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Click here to subscribeThree Antique Maps. The first being a circa 1912 Ordnance Survey 'Cotswold Hunt Map" Part 216,217,234 and 235, lower margin reads 'Printed Especially for Cotswold Hunt', approx 50 x 56 cms, glazed and framed, an early aerial view of Cheltenham High Street, published 1824 by G.A. Williams Librarian Cheltenham, approx 61 x 34 cms, glazed and framed and "Town of Cheltenham" by Edward Mitchell, approx 60 x 44 cms, glazed and framed. (3)
The Works of William Shakespeare. Volume First Comedies, printed for Jacob Tonson 1793. (title pages missing) leather cover with gilt tooling, together with Canova (Antonia) The Works in Sculpture & Modelling engraved in outline by Henry Moses Vol I & II published by Septimus Prowett and Chaucer (Geoffrey) The Works of The Prologues of the Canterbury Tales, with title pages and leather front cover missing together with a small quantity of 19th century books incl. 'Science of Botany', 'Princess of Thule', 'Gibbons Roman Empire', 'Kingsley's Works' amongst others.
Two pairs of WWI/WWII Aviator Flying Goggles. The first being a pair of WWI goggles (possibly German), with yellow-tinted lenses, mesh sides and fleece lining to the edges, the second a pair of WWII RAF Goggles, with original dark tan leather split to glass lenses and chamois-padded lining together with a piece of shrapnel.
Boeotia, Thebes, hemiobol, c. 470-440 BC, half Boeotian shield with Θ below, rev., amphora in incuse square, 0.46g, die axis 7.00 (Bérend [Mildenberg Festschrift], pl. 1, 9, this coin; SNG Fitzwilliam 2922), very fine, an extremely rare variety. Provenance: BCD collection, Triton IX, 10 January 2006, lot 368 (where the existence of the theta on the obverse is first noted – on no other coins of Thebes does it appear on the obverse); Morton & Eden 75, 2 July 2015, lot 8.
BURJI MAMLUK, FARAJ (FIRST REIGN, 801-808h) Mithqal, al-Qahira 805h. Weight: 4.35g Reference: cf Balog 627 [date not visible]. Very fine and extremely rare. This is a rare survivor of Faraj’s short-lived attempt to reform the coinage by reverting to the ancient Islamic dinar standard of circa 4.25g. As Balog notes, this reform ‘…lasted only two years and ended in complete failure. It is noteworthy that even during these two years (804-5H.), the emission of the accustomed coin-ingots of irregular weight was not discontinued, as if the authorities had, from the beginning, some misgivings as to the effect of the reform.’
‡ABBASID, AL-KHAYZURAN (wife of al-Mahdi, mother of al-Hadi and Harun al-Rashid, d. 173h). Lead seal. Obverse: in two lines: barakat min Allah | al-Khayzuran. Reverse: showing evidence of the lead being folded over, as well as the pattern of the cloth it originally sealed, Dimensions: 26 x 15mm; Weight: 8.60g. Good very fine, excessively rare and historically important. Al-Khayzuran bint ‘Atta was born in present-day Saudi Arabia, near Bisha. Captured and enslaved as a girl, she was bought in a slave market near Makka by the future caliph al-Mahdi. Celebrated for her beauty and intellect, she became his favourite concubine. On al-Mahdi’s succession to the caliphate al-Khayzuran not only persuaded him to free her but also to marry her, thereby supplanting his former wife Rayta, a daughter of the caliph al-Saffah. Al-Khayzuran was even able to have al-Hadi and al-Rashid made caliphal heirs in preference to the son whom Rayta had borne to al-Mahdi. Al-Khayzuran was a prominent figure at al-Mahdi’s court, playing a major role not only in court life but also in the politics of the day. Her high profile and the freedom and equality with which she mixed with men were exceptional for the time, and while al-Mahdi’s respect and admiration for her meant that he was happy for her to play such a public role at court, her son al-Hadi felt very differently. On becoming caliph in 169h he attempted to reduce his mother’s influence and to have her retire to the harem. For her part, al-Khayzuran was determined to retain her status, and it is reported that al-Mahdi eventually lost his temper very publicly, yelling at his mother and demanding that she retire indoors immediately and confine her interests to spinning wool and reading the Qur’an. To say that al-Khayzuran was unimpressed would be an understatement, and some accounts claim that she was responsible for al-Hadi’s death in 170h. Perhaps wisely, al-Rashid took a different view after succeeding al-Hadi as caliph, and he allowed her to continue to play an important and highly visible role in government until her death. Numismatically, her exceptional status is reflected in the fact that coins were struck in her name. It has been suggested that this seal would have been affixed to a small bag containing alms, which would have been distributed when al-Khayzuran herself performed the Hajj for the second time in 171h. By now a person of the highest status, she is recorded as having restored several holy sites during her stay in Makka, including the house in which the Prophet was reportedly born, and the building in which he and his first followers had met in secret.
‡FATIMID, AL-MU‘IZZ (341-365h), Dinar, Makka 363h. Weight: 4.19g Reference: Nicol 385, citing a single example known only from ‘notes taken in 1979…present whereabouts unknown.’. Small area of weak striking in margin, otherwise almost extremely fine and excessively rare. THE FIRST FATIMID DINAR STRUCK IN THE HOLY CITY OF MAKKA, During the 3rd/9th century, the Abbasid caliphs were responsible for ensuring that Makka itself was secure and that both trade and pilgrimage routes in the region were safe. As the power of the caliphs dwindled under al-Muqtadir and his successors, this role was increasingly assumed by local sharifs from the early 4th/10th century onwards. The chief threat to Makka during this period came from the Qarmatids, a radical Isma‘ili sect with its origins in Eastern Arabia. In 317h they attacked Makka itself, killing many people and carrying off the Black Stone. It was only after the Fatimids arranged to pay 50,000 dinars to the Qarmatids that the Stone was returned in 339h, and one contemporary writer records that it had been broken in two so that silver bars were used to repair it. The sharifs who governed Makka can hardly have been well-disposed towards the Qarmatids, who also had a bad reputation for attacking pilgrims – which was not only impious but also affected the commercial wellbeing of the city. But they seem to have had little choice but to cooperate with them to a certain extent, and for the first half of the fourth century it seems that an awkward but pragmatic relationship developed between Qarmatids and sharifs. Virtually no coins were struck at Makka during the first half of the 4th/10th century. Production of standard Abbasid dinars and dirhams seems to have ceased circa 302h, after which undated silver sudaysis were struck there by the Rassid al-Nasir Ahmad b. Yahya (301-325h). Thereafter we have a lacuna of some thirty years until 354h, when a dinar was struck there acknowledging the Abbasid caliph al-Muti‘ and also bearing the single letter kaf, in reference to Kafur, the Ikhshidid ruler in Egypt. It is not clear who issued this coin: it might conceivably have been produced anonymously by one of the sharifs, but the piece has obvious similarities with contemporary dinars issued by the amirs of ‘Athar from the late 330s until the early 350s. The link to Kafur is confirmed by the existence of a dinar struck at Makka three years later, in 357h, on which Kafur’s name is given in full. Whoever struck these coins evidently felt Kafur and the Ikhshidids were the most important power in the region at that time. The arrival of the Fatimids in the region changed this uneasy balance of power. Following the death of Kafur in 357h the Ikhshidid succession was disputed between Ahmad, the eleven-year-old son of ‘Ali b. al-Ikhshid, and the ambitious general al-Hasan b. ‘Ubaydallah. Meanwhile, Egypt was also struggling with economic and agricultural problems caused by poor Nile floods which sparked social unrest. The Fatimids took advantage of these difficulties by sending an army under Jawhar which successfully captured Egypt in 358h, whereupon they briefly concluded a peace treaty with the Qarmatids. For several years afterwards Fatimid armies struggled to seize control of Syria and Palestine; their opponents were the Qarmatids, supported variously by the remnants of the Ikhshidids, the ‘Uqaylids, the Buwayhids, and financially by the Hamdanids, all of whom had their reasons for wanting the Fatimids driven out of the region. Although the Fatimids already had a strong presence in the area and the sharifs of Makka had originally accepted Fatimid authority, the Qarmatids seem to have been able to drive out the pro-Fatimid element and establish themselves in Makka by 359h. Surviving dinars indicate that they continued to control the city as late as 362h, but they suffered a serious blow when the Fatimids defeated a Qarmatid army near Cairo in the following year. This defeat was clearly a major blow given that virtually no Qarmatid coins were struck in the region during the year 363h, while the Fatimids were able to issue both gold and silver coins in Palestine during this year. It is tempting to suggest that this Qarmatid defeat also weakened their position in Makka. Our sources confirm that al-Mu‘izz’s name was acknowledged in the khutba in both Makka and Madina in 363h and 364h, and it is entirely appropriate that Fatimid coins should also have been produced there in these two years. This beautifully engraved and excessively rare dinar remains a tangible expression of Fatimid sovereignty there.
ABBASID, AL-MUQTADIR (295-320h), Dinar, Tarsus 307h. Weight: 3.88g Reference: cf Bernardi 242Gk [this date not listed]. Edge crimped, considerable weak striking but mint and date clear, fine to good fine for issue and of the highest rarity, apparently an unpublished date for this extremely rare Abbasid gold mint. The site of Tarsus has been occupied continually for more than six thousand years, with its origins stretching back to Neolithic times. Its name dates back at least to Hittite times and is also found in the written records of the Assyrians, who ruled Tarsus before the city came under Persian control. Tarsus was the seat of a Persian satrapy in 400 BC, later becoming part of the Hellenistic world after Alexander the Great passed through the city in 333 BC. Pompey the Great made Tarsus subject to Rome in 67BC, and the city continued to be an important cultural and political centre during the Roman period. The Roman emperor Julian the Apostate died and was buried there in 363h, having been wounded at the Battle of Samarra during his campaigns against the Persians and following his unsuccessful attempt to capture Ctesiphon. It seems that Muslim armies first reached Tarsus during the 30s Hijri, if not earlier, and Tarsus seems to have found itself on the frontier between Islam and Byzantium. The emperor Heraclius reportedly abandoned the city and its hinterland, withdrawing the population and leaving the region between Tarsus and Antioch as a ‘dead zone.’ Neither side seems to have attempted to occupy the city for more than a century thereafter, until Harun al-Rashid rebuilt it as a frontier fortress and settled 5,000 people there. It was recaptured by the Byzantines soon afterwards, who were only dislodged after the end of the civil war between al-Amin and al-Ma’mun. It was under al-Ma’mun that Tarsus became a key base for the frequent raids into Byzantine territory conducted during the third century Hijri. Tarsus remained under Abbasid control until the mid-260s, when it was granted to Ahmad b. Tulun. The Tulunids continued to hold the city, with a few brief interruptions, until al-Mu‘tadid brought it back under Abbasid authority in the early 280s. Four decades later, as Abbasid authority dwindled, the city came firstly under the control of the Ikhshidids and then of the Hamdanids, before the Byzantines finally took control of Tarsus in the mid-fourth century. Numismatically, the first Islamic coins struck at Tarsus were copper issues issued under the Abbasids and Tulunids. With the exception of a silver dirham tentatively assigned to 302h, it seems that production of regular Abbasid silver and gold began there in 307h – the year in which this unpublished dinar was produced.
Lionel Frederic Ellis CVO CBE DSO MC (1885 - 1970)Idyll by the Riversigned, titled and indistinctly dated, pen, ink and wash on paper, 20cm x 28cm, inscribed label of provenance to verso: Purchased from Abbott and Holder, London, Nov. 15. 1958, No 9382Born in Nottingham in 1885, Ellis was commissioned in the Welsh Guards in 1916 and subsequently went on to receive a Military Cross in the First World War and a Distinguished Service Order south of Bavai, before enjoying a rewarding career in welfare services prior to the Second World War. In 1939, Ellis returned to his former regiment where he befriended his fellow Neo-Romantic artist Rex Whistler who was also serving with the Welsh Guards until his tragic death at Normandy in 1944. Whistler's influence can clearly be seen in this work.
Binns (W. Moore), The First Century of English Porcelain, Illustrated, Hurst and Blackett, Limited, London 1906, pictorial buckram as issued, 4to; Godden (Geoffrey A., F.R.S.A.): English Blue and White Porcelain, Antique Collectors' Club, Woodbridge 2004, h/b, d/j, 4to & Eighteenth-Century English Porcelain: A Selection from the Godden Reference Collection, Granada, London 1985, h/b, d/j, square 8vo, (2); Watney (Bernard), English Blue & White Porcelain of the 18th Century, second revised edition, Faber and Faber Limited, London 1973, h/b, d/j, slim & tall 4to; Hillis (Maurice), Liverpool Porcelain 1756 - 1804, Gomer Press, Llandysul 2011, h/b, d/j, small folio; Boney (Knowles), Liverpool Porcelain of the eighteenth century and its makers, Portman Press, London 1989, h/b, d/j, 8vo; Hackenbroch (Yvonne), Chelsea and Other English Porcelain, Pottery and Enamel in the Irwin Untermyer Collection, Thames and Hudson, London 1957, h/b, d/j, card sleeve as issued, small folio; 18th Century English Transfer-Printed Porcelain and Enamels: The Joseph M. Handley Collection, Mulberry Press, California 1991, h/b, d/j, 4to; Girton (Dr Chris), The Two Quail Pattern, 300 Years of Design on Porcelain: A History of the Pattern and a Catalogue of Porcelain Factories from the East and West, Louvic Publications, 2004, floppy 4to, [9]
The Merry Widow: A rail with a purple and green dress, two similar dresses in green and brown and gold and orange, various black velvet and other dresses and a quantity of hooped petticoats, approx. 35 items.The Merry Widow, composed by Lehar, first performed in 1905. The Plot: Enchanting story of lost love: Danilo, forbidden by his father from marrying Hanna, left her with no choice but to marry an ancient banker who later left her his millions, and Danilo with no choice but to dally with the demi-mondaines of Maxim's. Ordered by the Ambassador to marry her now she is widowed to save the country's debts, he refuses and a muddle over the Ambassador's wife and her lover only confuses the situation before Danilo, enraged with jealousy, finally confesses his enduring love for Hanna.
Die Fledermaus: A rail with a pink and white lace shirt and bodice, a similar two piece in lilac, various black and gold braided dresses, a gentleman's velvet coat, etc. Approx. 35 items.Die Fledermaus, composed by J. Strauss, first performed 1874. The Plot: Errant husband Eisenstein tells his wife Rosalinde he has lost a case and must spend the night in prison and her maid Adele needs time off for a sick aunt. Hardly has Rosalinde's lover Alfred arrived than he is arrested by the prison Governor Frank over Eisenstein's debt. Dr Falke has invited Rosalinde to a masked ball where she finds both Eisenstein, and Frank, and her maid Adele wearing her pink dress! In fact it is all a charade arranged by Falke to punish Eisenstein for making him walk home last year dressed as a bat.
Don Giovanni: A rail with a mint green tail coat and yellow waistcoat and tights, a purple gold braided frock coat, a hooded cape applied with butterflies and sequins, various waistcoats, etc. Approx. 64 items.Don Giovanni, composted by Mozart, first performed 1787. The Plot: Don Giovanni, having raped Anna and murdered her father, continues to chase a village girl constantly interrupted by his wife.Hiding in a churchyard where his victim's statue reviles him, he invites the statue to dinner. Accepting, the statue drags him down to Hell.
The Magic Flute: Two brightly coloured satin appliqué cloaks, a blue appliqué dress, two leather jackets, various waistcoats, jackets, etc. Approx 46 items.The Magic Flute, composed by Mozart, first performed 1791. The Plot: The adventures of Papageno, birdcatcher to the Queen of the Night. Punished by her Ladies for boasting, he is ordered to guide Prince Tamino (and his magical flute) into the lands of the fearful wizard Sarastro. Along the way he saves the Queen's daughter Pamina from rape, learns that Sarastro is a great priest, is offered a glimpse of a possible future birdike bride and finally makes good by using his own magical glockenspiel which summons up his bride, just as the Queen's final attack on Sarastro's temple is defeated.
Don Carlos; Maria Stuarda and Il Trovatore: A rail with a maroon velvet two piece ruff and red wig for Elizabeth I and a large quantity of black velvet button through coats and dresses, and a quantity of brown woven robes and string belts, etc.Don Carlos, composed by Verdi, first performed 1867. The Plot: When Bloody Mary dies, it frees her husband King Philip to marry Elizabetta instead of his son Don Carlos as planned. But the young couple had already met and fallen in love.Carlos's friend Posa's ill - fated attempts to help the protestant Dutch only cause greater trouble between father and son, ending in the death of Elizabetta.Maris Stuarda, composed by Donnizetti, first performed 1834. The Plot: Fake news! At the never - happened meeting between Mary and Queen Elizabeth, their rivalry for the love of Robin Leicester helps Cecil procure Mary's execution.Il Trovatore, composed by Verdi, first performed 1853. The Plot: Long ago Count Luna's baby brother was kidnapped by a gypsy woman and thrown on a fire. Now he loves Leonora but she has fallen for a wandering troubadour. He being apparently the son of that same gypsy, Luna catches them both and has the troubadour beheaded just before the gypsy admits that was his brother. She'd thrown her own baby on the fire by mistake.
La Traviata: A rail with a collection of 19th century style dresses in black velvet, grey silk, a white and mushroom cotton dress, together with five hooped petticoats and two black jackets. Approx. 18 items.La Traviata (meaning 'The Fallen Woman'), composed by Verdi, first performed 1853. The Plot: Baron Douphol is the 'protector' of society courtesan Violetta. She has TB and Alfredo who has long loved her persuades her to run off to the healthy countryside. But his father, afraid that scandal will stop his daughter's advantageous marriage, persuades her to go back to Paris and the Baron. Alfredo and the Baron fight a duel, but Violetta, back in Paris, is finally dying.
Cosi Fan Tutte: A rail with a blue and green, turquoise and green, gold and orange dresses, a blue velvet trimmed frock coat, green and red wool jackets, lace veils, etc. Approx. 37 items.Cosi Fan Tutte, composed by Mozart, first performed 1790. The Plot: Two soldiers, engaged to two sisters, play a joke by pretending to go to war and then returning disguised to court each other's fiancée. It all goes wrong.
Rigoletto: A rail with a pale blue skirt and jacket, a quantity of royal blue gold braided jackets and trousers, similar red and gold braided jackets and trousers, etc. Approx. 45 items.Rigoletto, composed by Verdi, first performed 1851. The Plot: Rigoletto, the womanising Duke's jester, habitually makes fun of the humiliated husbands and fathers. But he reacts badly when his own daughter Gilda is kidnapped and placed in the Duke's bed. He hires an assassin but in a midnight climax, it is Gilda who allows herself to be killed instead of the Duke.
The Marriage of Figaro: A rail of green velvet gold trimmed tail coats and trousers, similar pale blue silver braided suit, a cream lace dress, bodices and a quantity of purple and gold jackets. Approx. 60 items.The Marriage of Figaro, composed by Mozart, first perfomed 1786. The Plot: Figaro and Susanna are getting married. Their master the Count abolished his 'Droit de seigneur' but now wishes to revive it with Susanna! The others scheme to prevent this and it ends with the Count being caught trying to seduce his wife disguised as Susanna.
Madame Butterfly: A rail of eleven short multi-coloured woven and printed kimono jackets and twelve full length kimonos in creams, greys, green and purple. Approx. 23 items.Madame Butterfly, composted by Puccini, first performed 1904. The Plot: Temporarily in port, US Lieutenant Pinkerton seduces the beautiful Butterfly, promising to return one day and marry her. He does, but with an American bride. Butterfly hands over their son and commits suicide.
Lucia Di Lammermoor: A rail with a turquoise velvet and gold braided dress, a red and gold braided jacket, a petrol blue dress, a white damask dress, wool jackets and check plaid throws. Approx. 54 items.Lucia Di Lammermoor, composed by Donizerti, first performed 1835. The Plot: Lucia di Lammermoor loves and is loved by Edgardo. Tricked by her brother into marrying rich Arturo just as Edgardo returns to claim her and driven mad, she dies having killed Arturo, while Edgardo kills himself from grief.
Centerentola and Carmen: A rail of silver and gold thread embroidered multi-coloured costume bodices, striped waistcoats, boned corsets, black coloured embroidered shawls, military jackets, etc. Approx. 93 items.Centerentola, composed by Rosini, first performed 1817. Cinderella, beset by her ugly sisters and cruel stepfather, gets an invitation to the Prince's Ball because he has swapped places with his valet Dandini. Result: fury but a happy ending.Carmen, composed by Bizet, first performed 1875. The Plot: Don José, a soldier, falls for Carmen a beautiful gypsy girl and deserts to help her evade arrest. She warns him her love only lasts a season or so, but his obsessive jealousy when she moves on to a toreador leads him to kill her.
Tosca: A rail of yellow and maroon jackets, a red evening dress and jacket, white cotton nightdresses, a sheepskin waistcoat, three black leather coats, etc. Approx. 53 items.Tosca, composed by Puccini, first performed 1900. The Plot: Tosca loves and is loved by Cavarodossi, but she is also desired by the domineering and manipulative Police chief, Scarpia. Correctly suspecting that Cavarodossi is hiding a fugitive, Scarpia tortures him until Tosca confesses where the man is hidden.With Cavaradossi awaiting execution, Scarpia offers his release in return for sex with Tosca. She agrees, Scarpia orders Cavaradossi's release after a fake execution and, alone with her, prepares to embrace her only to be stabbed to death.On the castle roof, Tosca reassures Cavaradossi all is well only to find Scarpia too had double - crossed her and Cavaradossi is shot. Hearing that Scarpia's body has been discovered, she jumps off the battlements.
L'Elisir d'Amore: A rail of Royal blue tail coats with red and gold trim, a quantity of peasant blouses and skirts, dresses and waistcoats. Approx. 46 items.L'Elisir d'Amore, composed by Donzetti, first performed 1832. The Plot: Country bumpkin Nemorino loves the village heiress Adina but is too shy to tell her. She is impressed by a bombastic visiting Sergeant, while Nemorino 's tongue is loosened by buying lots of a visiting quack 's elixir (wine).It ends happily.
The Barber of Seville: a quantity of harlequin balloon pants, waistcoats, orange and red dresses and wool coats. Approx. 44 items.The Barber of Seville, composed by Rossini, first performed 1816. The Plot: Rosina has been locked up by her guardian Dr Bartolo to make her marry him.However Count Almaviva has hired the resourceful town barber Figaro to help him rescue and marry her himself. Disguised as soldier and then singing master, he succeeds.
Don Pasquale: A rail of petrol blue dresses, red, purple and pink embroidered dresses, velvet and wool frock coats, etc. Approx. 36 items.Don Pasquale, composed by Donizetti, first performed 1843. The Plot: Don Pasquale, a rich elderly bachelor, decides to cut out his heir by marrying.The heir's fiancée pretends to marry the old man and then drives him distracted by turning vixen. So relieved that the "wedding" turns out to be illegal, he gives them everything.
La Bohème: A rail with a mustard velvet bodice and skirt, rust coloured embroidered bodices and skirts, coats and jackets, etc. Approx. 29 items.La Bohème composed by Puccini, first performed 1896. The Plot: Set in the seedy garrets of Montmartre, a poet Rodolfo falls for a poor seamstress Mimi. Such are the privations of their life, her health deteriorates and she has to move on to richer lovers. Suddenly she returns to him, but it is to die in his arms.
The Tales of Hoffman: A rail with a pale blue and dark blue pink bowed dress and brown wig with orange bows, a blue and silver jacket, a blue and white stripe suit, various wool and tweed jackets and peasant wear. Approx. 36 items.The Tales of Hoffman, composed by Offenbach, first performed 1881. The Plot: Hoffmann, a poet, keeps falling disastrously in love, with a mechanical doll, a vamp and a dying young singer. Discouraged, he takes to drink instead.
Macbeth: A rail with various tunics with Royal coat of arms, crosses, dragons, fleur d'Lys etc., blooded nightshirts, wool dresses, skirts, etc. Approx. 37 items.Macbeth, composed by Verdi, first performed 1847. The Plot: The three witches prophesy that Macbeth will be King but that Banquo's children will too. Egged on by his wife, Macbeth murders King Duncan and many more including Macduff's children, but is himself killed in battle by a vengeful Macduff.
Underwood & Underwood Stereocards 'War' Volumes 1 & 2 numbered 1-100 and including various First World War images including Tanks: British MkIV cards 32, 33 C14 and 34 wreck at Cambrai; Schneider CA1 card 47 61082; A7V card 10 'Elfriele' (generally good); another unnamed set of 50 with various topographical images including Spain, Africa, New York and others (many faded); and a hand held view (lacking wire mount)
A collection of Brooke Bond tea cards to include 1960s Wings of Speed (mounted) and The Saga of Ships (loose), together with Typhoo, Carrera and Brooke Bond albums, a small photograph album and many loose bundles of tea cards, A Vidal Sassoon Elura wig called Jane, eleven ration books, identity cards, mixed ephemera, two pairs of driving gloves, spectacles, a vintage bedside clock and other items and A 1966 Empire Cricket Scoring book for the First Fortress Squadron, together with other books and magazines
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![ABBASID, AL-MUQTADIR (295-320h), Dinar, Tarsus 307h. Weight: 3.88g Reference: cf Bernardi 242Gk [this date not listed]. Edg](https://cdn.globalauctionplatform.com/867c10c8-6328-410f-a931-a962010cad74/d8710bf9-704f-47df-b417-b0080abf5846/468x382.jpg)
