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Lot 100
GREGÓRIO LOPES - 1490-1550, Jesus praying in the Garden of Olives, oil on oak wood, c. 1530, small restoration, support with minor traces of woodworms. Notes: represented in CARVALHO, José Alberto Seabra de - "Gregório Lopes". Lisbon: Edições INAPA, 2004, pp. 40-41. Work studied and presented by CAETANO, Joaquim Oliveira - "Uma desconhecida obra-prima de Gregório Lopes". In "Estudo da pintura portuguesa - Oficina de Gregório Lopes - Actas" - Lisbon: José de Figueiredo Institute, 1999, pp. 129-132. Gregório Lopes was one of the most important Portuguese painters of the first half of the 16th century, having occupied the position of royal painter to King D. Manuel I from 1521, a position that would be confirmed by King D. João III, and which he held until his death in 1550. Trained in the workshop of Jorge Afonso, his father-in-law, he worked with other contemporary artists such as Francisco Henriques, Garcia Fernandes or Cristóvão de Figueiredo, with whom he was one of the main people responsible for the renewal and updating of the taste in Portuguese painting of his time. His workshop was responsible for the execution of some of the most important works that were carried out in Portugal in the first half of the 16th century, namely the altarpiece of Saint Benedict, initially made for the convent of Saint Francis in Lisbon; the altarpiece of Paradise or the set of panels he made for the Convent of Christ in Tomar and for the church of Saint John the Baptist in the same city. Two other paintings, "Resurrection of Lazarus" and "Ascension of Mary Magdalene into Heaven", are in the Olivenza Museum - see https://museodeolivenza.com/salas/otras/sala-de-arte-sacro/ accessed on 3-3-2025 at 11:55., Dim. - 114 x 134,5 cm
Lot 53
MANUSCRIPT.- QUEIROZ, José Maria Eça de (1845-1900).- O Primo Bazílio.- 19th C. (ca. 1875/1876).- 2 f.; 400x124 mm e 427x128 mm., Autograph manuscripts in ink (not signed), on two sheets (written on both sides of the sheets) in an elongated format, usually called “single sheets”, ready for typography, with numerous amendments and crossed out lines. Sheet 1 (400x124 mm): ±50 lines, with indication 321/1 and 321/2; Sheet 2 (427x128 mm): ± 45 lines. These are probably two fragments from a first version of the novel, which was initially intended to be entitled “O Primo João de Brito” and whose pages are currently scattered. In this regard, one should see the detailed description by Ernesto Guerra Da Cal (Lengua y estilo de Eça de Queiroz: bibliografia queirociana, tomo 1º, Coimbra, 1975), no. 1418. It should be remembered that the first edition of the novel, written entirely during Eça's stay in Newcastle, was published in 1878, in Porto, by Livraria Internacional de Ernesto & Eugenio Chardron (Guerra Da Cal, nº 95). The framed set, between two panes of glass, with a passepartous featuring two windows to facilitate reading.
Lot 220
A EUROPEAN CARVED GILTWOOD AGNUS DEI OR LAMB OF GOD TOGETHER WITH A CARVED OAK PANEL (2)Possibly 18th Century The first recumbent, mounted on a waisted painted plinth, possibly Spanish/Italian, 20cm wide overall; 20cm high; Together with a North European relief carved oak panel depicting the recumbent sheep or lamb, 18.5cm wide; 13cm high
Lot 218
THREE EUROPEAN CARVED MODELS OF AGNUS DEI OR ‘THE LAMB OF GOD’ (3)18th / 19th Century The first painted white with traces of silvering, mounted on a gilt bible with seven discs, possibly South German, 28cm wide overall, 17cm high; the second carved oak example, probably North European, 22cm wide; 29cm high; another smaller gilt and polychrome ‘Lamb of God, mounted on a bible, 16cm high
Lot 204
TWO STAINED AND LEADED GLASS HERALDIC STYLE PANELS (2)Incorporating 19th century and earlier elements The first of shield shape with central stag head on scrolling foliate ground, 27cm x 33cm; the other circular and centered with a shield shaped panel decorated with diagonal bands, 26cm wide
Lot 230
TWO NORTH EUROPEAN TAPESTRY PANELS OR CUSHION COVERS, ONE DEPICATING A BIBLICAL SCENE, THE OTHER AN ALLEGORICAL SCENE (2)Probably North German, Late 16th / Early 17th Century The first depicting the Madonna and Child with attendant patrons and architecture behind, winged putti holding a crown above, borders of leafy garland and fruit with possibly a coat of arms to the bottom edge, 56.5 x 56.5cm; the second with central garden fountain, castle to the background with a female holding a knife and reclining gentleman to the foreground, with a floral border, 56 x 58.5cmThese two vibrant small tapestries are associated with a group of tapestries woven in silks and wools attributed to southern Denmark and the Schleswig-Holstein region of North Germany. Workshops are recorded from the 1570s/1580s, established by skilled Flemish immigrants fleeing religious persecution. Small tapestries of this nature were typically conceived as cushion covers and in sets, illustrating related subjects or biblical stories. For a comparable example see Christie's, London, 30 October 1997, lot 216Minneapolis Institute of Fine Art, inventory 23.29.1
Lot 157
A 15CT GOLD, CORAL AND HALF PEARL RING AND A 9CT GOLD AND HALF PEARL RING (2)The first ring mounted with a coral between two half pearls in square shaped settings, Birmingham possibly 1878, ring size N½, gross weight 2.1grms, the second ring mounted with a half pearl to the heart shaped motif, Birmingham 1898, ring size E, gross weight 0.9grms
Lot 244
OF GRAND TOUR INTEREST: AN ITALIAN BRONZE OF A FAUN WITH A WINE SACK AFTER THE ANTIQUEProbably Neapolitan, Early 20th Century On variegated marble base, 51cm highA comparable example is held in the National Trust’s collection at Anglesey Abbey, Cambridgeshire. This model is after a bronze fountain figure dating to the late 2nd / early 1st BC, excavated at the House of the Centenary, Pompeii, in 1879. Wine (or water from the fountain) would have originally poured from the sack into a cup held by the Satyr (attendant to the god of wine, Bacchus). Like the Anglesey Abbey example, the cup is now missing. Many bronze foundries operated in Naples from the late 18th into the 19th Century, making souvenirs of ancient figures for tourists, many of the anncient originals now held in the Museo Archeological National in Napes (Inv 111495) This example or a very closely related figures is illustrated in the Chiurazzi catalogue, one of the busiest and most distinguished foundries at the turn of the early 20th Century. Bronzes could be finished in a choice of three patinas: Pompeii (green), Herculaneum (dark) and Renaissance (lustrous brown). The Faun with a wineskin is one of the finest bronze figures to have been discovered at Pompeii. Today in the Museo Archeologico Nazionale in Naples (Inv. 111495, height 51 cm.; Stefano De Caro, ed., Il Museo Archeologico Nazionale di Napoli, Naples 1994, p. 206), the bronze figure was found in the House of the Centenary (Casa del Centenario, IX, 8, 3-6), discovered in 1879 and given its name to mark the 18th centenary of the eruption of Vesuvius in A.D. 1879, that buried Pompeii and Herculaneum. The fountain figure was found during the first excavations of the house in 1879. Datable to the late second or early first century B.C. and an excellent example of Hellenistic style, it was found standing on a small tufa base in the middle of the rounded part of the north edge of the house’s bathing pool. Water would originally have poured from the mouth of the wineskin into a cup that the satyr was holding in his right hand.
Lot 233
TWO ARTS & CRAFTS BRASS TABLE LAMPS (2)Early 20th Century One in the manner of W.A.S. Benson, with rotating arm and tripod base enclosing a ball knop with switch, 37cm high overall; the second with scroll triform support on a weighted circlet base, 34.5cm high overallCondition report: The first with a ball knop with a registration number Rd.410288. The feet are both slightly upturned and the third foot is more like a hook. The other would benefit for slight tightening of the screws. General inevitable scuffs, scratches and marks commensurate with wear, use and age.Some verdi gris and residue of polish. See extra images on the Bellmans website.
Lot 29
TWO 9CT GOLD LADY'S WATCHES (2)The first with a signed Garrard dial, with Arabic hour markers, quartz movement and circular twisted link bracelet an fold over clasp, the other with Singed Rone dial, with Arabic hour markers, blued steel hands jewelled winding movement and fancy link bracelet with fold over clasp, combined gross weight 25.2 gramsCondition ReportThe Garrard watch; the foldover clasp has a 9ct gold hallmark, we therefore conclude that the bracelet is entirely 9ct gold, the watch is not currently working.The Rone watch; This has a 9ct gold hallmark to the links and to the clasp, the watch is currently workingThe movement of any watches has not been tested for accuracy or time keeping and Bellmans does not guarantee the future working of any watch. Please note that any individual movement parts may be replacements from originals due to any repair or restoration.
Lot 1075
In the manner of General Sir John Miller Adye (British 1819-1900) A pair of coastal pictures of Mauritius, the first Maheburg Bay from lle de la Passe, the second Lion Mountain and Moucheia Bay, watercolour on paper, each titled to the lower half.18.5cm x 35cmQty: 2Generally good condition, slightly loose in frames, fading to the cover.
Lot 1381
Two early 20th century rugs The first an Oushak rug with two central medallions on a blue ground with a guarded border; the second an Anatolian Yastik rug with three central medallions, offcut corner decorations, and a guarded border.The Oushak 150cm x 100cm. The Anatolian Yastik 188cm x 93cm.Qty: 2Both with notable wear throughout.
Lot 481
Three tea caddies The first a mahogany tea caddy of sarcophagus form with brass mounts and boxwood banding; the second in mahogany of sarcophagus form with brass ball feet and a fitted interior; the third in mahogany with a swan neck carry handle and a fitted interior.The first 31cm wide x 15cm deep x 19cm high. The second 19cm wide x 13cm deep x 13cm high. The third 22.5cm wide x 12.5cm deep x 15 cm high.Qty: 3The first with dents nicks and scuffs throughout. The feet later added, the back left is loose. no key present. The second with slightly loose hinges, damage to the corners, and later feet, key not present. The third with a crack to the wood on the front of the lid, the moulding around the top is coming away slightly, some scuffing to the base, wear throughout commensurate with age and use. Key not present.
Lot 435
A group of three etchings after François de Troy (French 1645-1730) A composed pair: the first J. B. Scotin (French 1698-1755), 'Vincentius à Regina Annâ Austriacâ'; Antoine Hérisset (French 1685-1769) and Edmé Jeaurat (French 1688-1738), 'b. Vincentius Ludovico Decimo Tertio Morienti'; together with Jean Baptiste Poilly (French 1669-1728) self-portrait of Francois De Troy. The pair 49cm x 36.5cm to the plate mark. The self portrait36.5cm x 25cm to the plate mark. Qty: 3 Water staining to the edges of the pair. The plate mark not visible beneath the frame on one. Some foxing and toning commensurate with age and display.The self-portrait with a strip of paper stuck over the left-hand edge disguising the edge of the plate mark. Light toning commensurate with age and display.
Lot 214
A set of ten dining chairs, c.1880, attributed to Thomas Jeckyll, by Holland & Sons The mahogany frames with ebony inlay and later velvet overstuffed seats, raised on tapering legs.Originally from the billiard room of 1 Holland Park, Home of the Ionides family. The standard chairs 49cm widex 89cm high. The carvers 59cm wide x 90.5cm high. Qty: 10 From the Ionides family by descent. Thought to be supplied by Thomas Jeckyll to Alecco Ionides for the billiard room at 1 Holland Park. Jeckyll undertook the design, decoration and furnishing of the first extension to the house in 1870. The chairs appear in the billiard room in photographs taken by Bedford Lemere & Co. in 1898. The original photos are housed at the V&A.1 Holland Park, the residence of the Ionides family between 1864 and 1898, housed one of London's finest collections of art, crafts, and design. Phillip Webb, William Morris, Thomas Jeckyll and Walter Crane were commissioned to design and furnish the house at various stages.The Ionides family moved in the highest artistic circles of Victorian Britain, mixing with Whistler, Burne-Jones, Rossetti, and G. F. Watts, the works of whom hung on the walls of the house. Paintings and furniture from the now demolished house appear in museums across the world, including the V&A, the Ashmolean, the Fitzwilliam, and the Detroit Institute of Arts.https://www.researchgate.net/publication/259810860_The_Ionides_Family_and_1_Holland_ParkCatherine Arbuthnott, Susan Weber, Thomas Jeckyll: Architect and Designer, 1827-1881, (New York: Bard Graduate Center, 2003)Day. Lewis. F.,'A Kensington Interior', Art Journal (May 1893), pp.139-44. In overall good condition, with minor dents, nicks, scuffs, and scratches commensurate with age and use.The first carver with signs of repair to the top rail. Minor losses to the veneer. The right arm appears to have been later reattached to the back. Further minor losses to the veneer on the arm supports. Signs of patches to the veneer and the ebony in the right arm. The back right leg with notable repairs at the joint to the seat. Further signs of later repair at the join of the right arm to the seat at the front. Replacement patches down the legs. The front legs with dents, nicks, and scratches commensurate with age and use. The third stick-back from the left is somewhat loose at the join to the bottom rail of the frame of the back. Minor cracking in the other two joins. The second carver with a minor repair to the join of the left arm to the back and minor repair to the front right arm support at the join to the seat. The first standard with a glued repair to the top rail and the bottom rail at the back. The back left leg with signs of repair. The second standard with slight losses to the inlay on the back, notable at the join of the stick backs to the bottom rail of the back. The third standard in generally good condition. The fourth standard with signs of repair to the bottom rail at the back and replacement to the inlay. Further losses to the inlay at the join of the sticks to the frame. A minor gauge in the top left of the back. A notable loss to the veneer down the right-hand front leg, approximately 2 inches long. The fifth standard with notable repair to the join of the back to the seat on the right. Some minor losses to the inlay on the bottom rail. Further signs of repair to the join of the top rail to the back on the right. Further minor losses to the veneer throughout. The sixth standard with minor repair to the join of the bottom rail at the back to the frame. The seventh standard with minor losses to the inlay, notable in the top left of the back. The eighth standard with signs of repair to the joins of the bottom rail of the back to the frame. Minor losses to the veneer.
Lot 1064
In the Manner of General Sir John Miller Adye (British 1819-1900) Three scenes of Mauritius, the first Pointe D'Esny, watercolour on paper, titled and dated lower left 'Pointe D'Esny August '04'; the second Mahebourg, watercolour on paper, titled and dated lower left 'Mahebourg August '04'; and the third a coastal scene with ships at pontoon with mountains in the background.The first 20cm x 31cm. The second 23cm x 35cm. The third 23cm x 34cm.Qty: 3Some slight fading throughout, one is loose in its frame.
Lot 362
A group of three prints Two framed engravings presented as a pair: the first Nicolas De Launay (French 1739-1792) after Nicolas Lavreince (Swedish 1737-1807) 'Le Billet doux', the second Jean Michel Moreau (French 1741-1814) after Pierre-Antoine Baudouin (French 1723-1769) 'Le couché de la mariée'; together with Jean-Jacques Avril (French 1744-1831) after Pierre Alexandre Wille (French, 1748-1821), 'A French nobleman handing his son a sword as the latter prepares to go to fight for the Americans in The American War of Independence', engraving.The pair measuring 44cm x 30cm to the mount. The third 55.5cm x 41cm.Qty: 3The pair with notable toning and some foxing. 'Le couché de la mariée' with notable worm damage to the central figure. The third picture with notable worm damage throughout.
Lot 1571
Two garden occasional tables The first an oak table with a square top and quatreform base; the second with a square top and an X-frame folding support.The first 60cm wide x 60cm deep x 51cm high. The second 34.5cm wide x 34cm deep x 42cm high.Qty: 2The first table with weathering commensurate with age and use. The top is somewhat loose from the base. The second in generally good condition with weathering commensurate with age and use.
Lot 1081
Two Windsor chairs With spindle-back, elm seats and H-frame stretchers. 62cm x 89cm & 58cm x 85cmQty: 2The first with notable damage to the back. The cresting rail snapped on the right-hand side, the spindles detached. Some of the spindles with losses, and signs of historic woodworm. The bottoms of the legs are reduced with woodworm damage. Woodworm damage to the back of the seat, up the back legs, and on the seat. The second with historical woodworm to the seat and slightly reduced legs.
Lot 289
A collection of six prints The first after Godfried Schalcken (Dutch 1643-1706), a young instrument player, engraving; the second François-Bernard Lépicié (French 1698-1755) after C. D. Moore, 'Le Jeu des Échecs', engraving, c.1746; a prospect of a Paris boulevard of the Louis XVI period, hand-coloured engraving; a boy with his mother holding grapes, etching and aquatint; 18th Century Welsh School, charcoal kiln view on the River Teivy, hand-coloured aquatint, 22cm x 23cm; and an offset lithograph after an aquatint of an interior scene.Qty: 5The first with notable toning, some damage to the paper in the upper left and minor damage to the figure's face. The second with some mount burn and light foxing. The third with notable toning and foxing, particularly in the upper half. The fourth with notable foxing. The fifth with some damage and repairs to the frame, losses to the black-painted glass slip, notable toning throughout. The sixth with some worm damage.
Lot 237
A Marilyn Monroe kinetic triptych The first Sam Shaw's flying dress photo; the second a poem by Monroe 'Feel what I feel within myself—that is trying to become aware of it also what I feel in others not being ashamed of my feeling, thoughts—or ideas realize the thing that they are'; and the third Andy Warhol Marilyn.77cm x 77cmQty: 1In generaly good condiiton. One of the ribs towards the left is warped and detached in the lower third. Slight scuffing to other ribs at the bottoms and tops.
Lot 1390
A selection of four rugs The first Turkish silk prayer mat with a tree of life decoration and a guarded border, 167cm x 92cm; the second a Persian prayer mat with a central medallion on a brown ground with a guarded border, 135cm x 72cm; the third an early to mid-20th century hand-knotted Afghan prayer mat with a rust ground, 150cm x 90cm; and the fourth an early 20th century hand-woven Caucasian-style carpet with central decoration and geometric patterns surrounded by a guarded border, 330cm x 175m.Qty: 4The Caucasian-style carpet with significant wear and damage throughout commensurate with age and use and a notable significant tear down the edge of the central ground. The others in generally used condition.
Lot 1009
Two maps The first Wilhelmus Kip after Christophorus Saxton 'Caermardi', taken from an atlas together with John Ogilby, a continuation of 'Ye Road from London to Aberystwyth, plate ye second', concerning the section through Oxfordshire, Gloucestershire and Worcestershire.The first 27cm x 32cm. The second 13.5cm x 43cm to the border.Qty: 2Both with notable warping to the paper, foxing and toning throughout.
Lot 367
A Regency walnut work table With two drawers to the frieze, the first drawer opening to reveal a blue velvet inset writing slope and a fitted inkstand, above a wood-framed wool basket, and raised on fret-cut baluster supports, with cabriole legs terminating in brass paw caps and castors.49cm wide x 39cm deep x 78cm highQty: 1In generally good condition. Signs of later repair. The basket possibly once was of silk and has now been replaced with wood. Slight play in the frame.
Lot 532
A group of four engravings Two after François Boucher (French 1703-1770), the first René Gaillard (French 1722-1790), 'L'Obéissance récompensée', hand-coloured engraving; the second René Gaillard (French 1722-1790) 'Venus et les amore', engraving; together with Carlo Antonio Porporati (Italian 1714-1816) after Pompeo Batoni (Italian 1708-1787), 'Venus Caressing Cupid', engraving; and Jean Louis Charles Pauquet (French 1759-1822) after Annibale Carracci (Italian 1560-1609), 'Bacchus and the Satyr', engraving. The largest 54cm x 38cm Qty: 4 'L'Obéissance récompensée' with notable foxing across the printed surface, some warping to the paper, and light toning. 'Venus et les amore' in generally good condition, with two creases running across the centre of the paper, and toning and foxing commensurate with age. 'Venus Caressing Cupid' with notable toning, signs of worm damage, and a notable crease across the bottom-third, water staining to the mount, and suggestions of mount burn, some surface dirt and scuffing to the paper, notable in the upper left. 'Bacchus and the Satyr' with light toning and damage to the frame.
Lot 1053
Three 20th century porcelain Japanese fish bowls The first with Imari decoration and fish painting within; the second with floral decoration on a black ground; the third in a famille rose-style with painted floral decoration to the body.First 35.5cm x 33cm; second 40.5cm x 35cm; third 36cm x 30.5cm.Qty: 3Rubbing to the painted decoration throughout, otherwise in generally good condition.
Lot 1138
Two needlework panels c.1650-1655 The first a maiden in a bucolic landscape amongst animals; the second of a maiden picking fruit, the two panels joined with a whipstitch.The first 13cm high x 24cm wide. The second 12.5cm high x 17cm wide.Qty: 2The first with small holes through the support. Notable in the dragonfly, the dog in the lower right, and the hut in the top right. The second in generally good condition with slight wear to the needlework throughout.
Lot 545
Two modern checked Kilims Each sewn together from two panels.267cm x 207cm and 293cm x 187cmQty: 2The first in generally good condition with light wear commensurate with age and use, the second with the two panels coming notably loose particularly at one end with further holes in the middle and a notable patch on one edge.
Lot 1155
A pair of Victorian, Gothic Revival, carved oak hall chairs The relief carved back and plank seats raised on cup and cover carved front legs.52cm x 116cmQty: 2The first chair with the central panel of the back slightly loose, coming out of the frame. Some chipping and scuffing to the tops of the back supports and scuffing down the back legs.The second chair with the arching top of the back loose and in need of reattachment. Dents, nicks, and scratches throughout commensurate with age and use.
Lot 1245
Two tables The first a 19th century rosewood games table, with a parquetry decorated chess board top and a frieze drawer, raised on an octagonal support and a quatreform base. The second a Victorian burr walnut work table of trumpet form, the top with inlaid scrolling decoration opening to reveal a fitted interior, raised on triform cabriole legs.The first 38cm wide x 38cm deep x 72cm high. The second 44cm wide x 44cm deep x 74cm highQty: 2The first with notable damage to the veneer on the top with some lifting, particularly in the rosewood tiles of the chess set, and some cracking. Some notable damage to the varnish. Some water damage to the base. The second with ring marks to the top, some lifting to the veneer, and some plug marks in the top. Some wear and tearing to the fitted interior. Some scuffing down the legs.
Lot 525
Two 19th century French stick barometers The first with a stained faux rosewood case signed 'Colombi Optician a St Malo', with a pen-written main dial and two thermometers; the second with an inlaid rosewood case, the paper dial signed 'Fontana Freres'.The first 15cm wide x 99cm highQty: 2The first with some minor marks and losses, browning to the paper dials. In reasonable condition overall considering age and use. The second with a broken tube, minor marks and browning to the paper dials.
Lot 1055
Two Windsor armchairs With elm seats. One with a crinoline stretcher.53cm x 104cm. 57cm x 100cm.Qty: 2The first with legs snapped and detached. Damage to the stretcher. The cresting rail detached on the right-hand side and loss on the left, with damage to the spindles.The second with signs of old woodworm. A bound repair to the cresting rail at the top. Signs of repair to the palm rail at the back.
Lot 468
Two 19th century pole screens and a further pole screen stand The first with a painted screen depicting cherubs on a splayed tripod base united by a ring stretcher; the second with oval painted decoration and on a tripod base; the third with brass pole and on a walnut carved base terminating in paw feet.The tallest 155cm highQty: 3All with minor marks and losses due to age and use, all as found.
Lot 460
A collection of six pictures Gindreda Brooke, a portrait of J. M. Buxton, watercolour and bodycolour on paper, signed and dated to the margin 'Gindreda Brooke April 1918', 35cm high x 25.5cm wide; Gindreda Brooke, a tree-covered landscape, watercolour on paper, 30cm high x 21cm wide; a portrait of a man, oil on canvas, 39cm high x 49cm wide; a still life with roses, watercolour on paper, distinctly signed lower left, 37cm high x 30cm wide; and two reproduction prints, the first after Albert Gilbert, 'Une Odalisque An Odalisque', and the second after Alan Davidson, 'Charmeuse de Serpents The Snake Charmer', each 43cm high x 25.5cm wide.Qty: 6In generally good condition. Fading to the watercolours and light surface dirt.
Lot 267
Two 18th century Kashmiri-decorated Koushes With painted floral and scrolling decoration, possibly made for the Russian market.The first 37.5cm wide x 17cm deep x 15.5cm high. The second 17.5cm wide x 9cm deep x 12cm high.Qty: 2Cracking to the painted decoration throughout, notable particularly on the smaller. In generally good condition.
Lot 1411
Two Rugs The first a mid-20th century hand-knotted Heriz-style rug with a central medallion on a red ground with a guarded border; the second a Persian-style carpet with a striped central ground and a guarded border.The first 200cm x 13cm. The second 240cm x 152cm.Qty: 2In generally good condition. The first with notable wear to the pile.
Lot 406
Two white-glazed Nymphenburg equestrian figures from the Red Hunt series by Theodor Kärner The first a hunter on horseback with two hounds, impressed shield stamp to the base and the underside, numbered 382 9, with a green stamp mark; together with a horseman leading a horse, impressed shield mark to the underskirt of the saddle and to the base, numbered 553, with a green stamp mark.The first 20cm wide x 19cm high. The second 20cm wide x 19cm high.Qty: 2In generally good condition. Slight surface dirt and some very minor scuffing to extremities.
Lot 1093
A large collection of books by P.G. Wodehouse Approximately one hundred titles in total, including Mr. Muliner; Psmith Journalist; Blandings Castle; Jeeves; Uncle Fred; and various others. Some first editions including Stiff Upper Lip, Jeeves, Ring For Jeeves, The Inimitable Jeeves, The Code of the Woosters, and others. Some titles repeated.Various conditions, some with original dust jackets.
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596772 item(s)/page