Ernest Procter - Foley China - Three painted dessert plates, made for the 1934 Harrods and 1935 Art in Industry Exhibitions, decorated with wavy and spiral bands enclosing central floral roundel, in tonal green, blue, pink and yellow with silvered outline and spirals, diameter 23cm, together with a matching sugar bowl, printed black marks and facsimile signature. (4) NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
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Freda Beardmore - Foley China - A painted Bachelor's teaset, circa 1930, decorated with intertwined ribbons enclosing abstract flower heads and orange spirals, over white ground, comprising teapot, teacup and saucer, sugar bowl and milk jug, printed black marks and facsimile signature, painted pattern no.V604. (5) NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Allan Walton - Foley China - A 'Mornington' pattern side plate, circa 1934, of circular form, decorated with orange flower petals with yellow and black triangles over white ground and rolling lime border, black printed marks and facsimile signature, marked First Edition, diameter 18cm. NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Michael Willmer - An Art in Industry Conical tea cup and saucer with matched side plate and cake plate circa 1934, decorated with a stylised devil figure, artists signature and Bizarre mark, largest plate width 20cm. (3) NB - This was designed artist Michael Willmer for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Vanessa Bell - Foley China - A hand painted part tea service, flower head panel with stylised scrolling leaves over smudged grey ground, within purple lustre field and chain link hatched yellow border, comprising six tea cups, six saucers and side plates, Sandwich plate, cream jug and sugar bowl, printed black marks to base and facsimile signature, marked 'First Edition', diameter of sandwich plate 23cm. (21) NB - This was designed by Bloomsbury artist Vanessa Bell for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Angelica Bell - Foley 1934 Art In Industry Exhibition - A pair of circular plates, of circular form, painted with brown centred blue floral outline over monochrome speckled field and sage green wavy border, printed black marks and facsimile signature, marked First Edition, diameter 20.5cm. (2)NB - Angelica Bell, the daughter of Duncan Grant and Vanessa Bell, was commissioned to design a coffee set for the 1934 Art in Industry exhibition at the age of just 16. The exhibition featured work by Paul Nash, Laura Knight and her parents, produced by Clarice Cliff at Wilkinson's Pottery, Foley and also glass by Steven's & Williams.
Paul Nash - Foley China - A handpainted 'Forest' side plate, circa 1934, decorated with stylized tree canopies in tonal yellow, green and brown, over cream ground, printed black marks and facsimile signature to reverse, diameter 16cm. N.B - This was designed by Paul Nash for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Dame Laura Knight - Foley Pottery - Two 'Dove and Flood' trios, circa 1934, purple lustre with stylized raindrops reserving flooded landscapes and perched dove, comprising cups, saucers and side plates, printed black marks to reverse and facsimile signature and painted pattern no.V630. diameter of side plate 16cm. (6) NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Clarice Cliff & Laura Knight - Fair Ladies - An Art In Industry circular plate circa 1934, decorated with a crowd of stylised ladies within an orange flash and black swirl line border, Laura Knight signature and Bizarre mark, width 22.5cm. NB - This was designed artist Laura Knight for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
3 Walter Moorcroft pieces to include A candy box and cover in the Anemone Blue design c1980, approximate diameter 14cm, with a green ground Columbine bowl c 1975, approximate diameter 10.5cm and an oval trinket box in the Bermuda Lily design c1975 , Candy box first quality , others factory seconds , in good condition with No chips, cracks or restoration, factory marks to bases.
A Moorcroft bowl in the Rose 'Pinxit' design by Sally Tuffin , decorated by Wendy Mason, approximate diameter 26cm, made in small quantity and sold via the Moorcroft Heritage centre, first quality and marked ST des, Pinxit no.12 , in good condition with No chips, cracks or restoration, crazed, usual factory marks.
A Moorcroft vase in the Yacht design based on an early florian ware design by William Moorcroft approximate height 23cm, produced in a numbered edition , first quality , numbered 551 and signed by John Moorcroft , in good condition with No chips, cracks or restoration, crazed, factory marks to base.
2 Moorcroft vases consisting of a vase in the Tea Rose design by Sian Leeper , approximate height 21.5cm , crazed, together with a vase in the William Morris Golden Lily Blue Design by Sally Tuffin approximate height 19.5cm , both first quality and in good condition with No chips, cracks or restoration , usual factory marks to bases,
A collection of Royal Crown Derby trinket boxes to include; three hexagonal Imari patterned boxes, a Dragon patterned hexagonal example; a Posy patterned hexagonal example and a Derby Columbine oval box. (6) All first quality in good condition, except Posy pattern box which is a factory second
3 Moorcroft vase , consisting of a vase in the Oberon design by Rachel Bishop, First Quality crazing to base, together with a vase in the Apollo design by Sian Leeper , Factory second (red dot), and a vase in the Carolina Moon design by Kerry Goodwin , factory second (red dot), tallest vase approximate height 15.5cm , all in good overall condition with No chips, cracks or restoration , usual factory marks to bases.
2 Moorcroft pieces in the Anemone tribute design by Emma Bossons , to include a vase , approximate height 13cm , seconds(red dot) and a plate approximate diameter 26cm , first quality , together with an Anemone plate on a green ground by Walter Moorcroft approximate diameter 26cm, first quality, All in good condition with No chips, cracks or restoration, factory marks to bases.(3)
Airfix H0/00 Scale Playset - Pontoon Bridge Assault set (First) 1972 issue to include; German WW2 Infantry Set, British Commandos Set [German Infantry mostly still attached to spurs all 48 present, British commandos are loose from spurs with 24 pieces present], All other parts in set appear present. Conditions generally appear Excellent (soldiers still in box and most parts still attached to spurs) within generally Good Plus to Excellent box. See photo.
Corgi "Aviation Archive" a boxed 1/32 scale AA34406 (fully working model series) Maj. Don Strait, Officer Commanding 361 First Fighter Group December 1944, P51D Mustang "Jersey Jerk" with battery powered working features operated from the display stand base unit (not tested). Although not checked for completeness, conditions generally appear Excellent to Near Mint in generally Fair box with scuffing and Good Polystyrene. See photos.
A collection of three art glass paperweights, each showcasing a unique design and technique. The first piece features a clear glass orb (2.75") encasing an amber and green swirling ribbon design. The second paperweight is a larger clear glass (3.5") sphere with a controlled bubble and inner air-trap design, creating a mesmerizing optical effect. The third is a smaller, iridescent glass sphere with an organic, freeform surface decoration (2.5") in black and green. Each piece demonstrates fine craftsmanship and artistic expression, making them an excellent addition to any paperweight or art glass collection.Issued: 21st centuryDimensions: See DescriptionCondition: Age related wear.
A collection of three distinct natural stones, each with unique geological characteristics. The first stone is a polished specimen with deep green and gold veining, possibly a form of jasper or agate (3"H). The second stone is an unpolished, dark-hued sedimentary rock featuring naturally occurring linear fractures made into a vase (5.5"H). The third piece is a fossil-bearing stone showcasing embedded seashell impressions, revealing its ancient marine origins (4.5"H). This trio presents an intriguing blend of natural history and aesthetic appeal, making it a captivating addition to any mineral or fossil collection.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
A striking pair of handcrafted African cultural artifacts. The first piece is a finely carved wooden bust (11") depicting a traditional African figure with distinctive elongated earrings and a solemn expression. The carving is detailed, showcasing textured hair and facial contours. The second item is a Zulu Matron Doll (9.5"), adorned with intricate beadwork in black, white, and green geometric patterns. The doll features a beaded base and an informational tag detailing its cultural significance, representing a Zulu woman dressed for a special occasion. A wonderful addition to any African art collection.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: AfricaCondition: Age related wear.
Swarovski 2005 Annual Edition Harmony, the first installment of the Wonders of the Sea trilogy, designed by Martin Zendron. This Harmony figurine features a school of fish in the top left corner and two vibrant clownfish crafted from topaz crystal swimming around a frosted crystal anemone. The set includes the original box, presentation plaque, and display mirror. The underside bears the Swarovski acid-etched mark. A stunning collector’s piece from Swarovski’s prestigious Annual Edition series, perfect for marine life enthusiasts and Swarovski collectors.Artist: Martin ZendronIssued: 2005Dimensions: 7.75"HCountry of Origin: AustriaCondition: Age related wear.
Swarovski crystal figurine featuring Mickey Mouse from the Disney Showcase Collection, the first series of Disney pieces produced by Swarovski. This dazzling piece is crafted from clear faceted crystal with black eyes and nose, capturing the timeless charm of Mickey Mouse. The figurine bears both the Swarovski and Disney logos, signifying authenticity and collaboration between the two iconic brands. A brilliant addition for collectors of Swarovski and Disney memorabilia.Artist: Edith MairIssued: 2005Dimensions: 4"LCountry of Origin: AustriaCondition: Age related wear.
A terracotta warrior head sculpture, inspired by the famed Terracotta Army of Qin Shi Huang, the first Emperor of China. The detailed facial features, textured hair, and topknot reflect the distinct craftsmanship associated with these historical artifacts. The base bears a museum mark from the Qin Shi Huang Museum, indicating it may be a replica or souvenir piece associated with the museum collection. The hollow construction is consistent with traditional terracotta techniques.Issued: 20th centuryDimensions: 6"HCondition: Age related wear.
This 1:18 scale diecast model by Signature Models replicates the 1938 Buick Y-Job, often considered the first-ever concept car. This detailed model features a sleek black finish, red interior, white-wall tires, and chrome accents, showcasing the elegance of classic pre-war automotive design. The model includes opening doors, a folding soft top, a detailed undercarriage, and an authentic front grille with signature headlights. A must-have for diecast collectors and vintage car enthusiasts. Measures 10.5"L x 3.5"H.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
This lot consists of two pieces of Wedgwood jasperware. The first is a round lidded trinket box, featuring delicate white relief designs on a mauve background. The decoration includes a classical scene with figures, surrounded by floral motifs. The second piece is an oval lidded box, also in mauve jasperware, with a similar relief of classical figures and a wreath-like border. Both items are crafted in the traditional Wedgwood style, characterized by the iconic matte finish and intricate detailing. Both pieces are marked with the Wedgwood backstamp, confirming their craftsmanship. The largest box measures approximately 4.25” in length. These elegant items are perfect for collectors of Wedgwood jasperware and classical decorative art.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
This lot features a pair of beautifully crafted Goebel figurines depicting two prominent religious figures. The first figurine portrays Pope John XXIII, standing tall with a benevolent expression and his hands clasped in prayer. The second figurine depicts Saint Francis of Assisi, holding a dove and with a serene gaze. Both figurines are meticulously sculpted with attention to detail, capturing the essence of these revered figures. Goebel backstamp.Dimensions: 9.5"HCountry of Origin: GermanyCondition: Age related wear.
AN ANTIQUE QUASHQ'AI RUG,hand knotted by semi-nomadic weavers of the Quashq’ai tribe, Kashkuli subtribe, Fars province, S.W. Persia, first quarter of 20th century, the hexagonal inner field with flowering plants, flowerheads, stylized birds, evil eye symbols. The main ground of similar decoration, five human figures lined up at bottom of the field, all inside a wide main ivory border of large lotus heads and vines, between two flowering guards and ‘checkerboard’ ends, 248 x 156cm, including kilim ends, (PL ref 9202)
AN ANTIQUE AUBUSSON TAPESTRY,hand woven in the ateliers of Aubusson, France, first half of 19th century, depicting an idyllic pastoral scene with three figures, the centre with a lady on a swing, a manor house in the distance, inside narrow rose vine borders, the design in the manner of Francois Boucher (1703-1770), who produced cartoons for the Beauvais ateliers, modified version of which were later woven at Aubusson, 220 x 183cm, a closely related piece was sold as part of the Vigo-Sternberg tapestry collection, Sotheby’s London, Feb 1996, lot 68. (PL ref 8962)
First half 20th centuryEach on circular base with dolphin supports; Together with Another Similar Example. Height of pair 30 inches; height of single 22 inches.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
![[ARCHITECTURE]PETERS, WILLIAM WESLEY. Motel for Bartell Associates, Madison Wisconsin. ?Scottsdale, Arizona: Taliesin Associa](https://cdn.globalauctionplatform.com/377a6448-203d-4eea-9a10-b2920128eaf6/f91522dc-fb07-4def-9ef1-b292013ff7df/468x382.jpg)
[ARCHITECTURE]PETERS, WILLIAM WESLEY. Motel for Bartell Associates, Madison Wisconsin. ?Scottsdale, Arizona: Taliesin Associated Architects, Taliesin West, early 1960s (probably 1962-3). 29 3/4 x 35 inches (75 x 89 cm); 26 x 35 inches (66 x 89 cm); two elaborate crayon-colored architectural renderings for a motel, one consisting of an aerial view and a cross-section; the other of a view of the central court from the balcony terrace, both renderings by William Wesley Peters Member of Taliesin Associated Architects. Fine. Framed.William Wesley Peters was Wright's protégé and son-in-law and was the first managing principal of Taliesin Associated Architects. The design here harkens to Wright's design for the Snow Flake Motel (on which Peters also worked), with a geometrically arrayed complex of rooms and a central covered court. The Organic Architecture and Archives Online Catalog lists several items pertaining to this project (which was never completed), including an interesting fact sheet on the Motel, see https://catalog.oadarchives.org/index.php/Detail/objects/1860. The publication used the superb rendering of the central court as the illustration, the original of which is included here. The accompanying text notes: "This 224 unit motel, designed by the FRANK LLOYD WRIGHT FOUNDATION features eight separate 2 and 3 story wings arranged like the spokes of a wheel around a central paved court and swimming pool. Above the court, a translucent cable supported canopy creates a spacious garden conservatory atmosphere. Each room has its own private terrace or balcony and overlooks a landscaped garden. The dining room, cocktail lounge, and shops open onto the central court. Parking is adjacent to the rooms but screened from view..." This was Taliesin Architects Project Number 6208. Materials relating to this are in the Taliesin Architects collection at the Avery Library. Estimate and reserve lowered per client converation 2/21 ERDNo condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
First quarter 20th centuryIncluding one rocking chair, each curved back with slats, canted front posts and with curved back legs. Height of backs 30 1/4 inches, height of seat 17 inches, width 24 1/4 inches, depth 19 1/4 inches. No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
The Smiths: A collection of five postcards, two written by Morrissey to Mike Hinc, the first undated but believed to be September 1984, the front featuring a black and white photograph of The Marvelettes, reading 'Dear Michael, Thoughts on Cardiff: No toilets (except public one)!! Dressing room 300 degrees below freezing point!! Stage laughably small, heavies mid-barrier were ultra heavy with happy fan. Crowd were great. ART WORK (given to Outlaw by ATB) was 3 records old!!!! - Will accept your decision on Belfast & Dublin venues - tickets aren't too expensive, I presume - thanks to Martin for coming to Gloucester. Please compile Feb-Mar venues. Love, your pets, The Smiths'.The second card, featuring a picture of Morrissey himself, and dated April 28th 1985, reads 'Mike, Can we tie in an Italian date with the Spanish jaunt? Yet still to England on planned date? Can we ditch Barcelona and do Rome? Or one important Spanish date and two Italian? Any idea how London Records found my address? Love, M'.The remaining cards feature bass guitarist Andy Rourke apparently practising his signature (on the reverse of a Smiths promotional postcard), a further card with the same image, with a typed message (probably by Morrissey, to Mike Hinc), reading 'These four beautiful boys would like to do SOME GIGS (but NOT the Upper Volta). We feel a grand passion for Ireland. Nine gigs? But we don't want to LOSE MONEY. Nine gigs? Our future support must be JAMES from FACTORY (please contact them when necessary)...Nine gigs (three rows of three). Remember, we are Rough Trade Artists.' There is blur crayon across the card, similar to that used to sign other letters written to Mike Hinc from Morrissey, as featured elsewhere in this sale.The final card, featuring a black and white portrait of Morrissey, is from an unknown sender, to 'Hilary', who worked with Mike Hinc at All Trade Booking, and reads 'Hilary, I need a copy of US tour inv (359?). Are Ross Bennet Smith having this paid from US? Can your travel agent get me info on QE2 to US. And sea routes to Japan?? (P'haps from US). Please call me, [?]', the card with a postmark dated 13th September 1985. Provenance:From the personal collection of the late Mike Hinc, former booking agent at Rough Trade for Morrissey, The Smiths and others. The lot forms part of an extensive archive of related items on this sale, consigned by the family of Mike Hinc. Qty: 5
The Smiths: A collection of early-career live performance ephemera, comprising seven invoices to the band from All Trade Booking, for 'Agency commission charged at 15% of concert fee for concerts by The Smiths', the first dated 18th April 1983, and the last 14th February 1984, to include their first London performance at The Rock Garden (Covent Garden), [noted on the invoice here as 17th March, when the concert itself took place on 23rd March], as well other notable gigs across the country in 1983 such as The Hacienda (Manchester) and Brixton Academy. The final invoice records concerts in Dublin as well as 'USA' in December 1983-January 1984. Also included with this lot is a copy of the agreement between the band and All Trade Booking (ATB), outlining the terms of their working partnership, with ATB acting as 'their sole and exclusive Agent...' for live bookings, dated 27th December 1983, the final page featuring the facsimile signatures of the band (Steven Morrissey, Mike Joyce, Andy Rourke and Johnny Marr), together with those of Mike Hinc (Director of ATB), and two witnesses, together with another similar (with annotated amendments), and a fold-out map of Trafford Metropolitan Borough, detailing a street plan of the band's locale - Altrincham, Hale and Bowdon. Provenance:From the personal collection of the late Mike Hinc, former booking agent at Rough Trade for Morrissey, The Smiths and others. The lot forms part of an extensive archive of related items on this sale, consigned by the family of Mike Hinc.A record of the Smiths' first London concert: https://www.thisisdig.com/feature/the-smiths-debut-london-gig/
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