ROLEX Vintage Day-Date Herren Armbanduhr, Ref. 18038. LC100 aus 1979. Gold 18K, Serien Nr. 5952XXX. Automatik-Werk, Kaliber 3055, sehr gute Gangwerte, Protokoll anbei. Silbernes Tritium-Zifferblatt, Leuchtmasse der Zeiger herausgefallen. Sichtbare Gebrauchsspuren an Band und Gehäuse. Original Box, Gerantiezertifikat und Revisionsnachweis von 2016 durch Wempe anbei. Erstkauf 1979 bei Wempe in Hamburg (LC100). Durchmesser ca. 36mm ohne Krone, passend bis zu ca. 18cm Handgelenksumfang. | ROLEX Vintage Day-Date Men's wrist watch, ref. 18038. LC100 from 1979. Gold 18K, serial no. 5952XXX. Automatic movement, caliber 3055, very good working order, protocol enclosed. Silver Tritium dial, lume from hands fallen out. Visible signs of wear on bracelet and case. Original box, warranty certificate and prooof of service by Wempe from 2016 enclosed. First purchase in 1979 at Wempe in Hamburg (LC100). Diameter approx. 36mm without crown, suitable for a wrist size of approx. 18cm.
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A Pastoe Amsterdammer Cabinet, designed by Aldo van den Nieuwelaar (1944-2010) rounded top with two plastic ribbed roller doors, enclosing shelves, unmarked, 192cm long, 37.5cm deep, 75cm high and Another, 122cm wide, 51cm deep, 75.5cm high (2)First Cabinet - Overall good condition. Very minimal minor superficial suface marks. Tambour / roller doors sliding properly and opening fully. Shelves adjustable.Second - has been stored outside and has spent some time on its top. The top is extremely scuffed, in some areas down to base material. Right door very stiff.
Jon Buck (b.1951) "Dancing to Time" Signed and numbered 2/10, enamelled bronze, 53cm highExhibited: Jon Buck, "Without Words", Gallery Pangolin, London, 9 June - 18 July 2014Born in 1950, Jon Buck studied at Nottingham and Manchester Art Schools. By 1983 he had become both a Fellow in Sculpture at Cheltenham Art College and the first member of Thamesdown Borough Council as an artist. He is also a member of the Royal West of England Academy, and his work is regularly exhibited in both private and public collections including Gallery Pangolin, London. Jon Buck’s works are considered forms of visual poetry, described as “songs without words” intended to capture both the feeling of elation and the resilience of the human spirit. Buck’s works titled “Without Words” were created in response to a poem “Everyone Sang” by the anti-war poet Siegfried Sassoon:“Everyone suddenly burst out singing;And I was filled with such delightAs prisoned birds must find in freedom,Winging wildly across the whiteOrchards and dark-green fields; on-on and out of sightEveryone voice suddenly lifted;And the beauty came like a setting sun:My heart was shaken with tear; and horrorDrifted away … O, but EveryoneWas a bird; and the song was wordless; the singing will never be done.”Buck said that Sassoon’s words resonated with him, expressing “what it is to be free and alive.” For him, “it is the end of the poem that is most crucial: it becomes a timeless declaration of the resilience of the human spirit – feelings beyond words”, a sentiment that inspires his recent works.
Harold Riley DL, DLitt, FRCS, DFA, ATC (1934-2023) and Laurence Stephen Lowry RBA, RA (1887-1976) Crowther Street Stockport Signed by Harold Riley and L S Lowry, with an oil sketch of a young man to the reverse, oil on canvas, 49cm by 39cmProvenance: A gift from the artist to the vendor's father Thence by descent Harold Riley and Lowry often embarked on joint ventures together over their thirty-year friendship, having first met in 1945 when the former presented Riley with an award for first prize at a Salford Grammar School art exhibition. However, these were usually works on paper, thus making this fully finished oil painting a rarity.This scene depicts Crowther Street in Stockport, a landmark re visited by Lowry throughout his lifetime.Tennant’s Modern & Contemporary Art sale in March 2023 saw the sale of a pencil drawing by Lowry titled “The Stepped Street”, this was a depiction of Crowther Street and sold for £70,000 hammer. (see image).Shortly after leaving Art School in 1928, Lowry sought to record locally threatened architectural gems such as Crowther Street, which was later partially demolished leaving only the right-hand portion. This also indulged his love of steps as subject matter.Though somewhat changed since the artist’s day and with far fewer people than in Riley’s view, the cobbled street is still recognisable to this day.
Tracey Emin CBE RA (b.1963)"No Time 4 Love"Signed, inscribed and dated 2017, biro on an Art in the 20th Century Royal Mail First Day Cover, 11.5cm by 21.5cmTwo tiny grey dots to the lower left corner - this may be by design and two centrally above the signature. Otherwise in good overall condition.The vendor obtained the drawing by sending the First Day Cover to the White Cube Gallery for Tracey Emin. She did this doodle, signed it and then it was sent back to the vendor.
PECHSTEIN, HERMANN MAX (1881-1955) „Frauenkopf (Lotte)“, in einer Tusche-Pinselzeichnung auf dünnem, bräunlichem Papier hat M. H. Pechstein seine erste Frau Lotte porträtiert und die Zeichnung u. re. mit Bleistift eigenhändig monogrammiert und datiert: „HMP 1910“. HxB: 32/24 cm (56/42 cm mit Rahmen). Am oberen Rand unter Passepartout montiert, Papier gebräunt / fleckig, um einen früheren Passepartoutausschnitt lichtrandig, zwei Ränder mit Abrisskante, alle Blattecken fachmännisch angesetzt. Anbei originales Unterlagepapier, hier von Martha Pechstein, der zweiten Ehefrau des Künstlers dieses Unterlagepapier von Ihr sign. und bezeichnet: „Frauenkopf von Pechstein“, sowie eine Expertise der Enkelin Max Pechsteins (in Kopie).Diese Tuschezeichnung wird in der Dokumentation zur Max Pechstein Urheberrechtsgemeinschaft zum werk von Max Pechstein unter dem Titel „Frauenkopf (Lotte)“, 1910 geführt. | PECHSTEIN, HERMANN MAX (1881-1955) "Frauenkopf (Lotte)", in an ink brush drawing on thin, brownish paper, M. H. Pechstein portrayed his first wife Lotte and monogrammed and dated the drawing by his own hand in pencil at lower right: "HMP 1910". HxW: 32/24 cm (56/42 cm with frame). Mounted at upper margin under passepartout, paper browned / stained, light margins around an earlier passepartout cutout, two margins with tear-off edge, all corners of the sheet expertly repaired. Enclosed original backing paper, here by Martha Pechstein, the artist's second wife, this backing paper signed and inscribed by her: "Frauenkopf von Pechstein", as well as an expertise by Max Pechstein's granddaughter (in copy).This ink drawing is listed in the documentation on the Max Pechstein copyright community for the work of Max Pechstein under the title "Frauenkopf (Lotte)", 1910.
KÄRCHER, AMALIE (1819-1887) „STILLEBEN MIT OBST UND WESPEN“, die ersten Wespen tun sich an leicht überreifem Obst gütlich, 1872, Öl auf Leinwand, unten rechts sign. und dat. HxB: 28/34 cm (42/48 cm mit Rahmen). Altersspuren, Lwd. Einmal mit kleinem Loch, part. Farbverluste bzw. krakeliert, einmal kleine Retusche an der geschlossenen Walnuss.| KÄRCHER, AMALIE (1819-1887) "STILL LIFE WITH FRUIT AND WASPS", the first wasps feasting on slightly overripe fruit, 1872, oil on canvas, signed and dated lower right. HxW: 28/34 cm (42/48 cm with frame). Signs of age, on canvas. Once with small hole, part. Some paint losses and craquelure, one small retouch on the closed walnut.
STAR WARS : RETURN OF THE JEDI #1, 2, 3, 4 + STAR WARS #68 (5 in Lot) - (1983/1984 - MARVEL) - Includes the first comic book appearance of Jabba the Hutt as he appears in the film, the first full appearance of Emperor Palpatine in a standard comic book + the classic Mandalorian cover by Gene Day - Flat/Unfolded
MIGHTY WORLD OF MARVEL #67-72, 76-82, 84-97, 99-129, 133-144, 146-154, 156, 157, 159, 161-167, 169-173, 176, 178, 180-183, 185, 187-190, 193-196, 199, 202, 203, 205-207, 209-211, 213-215, 217, 219-221, 224-236, 238-242, 244-265, 268-271, 273-276, 279, 281-283, 289-295, 297-299, 301-304, 323, 324, 329-334 (199 in Lot) - (Jan 12, 1974 - Mar 21, 1979 - MARVEL UK) - Includes one of the desirable first Wolverine appearance issues - Flat/Unfolded
MARVEL UK FIRST ISSUE LOT 2 (7 in Lot) - Includes THE TITANS #1(1975) with FREE GIFT POSTER + FURY #1 (1977) with FREE GIFT MODEL PLANE + FORCES IN COMBAT #1 (1980) with FREE GIFT STICKER + VALOUR #1 (1980) with FREE GIFT JIG-SAW + FUTURE TENSE #1 (1980) with FREE GIFT SPACE-SHIP + MARVEL SUPER ADVENTURE #1 (1981) with FREE GIFT TRANSFER + MARVEL ACTION #1 with FREE GIFT STICKER - Flat/Unfolded
ACTION #1 (1976 - IPC) - Dated 14th Feb 1976 - The first issue of the controversial weekly British comic which was withdrawn from sale in October 1976 due to concerns over its violent content but seen as a direct forerunner of 2000 AD - NO FREE GIFT - Flat/Unfolded - a photographic condition report is available on request
2000 AD PROG #1 (1977 - IPC) - KEY British comic book that set the standard for what followed - Cover by Bellardinelli with interior artwork by O,Neill, Blasco, Belardinelli, Gibbons, Enio + Dan Dare returns in his first title since Eagle with first appearances for Flesh, M.A.C.H 1, Harlem Heroes - NO Free 'Space Spinner' Gift - Flat/Unfolded - a photographic condition report is available on request
MIXED UK FIRST ISSUE LOT (5 in Lot) - Includes TARZAN WEEKLY #1 (1977 - BYBLOS) with FREE GIFT SURVIVAL KIT BAG + TARGET #1 (1978 - POLYSTYLE) with FREE GIFT SUPERBIKE WALLCHART + TORNADO #1 (1979 - IPC) with FREE GIFT TURBO-FLYER + THE CRUNCH #1 (1979 - DC THOMSON) + SPEED #1 (1980 - IPC) with FREE GIFT SPEED PLANE - Flat/Unfolded
ALL-STAR COMICS #58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74 + SHOWCASE #97 (18 in Lot) - (1976/1978 - DC) - Full complete run of the 1970's series which includes the origin, first and second appearances of Power Girl + her first solo issue + the first cameo appearance of the Huntress (Helena Wayne) - Flat/Unfolded
BATMAN #181 - (1966 - DC) - First appearance of Poison Ivy - Centrefold pin-up poster is present - Carmine Infantino and Murphy Anderson cover and centrefold pin-up with Sheldon Moldoff, Joe Giella, Sid Greene interior art - Flat/Unfolded - a photographic condition report is available on request
BATMAN #232 (1971 - DC) - The first appearance of Ra's al Ghul & the second appearance of Talia al Ghul - Classic Neal Adams cover art - Flat/Unfolded - a photographic condition report is available on request - NB: Tape residue around centre staples plus incorrect detached final ad page (see photo)
DC COMICS PRESENTS #26 (FIRST TEEN TITANS) - (1980 - DC - Uk Price Variant) - First appearance of the New Teen Titans (16-page preview) + First appearances of Raven, Cyborg, Starfire - Jim Starlin cover and interior art - Flat/Unfolded - a photographic condition report is available on request
NEW TEEN TITANS #1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 16, 17, 18, 19, 20, 21, 22, 23, 25, 26, 30, 31, 33, 34, 36, 39, 40 (31 in Lot) - (1980/1984 - DC) - Includes the second team appearance and origin of the New Teen Titans, the first appearance of Deathstroke the Terminator + the origin of Doom Patrol - Flat/Unfolded
DETECTIVE COMICS: BATMAN #400 (1970 - DC) - The first appearance and origin of Man-Bat + First team-up of Batgirl and Robin in a backup story - Neal Adams & Gaspar Saladino Cover Art with Neal Adams & Gil Kane interiors - Flat/Unfolded - a photographic condition report is available on request - NB: Piece missing from last ad. page - story not affected
DOUBLE DOUBLE COMICS (3 in Lot) - (THORPE & PORTER) - Includes ADVENTURE DOUBLE DOUBLE COMICS #3 - Comprises of Adventure Comics #355, Aquaman 28, World's Finest 160 & Wonder Woman 163 + DETECTIVE DOUBLE DOUBLE COMICS - Comprises of Detective Comics #352, 359 (FIRST BATGIRL), 357 & 358 + SUPERBOY DOUBLE DOUBLE COMICS - Comprises of Superboy #131, 135, 130 & Green Lantern 48 - Flat/Unfolded
GREEN ARROW VOL. 3 #1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15 (15 in Lot) - (2001/2002 - DC) - The classic Kevin Smith Green Arrow run - includes the first appearance (and cover) of Onomatopoeia (introduced in the Lois & Clark TV series as a villain) + the first appearance of Mia Dearden (the second Speedy) - Flat/Unfolded
HOUSE OF MYSTERY #176, 181, 182, 184, 185, 188(x3), 190, 192-196, 198-200, 207, 211, 217, 221, 224, 228, 229, 236, 251, 254, 255, 257, 274, 277, 287, 301 (33 in Lot) - (1968/1982 - DC) - Includes the first interior art by Bernie Wrightson and covers by Neal Adams and Bernie Wrightson - Flat/Unfolded
JUSTICE LEAGUE OF AMERICA LOT (136 in Lot) - Ranging from issue #21 (1963) to issue #219 (1983) - Includes the first meeting of the JSA & JLA, the first appearance of Dr. Fate and Hourman in the Silver Age, the first appearance of the Sandman in the SIlver Age + the first team appearance of the Freedom Fighters - Flat/Unfolded
ADAM LEGEND OF THE BLUE MARVEL #1 (2009 - MARVEL) - The first appearance of Blue Marvel, a powerful black superhero forced into retirement in the 1960's due to his race + the first appearance of Anti-Man - Some speculation that this charcater may be introduced in the upcoming 'The Marvels' movie - Flat/Unfolded - a photographic condition report is available on request
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