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Click here to subscribeA 14 karat gold pendant, in the shape of a wire bent sunbeams in the center set with a commemorative medal, a (gold) commemorative medal in honor of the first moon landing by the U.S.A. in 1969. features the names Edwin Aldrin, Neil Armstrong and Michael Collins. Gross weight: 16.8 g. Diameter: ca. 45 mm.
TWO 9CT GOLD RINGS AND A SINGLE EARRING, the first ring designed with a claw set, circular cut colourless cubic zirconia, pinched shoulders leading onto a polished band, hallmarked 9ct Birmingham, ring size Q, the second ring is a 9ct gold mount for an oval stone hallmarked 9ct London, ring size J, together with a loose oval amethyst, approximate total gross weight 4.7 grams (condition report: all would benefit from a gentle clean, the second ring requires some attention)
A 9CT GOLD DIAMOND HALF ETERNITY RING AND ONE OTHER, the first designed with a row of seven round brilliant cut diamonds in a shared claw setting, estimated total diamond weight 0.35cts, leading onto a plain polished band, hallmarked 9ct Sheffield import, ring size K, the second designed with a four claw set, square cut yellow topaz, flanked with round brilliant cut diamond detailed shoulders leading onto a plain polished band, hallmarked 9ct London, ring size M, approximate gross weight 3.8 grams (condition report: would benefit from a gentle clean, all diamonds are intact and in good condition)
TWO 9CT GOLD GEM SET DRESS RINGS, the first a yellow gold cluster ring, centring on a four claw set, oval cut white opal cabochon, within a surround of claw set circular cut rubies, bifurcated shoulders leading onto a polished band, hallmarked 9ct Birmingham, ring size S, the second a yellow gold diamond half eternity ring, set with seven small round brilliant cut diamonds, polished band, hallmarked 9ct Birmingham import, ring size N, approximate gross 5.7 grams (condition report: all stones are intact, would benefit from a gentle clean, all stones are intact, overall condition good)
TWO 9CT GOLD GEM SET DRESS RINGS, the first centring on a slightly raised row of five rectangular, mix cut light blue topaz, in a collet mount, between two rows of single cut diamonds, tapering shoulders leading onto a polished band, hallmarked 9ct Birmingham, ring size M, the second set with an oval cut light blue topaz in a four claw bypass setting, polished band, hallmarked 9ct Birmingham, ring size N, approximate gross weight 7.0 grams (condition report: general light wear to both, all stones are intact, overall condition good)
A GROUP OF ROYAL ALBERT BEATRIX POTTER FIGURES, FIRST DAY COVERS, ETC, to include the following figures: Benjamin Bunny, The Old Woman who Lived in a Shoe, Appley Dapply, Hunca Munca Sweeping, Mother Ladybird, Jemima Puddleduck with Foxy Whiskered Gentleman, Mrs Tittlemouse, Mrs Rabbit (ear chipped), Tom Thumb, Old Mr Brown, Little Black Rabbit, Sally Henny Penny, Squirrel Nutkin, Mrs Rabbit and Bunnies, Mr Drake Puddle-Duck and Little Pig Robinson, together with two 1993 Peter Rabbit centenary first day covers, boxed Wedgwood Peter Rabbit birthday plate, and a boxed Wedgwood/The National Trust limited edition Beatrix Potter plate (Condition report: as stated otherwise appear in good condition) (Qty)
THREE SILVER FRUIT KNIVES, three silver bladed fruit knives with mother of pearl handles, the first hallmarked 'Villiers & Jackson' Birmingham 1913, the second hallmarked 'William Needham' Sheffield 1907, the third hallmarked 'H&F' Birmingham 1863 (condition report: general moderate wear, overall condition good)
TWO 9CT GOLD GEM SET RINGS, the first designed with three graduating marquise cut garnets, single cut diamond accents, single cut diamond detailed bifurcated shoulders leading onto a polished band, hallmarked 9ct Birmingham, ring size L 1/2, the second designed as a small flower cluster of seven circular cut emeralds, each in a shared claw setting, pinched shoulders leading onto a polished band, hallmarked 9ct Sheffield, ring size P, approximate gross weight 5.4 grams
A 9CT GOLD FIGARO CHAIN AND YELLOW METAL FIGARO CHAIN, the first a yellow gold chain necklace, approximate length 560mm, hallmarked 9ct London import, approximate gross weight 20.2 grams, together with a yellow metal chain bracelet, approximate length 180mm, stamped 375, approximate gross weight 3.3 grams (condition report: general light wear, would benefit from a gentle clean)
TWO 9CT GOLD GEM SET RINGS, the first of a marquise shape, centring on a white opal cabochon (chipped) in a surround of deep blue circular cut sapphires (one missing), pinched shoulders leading onto a plain polished band, hallmarked 9ct London, ring size O, the second designed with three raised, graduated oval cut garnets, each in a four claw setting, single cut diamond detailed, bifurcated shoulders leading onto a plain polished band, hallmarked 9ct Birmingham, ring size N, approximate gross weight 5.6 grams (condition report: the opal has a large chip and also missing a sapphire stone, both have general light wear)
TWO 9CT GOLD SIGNET RINGS, the first set with a square cut carnelian, leading onto a tapered polished band, hallmarked 9ct London 1967, ring size Q, the second of a shield shape with an engraved monogram and diamond cut pattern, textured shoulders leading onto a tapered band, hallmarked 9ct Birmingham 1957, ring size M, approximate gross weight 8.0 grams (condition report: general light wear to both, the carnelian has a small chip to the top, overall condition good)
AN 18CT GOLD RING AND A DIAMOND HALF ETERNITY RING, the first a late Victorian ring, designed with three asymmetrical marquise shape panels, two set with a circular cut garnet (one garnet is missing) scroll detailed shoulders leading onto a plain polished band, hallmarked 18ct Chester 1895, ring size leading edge J, approximate gross weight 2.6 grams, together with a yellow metal half eternity diamond ring, with a row of old cut diamonds (two diamonds are missing) estimated total diamond weight 0.20cts, to a plain polished band, unmarked, ring size L, approximate gross weight 2.5 grams (condition report: stones are missing on both rings, general light wear to both)
NAO AND LLADRO SCULTURES ETC, comprising Nao 'First love' depicting figures on a bench, Nao 'Ever so gently' a young girl with two doves, Nao 'First communion' 0236, a young girl wearing her communion dress and a Lladro figure group 5594 'Playful romp' a girl playing with puppies, tallest height approximately 23cm, together with a silver vesta case hallmarked for Birmingham 1918 (5) (Condition report: the Lladro figure is missing a hand, no other obvious damage)
TWO 9CT GOLD LADIES WRISTWATCHES, the first a hand wound movement, patterned dial, Roman numerals, polished rose gold case, approximate width 25mm, inside case back hallmarked 9ct London import 1924, fitted with a stretch link bracelet, the second a hand wound movement, patterned dial, Arabic numerals, polished rose gold case, approximate width 25mm, unable to access hallmark, fitted with a leather and white metal strap, together with two watch boxes (condition report: general moderate wear, both currently running, not tested, the second watch hands and dial are loose, requires attention)
TWO 9CT GOLD GEM SET DRESS RINGS, the first centring on a row of four square cut light blue topaz, between two rows of single cut diamonds in four claw setting, bifurcated shoulders leading onto a polished band, hallmarked 9ct Birmingham, ring size L 1/2, together with a full eternity band, with star set single cut diamonds and two circular cut deep blue sapphires (the rest of the sapphires are missing), milgrain edge, hallmarked 9ct Sheffield, ring size M 1/2, approximate gross weight 7.2 grams (condition report: the eternity band is missing stones, both have some general light wear, overall condition good)
TWO 9CT GOLD BRACELETS, the first an 'S' link chain bracelet fitted with an AF spring clasp hallmarked 9ct Sheffield, with additional safety chain, length 180mm, the second a fancy link chain bracelet fitted with a spring clasp hallmarked 9ct Birmingham, length 200mm, approximate gross weight 7.0 grams (condition report: the spring clasp on the first bracelet requires some attention, general light wear to both)
A BOX AND LOOSE CONTAINING BOOKS, RECORDS AND STAMPS, to include eight books about British royalty, a first day cover of the Queen's 80th birthday, an album of Commonwealth countries stamps (with certificate 1983, pages are water damaged, have been pulled apart), six LPs including Peter Cook and Dudley Moore, Buddy Holly etc, a toby jug 16cm, a Wedgwood Jasperware trinket dish and vase 10cm, two enamel dressing table brush/mirror backs (for use by sales rep ,with prices on reverse) (1 box + loose)
TWO DIAMOND RINGS, the first a white metal floral detailed head set with five single cut diamonds, leading onto a yellow metal polished band, stamped 18ct plat, ring size S 1/2, together with a five stone diamond ring, five single cut diamonds set in a white metal milgrain bezel setting, leading onto yellow metal pinched shoulders and polished band, stamped 18ct&pt, ring size Q leading edge, approximate gross weight 5.5 grams (condition report: general moderate wear, all stones currently intact, would benefit from a gentle clean)
TWO 9CT GOLD BRACELETS, the first a three bar gate bracelet, fitted with a heart padlock clasp unmarked, jump ring with a rubbed unreadable hallmark, additional safety chain, length 180mm, the second a Figaro chain bracelet fitted with a spring clasp, hallmarked 9ct Birmingham, length 220mm, approximate gross weight 5.2 grams (condition report: the gate bracelet has wear and dinks to the links)
TWO 9CT GOLD GEM SET DRESS RINGS, the first centring on a four claw set, circular cut citrine, flanked with textured shoulders each set with a circular cut colourless stones assessed as spinel , polished band hallmarked 9ct Birmingham, ring size N, the second designed with a central four claw set colourless topaz, flanked with four small circular cut light blue topaz, polished band hallmarked 9ct Birmingham, ring size N, approximate gross weight 5.9 grams (condition report: general light wear to both, all stones are intact, overall condition good)
TWO 9CT GOLD BRACELETS, the first a yellow gold chain leading onto a split chain fitted with tri colour gold textured panels, detailed with additional beading, fitted with a push pin box clasp and safety catch, length 180mm, hallmarked 9ct Birmingham import 1983, together with a tricolour plaited chain bracelet, approximate length 185mm, fitted with a lobster clasp, hallmarked 9ct Birmingham and convention mark, approximate gross weight 7.6 grams (condition report: general moderate wear, slight twist to the first chain bracelet, requires attention)
A THREE VOLUME SET OF THE LORD OF THE RINGS BY JRR TOLKIEN, published by Readers Union in 1960, all with chipped/torn dust jackets, together with a first edition of The Adventures of Tom Bombadil by Tolkien 1962, dust jacket has small tears in the spine area with a personal inscription to the first blank page in the book(4) (Condition report: as stated)
TWO MAH JONG SETS, the first set of bone and bamboo tiles contained in a wooden case with five drawers, carrying handle and front decorated with gilt characters, together with a boxed set of 'Mah-Jongg' by Chad Valley, with instruction booklet (2) (Condition report: sets appear in good complete condition, pieces unchecked)
Football programmes and ephemera, including Cardiff City Season 1971-72 Official Programme; Albion News Matchday magazine, Football Association International (British Championship) England v Scotland, Wales vs Scotland British International Championship 1973 programme, The F.I.F.A Word Cup England vs Poland Wembley 1973 programme x 2 , Football League Review magazine; Wales vs England Ninian Park, Cardiff 1961 programme, Wales vs Scotland Ninian Park, Cardiff 1960 programme, Wales vs England May 1972 programme; Manchester City Football Season 1960-61; The Villa News and Record Birmingham City and Portsmouth First Division, F.A Cup Final Leeds United vs Wolverhampton Wanderers 1973, Football Association Challenge Cup Competition Centenary Year Find May 1972 programme, The Emirates FA Cup Final 2016; three Wembley Stadium Chelsea vs Manchester FA Cup 2007 Final plus tickets.
Two Victorian samplers, the first by Lettitia Ray, March 10 1798 with provenance to back (born 8th November 1789, daughter of Nicholas and Sally Ray. James Russell and Lettita Ray married 1812. From Horton Kirby Parish Register and the second by Mary Ann Smith from Bolton in 1832 with coloured threads.
Duval A. Paris mantel clock, having a white enamel face with Roman dial, strikes to a bell, the case having decorative inlay, approx 29 h x 20 w cms, together with an oak cased mantel clock, with a Japes Freres movement, approx 30 h x 18 w cms. (2)June 16th Condition ReportsThe first clock has notable damage to the white enamel face, the case has a vertical split to the lower right area but it is an attractive case all the same.
Miscellaneous coins, including a silver proof coin commemorating the B.C.S Battle of El Alamein designed by John Bergdahl and a Battle of Britain 50th Anniversary Commemorative medallion 1977 Elizabeth II commemorative crown x 2, two rolls of half penny coppers, Britain's First Decimal coins and a coin paperweight, seventeen £1 notes; four ten shilling notes.
Proof coinage of Great Britian and Northern Ireland proof sets, 1972,73,74,75,78,79,80,81 x 2 and 1982; Elizabeth II Coinage of Great Britain 1963,1964, two1965,1966,1967,1986 Royal Mint United Kingdom proof set; Commonwealth of the Bahamas silver proof set boxed; 1969 Bahamas $5 proof set; Queen Elizabeth II 80th commemorative silver crown; Britains First Decimal coin presentation pack x 2; miscellaneous crowns and other GB coins including three penny bits, half crowns, copper, with packets of All-World coins including East Africa, Liberia, Sudan, Venezuela, Palestine, German, etc
A CANTON FAMILLE ROSE BALUSTER VASE First half of the 20th century Decorated in the typical style with panels of figures, birds and flowers 55cm high Condition: For a condition report or further images, please contact the saleroom via hello@hotlotz.com Additional Information: All lots are on view at 23 Maple Avenue, Singapore, 277580 on Thursday 30 June, Friday 1 July and Saturday 2 July, between 10am and 5pm. Please do not attend the property at other times. No appointments are necessary.
William Burns (British 1923-2010): 'Birthday Girl', oil on canvas signed, titled verso 55cm x 40cmProvenance: direct from the artist's family. Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art, before the outbreak of the Second World War during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return to England, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.
William Burns (British 1923-2010): 'Distracted from Study', oil on board unsigned, titled verso 20cm x 25cm (unframed)Provenance: direct from the artist's family. Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art, before the outbreak of the Second World War during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return to England, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.
William Burns (British 1923-2010): 'Beach Fun', oil on board unsigned, titled verso 36cm x 51cm (unframed)Provenance: direct from the artist's family. Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art, before the outbreak of the Second World War during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return to England, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.
William Burns (British 1923-2010): 'Dancer on the Beach', oil on board unsigned, titled verso 30cm x 40cm (unframed)Provenance: direct from the artist's family. Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art, before the outbreak of the Second World War during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return to England, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.
William Burns (British 1923-2010): 'Blue and Gold - the Wood in Winter', oil on canvas laid on board signed, titled verso 26cm x 35cm (unframed)Provenance: direct from the artist's family. Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art, before the outbreak of the Second World War during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return to England, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.
William Burns (British 1923-2010): Snowy Landscape', oil on board signed, titled verso 30cm x 40cm (unframed)Provenance: direct from the artist's family. Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art, before the outbreak of the Second World War during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return to England, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.
William Burns (British 1923-2010): 'Boat in Mist', oil on board indistinctly signed, titled verso 35cm x 51cm (unframed)Provenance: direct from the artist's family. Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art, before the outbreak of the Second World War during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return to England, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.
William Burns (British 1923-2010): 'Yachts in Mist - River Orwell' Suffolk, oil on board unsigned, titled verso 41cm x 61cm (unframed)Provenance: direct from the artist's family. Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art, before the outbreak of the Second World War during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return to England, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.
William Burns (British 1923-2010): 'Pink Clouds', oil on board unsigned, titled verso 51cm x 62cm (unframed)Provenance: direct from the artist's family. Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art, before the outbreak of the Second World War during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return to England, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.
William Burns (British 1923-2010): 'Sunrise - Pin Mill Suffolk', oil on board signed, titled verso 26cm x 37cm (unframed)Provenance: direct from the artist's family. Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art, before the outbreak of the Second World War during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return to England, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.
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