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Sheridan, Richard Brinsley, The Duenna , Longmans, London, 1794 1 st ed. Recent rebinding in quarter leather with marbled paper to boards. New endpapers.(1)Condition report: Fading to leather spine. Darkening and staining to title page. General staining to top edge mainly to first pages. Occasional ink annotations
Georgian Secretaire book case, astragal glazed and standing upon its original bracket feet. Adjustable shelves to upper portion. Drawers lined with publishers' flyers: including one for G. W. Anderson's now rather valuable book relating the voyages of Captain Cook, which was published by Alex Hogg in 1786 - thus these linings were very likely pasted in when this piece was in its first bloom of youth, over 200 years ago.
Unique metamorphic dining table in mahogany from the first quarter of the 19th century. Comprising three especially made, and exactly matching (with the exception of one that has an end drawer), tables that link to make one which measures just under 9ft 10 inches long by 36 inches wide. Totally original with their correct locating pegs and full complement of correct brass castors. Some sunlight fading
Antique camphor wood sea chest 1850 and most probably American. Of tapered form for stability and with an alarmed lock which strikes a bell when the key is turned - thus alerting the owner or anyone else within earshot that that there is a thief about. Locks of this nature were available, especially, for sea chests in those days but this is the first we have owned so it can be considered a very rare feature.
Figures in a Mediterranean Garden, dreamlike, quirky, surrealist painting by Peter Heaton. During his career the artist worked in a number of styles but latterly gravitated towards subjects of this nature - this one executed in 1989 and signed thus. First exhibited and sold by Lucy.B.Campbell fine Art of 123 Kensington Church Street, London W8.
World War I military euphonium lamp - manufactured by Hawkes & Son, of Denman Street, Piccadilly Circus, London shortly before or during the first years of World War One (its serial number 34662 denotes it to be circa 1913-15) this magnificent euphonium, by repute, saw service in a military band at that time and for a good number of years after. Its conversion to a table lamp has not damaged it in the slightest as no extraneous holes have been drilled. Parts unscrewed in order to allow the passage of the flex have been kept and could, if desired be re-instated. A truly historic piece that is both functional and decorative....
Eadweard Muybridge (English/American, 1830-1904). "Men Boxing [from Animal Locomotion: Plate 329]". Original photogravure. 1872-1885. Printed later from the original negative. Stamped with the photographer's name, recto. Edition unknown, presumed small. High-grade archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Overall size: 11 11/16 x 15 3/4 in. (297 x 400 mm). Image size: 5 5/16 x 14 1/4 in. (135 x 362 mm). Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [25351-3-300]
Paul Strand (American, 1890 - 1976). "Women of Santa Anna, Michoacan [Mexico]". Original photogravure. 1933. Printed 1967. Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 5 x 6 3/16 in. (127 x 157 mm). From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © The Aperture Foundation, Inc., Paul Strand Archive. [29324-3-700]
Irving B. Haynes (American, 1927 - 2005). "Untitled". Acrylic on paper. 2004. Signed with the initials, lower right; signed and dated in pencil, verso. Very good condition; pinholes four corners. Overall size: 18 x 24 in. (457 x 610 mm). Haynes, former professor of Foundation Studies at the Rhode Island School of Design, epitomized the term “Renaissance man.” He was a war veteran, an architect, a talented athlete, a photographer and a jazz pianist. But first and foremost he was a painter. [29219-5-150]
Chin-San Long [lang jingshan/lang ching-shan] (Chinese, 1892-1995). "Brouillard du matin". Original vintage photogravure. c1936. Printed 1936. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 12 1/8 x 7 5/8 in. (308 x 194 mm). Lang Jingshan, also Romanized as Long Chin-san and Lang Ching-shan, was a pioneering photographer and one of the first Chinese photojournalists. He has been called "indisputably the most prominent figure in the history of Chinese art photography", and the "Father of Asian Photography". He joined the Royal Photographic Society in 1937, gaining his Associateship in 1940 and his Fellowship in 1942. In 1980, the Photographic Society of America named him one of the world's top ten master photographers. He was the first Chinese photographer to take artistic nude shots, and was also known for the unique "composite photography" technique he created. Image copyright © The Estate of Chin-san Long. [25083-2-400]
Gustave Baumann (German/American, 1881 - 1971). "Katcinas Ceremonial Dance". Original color woodcut. 1939. Printed 1939. Signed with the red seal/signature stamp, lower right. A proof impression aside from the proposed edition of 480 (of which all were printed?). Cream wove handmade paper. Wide margins. Fine, strong impression. Baumann cut and printed the block himself. Although most of his carving was done in basswood, the block for this woodcut was carved from common pine. Fine condition; centerfold as issued; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Santa Fe, New Mexico. Overall size: 8 1/2 x 14 3/4 in. (216 x 375 mm). Image size: 5 1/2 x 12 1/2 in. (140 x 317 mm). Baumann first created this image in 1939 and based it on a pictograph he found in a cave in Frijoles Canyon, New Mexico. He revisited it in 1951 and cut a virtually identical image (in reverse) in a larger size titled “Frijoles Canyon Pictographs.” It apparently was reissued in the same size in 1966. An impression of the 1951/1966 edition was included in the “Gustave Baumann Collection” exhibition at the Gerald Peters Gallery, Santa Fe, December 28th, 2018 to May 10th, 2019. Image copyright © The Estate of Gustave Baumann. [29536-3-800]
Eadweard Muybridge (English/American, 1830-1904). "Athletes: Fencing [from The Human Figure in Motion: Plate 31]". Original photomezzotint & letterpress. 1872-1885. Printed 1901. Stamped with the photographer's name, lower right. Edition unknown. High-grade smooth archival paper. Full margins, as issued. Fine impression with heavy ink application and distinctive letterpress. Very good condition. Overall size: 9 1/2 x 11 1/4 in. (241 x 286 mm). Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [29379-2-225]
Keith Haring (American, 1958 - 1990). "International Volunteer Day [First Day Cover]". Color offset lithograph. 1988. Signed in blue pen. Edition unknown. White wove paper. The full sheet. Fine impression. Fine condition. Overall size: 3 5/8 x 6 7/16 in. (92 x 164 mm). Unstamped and unposted first day of issue envelope published by the World Federation of United Nations Associations for the “Journee Internationale des Volontaires.” Image copyright © The Keith Haring Foundation. [29150-1-400]
Tsukioka Yoshitoshi (Japanese, 1839-1892). "Study for Woodcut #12". Pen and ink drawing. c1880s. Translucent Gampi (Washi/Rice/Mulberry) paper affixed at the corners to a semi-opaque, handmade, laid paper. Composed with black and cinnebar inks. Very good condition; the black spots visible on the jpg are on the support sheet, not the drawing, the Gambi paper being translucent. Provenance: Wittenborn Art Books, New York City. Overall size: 10 3/4 x 7 in. (273 x 178 mm). Image size: 9 5/8 x 6 1/8 in. (244 x 156 mm). Drawings by Yoshitoshi are very scarce. This drawing came from a hand bound album of drawings and sketches, with Yoshitoshi’s name and date inscribed, not in his hand, on the first leaf (please see images). The date is written “the 27th year of Meiji period, Oct. 10th.” The 27th year of the Meiji is the year 1894, two years after the Artist’s death. The album is hand bound and had many blank pages. In addition, the final non-blank pages are colored around the drawings with cinnabar, clearly by the artist. Hence while the album could have been assembled after his death, the more likely probability is that it was bound by the Artist and became a working album, which he continually added to over the years. He is also known as Taiso Yoshitoshi, Yoshitoshi Taiso, and Tsukioka Kinzaburo Yoshitoshi. [25341-2-400]
Man Ray (American, 1890 - 1976). "Barbette, the Transvestite, Dressing". Original vintage photogravure. 1926. Printed 1934. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 10 5/16 x 7 5/8 in. (262 x 194 mm). A male dancer in drag, adjusting "her" stockings. "A popular vaudeville performer of the 1920s and 1930s took the stage name of Barbette. He first began dressing as a woman when hired to replace a female tightrope walker. Barbette soon devised his own act, walking the high wire and performing trapeze stunts in elegant gowns, then removing his wig at the end of the show to reveal his true gender." (Courtesy: Getty Museum). See: www.manraytrust.com, pg.23. Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [6625-2-400]
Eadweard Muybridge (English/American, 1830-1904). "Athlete: Ascending an Incline [from The Human Figure in Motion: Plate 05]". Original photomezzotint & letterpress. 1872-1885. Printed 1901. Stamped with the photographer's name, lower right. Edition unknown. High-grade smooth archival paper. Full margins, as issued. Fine impression with heavy ink application and distinctive letterpress. Very good condition. Overall size: 9 1/2 x 11 3/8 in. (241 x 289 mm). Eadweard Muybridge, born Edward James Muggeridge, was an English photographer important for his pioneering work in photographic studies of motion and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. [29375-2-225]
Arthur Beecher Carles (American, 1882-1952). "Flower in the Woods". Oil on canvas. c1914. Signed lower left. Good condition; old repair upper right. Image size: 28 x 22 in. (711 x 559 mm). Art historian Barbara Ann Boese Wolanin describes Carles as a link between Philadelphia and Paris, and as "one of the most brilliant colorists in the history of American art." She says of him: "His paintings range in style from tonalism and Impressionism to prophecies of Abstract expressionism. His approach was intuitive. An expressionist by nature, he was guided by feeling, believing that 'accuracy is an intellectual quality while art is an affair of the emotions'". Carles, an American Modernist painter, studied at the Pennsylvania Academy of the Fine Arts between 1900 and 1907 with Thomas Pollock Anshutz, Hugh Breckenridge, Henry McCarter, Cecilia Beaux, and William Merritt Chase. In 1907 he traveled to France where he remained until 1910. In France, he greatly admired the works of Cézanne and Matisse, and became close friends with John Marin and Eduard Steichen. He displayed six landscapes in the Salon d'Automne of 1908. In March 1910 his work was included in the “Younger American Painters” show held at Alfred Stieglitz’s New York gallery, 291. Stieglitz gave Carles his first one-man show at 291 in January 1912. He returned to France from June to October 1912 and exhibited at the 1912 Salon d'Automne. After his return to America he exhibited at the Armory Show of 1913. [27871-10-8000]
Paul Strand (American, 1890 - 1976). "Woman and Baby, Hidalgo [Mexico]". Original photogravure. 1933. Printed 1967. Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 4 15/16 x 6 3/16 in. (125 x 157 mm). From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29322-3-300]
Chin-San Long [lang jingshan/lang ching-shan] (Chinese, 1892-1995). "Foret au printemps". Original vintage photogravure. c1936. Printed 1936. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition;affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 11 1/2 x 9 1/16 in. (292 x 230 mm). Lang Jingshan, also Romanized as Long Chin-san and Lang Ching-shan, was a pioneering photographer and one of the first Chinese photojournalists. He has been called "indisputably the most prominent figure in the history of Chinese art photography", and the "Father of Asian Photography". He joined the Royal Photographic Society in 1937, gaining his Associateship in 1940 and his Fellowship in 1942. In 1980, the Photographic Society of America named him one of the world's top ten master photographers. He was the first Chinese photographer to take artistic nude shots, and was also known for the unique "composite photography" technique he created. Image copyright © The Estate of Chin-san Long. [25082-2-800]
Charles Schulz (American, 1922-2000). "The Peanuts Gang". Ink drawing on paper. c1979. Signed lower left. Drawn on very thin light cream wove paper. Good to very good condition with no real condition issues. Overall size: 4 13/16 x 7 1/16 in. (122 x 179 mm). Schulz, the creator and artist of "Peanuts," became wealthy by using his childhood insecurities and failures as material for his comic strip. Charlie Brown, the strip's likable loser, shared more than a first name with his creator and was inspired by Schulz's bittersweet memories of his Midwestern boyhood. Image copyright © The Estate of Charles Schulz. [29857-2-1600]
Paul Strand (American, 1890 - 1976). "Boy, Hidalgo [Mexico]". Original photogravure. 1933. Printed 1967. Stamped with the photographer's name, verso. BFK Rives paper. Full margins. Fine, quality printing. Fine condition. Overall size: 15 13/16 x 12 5/16 in. (402 x 313 mm). Image size: 6 5/16 x 4 7/8 in. (160 x 124 mm). From Strand's "The Mexican Portfolio," second edition (the first was published in 1940). Image copyright © Aperture Foundation Inc., Paul Strand Archive. [29310-3-400]
Chin-San Long [lang jingshan/lang ching-shan] (Chinese, 1892-1995). "Feuilles de bambou". Original vintage photogravure. c1935. Printed 1935. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 11 3/4 x 9 1/8 in. (298 x 232 mm). Lang Jingshan, also Romanized as Long Chin-san and Lang Ching-shan, was a pioneering photographer and one of the first Chinese photojournalists. He has been called "indisputably the most prominent figure in the history of Chinese art photography", and the "Father of Asian Photography". He joined the Royal Photographic Society in 1937, gaining his Associateship in 1940 and his Fellowship in 1942. In 1980, the Photographic Society of America named him one of the world's top ten master photographers. He was the first Chinese photographer to take artistic nude shots, and was also known for the unique "composite photography" technique he created. Image copyright © The Estate of Chin-san Long. [23916-2-300]
Rowling J.K.: Harry Potter and the Half Blood Prince. 2005. First edition, Order of the Phoenix. 2003. First edition, two Prisoner of Azkaban. 1999. various editions, four Deathly Hallows. 2007. First editions, Goblet of Fire. 2000. First edition, Chamber of Secrets. 1999. First American edition & Goblet of Fire. 2000. First American edition. All hardbacks with dustcovers (11)
Johns W.E. Capt.: four Biggles first editions - 'Hunts Big Game' 1948 H&S, 'Looks Back' 1965 H&S, 'Leopards of Zinn' 1960 Brockhampton and 'In Mexico' 1959 Brockhampton; five further Biggles books in the Hampton Library Series; and five others published by Dean & Son Ltd., all with dustjackets
Edwardian Book of Common Prayer & Hymns Ancient and Modern, pub London, purple calf gilt, inscribed Rose Hinds with Best Wishes Lady Chermside Xmas 1907, in leather case with wrist strap, 2vols: Lady Chermside of Newstead Abbey was the first wife of Sir Herbert Chermside, one time Governor of Queensland

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596780 item(s)/page