnetic butt cap with compass; leather belt sheath with sharpening stone. OVER 18's ONLY
Joyce (James) Ulysses, first English trade edition, ownership name on pastedown, original cloth with bow design by Eric Gill to upper cover, gilt, upper edge stained (with a faded patch), dust-jacket, portions of loss to lower and upper spine ends, spine browned, splitting down joints, repaired with tape, extremities chipped and nicked, a little rubbed, 4to, 1937. *** With the scarce jacket.
Fitzgerald (F. Scott) The Beautiful and the Damned, endpapers with light strip of toning and slightly cracked at hinge, jacket price-clipped, spine faded, few marks to panels, occasional nicks to extremities, 1950; Tender is the Night, endpapers with strip of browning, jacket extremities a little rubbed, jacket faded, 1953, first Grey Walls editions, original boards, dust-jackets; and 9 others by or relating to Fitzgerald, 8vo (11)
Fleming (Ian) From Russia With Love, light staining to fore-edge of first few leaves, some spotting to edges, boards with gun-and-rose design to upper cover in bronze and silver, spine lettered in silver and bronze, spine ends and corners lightly bumped, some light staining, jacket lacking spine, some loss to corners affecting text of upper panel, repair to flap joints, lower panel foxed, 1957; The Spy Who Loved Me, one or two spots to fore-edge, boards with dagger motif blocked to front board in silver and blind, spine lettered in silver, some light surface wear to head, jacket with some chipping and minor loss along upper edge, light stain to lower panel, spine and flap joints lightly toned, 1962; On Her Majesty's Secret Service, soiling and damp-staining to lower edge of first and last several leaves, ink gift inscription to front free endpaper, boards with ski trail design to upper cover, spine lettered in silver, lower edges lightly stained, spine ends lightly bumped, jacket with insect damage and damp-staining to lower edge, spine head and corners slightly rubbed, a few stains, 1963, first editions, original boards, dust-jackets; and 2 other first editions by Fleming in excellent condition, 8vo (5)

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