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Lot 399
E.M. Forster, ' Howards End ' First Edition, London, Edward Arnold 1910, with a later cloth and leather bindingThere are former owner's marks or gift dedications. Text block condition as shown in photos. There are some marks. The cloth and leather binding has some damages. We do not know when the book was rebound.
Lot 1093
Frank Wootton Limited Edition coloured print of a World War I dog fight, No. 450 of 850, signed in pencil, gilt framed, 19.5ins x 28.5ins, together with another coloured print by Wootton ' Meteor Strikes It's First Blow ', No. 804 of 850, signed by Frank Whittle also bearing another indistinct signature, and a framed coloured print of a Harrier, signed Bob Trevor
Lot 1097
Black and white Limited Edition print of a Wellington bomber, signed by squadron leader B.A. Jimmy James, 12ins x 16ins, another smaller print of Flight Lieutenant Roderick Mearoyd, signed, another titled ' First Sighting ', coloured print of a Hurricane and a German bomber, signed by Peter Townsend
Lot 1803
A collection of royal family publications including a first edition of The Little Princesses by Marion Crawford and an illustrated edition of Princess Elizabeth. Also In this lot are other official publications concerning the wedding of Elizabeth and Phillip, a souvenir edition of the Royal Tour of Canada in 1951, Princess Margaret in Italy 1949, King George VI and other royal publications before the coronation in 1953.
Lot 2023
A Classic Motor car. A Rover 2000 Saloon Registration MLU 901D first registration 1966 the car with low genuine mileage 40,764. Supported by lots of previous paper MOT test certificates service history. The car in good condition been stored in a garage. Bodywork seals all in our opinion good will need refreshing. Internal door panels off and one window issue. Not seen running. Sold with lots of paperwork. Viewed by appointment please SOLD AS SEEN.
Lot 11
LALIQUE. France ca. 1970.Perfume bottle.Moulded and satin-finished glass.Signed on the reverse of the base Lalique ® France.Provenance: Spanish private collection, formed between 1970 and 1995.Chipped on the base.Measurements: 17 x 9 x 5 cm .Femme" perfume bottle, designed by Marc Lalique in satin moulded glass, with floral decoration on the sides.Originally, the firm Lalique was founded by René Jules Lalique (1860 - 1945), one of the most outstanding glassmakers of the time, and one of the first to sculpt glass for great monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory to produce them in large quantities, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 25
JULIEN HENRI VIARD, (Paris 1883-1938).Powder box, ca. 1925.Moulded glass.Provenance: Spanish private collection, formed between 1970 and 1995.Initials on the back "Institute a Beaute, 26 Place Vendôme, Paris".Slightly chipped and hair on one foot.Measurements: 7 x 11 x 11 cm .Art deco gunpowder box, with Egyptian reminiscences of moulded, pressed, frosted and colourless glass, with a triangular section and shape. Designed by Henri Viard. The lid is decorated with falcon wings and Egyptian scarab beetles.Designer of hundreds of perfume bottles during the 1920s, Julien Viard received his training from Antonin Mercié and then from his father, the sculptor Clovis Viard. The latter was associated with the Parisian Leblanc-Barbedienne establishments. During the Universal Exhibition of 1900, the press noticed an ornamental gilded bronze and marble fireplace designed by Clovis with the complicity of DenysPuech. At the 1907 Salon, Julien was awarded the prize of the Society of French Artists, category "engraving on medal and fine stone" and a medal in the decorative arts section. Clovis Viard is also known to have designed perfume bottles between 1900 and 1910, including the Rare de Caron.Around 1910, Julien turned away from bronze to work with glass and produced his first bottles, sometimes associated with Henri Hamm (1871-1961), from whom he would draw inspiration. Julien and his father then teamed up with Georges Viollet-le-Duc (1874-1951) to found around 1914 a glass manufacturing company in Montreuil-sous-Bois called "C. & J. Viard" which, slowed down by the war, became particularly active from 1918 onwards.Viard designed models to be blown or moulded, then had them cast en masse by glassworks such as Baccarat or larger producers such as Dépinoix or the Société parisienne de verreries. Viard generally took care of the finishing touches. Julien Viard also worked in collaboration with Lucien Gaillard and Lalique.Until his father's death in 1927, Julien Viard produced a large number of models of bottles, boxes and glass objects, mainly for French but also American perfume houses.
Lot 27
JEAN CHARLES BROSSEAU (France, first half of the 20th century).Perfume bottle "Ombre Rose", 1980s.Moulded glass.Signed on the back of the base "J. CH. Brosseau, Made in France"" .Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 11 x 8 x 2,5 cm .Vintage perfume bottle "Ombre Rose" by Jean Charles Brosseau, in moulded and satin-finished octagonal shaped glass, with lateral decoration of floral forms. Part of the original perfume is preserved.A graduate of the Ecole de Haute Couture in Paris, Jean-Charles Brosseaucreated his own brand and founded his fashion house in 1955 in Paris, on the Left Bank.In 1970, he set up his salon in Paris on Place des Victoires, which became the new hot spot for fashion designers. In 1981, he created his first perfume "Ombre Rose", which quickly became a best-seller in France, the USA, the Middle East and the Far East. Ombre Rose" is now considered a "classic" of haute perfumery and rightfully ranks among some of the best fragrances in history: "No.5No.5" by Chanel, "Samsara" by Guerlain, "Opium" by Yves Saint-Laurent, "Dioríssimo" by Dior, "L'Air du Temps" by Nina Ricci and "Le Dix" by Balenciaga.In recent years, Jean-Charles Brosseau launched a women's line of floral fragrances.
Lot 28
RENÉ LALIQUE (Ay, France, 1860- Paris, 1945).Bottle for Worth "Imprudence", ca. 1940.Moulded glass.Signed on the reverse of the base "R. Lalique France" .Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, section perfume bottles Page 954 , Wort-24, with photo.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 6,5 cm (height) ; 4,5 cm (diameter) .Worth "Imprudence" perfume bottle, René Lalique design, 1938, in circular moulded glass. It retains part of the original perfume.The firm Lalique was originally founded by René Jules Lalique (1860 - 1945), one of the foremost glassmakers of the time, and one of the first to sculpt glass for great monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory for mass production, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 39
Set of three perfumers, two Chinese and one French, first third of the 20th century.Glass and metal.Provenance: Spanish private collection, formed between 1970 and 1995.Very slight flaking on some of them, metal stopper with a dent.Measurements: 6.5 cm (greater height).Set of three perfume bottles, two Chinese and one French, one in cameo cut glass with zoomorphic decoration, another in translucent glass with mottled decoration and the third in green glass with floral decoration in relief with golden metal stopper.
Lot 66
"Je Reviens", perfume by WORTH. France, ca. 1950.Glass bottle. Lithographed cardboard.Marks on the reverse.Reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur , Pag. 953 Worth-16, with photo.Provenance: Spanish private collection, formed between 1970 and 1995.Wear and tear due to use and the passage of time.Measurements: 7,5 x 6 x 2 cm (bottle); 11 x 9 x 3 x 3 cm (box).Bottle of "Je Reviens", perfume by Worth. Moulded glass. Designed by René Lalique in 1931. Marks on the reverse. In original lithographed box.Charles Frederick Worth founded the couture fashion house House of Worth in the 1850s. As a respected couture house, Worth was one of the first fashion brands to venture into the perfumery market. The company's first luxury fragrance, Dans La Nuit, was launched in 1924. The fragrance came in a bottle designed by world-renowned glassmaker René Lalique. Jacques Worth, grandson of Charles Frederick Worth, maintained the high standards set and hired perfumer Maurice Blanchet to create four more perfumes. These were Vers le Jour, Sans Adieu, Je Reviens and Vers Toi.
Lot 67
"Quadrille", perfume by BALENCIAGA. France, ca. 1960.Glass bottle.Provenance: Spanish private collection, formed between 1970 and 1995.Wear and tear due to use and the passage of time.Measurements: 8 x 6 x 4.5 cm (bottle) 10 x 8 x 7 cm (box).Bottle of "Quadrille", perfume by Balenciaga. This fragrance was created in 1955. It contains half of the perfume, although it seems sealed and unopened. The first Balenciaga fragrance was created in 1947 and the newest one is from 2016, several of the most prestigious perfumers in the world have participated in its elaboration. Cristóbal Balenciaga opened his first boutique in San Sebastián, Spain, in 1917, and expanded to include branches in Madrid and Barcelona. The Spanish royal family and aristocracy wore his designs. When the Spanish Civil War forced him to close his shops, Balenciaga moved to Paris.
Lot 79
RENÉ LALIQUE (Ay, France, 1860 - Paris, 1945).Atomiser-Perfumer, "Marcas et Bardel-7". ca. 1935.Moulded glass.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, section vaporisateurs, Pag. 962 , "Marcas et Bardel-7", with photo.Signed on the reverse of the base R. Lalique France.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 7.5 x 7 x 7 x 7 cm (glass); 14 x 11 x 7 x 7 cm (total). Perfume atomiser designed by Renè Lalique in 1931, in purple moulded glass, acid-etched with daisy decoration.The Lalique firm was originally founded by René Jules Lalique (1860 - 1945), one of the most prominent glassmakers of the time, and one of the first to sculpt glass for great monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory to produce them in large quantities, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 80
RENÈ LALIQUE. France, ca. 1950.Clairefontaine" perfume box.Moulded glass.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, section perfume bottles, p. 338, no. 526, with photo.Signed in burin on the reverse of the Lalique base and with label.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 12 x 9,5 x 5,5 cm .Clairefontaine" perfume box designed by Renè Lalique in 1931, in translucent moulded glass. Satin-finish glass stopper decorated with 4 sprigs of lily of the valley. This model is a reference to the Clairefontaine garden, located in the south-west of Paris (France), which was one of René Lalique's main sources of inspiration.The firm Lalique was originally founded by René Jules Lalique (1860 - 1945), one of the foremost glassmakers of the time, and one of the first to sculpt glass for large monumental works such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory to produce them in large quantities, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 82
RENÉ LALIQUE (Ay, France, 1860- Paris, 1945).Perfumery box "Epines, flacon no. 3", ca. 1930.Moulded glass.No signature.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, section perfume bottles, p. 343, no. 592, with photo.Hair on the inner glassProvenance: Spanish private collection, formed between 1970 and 1995.Measurements: 9,5 cm (height) ; 8 cm (diameter).Perfume bottle "Epines, flacon nº 3", in satin moulded glass with purple patina, cylindrical section with moulded decoration of intertwined brambles. No signature.The Lalique firm was originally founded by René Jules Lalique (1860 - 1945), one of the most prominent glassmakers of the time, and one of the first to sculpt glass for large monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory for mass production, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 83
RENÉ LALIQUE (Ay, France, 1860- Paris, 1945).Bottle for Worth "Dans la Nuit", ca. 1940.Moulded glass.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, section perfume bottles Page 951 , Wort-1, with photo.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 8 cm (height) ; 5 cm (diameter) .Perfume bottle "Dans la Nuit". is moulded in transparent glass, while blue was also widely used (the transparent glass version is rarer). It was designed by René Lalique ca. 1924 for Worth. The design features an orb-shaped bottle covered with stars. The stopper shows a "W". There were three variants of the stopper: a crescent moon and stars design, the words "dans la nuit", and the "W" like this one. Traces of perfume. The Lalique firm was originally founded by René Jules Lalique (1860 - 1945), one of the foremost glassmakers of the time, and one of the first to sculpt glass for great monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory for mass production, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 86
RENÉ LALIQUE (Ay, France, 1860 - Paris, 1945).Perfumery box model "Chypre" for Houbigant, ca. 1935.Moulded glass.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, section perfume bottles Page 941, Houbigant - 4, with photo.Signed on the reverse of the base R. Lalique.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 8 x 6,5 x 2,5 cm .Chypre" perfume box for Houbugant, designed by Renè Lalique in 1925, in translucent moulded glass with geometric decoration on the front. Sealed stopper. Contains perfume.The Lalique firm was originally founded by René Jules Lalique (1860 - 1945), one of the foremost glassmakers of the time, and one of the first to sculpt glass for great monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory for mass production, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 88
ÉMILE GALLÉ (Nancy, France, 1846 - 1904).Perfumer-atomizer, Art Nouveau, ca.1910.Cameo glass.Signed on the side.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 17 x 8.5 x 6 cm (glass); 22 cm (total with atomiser).Art Nouveau perfume atomiser designed by Emile Gallé in orange and red cameo glass, acid-etched with floral decoration.Undoubtedly, Emile Gallé was a man totally representative of his time. He was a poet, an artist par excellence, capable of translating his emotions and desires into matter, someone who found in the alchemy of glass, in its light, in its nuances, a form of language. Because of this talent and his mastery, his glassworks became the most famous in France around 1900.Émile Gallé began his career working for his father, who owned a glass and ceramics factory, producing designs with floral and heraldic motifs. Very interested in botany, he studied it in depth during his youth, alternating with drawing classes. Between 1862 and 1864, at his father's request, he travelled around Italy, England and Germany, taking an interest in the applied arts but also in subjects that he would later reflect in his works, such as music, philosophy and nature. On his return he settled in Meisenthal, where his family's glass furnaces were located, in order to fully learn the craft of glassmaking. He also travelled to London and Paris to see the collections of their museums. In 1874 he took over his father's factory and soon achieved great international success, winning prizes at international exhibitions and selling his works to important collections and museums. In 1878 he presented his first creations at the Universal Exhibition in Paris, many of which were inspired by the Japanese artists Hokusai (1760-1849) and Hokkei (1780-1856). In this important exhibition, Gallé discovered three techniques that were to prove decisive for his production: the remarques of the Pantin glassworks, the cameo engraved glass of the English (inspired by the Portland Glass in the British Museum) and the superimposition of layers of different coloured glass presented by Eugène Rousseau. He was the founder and president of the Nancy School, whose principles he always followed. He introduced all kinds of experimental and innovative techniques into his works, as well as some traditional ones. One of these was the introduction of metal sheets between the different layers of glass, thus enhancing the magical effect of his most exclusive pieces. As far as possible, Gallé imposed the characteristics of a style that evolved into free and refined expressions, applying an enormous variety of themes and decorative techniques on opaque and coloured glass, which continue to amaze to this day. Today, pieces by Émile Gallé can be seen in the Hermitage Museum in St Petersburg, the Metropolitan Museum in New York, the Musée d'Orsay in Paris, the Brohan Museum in Berlin and the Victoria & Albert Museum in London, among many others.
Lot 89
RENÉ LALIQUE (Ay, France, 1860- Paris, 1945).Bottle for Worth "Dans la Nuit".Blue moulded glass.Signed on the back of the base R. Lalique .Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, section perfume bottles Page 951 , Wort-3, with photo.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 16 x 12 x 4 cm .Bottle for cologne, Worth "Dans la Nuit", design René Lalique of 1925, in blue glass moulded of lenticular form.The firm Lalique was originally founded by René Jules Lalique (1860 - 1945), one of the foremost glassmakers of the time, and one of the first to sculpt glass for great monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory for mass production, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 9
Art Nouveau Perfumer. Paris, France 1900.Moulded glass, acid-etched. Silver.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 14,5 cm (height); 3,5 cm (largest diameter).Curious and rare Art Nouveau period perfume box, souvenir of the Paris International Exhibition of 1900, in moulded and acid-etched glass with the "Porte Monumentale" and coat of arms on the back. Foot and stopper in silver. Engraved initialsThe Paris Universal Exhibition of 1900 took place from 15 April to 12 November 1900 in Paris. It covered an area of 120 hectares and was visited by more than 50 million people from 58 countries. The Orsay Station (now the Musée d'Orsay), the Petit Palais, the Grand Palais and the Pont Alexandre III were built to celebrate the Universal Exhibition. The 1900 Exposition was the largest to date, for which the Parisian government began preparations in the city as early as 1892, culminating in a logistically larger event than had been planned in the first place. The call for the design of the main attractions was transformed into a collaboration between designers and architects, who together managed to realise the most visited constructions of the Fair. The Porte Monumentale: also known as the Salamandre, it was located at the eastern entrance to the Fair, in the Place de La Concorde; the gate was crowned by the statue La Parisienne, designed by the sculptor Moreau-Vauthier.
Lot 91
Art Nouveau perfume holder and atomiser. Bohemia, Czechoslovakia, ca. 1900Glass, metal and enamel.Provenance: Private Spanish collection, formed between 1970 and 1995. Restoration on the mouthpiece. Some flaws in the glass stones. Damage to one stopper. Slight flaws in the enamel. Missing atomiser bulb.Measurements: 24 cm (major height); 7,5 cm (major diameter).Elegant and rare set of perfume bottle and atomizer Art Nouveau period, in Bohemian glass ochre heat, carved with vegetal decorations. Metal mouthpieces and bases, decorated with inlaid glass stones, chiselled ornaments and enamels.Bohemian glass is the name given to glass made in the regions of Bohemia and Silesia, in the territory of what are now the Czech Republic and Poland. Bohemian glass was first produced at the end of the 13th century, but did not achieve great popularity until the end of the 16th century. For the next two centuries, Bohemia enjoyed complete European hegemony in this type of industry. Its speciality consisted in the extreme transparency of the glass, imitating rock crystal, and in the deep and perfect engraving or carving applied in hollow or in relief to the best pieces.
Lot 10
TWO OPEN FACE POCKET WATCHES, the first with a round white dial, Roman numerals, seconds subsidiary dial at the six o'clock position, gold tone hands, within an engine turned design case, vacant shield cartouche with belt buckle surround, case back stamped 0.935 Swiss control marks, approximate case width 50.0mm, suspended from a silver fetter albert chain with T-bar and swivel clasp, rubbed hallmark, length 240mm, together with a ladies open face pocket watch, with a round white dial decorated with gold scroll patterns, Roman numerals, blue hands, within a floral and scroll case and vacant cartouche, case back stamped 0.935 Swiss control marks, approximate case width 38.5mm, suspended from a graduated albert chain with T-bar and swivel clasp, also fitted with three silver three pence coins and a watch key, length 300mm, approximate total gross weight 191.0 grams (condition report: both non-running and in need of some attention, tarnishing to the chains)
Lot 102
TWO SILVER CHARM BRACELETS AND LOOSE CHARMS, the first a curb link chain each link stamped sterling, fitted with seven charms in forms such as a spider stamped 'Silver', a street lamp, six pence coin, merry go round stamped 'silver', a man and cart and a St. Christopher stamped 'Silver', fitted with a heart clasp hallmarked London, the second a curb link bracelet each link stamped sterling, fitted with twenty charms in forms such as a tankard, lighter, bath tub, windmill, camera etc some with marks to indicate silver others unmarked, fitted with a spring clasp stamped 'Sterling', together with six loose charms, approximate total gross weight 124.9 grams
Lot 125
A LADIES 9CT GOLD WRISTWATCH AND WATCH HEAD, the first with a square silver dial faintly signed 'Felca', Arabic numerals and gold tone hands, within a plain polished square case, case back hallmarked 9ct London 1950, fitted with a rolled gold snake bracelet with a fold over clasp stamped 9ct, together with a ladies 9ct gold 'Accurist' watch head, case back hallmarked 9ct gold London (condition report: non are running, wear and tear to both which will require attention)
Lot 134
TWO BANGLES AND A SCOTTISH BROOCH, the first a silver hinged bangle decorated with a diamond cut pattern design to one side, sliding lock clasp with additional safety chain, hallmarked Birmingham, the second a wide white metal belt detailed bangle, approximate width 27.0mm, stamped 'Sterling Silver', together with an agate set Celtic design white metal brooch fitted with a brooch pin, unmarked
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596772 item(s)/page