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Lot 35

The first a picture of a bird perched on a branch; the second of two birds, one in a tree, one on the ground; the third of a bucolic scene of a man with his donkey on the foreground, a church, ruins and a cottage in the background.First 25.5cm x 16cm; second 27.5cm x 21cm; third 16.5cm x 20cmQty: 3First with some damage to the silk particularly notable around the edges, some yellowing; the second with some damage notable in the top left; third with notable damage throughout

Lot 33

To include a Caucasian prayer mat with a central medallion on a blue ground decorated with birds and animals; and a Feraghan prayer mat with all-over decoration on a blue ground and a guarded border.First 122cm x 90cmQty: 2Significant wear to the pile and fraying to the edges throughout both.

Lot 1001

The first a Dan wood carved mask surrounded by cowrie shells and teeth decoration with grass and material embellishments; the second with a wood carved face surrounded by cowrie shells and bells with feather and material decoration.37cm x 27cm and 40cm x 38cmQty: 2Generally good with some staining and light scuffing throughout.

Lot 1

The first a silkwork sampler of a verse from Corinthians in French, in an oak leaf wreath; together with a bird painted on velum amid flowers; and a silkwork picture of a floral bouquet (in matching frames).The sampler 17.5cm x 17cm. The others 15.5cm.Qty: 3Some damage notable lower left and staining notable across. The velum with notable warping. The needlework with damage to the silk.

Lot 388

The first with a square column style support on a plinth base, the glass shade with frosted floral decoration; the second is a porcelain lamp with putti and floral decorations and a frosted glass shade.68cm high and 59cm highQty: 2The first with some denting in the brass throughout, scratching to the paintwork on the brass with some oxidisation and some cleaning residue; the second with some losses to the decoration and signs of repair.

Lot 34

To include a Tekke Turkmen rug with three central decorations; a modern hand woven Persian style runner with a cream ground; and a modern machine-woven Bokkara style runner with red ground.First 160cm x 87cm; second 300cm x 83cm; third 260cm x 79cmQty: 3Generally good condition throughout with some slight uneven fading on the first rug.

Lot 13

The first 19th century in the manner of Piere Raymond of Limoges, the centre depicting a bust portrait of Louis XI; the second depicting Athena.The first 18cm diameter; second 14cm diameterQty: 2The Louis XI dish with notable losses throughout. The Athena dish with some cracks to the enamel and some fractures, evidence of repair lower right of central portrait.

Lot 134A

Two writing slopes, the first burr walnut, the superstructure with a hinged lid opening to reveal a desk organiser with cubby holes, the fall front with a leather inset top and banding; the second of rosewood with brass banding and plaque, opening to reveal a baize inset slopeFirst 54cm x 43cm x 31cm; second 35cm x 24cm x 12cmQty: 2The burr walnut with slight lifting to the veneer and damage throughout commensurate with age and use; second with replacement baize, damage to the hinges, scuffing and denting throughout commensurate with age and use

Lot 1357

With styled feet, one longer and a pair of shorter.First 144cm wide x 17cm deep x 41cm high; pair 64cm wide x 17cm deep x 41cm highQty: 3Generally good condition with some light scratching to the surface.

Lot 102

The first an oil on board of detail from a religious scene, the second a small oil on board in a gilt frame after Stubbs.First 7.5cm x 11cm; second 7.5cm x 10cmQty: 2Surface dirt throughout.

Lot 3

Modelled as phrenological heads, all embossed to the front of the plinth 'by F Bridges Phrenologist'.Each 14.5cm highQty: 3The first with some surface dirt; one with notable losses to the glaze particularly on the chin and around the pen holders and ink hole; one with a hairline fracture to the neck; cracks throughout.

Lot 519

With gilt highlighting and etched decoration, ring cuffed necks and steepled stoppers.First pair 50cm high; second pair 35cm highQty: 4Generally good condition.

Lot 515

To include an Indo-Persian miniature of figures in and around a mosque with a painted foliate and figural border; together with a modern Egyptian style painting of figures on a boat.First 33cm x 21cm; second 25.5cm x 20cmQty: 2Generally good condition. The first with some foxing and toning, slight warping to the paper.

Lot 518

The first a Kashmir style with a shaped central medallion on a pale blue ground with a guarded border; the second with a central ground depicting a shepherd and his flock outside his tent with further figural decorations to the border.The second 156cm x 101cmQty: 2Generally good condition, slight fraying to the tassels on the smaller.

Lot 95

To include a carved mahogany panel depicting the Virgin and Child; two carved oak panels of Dutch scenes possibly from cupboard doors; a framed carved bone crucifix and a further carved bone crucifixion; together with three further crucifixesQty: 8The first carved panel with losses to the Virgin's arm and face; the two further carved panels have been reinforced, with cracks down the centres; the framed crucifixion with losses to the frame and some minor abrasions to the carving; the further carved crucifix with one foot missing and with notable crack to the body running from the right hip to the groin.

Lot 1033

The first runner in green and red; the second in stripes of green, black, red, yellow and blue; and the final rug in pink, blue, black and red with orange trim.First 218cm x 59cmQty: 3

Lot 59A

Two boxes, the first a mahogany painting box by Barnard & Sons, the front with brass inset handles complete with associated paints, brushes etc together with a coromandel vanity box, the hinged lid opening to reveal a fitted interior with complete set of bottles, jars and further toolsFirst 35cm x 23.5cm x 13cm; second 31cm x 23cm x 19cmQty: 2Some signs of repair to the painting box, the frieze front below the hinged lid slightly loose, drawers slightly stick; some losses to the fitted interior of the vanity box, some minor cracking to the exterior, some nicks and scratches commensurate with age and use

Lot 303

To include a hand woven Isfahan prayer mat with foliate decoration throughout; a Hamadan prayer mat with a central medallion and floral decoration; together with a modern Kasak rug, the red ground with three central medallions.First 172cm x 132cm; second 147cm x 100cm; third 200cm x 197cmQty: 3First with significant wear throughout, fraying to the edges, taped repair to one of the corners and some staining; the second with moss damage, fraying to the ends and to the edges, wear to the pile throughout; third with some wear to the pile and fading to the colour.

Lot 1057

A wood carved African mask with unusual stylised protrusions from the Ivory Coast; together with a Grebo crew mask with four tubular eyes, painted alternately red and blue.First 46cm x 20cm, second 32cm x 16cmQty: 2The first with slight remnants of polychrome particularly notable on the embellishments between the mouth and nose, some of the added decoration missing most notable in the centre of the forehead; the second in generally good condition.

Lot 79

An opposed pair with three central medallions on a red ground; together with a third larger rug with a bar medallion on a dark ground and guarded border.First 148cm x 105cm; second 145cm x 104cm; third 205cm x 150cmQty: 3First two in generally good condition, with some light fading and signs of wear, slight fraying at the edges; the third with some notable surface dirt, signs of historic moth, some light staining.

Lot 70

The first highlighted in gilt with the motto 'Pour Le Roi'; the next purportedly of the Brown family with the motto 'Suivez Raison', and the third with a swan crest.16.5 x 11.5cm, 11 x 16.5cm and 14.5 x 11.5cmQty: 3Generally good condition, wear commensurate with age and use.

Lot 50

A collection of pictures to include Joseph Murray Ince, a traveller in a bucolic scene, watercolour on paper with Squire Gallery label to the reverse; together with two Italian Grand Tour style watercolour scenes of rural villages; and a R Chimpton, man riding through the countryside, watercolour on paper, signed and dated lower right 'R Chimpton 1842'.First 14cm x 12.5cm; second 11cm x 15.5cm; third 10cm x 14cm; forth 7cm x 12cmQty: 4Generally good condition, some bleaching to the colour.

Lot 108

The first an oval mirror with a gilt frame, with beaded decoration; the second with an arched top and a wooden scumbled frame; the third a rectangular mirror with a wooden painted frame.First 28cm x 24cm; second 31cm x 25cm; third 25cm x 20cmQty: 3Crack to gilt frame in first mirror with frame coming slightly loose; second with rubbing to frame and minor losses to frame, silvering across the plate; third with rubbing to the painted decoration and scratches to plate.

Lot 71

The first an oval mirror with a gilt frame; the second a rectangular mirror with a bevelled plate and a wooden frame.First 50.5cm x 70cm; second 73cm x 58cm Qty: 2Some chipping and losses to the gilt on the frame with minor cracking to the first, the second with scuffing to the paint on the woodwork of the frame.

Lot 1078

To include Carl Vigener 'A Sailing Regatta', abstract, oil on canvas; a still life with paintbrushes and a fruit bowl with an urban scene painted verso, oil on board; and a print after JJ Henner of Fabiola in ebonised and gilt frame First 25.5cm x 51cm; Second 37.5cm x 45.5cm; Third 35.5cm x 27.5cm Qty: 3 The first with notable cracks across the painted surface and slight sag in the canvas; the second has a board with notable warping and scuffing around the edges with surface dirt across the painted surface; the third in generally good condition, with slight nicks to the frame.

Lot 205

The first a copy of 'A Landscape with Aeneas at Delos', and the second a copy after a drawing in the collection of the Duke of Devonshire, possibly a version of Hagar and the Angel.16.5cm x 25.5cmQty: 2Some foxing and toning throughout, some signs of later repair to the needlework.

Lot 46

In two panels with decorative ends; together with a further Middle Eastern hand towel with needlework decoration.The first 117cm x 39cm; the second 96cm x 45cmQty: 2The Ottoman towel with some slight wear to the linen base. The needlework appears to be generally good and largely intact, slight losses to some of the detail.

Lot 140

The tops with crossbanded borders, opening to reveal green baize insets. The first with tapering square section legs terminating in spade feet, the second with inlaid husks running down the square section tapering legs.First 91.5cm x 45cm (folded) x 74.5cm; Second 92cm x 45.5cm x 73cmQty: 2Both with notable sun fading to the fronts. The first with cracks and repairs to the veneer along the frieze and losses to the string banding around the top, with some play in the legs; the second with some play in the legs and some losses to the inlay down the corner to the legs.

Lot 1043

A 'Supreme' adjustable desk lamp with metal shade; together with a pair of Anthony Dickins '50' Anglepoise lamps in red plastic.First 55cm high (adjustable); pair 34cm highQty: 3Scratching, oxidisation and surface dirt to the adjustable desk lamp; pair of red lamps with some surface dirt and light abrasion throughout commensurate with age and use.

Lot 356

The drop leaf table with a jointed frame.First stool 36cm wide x 23.5cm deep x 51.5cm high. The table 67.5cm extended x 68cm deep x 57cm high.Qty: 3Wear commensurate with age and use throughout, the taller joint stool with nails in top which are slightly loose, otherwise generally good condition.

Lot 1013

An African wood carved mask with six eyes and string beard; together with an African wood carved mask surrounded by cowrie shells with four horns and a feather surround.First 56cm x 22cm; second 36cm x 48cmQty: 2Some wear but generally good condition.

Lot 1172

With floral needlework decoration on a green silk ground.First pair 220cm x 260cm each; second pair 220cm x 125cm eachQty: 4Generally good condition.

Lot 1333

Two pairs of gray and black painted cast stone Buddha heads.First 23cm high; second 28cm highQty: 4Wear commensurate with age and outdoor use.

Lot 23

Consisting of two carvers and four standards, with turned top rails, X-framed splats above caned seats, raised on X-framed front legs with squab cushions.Carvers 53.5cm x 90cm; standards 46.5cm x 83cmQty: 6Wear to ebonisation notable particularly on the arms of carvers and their front rails; first carver with a re-caned seat; the second carver in generally good condition; the first standard in generally good condition, slight damage to the caning at the front; third standard has been re-caned otherwise generally good condition; fourth standard in generally good condition. Minimal play in the joint throughout, repainting to the gilt highlighting

Lot 62

A frigate under sail, ink and wash on paper, labelled verso; together with a further watercolour of a ship in a stormy sea; and a pencil study of a country house set in parkland.First 17cm x 26cm; Second 11cm x 16.5; Third 20.5cm x 28cmQty: 3Notable mould to the mounts, foxing and toning throughout, scuffing to frames.

Lot 1061

To include a wide stripped Jajim of six joined panels; a Moroccan style flatweave carpet and a further modern Kilim rug with red, green and blue stripes. First 180cm x 195cm; second 111cm x 69cm; third 100cm x 60cm Qty: 3 Signs of repair and fraying to the largest, staining and discolouration to the Moroccan style carpet, discolouration to the third.

Lot 157A

A collection of carved wood elements, the first element of fruiting floral carved decoration, one of the Virgin and Child, one of a grotesque figure, one of a further figure and one floral carving in the Black Forest style together with a mahogany veneered candle box and a further fruitwood candlebox.The largest element 97cm, largest candlebox 51cmQty: QuantitySome historic losses and damage throughout the elements, with signs of historic woodworm, the grotesque figure with notable losses to the bottoms and tops and the right hand edge with some losses to the detail of the carving, the Virgin and Child with losses most notible around the top, the further figure with signficiant woodworm notable pariticularly towards the bottom of the architectural element and along the left hand side, the final element with losses and historical worm throughout. Larger candlebox with notable damage to the veneer with a piece missing on the front and two missing on the pedement, the hinge is slightly loose and with some water damage to the fruitwood candle box also with minor losses to the top, the frame is slightly loose at the bottom of the candlebox where it has been replaced and the nails have damaged the sides, with some historic losses down the sides.

Lot 93

Of buildings in Oxfordshire, the first JMW Simson, Warkworth Castle near Banbury, pencil on paper highlighted in watercolour, signed lower right 'JMW Simson; the second showing old buildings near the Town Hall in Oxford, pencil on paper highlighted with watercolour; the third showing The Old Folly Bridge, pencil on paper highlighted with watercolourFirst 26cm x 36cm; second 25cm x 42.5cm; third 22cm x 35cmQty: 3Some yellowing and toning throughout.

Lot 517

The reading stand with an adjustable platform on a spreading base, together with an ebonised and gilt highlighted bookstand.First 30.5cm wide x 38.5cm high; second 36.5cm wide x 18cm highQty: 2The reading stand with some dents, nicks and scratches around the edges, oxidisation and wear to the brass tines as well as the adjusting mechanism at the back, chips and wear to the ebonisation; chips and wear to the gilt highlighting throughout the body of the bookstand.

Lot 1137

The first after Henry Holiday 'Dante and Beatrice', the second after Dante Gabriel Rossetti 'Dante's Dream', in matching gilt frames.34.5cm x 54.5cm eachQty: 2Generally good condition, with some sun fading to both.

Lot 392

The Italian marble and alabaster sculpture of Rebekah, unsigned.73.5cm high Minor marks, knocks and chips overall, the little finger to the left hand and the index and first finger to the right hand lacking with the remains of glue from a previous repair, further small chips to her dress and a small piece broken at the front of her dress, lower edge and re-attached.

Lot 196

Comprising a small 20th century hand-woven Caucasian rug with an all-over pattern on a cream ground, with multiple borders; a 20th century Afghan style flat weave hand-woven small runner with an all-over repeating diamond pattern in brown; and a further Afghan rug with a large central medallion and guarded border.Caucasian rug 184cm x 108cm; Afghan runner 220cm x 103cm; Afghan rug 135cm x 115cmQty: 3Caucasian rug with significant wear to the pile and fading, fraying to the tasselled ends and around the edges; First Afghan with significant colour fading throughout unevenly from one end to the other, some signs of holes and repairs; Second Afghan in generally good condition.

Lot 1314

Two platform trolleys.First 190cm wide x 39cm deep x 129cm high; second 154cm wide x 45.5cm deep x 93cm highQty: 2Some oxidisation throughout, generally structurally sound, wear commensurate with age and use.

Lot 82

The first with a tray top and shaped apron, the square section legs terminating in brass castors; the second from a nest of tables with a chinoiserie figural scene top the top, lyre legs and a bowed stretcher; the third top with a chinoiserie decoration of buildings and figures, turned legs and shaped feet.First 44cm x 39cm x 61.5cm, second 32cm x 25.5cm x 65.5cm, third 48cm x 29.5cm x 72.5cmQty: 3Tray top table with significant dirt and scuffing, particularly around the edges of the tray top, generally firm construction; the lyre legged table with some damage to the top particularly notable around the edges, scuffing and wear to the chinoiserie decoration, significant play in the joints; third table with notable damage around the edges of the top and notable play in the joints.

Lot 682

A FOLK ART RED PAINTED PINE TRUNK BELONGING TO THE FAMED MUNTHE FAMILY, FROM SOUTHSIDE HOUSE, WIMBLEDON VILLAGE,96cm x 53cm x 53cmInitialled G.M.S to lid.Axel Munthe was born in Oskarshamn in 1857 and died in the Royal Palace of Stockholm in 1949. He had by then lived outside Sweden for 67 years and had had such a singular a career that he could have made his own the last words uttered by Charles XIV John: ”No one has followed a path like mine.”Munthe was a man of paradoxes.Having qualified as a doctor of medicine at the Sorbonne aged 22 (the youngest on record in France), he soon became one of the most successful doctors of his time, with a reputation as a worker of miracles. Among his patients were members of the upper classes and aristocracy of both Europe and America, but he also worked amongst the poor in Paris, Rome and Naples.The newspaper report he wrote about his work in cholera-stricken Naples in the autumn of 1884 made him famous at a stroke. However, he was not a professional writer, and his real success only followed 45 years later. The Story of San Michele was published in 1929 and became one of the most successful books of the 20th century. It was written in English, has been translated into a large number of other languages and new editions are still being printed.Munthe was not an architect, but on Capri he caused to be built one of the most famous villas of Europe: Villa San Michele, which has been described by experts as a work of architectural genius.He was a fervent anglophile, but his favorite philosopher was Schopenhauer, his favorite poet Heine, his favorite composers were Schubert, Wagner, Schumann and Hugo Wolf. And despite his republican outlook on life, his most important patient was not only royal and German born, but also strongly German-orientated.Munthe’s relationship with Crown Princess Victoria, from 1907 Queen of Sweden, plays a central part in his biography. He was not only her personal physician, but also her closest friend and confidant. Munthe’s importance to both her physical and moral well-being cannot be sufficiently underlined. His contribution to Victoria’s health was due to psychological insights which, however, were not present in his personal relationships. He was married twice, first to Ultima Hornberg, then to Hilda Pennington Mellor who bore him two sons. The first marriage ended in divorce, the second with marital separation.The continuing great interest in Munthe is explained by the abundance of his talents and the contradictory nature of his character. ”The man from Ultima Thule is an incurable idealist, a vague dreamer, a mute poet whose heart holds an unwritten paean to the Sun”. Thus wrote Axel Munthe in the preface to the Italian edition of The Story of San Michele and he continued with a paradox: ”The Southerner is a realist, the blood that courses in his veins is hotter, but his head is cooler than that of people of the North. He is passionate, even violent in love and hatred, but he is no enthusiast.”But that was Axel Munthe.- Bengt Jangfeldt, biographer of Axel Munthe.

Lot 646

SIR WALTER SCOTT: 'THE LADY OF THE LAKE', JOHN BALLANTYNE 1810 FIRST EDITION, LEATHER BOUND.

Lot 681

A 19TH CENTURY FRENCH MALLES MOYNAT DOMED TOP TRUNK BELONGING TO THE FAMED MUNTHE FAMILY, FROM SOUTHSIDE HOUSE, WIMBLEDON VILLAGE,122cm x 58cm x 50cmAxel Munthe was born in Oskarshamn in 1857 and died in the Royal Palace of Stockholm in 1949. He had by then lived outside Sweden for 67 years and had had such a singular a career that he could have made his own the last words uttered by Charles XIV John: ”No one has followed a path like mine.”Munthe was a man of paradoxes.Having qualified as a doctor of medicine at the Sorbonne aged 22 (the youngest on record in France), he soon became one of the most successful doctors of his time, with a reputation as a worker of miracles. Among his patients were members of the upper classes and aristocracy of both Europe and America, but he also worked amongst the poor in Paris, Rome and Naples.The newspaper report he wrote about his work in cholera-stricken Naples in the autumn of 1884 made him famous at a stroke. However, he was not a professional writer, and his real success only followed 45 years later. The Story of San Michele was published in 1929 and became one of the most successful books of the 20th century. It was written in English, has been translated into a large number of other languages and new editions are still being printed.Munthe was not an architect, but on Capri he caused to be built one of the most famous villas of Europe: Villa San Michele, which has been described by experts as a work of architectural genius.He was a fervent anglophile, but his favorite philosopher was Schopenhauer, his favorite poet Heine, his favorite composers were Schubert, Wagner, Schumann and Hugo Wolf. And despite his republican outlook on life, his most important patient was not only royal and German born, but also strongly German-orientated.Munthe’s relationship with Crown Princess Victoria, from 1907 Queen of Sweden, plays a central part in his biography. He was not only her personal physician, but also her closest friend and confidant. Munthe’s importance to both her physical and moral well-being cannot be sufficiently underlined. His contribution to Victoria’s health was due to psychological insights which, however, were not present in his personal relationships. He was married twice, first to Ultima Hornberg, then to Hilda Pennington Mellor who bore him two sons. The first marriage ended in divorce, the second with marital separation.The continuing great interest in Munthe is explained by the abundance of his talents and the contradictory nature of his character. ”The man from Ultima Thule is an incurable idealist, a vague dreamer, a mute poet whose heart holds an unwritten paean to the Sun”. Thus wrote Axel Munthe in the preface to the Italian edition of The Story of San Michele and he continued with a paradox: ”The Southerner is a realist, the blood that courses in his veins is hotter, but his head is cooler than that of people of the North. He is passionate, even violent in love and hatred, but he is no enthusiast.”But that was Axel Munthe.- Bengt Jangfeldt, biographer of Axel Munthe.

Lot 492

JACK VETTRIANO (B.1951): A PRINT TITLED 'BETRAYAL - FIRST KISS', Signed by the artist in pencil, limited edition 67/100. 42cm x 35cm Mounted in a frame and glazed. 71cm x 61cm

Lot 562

A COLLECTION OF BOOKS TO INCLUDE FRANCE SON HISTOIRE, GEORGES MONTORGUEIL, ERNEST HEMINGWAY THE OLD MAN AND THE SEA POSSIBLY FIRST EDITION, JANE AUSTEN BOOKS (QTY)

Lot 291

ARCHITECTURAL SALVAGE: A LARGE COLLECTION OF ANTIQUE WOODEN CURTAIN POLE STOPS, ANTIQUE DOOR HANDLES AND OTHER ELEMENTS (FIRST TWO PHOTOS SHOW COLLECTION, OTHER PHOTOS CLOSE UPS)

Lot 186

Mixed Lot: Great Yarmouth Theatre programs, The Bank of England An Illustrated Visit, Promises to Pay the First 300 Years of The Bank of England Notes and others

Lot 48

Coalport figurines Grace, First Night and Sara (3)

Lot 97

Royal crown derby 1998 first edition blue tit pin tray together with old Imari Christmas robin pin tray

Lot 604

A GROUP OF POSTERS DEPICTING EQUALITY ACTIVISTS AND CAMPAIGNS (11)Including: ‘If you think you can do nothing about the environmental problems, you’re one of them’, Directed by Armband copyright 1971, 56 x 83cm; ‘Wanted: Faith Beauty Integrity. Reward: Love-Peace-Happiness’, copyright 1970; three Angela Davis posters, ’I am a Black Woman’, designed and produced by Richard McCrary, copyright 1971, 57 x 74cm; ‘If They Come in the Morning’ and ‘I am Innocent’ (Angela Davis), distributed by Realities Unlimited, 74 x 59cm;Together with ‘Truth - Trust and Justice’ Artist: Tony Owen, printed by Orbit Graphic Arts, copyright 1967, Wespac, San Francisco, 74x59cm; ‘Where The FugarWe?’, copyright 1967; Foster and Kleiser, ‘See America First’, copyright 1967, Sam Smidt publishing’; ‘Remember Uncle Tom Says Only You Can Prevent Ghetto Fires’ copyright 1967 Ron Cobb, published by Sawyer Press x 2; and another ProvenanceFrom the Estate of the late Hilary Gerrard (1933-2023), formerly Business Manager to Ringo Starr from the 1970s onwards.Condition report: We do recommend viewing in person (see website for opening times). This lot is sold as seen. Generally these  posters are worn commensurate with age and handling over the years, exposed edges and corners, together with some minor marks and discolouration. The most obvious includes 'If you think you can do nothing about the environment...'. with a surface tear / bruise to the lower right side and a tear from the edge along the right side. Visible in catalogue images, but also see extra images. The bottom edge cuts off some text details, see images. Angela Davis 'If They Came..' folded into four, with lines visible and discoloured. a small tear at the top along the dividing line. Fragile paper. Various others with wear and tear, please see additional images. 

Lot 530

TWO POSSIBLY AMERICAN QUILTS WITH STYLISED RED FLORAL AND GREEN LEAF DESIGN (2)Early 20th Century and Later The first with central six point diamond star motif, white ground with a red border and trim, hand stitching, 220cm wide; 220cm high; The second with sinuous foliage, on a cream ground, 227cm high; 222cm wideProvenance:  The Collection of Mr. Marcus Linell Further details on the Bellmans website herePurchased at Sotheby's Belgravia, Textiles Sale, 17th November 1981, Lots 397 & 503. 

Lot 584

TWO AFRICAN TRIBAL PAINTED WOODEN MASKS (2)Probably 20th Century, Guro Tribe, Ivory Coast The first with red painted face, surmounted by a figure holding a horned animal head, 74cm high, the second with white painted face, surmounted by an elephant head, 67cm high

Lot 14

TWO GILTWOOD FRAMES (2)The first sight size: 31.5 x 36cm rebate size: 33.7 x 48cm overall size: 50.5 x 64.5cm The second sight size: 34.5 x 49.5cm rebate size: 35.5 x 51cm overall size: 51 x 67cm (2)

Lot 13

TWO GILTWOOD FRAMES (2)The first sight size: 32.5 x 24cm rebate size: 35.5 x 26.5cm overall size: 60 x 50cm The second sight size: 34 x 44.5cm rebate size: 36.5 x 46.5cm overall size: 61 x 71cm (2)

Lot 603

A GROUP POSTERS DEPICTING OTHER POLITICAL FIGURES INCLUDING CHE GUEVARA AND FIDEL CASTRO (14)Including two of Vladimir Ilyich Lenin 44.5 x 58.5cm and Ho Chi Minh printed by Orbit Graphic Arts, Berkley Bonaparte 59 x8 8cm, and another of Ho Chi Minh, Malcolm X and Mao Tse Tung; Emiliano Zapata; the Mexican Flag, Graphics West, copyright 1970; another of Lenin holding his fist, red background title 'In Unity is Victory', first published 1969, 89 x 58cm. and 'Les Villas Baluarte Invencible'Together with ‘Geuvara is Dead.. Long Live Geuvara' the reverse with 'While Dad’s Away, Mum Will Play', ‘Lawson/Clive-Smith’ and ‘This section is part of Oz magazine, issue 8, 1968, and must not be sold separately’; and also Auto Hommage a "Henry Ford". Happening Umgebung, Vostell WolfProvenanceFrom the Estate of the late Hilary Gerrard (1933-2023), formerly Business Manager to Ringo Starr from the 1970s onwards.We do recommend viewing in person (seewebsite for opening times). This lot is sold as seen. 

Lot 56

FRANK WOOTTON (BRITISH, 1914-1998) (2)The First for the Few signed in pencil 'Frank Wootton' (lower central margin) and numbered '244' (of 850) a limited edition reproduction print 44.5 x 61cm ARR together with The Tangmere Wing, 1941, a signed limited edition reproduction print, no. 405/850 by Robert Taylor (2)

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