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Lot 142
WW2 Soldier's Souvenir Boxall relating to "271529 L Dowty". Including pair of fibre dog tags ... Silver wrist ID tag ... Civilian miniature compass ... White metal, KC AAC cap badge ... Southern Eire Civil Defence lapel badge ... 2 x Anti Gas No 2 Ointment tins. Complete ... 2 x Anti Dimming MKV Outfit .. Various buttons and badges ... Selection of NAAFI tokens. All contained in an ARP first aid tin case.
Lot 180
Selection of Civil Defence Public Information Leafletsincluding Information Leaflet No 1 - 5 ... Beware of Butterfly Bombs ... If The Invader Comes ... First Aid In Brief ... Stay Where You Are ... After The Raid ... Your Home As An Air Raid Shelter ... Air Raid Precautions Training Bulletin No 1 - 6 (no 3 absent) ... Rescue Of Crews From A Crashed Aircraft ... Notes Of Flying Bomb Attacks ... War Damage Act 1941. Quantity.
Lot 188
Various Home Front Paperworkincluding Borough of Southgate Voluntary Work certificate ... Poole ARP certificate ... Home Guard certificate ... Group photo of ARP personnel ... 2 x ARP maps of London ... 2 x wartime Guernsey newspapers ... BRCS Nursing Manual No 1 & No 2 ... First Aid In Wartime booklet.
Lot 218
Small Selection of Various Booksincluding The Star And The Stripes (Flag History) ... Arms & Accoutrements Of The Mounted Police 1873-1973 by Phillips & Klancher ... Royal Naval Officers Insignia Since 1856 by Coleman ... Collecting Military Headgear Of The First World War by B Calkins ... US Army Officers Collar Insignia 1902-1995 by J McDuff (signed) ... The Sword And The Sorrows. Commemorating The 1745 Rebellion. 6 items.
Lot 223
Various Military Badge Booksincluding British Army Unit Identification Badges Of The 1990's Vol 1 & 2 ... Drop Zone Flashes Of The British Airborne Forces ... Machine Gun Corps First World War Flashes & Badges ... Infantry Division Identification Schemes 1917 ... Royal Regiment of Scotland Dress Regulations ... Regimental Badges by Edwards 1963. Together with a small selection of KRRC military postcards. Quantity.
Lot 399
German Model 1936 Lightweight Tunicgreen cotton, single breasted tunic. Dark green felt, fold over, high collar. Pleated, patch chest and lower pockets with buttoned flaps. Large, turn up cuffs. Pebbledash buttons. Internal first aid pocket and chest pockets. "Paris" tailor's label. Embroidery name "K1. 7048 Vertall". External traces of chest eagle removed. Tunic with heavy fading and service wear.
Lot 427
Post War Mae West and Fur Caporange, pull over the head life jacket. Stamped label marked "Type 50N" with first inspection date "March 1967". Front inflation tube and lower oxygen bottle. Fitted sea light and plastic whistle. Rear with grey canvas securing harness. Together with a fur lined, leather cold weather cap. Fold down ear flaps. Black quilted crown lining with maker's label "Charles Markson Ltd." 2 items.
Lot 139
Nadezhda, "Miles Davis study", unframed acrylic on canvas, 2020, 14 x 14cm. As part of my series of paintings of musicians which I created during the first 2020 lockdown, I made some small studies of Miles Davis' face. This small portrait is taken from a period in his life when he was suffering greatly, and I have captured that troubled and intense expression in his eyes. He had a very troubled start to his life and was by all accounts a very difficult man, yet he found an outlet through music and gave his great heart in musical expression. I admire people who transcend their suffering and transmute it into a form which brings so much joy to others. My portraits are a celebration of the human spirit. I made a short video of the process of creating this painting. Located in Exeter, UK delivery £15.
Lot 161
Clara Aden, "Redefining identity series", unframed oil on canvas, 2019-20, 20 x 15cm each. My ABC definition of identity is who you are, how you chose to represent yourself, everyone's perception of you and where you come from. I started a research project before the covid19 pandemic titled "Redefining Identity: The changing form of female gender in a global world. This series of work is one of the 20 artworks I created for the project. Based on Lawrence kohlbery's cognitive development theory there is acquisition of gender roles as a result of gender constancy. Children's understanding of the irreversibility of their sex. At the age of 2 to 3 years they become aware of one's own gender and that of others. At the age of 3 to 7 years they realise that they are male or female and are aware of the gender of others. Around ages 5 to 6 they learn to classify themselves as male and female. My twin daughter Debbie is the muse for this series of artworks, I find my children as a fountain of inspiration, not only are they the first to see or hear the ideas, they also actually help me direct my project. Located in Lagos, UK shipping £120.
Lot 27
Raymond Balfe, "Santa Lucia with Vejer in Background", unframed oil on canvas, 2021, 60 x 40cm. I was instantly drawn to the composition when I first saw this scene. My gaze followed the rooftops to the church, which was set against the backdrop of Vejer's hilltop. Located in Spain, shipping to the UK £75.
Lot 28
Raymond Balfe, "Cottage in Santa Lucia", unframed oil on canvas, 2021, 60 x 50cm. The first thing that struck me about this lovely cottage in Santa Lucia was the thatch roof, which reminded me of my homeland, Ireland. The owner graciously allowed me to use his property to work on my paintings. Located in Spain, shipping to the UK £75.
Lot 3
Olowookere David Ayobami, "The Tuaregs I", unframed oils on canvas, 2020, 16in x 20in each. The Tuareg people are a large berber ethnic confederation, they principally inhabit the sahara in a cast area stretching from far southwestern Libya to southern Algeria, Niger, Mali, and Burkina faso. Traditionally nomadic pastoralists, small group of Tuareg are also found in northern Nigeria. The Tuaregs have been called the "blue people" for the indigo dye coloured clothes they traditionally wear and which stains their skin. History has revealed that the most commented upon custom of the Tuaregs is the veiling (anagad) of their men. The veiling of Tuareg men is not only an ancient custom but has probably always been the most dominant symbol of "Tuaregness". Recently, the veil is worn by all Tuaregs men from puberty throughout their adult lives. An adolescent boy's (elmengoudi) first wearing of the veil is always a family ceremonial occasion marking his first initiation or 'passage' from adolescence to adulthood. Throughout the adult life, a man would rarely be unveiled. Located in Nigeria, UK shipping cost £95.
Lot 4
Olowookere David Ayobami, "The Tuaregs II", unframed oils on canvas, 2020, 16in x 20in each. The Tuareg people are a large berber ethnic confederation, they principally inhabit the sahara in a cast area stretching from far southwestern Libya to southern Algeria, Niger, Mali, and Burkina faso. Traditionally nomadic pastoralists, small group of Tuareg are also found in northern Nigeria. The Tuaregs have been called the "blue people" for the indigo dye coloured clothes they traditionally wear and which stains their skin. History has revealed that the most commented upon custom of the Tuaregs is the veiling (anagad) of their men. The veiling of Tuareg men is not only an ancient custom but has probably always been the most dominant symbol of "Tuaregness". Recently, the veil is worn by all Tuaregs men from puberty throughout their adult lives. An adolescent boy's (elmengoudi) first wearing of the veil is always a family ceremonial occasion marking his first initiation or 'passage' from adolescence to adulthood. Throughout the adult life, a man would rarely be unveiled. Located in Nigeria, UK shipping cost £95.
Lot 44
Terry Chip, "Shinder the scriptwriter", unframed acrylic on deep box canvas, 2014, 76 x 76cm. Shinder the Scriptwriter is one of a series of paintings of people put in a box – pigeon-holed by their job description. The deep shadows suggest that there is much more to a person than first appears. At the time of painting Shinder was developing a script based on David Bowie lyrics and a few lines from Space Oddity are embedded in the dark background. Located in Doncaster, UK delivery £120.
Lot 47
Steve Blades, "2020", unframed acrylic and silk based paint on deep edge canvas, 2021, 36 x 28in. My inspiration behind this painting was to try and show the real and raw emotions felt by - I believe - all people throughout the world in the year 2020. With it being a first of its kind - worldwide pandemic - it ultimately lead to a worldwide felt emotion, that I then used to create this piece - with that very same emotion. I see this painting placed in a ‘Reflection museum’ of the year 2020, Or simply placed in any one of our homes, to remind us not only what we’ve all shared and been through - but what we have all overcome! Located in Essex, UK delivery for £25.
Lot 5
Olowookere David Ayobami, "The Tuaregs III", unframed oils on canvas, 2020, 16in x 20in each. The Tuareg people are a large berber ethnic confederation, they principally inhabit the sahara in a cast area stretching from far southwestern Libya to southern Algeria, Niger, Mali, and Burkina faso. Traditionally nomadic pastoralists, small group of Tuareg are also found in northern Nigeria. The Tuaregs have been called the "blue people" for the indigo dye coloured clothes they traditionally wear and which stains their skin. History has revealed that the most commented upon custom of the Tuaregs is the veiling (anagad) of their men. The veiling of Tuareg men is not only an ancient custom but has probably always been the most dominant symbol of "Tuaregness". Recently, the veil is worn by all Tuaregs men from puberty throughout their adult lives. An adolescent boy's (elmengoudi) first wearing of the veil is always a family ceremonial occasion marking his first initiation or 'passage' from adolescence to adulthood. Throughout the adult life, a man would rarely be unveiled. Located in Nigeria, UK shipping cost £95.
Lot 2708
Two rings; being a yellow metal, ruby and diamond five-stone half hoop eternity ring, comprising three graduated rubies and two Old European cut diamonds, in carved claw settings, ruby dimensions between approx 2.4 x 1.8mm and 3.4 x 3.15 x 2.15mm, total weight estimated as 0.12 carats, assessed mounted collectively colour J to K and clarity SI2 to I1, size H, gross weight 2g, not marked but tested as 15ct; and a 15ct yellow gold, ruby and diamond seven-stone half hoop eternity ring, with two graduated rubies (and one deficient) and four Old European cut diamonds, all in scalloped claw settings, ruby dimensions between approx 1.75 x 1.25mm and 3 x 1.91mm, total weight estimated as 0.17 carats, diamond dimension each approx 1.4 x 1mm, total weight estimated as 0.04 carats, size P, gross weight 2.3g, hallmarked 15ct, Birmingham 1892, no sponsor (2)Condition report: First ring - all rubies with abraded facets.Second ring - one ruby deficient.
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596772 item(s)/page