We found 596772 price guide item(s) matching your search
There are 596772 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
596772 item(s)/page
Lot 42
7 Royal Mail/Royal Mint Two Pound Coin First Day Covers - London 1908 Olympic Games 100th Anniversary 2008, Bank of England 300 years 1994, Charles Dickens 2012, Abolition of the Slave Trade 2007, 500th Anniversary of the Launch of the Mary Rose 2011, Flights of Genius 1997 and King James Bible 400th Anniversary 2011
Lot 75
LOUIS LEGRAND (FRENCH 1863-1951) LA SORTIE, FIGURE AND DOG, 1906 Drypoint etching, 19/20, numbered in pencil to margin, signed with initials and dated in plate the plate 19.5cm x 13cm (7.75in x 5in) From the Estate of Dorothy Bohm Dorothy Bohm was a British photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris. She is considered one of the doyennes of British photography.Dorothy Bohm was born in 1924 in Koenigsberg, East Prussia and moved to England in 1939. By the age of 21, she was running her own very successful portrait studio in central Manchester, known as Studio Alexander. In the mid-1950s, she lived for a while both in Paris and New York before settling definitively in northwest London. Her first solo exhibition, People at Peace, took place at the Institute of Contemporary Arts in London in 1969, and 1970 saw the publication of her first book, A World Observed. Numerous more books and exhibitions would follow. In 1971 she was closely involved in the founding of The Photographers’ Gallery, and served as its Associate Director for the next fifteen years. By the 1990s Dorothy was firmly established as one of the doyennes of British photography, with work in numerous public and private collections, including Tate, the Victoria & Albert Museum, Guildhall Art Gallery and the Musée Carnavalet, Paris.
Lot 73
ANNE REDPATH O.B.E., R.S.A., A.R.A., L.L.D., A.R.W.S., R.O.I., R.B.A. (SCOTTISH 1895-1965) DISH OF FRUIT, 1958 Lithograph, 22/75, signed and numbered in pencil to margin, published by Harley Brothers Limited, with their blindstamp the sheet 36.25cm x 54cm (14.25in x 21.25in) Literature: Allan, Chris, Artists at Harley's: Pioneering Printmaking in the 1950s, Hunterian Art Gallery, Glasgow, 2000, cat. no. 99.Redpath’s achievements were many and varied: she was the first female painter to be elected a full member of the Royal Scottish Academy, and was the first Scottish woman to be elected an Associate member of the Royal Academy of Arts in London. She became renowned for her joyously coloured still-lifes which revealed not only her pleasure in objects and the decoration of her home, but also her technical prowess. These often featured items from the artist’s own collection of vases, ceramics and fabrics carefully and considerately arranged to their most decorative advantage.
Lot 84
SIR CECIL WALTER HARDY BEATON C.B.E. (BRITISH 1904-1980) COSTUME STUDIES Watercolour, ink and wash on buff paper 37cm x 30cm (14.6in x 11.75in) From the Estate of Dorothy Bohm Dorothy Bohm was a British photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris. She is considered one of the doyennes of British photography.Dorothy Bohm was born in 1924 in Koenigsberg, East Prussia and moved to England in 1939. By the age of 21, she was running her own very successful portrait studio in central Manchester, known as Studio Alexander. In the mid-1950s, she lived for a while both in Paris and New York before settling definitively in northwest London. Her first solo exhibition, People at Peace, took place at the Institute of Contemporary Arts in London in 1969, and 1970 saw the publication of her first book, A World Observed. Numerous more books and exhibitions would follow. In 1971 she was closely involved in the founding of The Photographers’ Gallery, and served as its Associate Director for the next fifteen years. By the 1990s Dorothy was firmly established as one of the doyennes of British photography, with work in numerous public and private collections, including Tate, the Victoria & Albert Museum, Guildhall Art Gallery and the Musée Carnavalet, Paris.
Lot 41
THOMAS CANTRELL DUGDALE R.A. (BRITISH 1880-1952) DAPPLED LIGHT, THE GLADE Signed lower left, oil on board 24.75cm x 33.75cm (9.75in x 13.25in) Between 1901 and 1952 Dugdale exhibited regularly at the Royal Academy, and served as a War Artist in the First and Second World Wars. In the interwar period Dugdale established a reputation as a leading portrait painter, his work being characterised by a diffused, impressionistic brushwork and a muted palette.
Lot 91
JEAN HIPPOLYTE MARCHAND (FRENCH 1883-1940) PAYSAGE DE PARIS Signed lower right, inscribed with artist's name and title to stretcher verso, oil on canvas 53cm x 45cm (21in x 17.75in) From the Estate of Dorothy Bohm Parisian suburban life is evoked in this verdant oil by Jean Hippolyte Marchand. A walker, an agricultural worker and a figure on horseback are painted with post-Impressionist brevity, their white headdresses suggesting we may be glimpsing the cloistered world of a religious order. The trees’ spindly boughs appear to bend in the breeze, their canopies ripening to an autumnal gold. Marchand imbibed the tonal vivacity and stylised naivete of French modernism. Often described as a cubist, it was in fact only his early work that explicitly channelled cubism’s crystalline delineation, and from the mid-1910s his forms assumed a gentler organic quality while retaining an avant-garde sensibility. Marchand attained the distinction of inclusion in Roger Fry’s 1910 Manet and Post Impressionism exhibition at London’s Grafton Galleries. He became acquainted with Clive Bell and henceforth folded into the Bloomsbury circle. A number of his works were acquired by the important collector Samuel Courtauld. Dorothy Bohm was a British photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris. She is considered one of the doyennes of British photography.Dorothy Bohm was born in 1924 in Koenigsberg, East Prussia and moved to England in 1939. By the age of 21, she was running her own very successful portrait studio in central Manchester, known as Studio Alexander. In the mid-1950s, she lived for a while both in Paris and New York before settling definitively in northwest London. Her first solo exhibition, People at Peace, took place at the Institute of Contemporary Arts in London in 1969, and 1970 saw the publication of her first book, A World Observed. Numerous more books and exhibitions would follow. In 1971 she was closely involved in the founding of The Photographers’ Gallery, and served as its Associate Director for the next fifteen years. By the 1990s Dorothy was firmly established as one of the doyennes of British photography, with work in numerous public and private collections, including Tate, the Victoria & Albert Museum, Guildhall Art Gallery and the Musée Carnavalet, Paris.
Lot 87
PAUL LUCIEN MAZE (FRENCH 1887-1979) WINDOW SILL STILL LIFE Signed lower right, pastel on buff paper 54cm x 73cm (21.25in x 28.75in) From the Estate of Dorothy Bohm Paul Maze has been referred to as ‘the last Post-Impressionist’. Maze’s father was a wealthy tea merchant, and the Normandy-based family acquired many Impressionist artworks, and were friends with Monet, Renoir and Pissarro. Maze was encouraged to use pastels by Edouard Vuillard, who said they were best-suited to Maze’s artistic vision. Dorothy Bohm was a British photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris. She is considered one of the doyennes of British photography.Dorothy Bohm was born in 1924 in Koenigsberg, East Prussia and moved to England in 1939. By the age of 21, she was running her own very successful portrait studio in central Manchester, known as Studio Alexander. In the mid-1950s, she lived for a while both in Paris and New York before settling definitively in northwest London. Her first solo exhibition, People at Peace, took place at the Institute of Contemporary Arts in London in 1969, and 1970 saw the publication of her first book, A World Observed. Numerous more books and exhibitions would follow. In 1971 she was closely involved in the founding of The Photographers’ Gallery, and served as its Associate Director for the next fifteen years. By the 1990s Dorothy was firmly established as one of the doyennes of British photography, with work in numerous public and private collections, including Tate, the Victoria & Albert Museum, Guildhall Art Gallery and the Musée Carnavalet, Paris.
Lot 92
JEAN HIPPOLYTE MARCHAND (FRENCH 1883-1940) STILL LIFE OF POPPIES IN A VASE Signed lower left, oil on canvas 60cm x 49cm (23.75in x 19.25in) From the Estate of Dorothy Bohm Marchand imbibed the tonal vivacity and stylised naivete of French modernism. Often described as a cubist, it was in fact only his early work that explicitly channelled cubism’s crystalline delineation, and from the mid-1910s his forms assumed a gentler organic quality while retaining an avant-garde sensibility. Marchand attained the distinction of inclusion in Roger Fry’s 1910 Manet and Post Impressionism exhibition at London’s Grafton Galleries. He became acquainted with Clive Bell and henceforth folded into the Bloomsbury circle. A number of his works were acquired by the important collector Samuel Courtauld. Dorothy Bohm was a British photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris. She is considered one of the doyennes of British photography.Dorothy Bohm was born in 1924 in Koenigsberg, East Prussia and moved to England in 1939. By the age of 21, she was running her own very successful portrait studio in central Manchester, known as Studio Alexander. In the mid-1950s, she lived for a while both in Paris and New York before settling definitively in northwest London. Her first solo exhibition, People at Peace, took place at the Institute of Contemporary Arts in London in 1969, and 1970 saw the publication of her first book, A World Observed. Numerous more books and exhibitions would follow. In 1971 she was closely involved in the founding of The Photographers’ Gallery, and served as its Associate Director for the next fifteen years. By the 1990s Dorothy was firmly established as one of the doyennes of British photography, with work in numerous public and private collections, including Tate, the Victoria & Albert Museum, Guildhall Art Gallery and the Musée Carnavalet, Paris.
Lot 521
A Swiss walnut lever nutcracker in the form of the head of a deer with glass eyes, first half 20th c, 23cm h, a pair of carved oak biscuit moulds, 19th c, 8 x 30cm, a Northern European wood sculpture of Father Christmas, early 20th c, 35cm h and a Johann Maresch painted terracotta tobacco jar and cover, in the form of an anthropomorphic pig, 16cm h, impressed JM3317 (5) Nutcracker - Good conditionMoulds - Shrinkage cracks and wearSculpture - Numerous minor chips and splitsJar - Minor chips and losses to paint work
Lot 637
Americana. James (Henry), Daisy Miller, first UK edition, later impression, London: Macmillan and Co., 1879, half-title, publisher's cloth, 8vo; Stowe (Mrs. Harriet Beecher), Uncle Tom's Cabin, first UK edition, London: Ingram, Cooke, & Co., 1852, repaired title-page, original publisher's cloth, rebacked preserving all of the original spine, refreshed endpapers, 8vo; Howells (W.D.), The Undiscovered Country, first UK edition, London: Sampson Low, et al, 1880, original publisher's red cloth, 8vo; London (Jack), The Call of the Wild, London: William Heinemann, 1903, publisher's pictorial cloth, 8vo; Hawthorne (Nathaniel), Passages from the English Note-Books, two volumes, Boston: James R. Osgood and Company, 1871, publisher's green cloth, 8vo; Newell (R.H.), The Orpheus C. Kerr Papers, London: John Camden Hotten, 1866, publisher's papered back over pictorial papered boards, 8vo; further literature, including Washington Irving, Edith Wharton, Sinclair Lewis, James Branch Cabell, etc., (22) Provenance: Peter Messent, Emeritus Professor of Modern American Literature and former Head of the School of American and Canadian Studies at the University of Nottingham.
![Antiquarian and Later Books. [Ritson (Joseph, editor), Robin Hood [...], second edition thus, London: Longman, et al, 18](https://cdn.globalauctionplatform.com/22f218d6-6684-4439-960b-b27401158b7e/5b8ab22f-5000-4dae-9b35-b2740119c7c7/468x382.jpg)
Lot 636
Antiquarian and Later Books. [Ritson (Joseph, editor), Robin Hood [...], second edition thus, London: Longman, et al, 1820, half-title, original publisher's pictorial green boards, uncut, contemporary armorial bookplate: James Stamford Caldwell, Linley Wood, Staffordshire, 12mo in 6s; Aemilius Portus, Dictionarium Ionicum Græco-Latinum, first edition thus, Oxonii: J. Cooke et J. Parker, 1810, double-column, slightly later quarter-calf over marbled boards, 8vo; Aulus Persius Flaccus, Die Satiren, Berlin & Leipzig: Bey George Jacob Decker, 1775, etched allegorical title-page, parallel Latin and German text, contemporary calf over speckled boards, 8vo; further classics; [Attributed to Richard Allestree], The Practice of Christian Graces, or, The Whole Duty of Man [...], with Private Devotions For Several Occasions, second edition, London: Printed for T. Garthwait at the little North Door of S. Pauls, 1659, allegorical title-page etched by Wenceslaus Hollar, black-ruled letterpress title-page printed in red and black, defective: lacking divisional title and further signatures in places, otherwise unexamined, fragments of contemporary sheep over boards, perished spine, some movement, 8vo; Scott (John), The Christian Life, seventh edition, London: Printed by J.L. for Walter Kettilby, 1700, engraved frontispiece, black-ruled title-page with imprimatur to verso, contemporary panelled calf boards, detached, 8vo; Newcome (Peter), A Catechetical Course of Sermons [...], second edition, London: J.H. for John Wyat, 1702, contemporary panelled calf, split with some movement, 8vo; early 20th c facsimile edition of 1723 Collection of Boards, two volumes only, original boards, 8vo; etc., (19)
Lot 115
An Unboxed Tri-ang Spot-On No.104 MGA Sports Car, model in lilac with yellow interior, overall G together with a copy of the hard to find first issue Spot-On leaflet dated February 1959, G-VG, this lot also includes a copy of the profusely illustrated 1983 book 'Spot-On A Catalogue & Collectors Guide' by Graham Thompson, G-VG complete with dust jacket (3)
Lot 12
A Dinky Toys 38d Alvis Sports Tourer Trade Box, containing six examples, first and second with green body, black seats and ridged hubs, third and fourth green body, black seats, green ridged hubs, fifth maroon body, grey seats, red ridged hubs, sixth early post-war, green body, brown seats, solid steering wheel, smooth black hubs, in original trade box with replacement dividers, generally VG-E, early post-war example G, box P-F, dinky toy list in pen to lid
Lot 471
Vintage Pedigree Tommy Gunn & Hasbro GI Joe/Action Man Clothing & Accessories, mixed selection of clothing, weapons and accessories including items from Action Man Landing Signal Officer set, GI Joe First Aid Kit, Marine Dress Parade Uniform and many others, with empty Tommy Gunn action figure box, F-G, box F-G (qty)
Lot 453
A Scarce Horikawa (Japan) Tinplate Battery-Operated NASA Space Station No.378795, first version with red detailed tinprinted body, revolving antenna, five rooms (Rest & Rec Room, Dining Room, Communication Room, Engine Room and Controller's Room) each with clear plastic window and either blinking lights, working engine or light-up screen actions, in original box with inner packing piece, VG-E, superb example, tested and working at time of cataloguing, only damage of note is a hole in the clear plastic window of the Rest & Rec room, box G-VG
Lot 13
A Dinky Toys 38e Armstrong Siddeley Coupe Trade Box, containing five examples, first grey body, deep blue seats, blue hubs, second similar but with grey hubs, third red body, maroon seats, black hubs, fourth green body and hubs, grey seats, fifth pale green body, grey seats, green hubs, in original trade box with 'Hudson Dobson' label and dividers, generally VG-E, red example G, pale green example with retouching throughout, box P-F
Lot 11
A Dinky Toys 38c Lagonda Sports Coupe Trade Box, containing six examples, first, second and third grey body and hubs, maroon seats, fourth green body, dark green seats, black hubs, fifth green body, dark green seats, light green hubs, sixth early post-war, green body, dark green seats, blue smooth hubs, white tyres, solid steering wheel, in original box with dividers, VG-E, one grey example with discoloured windscreen, early post-war example with small retouches throughout and glue repaired windscreen with added silver edging, box F
Lot 343
An Unboxed Tri-ang Pressed Steel Articulated Pantechnicon, in the dark blue and white livery of 'Pickfords Removals', from their 'Thames Trader' model range, this early version of the model has a first type tractor unit which does have some scuffing and retouches to the white paintwork, together with a rear trailer with functioning coupling gear (some retouching) and closure bar on the rear doors, overall appears G, the model also includes three unboxed pieces of Tri-ang Spot-On furniture - the #1003 Wing Settee and two #1004 Wing Chairs in red, together with a similar 'child's' Wing Chair in red made by Blue Box (Hong Kong).
Lot 306
A fine Colonial American scrimshaw engraved powder horn, 12" overall, dating from the beginning of the War of Independence, bearing the Royal Arms on a trophy of arms, the name "Noah Murdock Carvd. Ye May 1775", in a panel "A Pox on Rebels", "Powder and Ball Even All", and a diagramatic map showing Crown Point, Fort Triconderoga (sic), Lake George, Fort George, Lake Champlain, Lake Ontario, and Fort Niagara, with screw in stopper and wooden base, the stopper and base having iron suspension rings. Good Condition, parts of the engraving a little faint. Note: the French Fort Carillon was taken by the British in 1759, who renamed it Fort Ticonderoga, and it was held by them until it became the first fort taken by the Americans in the War of Independence. £800-1000
Lot 21
SUDDEN DEATH - SUDDENLY LP (US ORIGINAL - ROCKADELIC RECORDS - RRLP 19). Originally recorded in 1972 but never released until 1995, this is the first US pressing of the LP Suddenly by Pasadena heavy-psych group Sudden Death (RRLP 19, 1995 US pressing on Rockadelic Records. Labels are bright and clean. The record is Ex condition, displays a couple of hairline/ wispy paper marks. The sleeve is also clean Ex condition, has a small sticker removal stain to the top right corner of the cover).
Lot 42
THE WHO - THE WHO SELL OUT LP (UK ORIGINAL WITH POSTER - TRACK 612 002). Brill to see, complete original UK mono pressing of The Who's 1967 studio LP The Who Sell Out which naturally includes the scarce 6-panel, large fold-out poster, (which was only included with the first 500 copies. The original poster is in excellent condition. The record (612 002, 1967 UK pressing on Track. A 2/ B 1 matrix) is superb Ex+ condition, displays a couple of wispy/ faint hairline paper marks. Labels are bright and clean and display barely any spindle markings. The laminated sleeve (no hype sticker) is in Ex condition showing only a little laminate wear, fully legible spine edge.
Lot 265
13th FLOOR ELEVATORS - EASTER EVERYWHERE LP (IA-LP-5 - "POSTURES"). A stunning copy of 13th Floor Elevators - Easter Everywhere (1A-LP-5, 1967, corrected "Postures" on the reverse, first pressing with corrected sleeve). The record is sharp Ex condition with a few small, faint hairline marks. The sleeve is in stunning Ex+ condition, still in original shrink. Complete with the lyric inner sleeve in Ex condition.
Loading...-
596772 item(s)/page