John BARNICOAT (1924-2013)Restronguet Point, 19767 drawings on paperEach 21 x 29cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
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John BARNICOAT (1924-2013)Southwark Bridge, 1993Oil on canvas board52 x 43cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Untitled, 1996Two worksMixed media on paperEach image size 26 x 26cm, each sheet size 52 x 39cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Untitled, 1993Oil on canvasSigned and dated 1993 to verso76 x 76cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)UntitledMixed media on cardImage size 31 x 41.5cm, sheet size 61 x 56cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
Tony O'MALLEY (1913-2003)Untitled, 1969Acrylic on hardboard collageInscribed 'To Terry with love from Tony Nov 1969' to verso73 x 37cm (size including integral backboard)Provenance - David Lay Auctions, October 14th 2003, lot 568The Personal Collection of Jonathan Grimble We believe this work to be just as first constructed by the artist. Reclaimed materials were used and so there are inherent defects. The colours may have matured.
Bernard LEACH 1887-1979Three handwritten letters to Commander Reynolds Sharp RNRThe first letter dated 3.5.37, apologising for his silence and explaining that his marriage (to first wife Muriel) has ended and he has moved to Dartington Hall with Laurie Cookes (who becomes his second wife).The second letter, on Leach Pottery headed paper, dated '28-VII-49' suggesting a possible joint visit to Reynolds and Michael Cardew at Wenford Bridge Pottery.The third, on Leach Pottery Headed notepaper dated '3.X.49' again apologising for silence, refusing an invatation and explaining that he and his second wife had come to a 'sad parting of the ways' 'not a third party this time, just incompatibility of temperaments.' 'Im going to the USA for exhibitions & lectures early next year but I hope to get to Bodmin to get to see you and Michael Cardew before that'Written to a relative of Leach's, this intriguing collection of letters combine insights of a very personal nature into Leach's marriages, with his working arrangements during these unsettling periods in his family life.Provenance: From the Sharp family.
Norah BRADEN (1901-2001)A stoneware vase with celadon glaze and iron brushworkPainted initials and indistinct glaze reference to baseHeight 13cm***Revised reportAt first glance, this pot appears to be in excellent condition, however, under close inspection a very competently repaired crack measuring approximately 6cm is evident. Approx diameter at widest point 16cm. Diameter of rim 10.3cm, diameter of foot 9cm.
E. E. HOLLONDPortraitOil on canvasSigned and dated '3783x62cmThis unframed piece displays a number of conditional issues, the first being two small wholes present in the top third of the painting. The canvas is rather loose on the frame which has caused some buckling, this particularly presents itself just beside the right of the sitter's face (please see additional image). There are also areas of minor peripheral losses (please see additional image).
John BARNICOAT (1924-2013)Faces, 2000Mixed media on paperSigned and dated 12/12/00Image size 38 x 40cm, sheet size 70 x 50cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Untitled, 1966Tempera and collage on cardImage size 26 x 26cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Prussia Cove, 19734 pencil drawings on paperEach inscribed and dated 20/10/73Each 13 x 22cmTogether with a larger drawing of Prussia Cove and one other drawing, each 40 x 50cm Provenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Cornish Coast, circa 1940sWatercolour and pencil28.5 x 39.5cmTogether with 3 smaller Cornish watercolours from the same time period, each 18 x 26cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Cityscape, circa 1970sMixed media on cardInitialled B27 x 27cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)UntitledAcrylic on cardInitialled B27 x 36cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Woman's HeadOil on board30 x 30cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Southwark Bridge, 1992Oil on board48 x 60.5cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Ibiza, 1950s7 pencil drawings on paper (3 mounted)Each approximately 24 x 31cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Two WomenTwo worksInk and washEach dated '02Each 25 x 25cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Shipping Off The Cornish Coast, circa 1940sMixed media28 x 38cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Untitled, 1993Oil on boardSigned and dated 1993 to verso20 x 28cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022. Good unrestored condition with minor/insignificant shrinkage
A group of 10 Exclusive First Editions diecast model lorries, 1:76 scale and 00 scale, including an Atkinson Tanker "Mackeson Brewery Series, an Atkinson articulated box van", "Tate and Lyle", an Ergo Artic 2XL flatbed "British Road Services", and an Albion Ergomatic 2 axle flatbed "British Road Services", all with boxes
WWI Interest Military Cross (MC) Awarded to 2nd Lieut JH Goode Som L.I - later to be Captain for exemplary gallantry in the field, 'Forces War Record' as follows Gazette date 08-01-1918. Gazette page 609, John Henry Goode. Gazette issue 30466. M.C. For conspicuous gallantry and devotion to duty. During an attack on a village he found himself in charge of his company when his commander was wounded, and when the company in front of him lost direction and moved off to a flank, he promptly led his company up to the village, captured the first objective, and then went on to capture the second. By his quick grasp of the situation he was able to fill a dangerous gap in our leading wave, and during the clearing of the village he also showed the greatest gallantry and fearlessness, killing several of the enemy with his own hands. Awarded the Military Cross. Also awarded 114-1915 Star when Sgt Major 'acting'. The Croix De Guerre 1914-1918 medal and The Great War For Civilisation 1914-1919 medal. After WWi he continued to serve with distinction and courage.
Tanzanite Trillion Cut Halo Stud Earrings, solitaire, trillion cut tanzanites, of good colour, set within frames of sparkling white natural zircons; zircons being one of the oldest gemstones ever to be mined, accenting tanzanites, only discovered in the late 1960s, and found in only one place in the world, in the foothills of Mount Kilimanjaro, Tanzania, after which it was named by Tiffany, New York, where it was first sold; this pair of earrings set in platinum vermeil and silver post and push back fittings
Michel Jean Cazabon (1813-1888) A Rare 19th Century Drawing on Paper. Artist Cazabon is regarded as the first great internationally known artists from Trinidad. He is renowned for his watercolour drawings and paintings of Trinidad scenery, Merchant's families and plantation workers, which are of historical importance. His paintings have left us with a clear picture of the many aspects of life in Trinidad through much of the 19th century. A rare, fine quality drawing of a Trinidad country scene depicting a mother and child approaching thatched huts. Graphite on paper, signed Cazabon bottom right. Measures 8.5" x 11". Unframed. From a ladies private collection.
War related and historical Ephemera group comprising many dozen items of interest dating first and second World Wars. Ration Books, propaganda and safety guides, post cards, identity cards, greeting cards some with thoroughly interesting messages to serving personnel in operation during these wartime periods.
Vintage bygones comprising Antique Decorative spelter Jug/Wine Pitcher x 2, one larger. Government/Military unscented soap bars. The bar has the royal cypher stamped into the top. 1887 Silver Queen Victoria Jubilee Head Coin Pendant. Bust of the mature Queen Victoria wearing a crown, surrounding reads VICTORIA DEI GRATTIA BRITT REGINA and on the reverse a shield with a royal crown above, quadrants of 3 lions for England, 1 lion for Scotland and a harp for Ireland, date at the bottom of the coin. Chain length 20" and A boxed First World War Remembered Commemorative Medallion. Issued by the Imperial War Museum to mark the 80th Anniversary of the end of the First World War. Solid nickel silver medallion 149 of a limited edition of 200.
Yu-Gi-Oh First Edition Trading Cards 1996 comprising a large box of in excess of 200 cards inc some harder to find high HP issues. Plus, small group of Dungeons and Dragons cards, Magic Deckmaster and Dragon Lance, plus box of Lord of the Rings Battle Game figures, Midevil Game trio and unused deck of Playboy Fournier Vitoria playing cards.
Royal Mint coin Collections; Geo VI Collection, Libra Soldus Denarius, 1999 Last Coins of The 20th Century, 2002 UK Brilliant Uncirculated Collection, 1997 Baby Gift set, Restoration of The Monarchy £5 uncirc. First Official Issue of the 1 euro coins of the 12 memberstates, collection of various coins incl. Victorian Crown 1890, five ERII Crowns, etc (qty)
John BARNICOAT (1924-2013)Untitled Triptych, 1993Three oils on canvasEach signed and dated 1993 to versoEach 76 x 76cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022. The right-hand panel has a 1cm diameter flake of missing paint and to the top center a dent and piercing to the canvas that has resulted in paint loss. The two other panels are in good unrestored condition with a little craquelure.
John BARNICOAT (1924-2013)Untitled, 2000Mixed media on paperSigned, dated 12/12/00 and inscribed 'The Multidunious Seas Incarnadine Making the Green One Red'Image size 33 x 33cm, sheet size 70 x 50cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Untitled, 2001Mixed media on paperInitialled 'B' and dated 26/01/01Image size 36 x 41cm, sheet size 70 x 50cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022. This piece came from the estate of the artist and is therefore in the same condition as it left the studio.
John BARNICOAT (1924-2013)Untitled, 1977A pair of mixed media works on cardEach initialled B and dated '77Each 26 x 26cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Untitled, 2000Pastel on paperSigned and dated 05/07/00Image size 33 x 33cm, sheet size 70 x 50cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
John BARNICOAT (1924-2013)Woman's HeadOil on board31 x 31cmTogether with a second studyOil on board30 x 30cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022.
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