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[ Victoria Cross ] A portrait photograph of Major Frederick Elton, The Border Regiment, laid on card possibly signed by subject. [Awarded the Victoria Cross for actions during the Crimean War at the Battle of Sebastopol, 29th March 1855, driving off a party of Russians and taking one prisoner; he also was the first to lead his men out of the trenches on June 7.]
[ Victoria Cross ] Two cartes de visite portraying General Hugh Gough, 1st Bengal European Light Cavalry. [Awarded the Victoria Cross for actions during The First Indian War of Independence at Alumbagh, 12 November 1857 and 24 December 1858. He charged across a swamp, captured two guns and engaged in armed combat with three Sepoys. He was injured by a musket ball through the leg, had two horses killed from under him and was shot through his helmet.]
[ Victoria Cross ] A cabinet card and carte de visite portraying Captain Edward William Derrington Bell, 23rd Royal Welsh Fusiliers. [Awarded the Victoria Cross for actions during The Crimean War at the Battle of Alma, 20 September 1854. He was the first to capture one of the enemy's guns which was being carried off, he then took command of his regiment after all his senior officers were killed or wounded.]
[ Victoria Cross ] A signed portrait photograph of Sergeant Major Frederick Barter, Royal Welsh Fusiliers, mounted on leaf, inscribed with doggerel poem in Barter's hand. [Awarded the Victoria Cross for actions during the First World War at Festubert, 16 May 1915. He, when in the first line of German trenches, extended the line with volunteers and attacked German positions with bombs, capturing three German officers, 102 men and 500 yards of enemy trenches.]
[ Victoria Cross ] A portrait photograph of Private Tom Dresser, 7th Yorks, together with an autograph inscription on leaf detached from Bon Mot album. [Awarded the Victoria Cross for actions during the First World War in which he, in spite of being wounded and in pain, succeeded in conveying an important message from headquarters to the front line.]
[ Victoria Cross ] William George Hawtry Bankes, VC (1836 - 1858), an extremely rare collodion glass plate photograph potentially portraying Cornet Bankes following the action for which he was awarded the Victoria Cross, or perhaps post-mortem, as he is captured sat with his arms covered by plaids, in Union type case with press cutting, 9.5 cm x 8 cm overall [London Gazette, "Cornet William George Hawtrey Bankes, 7th Hussars, upon whom the Commander-in-Chief in India has reported that the Decoration of the Victoria Cross has been provisionally conferred, for conspicuous gallantry, in thrice charging a body of infuriated fanatics, who had rushed on the guns employed in shelling a small mud fort in the vicinity of Moosa-Bagh, Lucknow, on the 19th of March, 1858, of the wounds received on which occasion he subsequently died, would have been recommended to Her Majesty for confirmation in that distinction, had he survived. Cornet Bankes led three charges against a body of rebels who had rushed the guns in the vicinity of Moosa-Bagh. In the course of these charges the young officer was almost cut to pieces. He died of his wounds 18 days later". Bankes was the first posthumous recipient of the Victoria Cross.]
Tobias Harrison (Cumbrian, Contemporary) An art pottery lustre glazed shallow bowl, circular with pronounced everted planar rim, the latter radially decorated in a series of stylized organic motifs, labelled, inscribed and numbered 016, 27 cm [Son of the artists Audrey Johnson and Claude Harrison. Tobias was introduced to pottery at school, achieved an art foundation at Lancaster University, graduated at Central College London and went onto become a thrower at Chelsea Pottery. He established this first studio in 1974 and spent the next 30 years creating art.]
Tom Cotterell (1890 - 1969) World war one satirical cartoons comprising a finished work "The Complete Slacker", pen and ink on card, signed, 28.5 x 23 cm, together with five rough pencil sketches on paper, one annotated 'Punch' another annotated 'Cassell', three bearing stamps verso for 'The Byron Studio', all pencil signed, [By 1914 Cotterell was publishing cartoons in Punch and other papers. While serving in the Great War, he still produced work for Sea-Pie Magazine and the first issues of the armed services magazine, Blighty, and continued to publish cartoons until the late 1950s]
A Victorian 1st South Durham Militia officer's full dress epaulettes tin, bearing a brass plaque engraved with an armorial crest and inscription "Wm Ord Esqre. 1st South Durham Militia, Sunderland", containing a bullion wire rosette / boss and two 1856 dance cards for the First Durham Militia Ball, Barnard Castle
A George III Mahogany Chest on Chest, the upper section with fluted canted uprights, 105cm by 54cm by 179cmTop right front and back corners ave been repaired, right hand side has cracks forming, first long drawer has a crack to the right hand side, slight damage to the carcas above each lock where they have been forced, fairly dull (lack of decent patina), structurally sound and a good size
Winston Churchill ''The Second World War'', 6 vols (first edition?); together with various other books including John? ''British Furniture Mallers'', ''Antiques Woodworking Tools''; Thomas Babington Macualay, ''Macaulay's Essays'', 2 vols; Edward Fitsgerald, ''Rubaiyat of Omar Khayyam'' and various other titles (qty)
A Pair of Elephant Drop Earrings, by Patrick Mavros formed of a white planished disc surmounted by an elephant, drop length 3.3cm, with post fittings; An Elephant Stickpin; and Another Pair of Elephant Drop Earrings, formed of a white planished disc suspending two trace link chains terminating to elephants, drop length 6.3cm, with post fittingsThe pieces are in fair condition. The larger planished discs of the first earrings are stamped 'PATRICK MAVROS' '750' 'PM' and '18CT' and in our opinion the disc would test as gold. In our opinion the remainder of the lot would test as silver. Gross weight 24.3 grams
Three Pairs of George III Silver Table-Spoons, One Pair Possibly by Thomas Tookey, London, 1781, One Pair by Solomon Hougham, London, 1811 and One Pair by Richard Crossley, London, 1793, the first two pairs each Old English pattern, each pair engraved with differing initials, the third pair single struck Threaded Old English pattern; Together With a George III Provincial Silver Table-Spoon, by Hampston, Prince and Cattles, York, 1801, Hanoverian pattern, engraved with a crest, total weight 13oz 11dwt, 421gr (7)
Three George II and One George III Silver Table-Spoons, One Maker’s Mark Rubbed, London, 1718; One by Richard Scarlett, London, Probably 1720; One Maker’s Mark SA, London, 1759 and One Maker’s Mark Probably RR, London, 1768, each Hanoverian pattern, the first two each with rattail and engraved with differing initials, the second two each with differing fancy-back bowl, each engraved with initials ‘R’ over ‘I*M’, total weight 7oz 10dwt, 233gr (4)
A George II Silver Pepperette and a George III Silver Pepperette, the First by Samuel Wood, London, 1752 and the Second by Thomas Daniell, London, 1778, each vase-shaped and on spreading foot, the pull off covers with either baluster or spiral-fluted finial, each approximately 13.6cm high, total weight 5oz 16dwt, 180gr (2)
Rugby - Nathan Hughes Match Worn yellow Adidas boots from his first game for Wasps in 2013. Each boot has been signed by Nathan Hughes. Consigned to auction by Nathan Hughes. Fijian-born rugby union footballer who is currently playing for Bristol Bears. He has also played for England. He plays as a flanker, a number 8 or at lock.
David Bowie: Limited Edition B£10 Brixton Pound Print, 2016 & Two First Day Cover Presentation Packs, 2017..- the print, offset lithograph, limited edition, 245/300, printed in orange fluorescent ink with die-cut metallic and holographic foiling on security watermarked banknote paper, titled ( 2016) in pencil, individually numbered in black and metallic ink, blind stamped 'This Aint RocknRoll', A3 sheet, 42 x 29.8cm; both sides of the note displayed, featuring Duffys iconic photograph of David Bowie in his Ziggy Stardust guise from the cover of Aladdin Sane and detail from the Nuclear Dawn mural on Brixtons Coldharbour Lane; with an accompanying certificate of authenticity from the Brixton Pound, blind stamped and signed by Tom Shakhli and designers,Olive Russell and Charlie Waterhouse; together with Two Presentation First Day Cover Presentation Packs, Edinburgh: Royal Mail, 2017, comprises: the first - David Bowie Live, four postal stamps loosely inserted within original promotional card, 11.5 x 21.5cm and a printed white envelope with Aladdin Sane flashes franked in two places on 14.3.2017, four postal stamps and further image of David Bowie from the promotional card tipped-on the envelope with an image of Bowie seated lower left, 12.5 x 22cm; the second David Bowie, six postal stamps loosely inserted within original promotional card, 11.5 x 21.5cm, and a printed white envelope as above, six postal stamps tipped-on and the Aladdin Sane flashes franked in two places on 14.3.17. (4)David Bowie (1947-2016) The post office's first day covers, a celebration of Bowies life and work, were issued in the year after his death.Condition Report: Brixton Pound B£10 Print - mint condition.First Day Covers Presentation Packs - mint condition.
Autographs, Music related.- Curtis (Anthony) and Fred Woodward, Rolling Stone Images of Rock & Roll, multi Signed, Virgin Books, 1995, first edition, Signed by Ike Turner, James Taylor, Van Morrison, Diana Ross, Rod Stewart, Jeff Beck, Annie Lennox, Roger Daltrey, Charlie Watts, Bill Wyman and Elvis Costello, illustrated endpapers, 179 photographs arranged by theme (some colour) includes images previously published in Rolling Stone and some unpublished, original embossed cloth, dust-jacket unclipped, a visual history covering five decades of rock and roll, photographers works include Annie Leibovitz, Gered Mankowitz, Herb Ritts, Norman Seef and others, folio.Provenance: The vendor is an autograph collector and collected this in person. Condition Report: light wear to cloth, corners and spine ends rubbed, dust-jacket marked with a few small clean edge tears to corners and spine ends, a taped manuscript list on a small piece of white ruled paper and small ownership gold, printed label to front endpaper, some weakening to a few joints, internally clean, strong signatures.
Frank Sinatra: Frank The Vintage Years, Autographed Souvenir Programme with original concert ticket, 1980.- Britt (Stan) Frank The Vintage Years, published David Fellerman, 1980, first edition, inscribed, signed and dated in black ink on the front cover by Frank Sinatra, 'To Sylvia, Love Frank Sinatra 1980', with the original concert ticket for Frank Sinatras 8pm.performance at the Royal Festival Hall, London,Thursday 11 September, 1980, neatly stapled to the first page, photo. illustrated wrappers, photo. illustrations throughout, 98pp., folio, 30.5 x 30.5 cm.Provenance: The programme was signed in person by Frank Sinatra for the vendors mother whose husband was Catering and Events Director for The London Festival Hall. He and his wife, Sylvia, met Sinatra backstage at the performance.Condition Report: light marks to covers, internally clean, with strong inscription and signature.
Frank Sinatra: Frank The Vintage Years, Autographed Souvenir Programme with original concert ticket, 1980.- Britt (Stan) Frank The Vintage Years, published David Fellerman, 1980, first edition, inscribed, signed and dated in black ink on the front cover by Frank Sinatra, 'To Nick - All the Best Frank Sinatra 1980', with the original concert ticket for Frank Sinatras 8pm.performance at the Royal Festival Hall, London,Thursday 11 September, 1980, neatly stapled to the first page, photo. illustrated wrappers, photo. illustrations throughout, 98pp., folio, 30.5 x 30.5 cm.Provenance: The programme was signed in person by Frank Sinatra for the vendors father who was Catering and Events Director for The London Festival Hall. He and his wife, Sylvia, met Sinatra backstage at the performance.Condition Report: light marks and some fading to covers, internally clean, the signature also a little faded.
Norman Parkinson (British, 1913-1990) Dorien Leigh and Robin Tattersall [in Monte Carlo, c.1957].- a pair of black and white photographic prints, each annotated in pencil with negative numbers in red crayon on versos, the first - depicted the models in a doorway, the image 13 ¼ x 10 ¼ inches, overall 15 x 12 inches; the second - the models depicted by the sea, the image 13 ¼ x 13 ½ inches, overall 20 x 16 inches. (2)Provenance: Angela Williams Archive. Angela Williams (b. 1941) .became Norman Parkinson's personal assistant at the age of twenty-one, resulting in their close working relationship and collaboration throughout her career. Condition Report: the first: depicted the models in a doorway - overall good condition.the second: depicted the models by the sea - fold crease to centre of image, further overall light creasing and creasing to corners of sheet.
A Bridge Too Far (1977) Original film production call sheets, photograph albums, letters and related ephemera.- comprises: 20 Original main unit call sheets, 7 May 1976 - October 4, 1976, mostly 3pp., eleven of which have location maps attached; a main unit progressive schedule, No. 5, Week 19, dated 23.8.76, 6pp, all printed on folio white sheets, 33 x 21cm; 24 Original second unit call sheets, 6 of which have location maps attached; and a second unit schedule, week 3, dated August 18, 1976, 3pp., all printed on folio yellow sheets, 33 x 21cm; a group of 24 manuscript letters, of which 6 are within original postmarked envelopes, written by crew-member, George Smillie, to his family in Cornwall, from his film location address, near Deventer, Netherlands, George, action vehicles driver and film extra, records a first-hand account of filming many action scenes on location. On the bridge again today, outside Frosts house, they had it all rigged up to look as if it was on fire, it was very realistic until they found out it really was on fire then the place burnt down. Theres never a dull moment on this job; a pair of photograph albums, containing 68 and 69 images taken on location, mostly colour and a few black and white, depicted the cast, crew and director, Sir Richard Attenborough, aircraft, tanks and other armoured vehicles, mostly 9 x 5 inches; production storyboards, (photocopies),5pp. marked on front sheet Steve Lanning [assistant director] Sc. 584-586, depicted 33 action shots; crew member's official production photo. I.D. card and letter of engagement, 2pp., typescript, Signed by Sir Richard Attenborough, on his Beaver Lodge, Richmond, Surrey, headed paper, April 26, 1976; together with a collection of related ephemera including press and magazine cuttings. (Qty). Provenance: crew member, action vehicles coordinator, driver and film extra, George Smillie, who worked with tanks and armoured vehicles during his national service, and later drove and repaired military vehicles for the Military Vehicle Museum, Lamanva, near Falmouth, created by the late Charlie Mann, who was the military vehicles advisor on the film.
Empire of the Sun (1987) Original Production Call Sheets and Props.- comprises: 18 Call Sheets, mostly first unit, No. 1 March 1 No. 35, April 16, 1987, typescript on stapled coloured and white sheets, many with location maps attached, details of cast, crew and specific requirements on set for scenes directed by Stephen Spielberg and Frank Marshall, 7 x 21cm; Shooting Schedule No.2, 'China', Warner Brothers Productions Ltd., first and second units, 21 x 30cm; Movement Order, China-England, March 19, 1987, 2pp. typescript on blue sheets; a printed invitation to the China wrap party held at the Hua Ting Sheraton hotel, from producers, Steven (Spielberg) Kathy (Kennedy) and Frank (Marshall), 1pp., typescript on a single pink sheet; 12 colour photographs of an armoured vehicle, 10.2 x 15cm; a laminated production crew I.D. pass; a small group of gun cartridges, bullets and a costume belt; a production design, plan and elevations for a Rolls-Royce 1920 Silver Shadow armoured car, 13.10.86, a single sheet, design by production designer, Norman Reynolds and Warner Brothers, 84 x 114.5cm; together with other production paperwork and related press cuttings. (Qty)Provenance: Crew member, George Smillie, was action vehicle co-ordinator and driver on the film.Please satisfy yourself to Firearms laws in your country and shipping restrictions before purchasing this lot.Condition Report: the paperwork with some light marks from use on the production, overall clean, bright condition.Rolls-Royce production design - toning and marks, some loss to corners and edges, clean edge tears (with some loss) to lower right hand corner.
18 Tudor Mint 'Myth and Magic' pewter figures, Editions include Lord of the Rings, King Arthur Fantasy & Legends and special collectors club edition figures. 2 larger figures include Lord of the rings Escaping from Balrog and Summoning the Elements, Other figures include Lord of the rings first series Aragorn, Second series Pippin, The Dragon of Methtintdour, The Dragon knight, Vigil Of Sir Galahad and King Arthur & Sir Bedevere. All boxed apart from one.
Barbara Windsor: Victorian bathing dress from the Carry On films.- a black cotton dress with white piping, short puff sleeves, with metal hook and eye fastenings to back, label reads Bermans & Nathans, Leicester Sq, WC2, no sized marked, Size S.The Carry On series of thirty-one British comedy films were released between 1958 and 1962. Barbara Windsor starred in nine Carry On films, her first being Carry On Spying (1964) and her final being Carry On Dick (1974). Condition Report: some light marks to white piping, overall good condition.
spray paint stencil on paper, Original32cm x 47cm,Cartoonneros was born in 1980 in Buenos Aires City, Argentina. At the age of 5, his family moved to Ushuaia -the southernmost city in the world- where he developed his love for art. He spent the cold winters of this extreme of Patagonia climate (with temperatures below -20ºC) drawing and painting as he grew up. In this city, he got a degree in Fine Arts and made his first murals and street art interventions. In 2000, he returned to Buenos Aires City, where he continued painting while studying Psychology and Music (his other passions).

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596780 item(s)/page