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Lot 294
Stamp collection to include two folders of the Diana Princess of Wales 1961-1997 collection of Mercury coin and other covers, one folder of The Royal Family collection including £5 banknote and £5 coin first day cover, three albums of 100 Years of Flight covers, Her Majesty Queen Elizabeth II 80th Birthday collection of mint Commonwealth stamps, an album of Disney mint stamps, an album of Aviation Heritage mint stamp, Commonwealth £2 coins etc.
Lot 82
Rosina ROGERS (1918-2011) Landscape with Gold, circa 1960s Oil on board75 x 36cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate
Lot 242
Rosina ROGERS (1918-2011) '21' Patterns on White, circa 1960s Oil and found objects on board46 x 61cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate
Lot 146
Rosina ROGERS (1918-2011) Lady in Blue Dress Oil on board40 x 25cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artists estate
Lot 400
Clare WHITE (1903-1997) Old Stone Arch, The Digey, St Ives Watercolour, signed, 37 x 26.5cm.This is a familiar scene for any visitor to St Ives – the old stone arch over a walkway off The Digey, which connects Porthmeor beach to the town. Probably painted by Clare in the 1950’s it is a timeless portrait of a little nook in the well-loved town. Clare White was an active member of the Cornish arts colony and was the first female president of the Arts Club in the 1951. She mingled with traditional and modern painters, wrote exhibition reviews for local newspapers and was a popular and active member of the community.From the collection of art historian and curator Andrew Pollard, the proprietor of the Clare White Gallery, who studied and exhibited Clare’s work 2002-2013. Andrew knew White and has been a passionate advocate for restoring the artist to her rightful place in Cornish art history. The works were purchased directly from the artist’s god daughter.
Lot 420
Clare WHITE (1903-1997) Two works Clare WHITE (1903-1997)The Mary H Lewis, BarbadosWatercolour, signed, 38 x 51.5cmandClare WHITE (1903-1997)Rose Millicent, BarbadosWatercolour, signed, 38 x 52cmSt Ives artist Clare White captured both of these busy harbour scene of fishermen going about their work on the ‘Mary H Lewis’ and 'Rose Millicent' during her annual pilgrimages to Barbados to stay with her elder sister who worked there. Clare took joy in portraying everyday working life on the island and watercolours such as this are social documentaries of their time. Clare’s popular Barbados paintings featured in her first one-woman exhibition at the Salthouse Gallery in St Ives in 1981.From the collection of art historian and curator Andrew Pollard, the proprietor of the Clare White Gallery, who studied and exhibited Clare’s work 2002-2013. Andrew knew White and has been a passionate advocate for restoring the artist to her rightful place in Cornish art history. The works were purchased directly from the artist’s god daughter.
Lot 487
Clare WHITE (1903-1997) Two works The Gardenia, BarbadosWatercolour, 37.5 x 52cmandClare WHITE (1903-1997)Warm and windy day at the beach, BarbadosWatercolour, 38 x 52cmClare White’s popular Barbados paintings were the subject of her first one-woman exhibition at the Salthouse Gallery in St Ives in the early 1980s. Aptly call ‘Hallo Sunshine’, the show featured a collection of the works she created when she set up her easel for hours at a time, to study everyday scenes in the harbours and on beaches of the island. Here, fishermen work on their boat, while young swimmers relax in the heat of the sun.From the collection of art historian and curator Andrew Pollard, the proprietor of the Clare White Gallery, who studied and exhibited Clare’s work 2002-2013. Andrew knew White and has been a passionate advocate for restoring the artist to her rightful place in Cornish art history. The works were purchased directly from the artist’s god daughter.
Lot 427
Clare WHITE (1903-1997) Moonface, Barbados Watercolour, 36 x 48.5cm.The moon looks down on this early evening scene painted by St Ives artist Clare White in the late 1950s / early 1960s. Clare’s illustrative watercolours often tell a story, here moonlight catches rooftops of the sugar plant amidst the palm trees as the day darkens and locals finish their work. Real places and working people often inspired Clare to paint. Her Barbados paintings, almost documentary in style, were featured in her first one-woman exhibition at the Salthouse Gallery in St Ives in 1981.From the collection of art historian and curator Andrew Pollard, the proprietor of the Clare White Gallery, who studied and exhibited Clare’s work 2002-2013. Andrew knew White and has been a passionate advocate for restoring the artist to her rightful place in Cornish art history. The works were purchased directly from the artist’s god daughter.
Lot 449
Clare WHITE (1903-1997) Kite flyers, Barbados Watercolour, initialled, 36 x 50.5cm.The brightness of Clare White’s colour palette increased when she started visiting Barbados and this joyous scene of Sunday kite flying could not be more vibrant. The watercolour artist was a regular visitor to the island where her elder sister lived and worked, getting to know the local people well. This picture portrays a day of celebration with her characteristic good humour, love of colour and masterful draughtsmanship. Clare’s popular Barbados paintings featured in her first one-woman exhibition at the Salthouse Gallery in St Ives.From the collection of art historian and curator Andrew Pollard, the proprietor of the Clare White Gallery, who studied and exhibited Clare’s work 2002-2013. Andrew knew White and has been a passionate advocate for restoring the artist to her rightful place in Cornish art history. The works were purchased directly from the artist’s god daughter.
Lot 91
Rosina ROGERS (1918-2011) The Nine Maidens, Cornwall, 1963 Oil on canvasSigned and dated verso31 x 41cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate
Lot 434
Clare WHITE (1903-1997) Two works Clare WHITE (1903-1997)Mending the nets, BarbadosWatercolour, signed, 37 x 52cmandClare WHITE (1903-1997)Fishing nets, BarbadosWatercolour, 38 x 52cm.There is colourful rhythm and air of concentration to the scenes of net mending on the harbour in Barbados. Artist Clare White enjoyed setting up her easel and capturing ordinary working life with accomplished draughtsmanship and confident strokes of her brush. A regular visitor to the island, Clare gave illustrated talks about her travels back home at St Ives Arts Club, where she became the first female president in 1951. From the collection of art historian and curator Andrew Pollard, the proprietor of the Clare White Gallery, who studied and exhibited Clare’s work 2002-2013. Andrew knew White and has been a passionate advocate for restoring the artist to her rightful place in Cornish art history. The works were purchased directly from the artist’s god daughter.
Lot 25
Rosina ROGERS (1918-2011) Hampreston Church, 1952 Oil on canvasSigned and dated35 x 40cmRosina Rogers was born in Christchuch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate
Lot 406
Clare WHITE (1903-1997) Hidden Bay, Dominica Watercolour, 38 x 51cm.The scorching heat hits you in this vibrant watercolour by St Ives artist Clare White. As a couple shelter under a beach towel, the rocks beyond glow red and yellow in the midday sun. Clare loved to paint the landscape and local people in the Caribbean, and her watercolour palette became much brighter after her first visit to the country.From the collection of art historian and curator Andrew Pollard, the proprietor of the Clare White Gallery, who studied and exhibited Clare’s work 2002-2013. Andrew knew White and has been a passionate advocate for restoring the artist to her rightful place in Cornish art history. The works were purchased directly from the artist’s god daughter.
Lot 611
1947 F.A. Cup Semi Final Replay Programme Burnley v. Liverpool (name on face). Tottenham Reserves 37-8 v. Brentford Reserves plus three 1960's issues. First Team away's at Arsenal 48-9, 51-2. 46-7 Great Britain v. Europe at Hampden, 47-8 Brentford v. Chesterfield (punch holes) Fulham v. Doncaster - League and Cup. 48-9 Ipswich v. Exeter. (12).
Lot 340
J. K. ROWLING SIGNED FIRST EDITION "HARRY POTTER AND THE GOBLET OF FIRE" WITH 'GOLDEN TICKET'. First edition of this book published by Bloomsbury in 2000 and signed by J. K. Rowling on dedication page. Comes with the much sought after 'Golden Ticket' which invited the holder to the book signing at Kidderminster Station on the Severn Valley Railway on Saturday 8th July."ConditionReport:Excellent condition with two identical dustjackets. Small crease on base of spine which appears to be done in manufacture. No other defects."Golden ticket has small hole in left hand side, otherwise excellent."
Lot 347
"ESSAYS OF MICHAEL SEIGNEUR DE MONTAIGNE IN THREE BOOKS WITH MARGINAL NOTES AND QUOTATIONS OF THE CITED AUTHORS....New rendred into English by Charles Cotton Esq." The First Volume, printed for T. Basset at the George in Fleet street and M. Gilliflower and W. Hensman in Westminster-Hall 1685 together with"Annals of the Reign of King George The Third..." by John Aikin Vol. II 1825, "Cinq-Mars" 1829, "Chambers's Miscellany of Useful and Entertaining Tracts" Vol. VII, "Poems by William Cowper" Vol. I 1800, "Book of Common Prayer" 1869 etc. (10)"ConditionReport:Michael Montaigne is split down spine and in two sections"
Lot 273
CHILDREN'S AND ILLUSTRATED BOOKS TO INCLUDE "AESOP'S FABLES" illustrated by Charles Folkard, published by Adam & Charles Black 1912, "The Rectory Children" by Mrs Molesworth, illustrated by Walter Crane, published by Macmillan & Co. 1889 A/F, "Now We Are Six" by A. A. Milne 1927 first edition A/F together with Boys Own Book, "John Leech's Pictures of Life & Character" etc.
Lot 6092
Led Zeppelin, Led Zeppelin LP - 1969 First Pressing (588171), Matrix 588171 A//1 and 588171 B//1 1, red/plum Atlantic label with track 3 on Side 1 credited to both Superhype Music and Jewel Music. Laminated sleeve has turquoise Led Zeppelin lettering and has blue "stereo" inner sleeve (British Patent No.500513). Vinyl is in superb Very Good Plus condition with just a few light marks in generally Very Good Plus sleeve.
Lot 6052
A collection of recent issue rock/punk LPs to include Sex Pistols, Never Mind The Bollocks (yellow/pink sleeve); Sex Pistols, Never Mind The Bollocks (pink/green sleeve); Sex Pistols, Spunk The Demos 1976-1977; Sex Pistols, The Original Recordings; Sid Vicious, I'm a Mess; Sid Vicious & The White Kids, The First and Last Show; Siouxsie and The Banshees, Join Hands and Siouxsie and The Banshees, The Rapture. All are sealed and assumed to be Mint in Mint sleeves. (8)
Lot 6072
Blondie and Gary Numan LPs and singles to include Blondie, Peroxide on Blonde - Japanese pressing - Very Good Plus in Very Good sleeve, Parallel Lines, Eat To The Beat and Debbie Harry, Koo Koo - Very Good to Very Good Plus including sleeves; Tubeway Army, Down in the Park 12" single (BEG 17T), UK first pressing - Very Good Plus in Very Good Plus sleeve, Tubeway Army and Replicas - both Good Plus to Very Good in Very Good sleeves; Gary Numan, Living Ornaments '79 and Living Ornaments '80 - both Very Good Plus in Very Good Plus sleeves, White Boys and Heroes, The Pleasure Principle, Telekon (missing single but with merchandising sheet) and Music for Chameleons - generally Very Good in Very Good sleeves; plus The B-52's, Wild Planet - Very Good Plus in Very Good sleeve and Adam and the Ants, Kings of the Wild Frontier - Good in Good (split) sleeve. Lot also includes 7 x 7" singles and picture discs by Blondie and Adam and the Ants - Very Good Plus in generic sleeves. (22)
Lot 6003
A collection Of Pink Floyd Vinyl Record to include (1) Animals (1977 UK 1st Press Stereo, Harvest - SHVL 815/0C 064-98 434, Housed in a Gatefold Sleeve with Printed Inner Sleeve), (2) Wish You Were Here (1975 UK 1st Issue Stereo, Harvest - SHVL 814, With Printed Inner Sleeve and includes Post Card), (3) The Wall (1979 UK 1st Press Stereo, Harvest - SHDW 411, Housed in a Gatefold Sleeve with two Printed Inner Sleeve includes original Plastic Sleeve with "Pink Floyd The Wall" Sticker Attached), (4) Meddle (1973 French Reissue Press Stereo, Harvest - SHVL 795/ IE 064 o 04917, Housed in a Gatefold Sleeve), (5) The Wall - Music From The Film (7" Single, 1982 UK First Issue Press Stereo, Harvest - HAR 5222, Housed in 3-Way Fold Out Sleeve), All Vinyl Conditions are generally Very Good Plus to Excellent, Sleeve Conditions are generally Very Good Plus to Excellent. (5)
Lot 6093
Queen, Sheer Heart Attack (EMC 3061) LP - Autographed 1974 First Pressing, Matrix YAX 4881 3U/YAX 4882 4U, diecut inner sleeve has crest logo with G&L below (split to bottom edge), outer laminated sleeve has been signed by Freddie Mercury, Brian May, Roger Taylor and John Deacon. Vinyl is generally Very Good Plus in generally Very Good Plus sleeve. A great addition to any Queen fan's collection.
Lot 6181
Rock LPs to comprising of artists such as The Sensational Alex Harvey Band, The Alan Parsons Project, Todd Rundgren, Graham Parker and The Rumour, Rick Wakeman, Roxy Music and others to include Renia, First Offenders (TRA 261); The Grass Roots, Move Along (DSX-50112); Black Oak Arkansas, Street Party (SD 36-101); Neil Young, Decade (K64037); John Otway & Wild Willy Barrett (2383 453) and others. Conditions appear to be Very Good to Very Good Plus in generally Very Good sleeves. (17)
Lot 6006
A collection of The Who and Related Vinyl Records and 7" Singles to include (1) Quadrophenia, 1973 UK First Issue Stereo, Track Record - 2657 013, Gatefold sleeve with 44-page booklet attached to gatefold; (2) Live At Leeds, 1970 UK First Edition Black Lettering, Stereo, Track Record - 2406 001, Gatefold Sleeve, Original inserts, (3) Who's Next, Matrix Side A - 2408102 A//1 1 1 5 MG 12888 Matrix Side B - 2408102 B//2 420 1 1 7, (4) Who Are You, Matrix A Side BIGGLES WHOD5004 A//2 ST 1 3 Matrix Side B - WHOD5004 B//2 ST 1 3, (5) Face Dances, 1981 UK Press Stereo, Polydor - WHOD 5037, 24" x 24" Poster, (6) Empty Glass, 1980 UK Press Stereo, ATCO Records - K 50699, Printed Inner Sleeve, (7) Ride A Rock Horse, 1975 UK, Polydor - 2442-135, (8) Collection of Singles to include You Better You Bet, Magic Bus, I'm A Boy and others. All Record conditions from Very Good to Excellent, Sleeve conditions from Very Good to Excellent. (8)
Lot 6177
Rock LPs from The Rolling Stones, Rod Stewart and related artists to include The Rolling Stones, Big Hits (High Tide and Green Grass); Ron Wood, I've Got My Own Album To Do - complete with insert; Rod Stewart & Steampacket (SPB04063) - US issue; Faces, 2 Originals of Faces (K 66027) featuring The First Step and Long Player; Rod Stewart, Every Picture Tells A Story (6338 063); A Night on The Town (RVLP1); Never A Dull Moment (SRM-1-646) - US issue with gatefold sleeve; Blondes Have More Fun (RVLP8); Patti Smith Group, Radio Ethiopia (SPARTY 1001) - black labels with blue Arista logo, complete insert; Set Them Free 12" Single. Conditions are generally Very Good to Very Good Plus including sleeves. (10)
Lot 6124
A Trio of The Beatles Mono LPs to include With The Beatles (1963 UK Second Press, Parlophone - PMC 1206, Matrix Side A XEX 447-7N / Side B XEX 448-7N, No KT or MKT tax code); (2) A Hard Days Night (1964 UK First Press Variation B, Parlophone - PMC 1230, Matrix Side A XEX 481-3N / Side B XEX 482-3N); (3) Help! (1966 UK 2nd Press, Parlophone PMC 1255, Matrix Side A XEX 549-2 / Side B XEX 550-2) All Conditions Vary From Good Plus to Very Good Plus with Generally Good Plus to Very Good Plus sleeves. (3)
Lot 6004
A collection of Eric Clapton and Cream Vinyl Records to include (1) Fresh Cream (1966 UK 1st Press Stereo, Reaction - 594001, front of Sleeve laminated with black and white back of Sleeve un-laminated), (2) Disraeli Gears (1967 UK Press Stereo, Reaction - 594 003, Front of Sleeve is laminated with back of Sleeve un-laminated), (3) Wheels On Fire (1968 UK 1st Press Mono, Polydor - 582 031/2 in a Gatefold Sleeve), (4) Goodbye (1969 UK First Press Stereo, Polydor - 583 053 in a Gatefold Sleeve), (5) 461 Ocean Boulevard (1974 UK Press Stereo, RSO - 2479 118 in a Gatefold Sleeve), (6) August (1986 UK & Europe Press Stereo, Duck Records - 925 476-1/Warner Bros - WX 71, Housed in a Gatefold Sleeve), All Vinyl Conditions are generally Very Good to Excellent, Sleeve Conditions are generally Very Good to Very Good Plus. (6)
Lot 6123
A Pair of The Beatles Stereo LPs to include (1) With The Beatles (1969 UK Reissue Stereo Press, Parlophone - PCS 3045, Matrix Side A YEX 110-2 / Side B YEX 111-2, Vinyl is Very Good to Very Good Plus with Very Good sleeve); (2) A Hard Day's Night (1964 UK First Press, Palophone - PCS 3058, Matrix Side A YEX 126-1 / Side B YEX 127-1, Wide Label Font, Vinyl Very Good to Very Good Plus with Very Good sleeve). (2)
Lot 6018
A collection of The Beatles and Related Artists 7" Singles and LPs to include (1) Magical Mystery Tour (SMMT-1 2 x 7", Gatefold, Stereo); (2) Twist And Shout (GEP 8882, First Issue, Second Press, Picture Sleeve, Mono); (3) Hey Jude (R 5722, Solid Centre); (4) Lady Madonna (R 5675, Push Out Centre); (5) Strawberry Fields Forever/ Penny Lane (R 5570, Solid Centre); (6) Eleanor Rigby/ Yellow Submarine (R 5493, Push Out Centre), Including other titles, Conditions are Very Good to Very Good Plus Within Very Good Plus to Excellent generic sleeves (Unless Stated). (18)
Lot 6120
A collection of The Beatles UK Pressed Mono LPs to include (1) Please Please Me (1963 Repress, Parlophone - PMC 1202, Large Mono on cover, Ernest J. Day & Co. Ltd.) (2) With The Beatles (1963 Press, Parlophone - PMC 1206, Dominion Credit, MKT tax code); (3) A Hard Day's Night (1964 Press, Parlophone - PMC 1230, Garrod & Lofthouse sleeve); (4) Beatles For Sale (1964 Press, Parlophone - PMC 1240, Recording First Published 1964 above side indicator); (5) Help! (1965 Press, Parlophone - PMC 1255, The Gramophone Co. Ltd print on perimeter, MT tax code); All Conditions vary from Very Good to Very Good Plus with Very Good To Very Good Plus sleeves. (5)
Lot 6195
A varied collection of 81 7" Singles. Featuring Echo & the Bunnymen "The Killing Moon" (249536-7), Blancmange "Don't Tell Me" (820035-7), Nik Kershaw "Wouldn't It Be Good" (NIK2), Endgames "First-Last-For Everything" (GAME2), Tik and Tok "Cool Running" (SURP 016) picture disc. Majority of sleeves are original printed sleeves, some stored in generic sleeves. Conditions of the singles range from Very Good to Good.
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