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Lot 2565
A yellow metal, jadeite and diamond pendant together with two pairs of jadeite stud earrings, the pendant featuring a pear shaped jadeite cabochon in a claw setting surmounted by a trefoil of round brilliant cut diamonds, jadeite dimensions approx 10 x 7.2 x 3.25mm, weight estimated as 2 carats, diamond diameters each approx 1.55mm, total weight estimated as 0.03 carats, the first pair of earrings being yellow metal with oval jadeite cabochons in rubover settings, dimensions each approx 9 x 7.1 x 2.9mm, total weight estimated as 3.18 carats, the second pair with a claw set oval jadeite cabochon, dimensions each approx 7.79 x 6.05 x 3.2mm, total weight estimated as 2.58 carats, gross weight 4.1g, stamped and tested as 14ct
Lot 306
A WILLIAM IV NEEDLEWORK EMANCIPATION OF SLAVE SAMPLER BY GRACE LAMBERT worked with coloured wools on a linen ground, with cross, stem and chain stitch, titled 'Pity The Slave' and with a kneeling slave chained to a tree in a field of sheep, with further trees and birds, inscribed 'Emancipated in 1832, Hard was the Lot of the poor negro Slave. Poor and despised once I was, Yet thou O God was nigh, And when thy mercy first I saw, Sure none so glad as I', signed 'Grace Lambert's Work', in a later glazed ebonised frame 38 x 41.2cm Provenance Tennants Auctioneers, Leyburn, 7th June 2003. Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.171 for a discussion of this sampler.
Lot 70
A PAIR OF MASONIC OAK HIGHBACK SIDE CHAIRS FIRST HALF 19TH CENTURY each with an arched back, painted in gilt with a scroll, decorated with stars, crescent moons and two crosses, with turned ball finials and fluted column supports, with a later upholstered padded back and seat (2) Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
Lot 238
TWO REGENCY NEEDLEWORK SAMPLERS BY HANNAH NOBLE worked with polychrome silks on a canvas ground, with cross and satin stitch, the larger relates to the first day of the Easter Triduum, with four tablets worked with the Lord's Prayer, Exodus Chapter XX and The Creed, the smaller decorated with crowns above temple columns and 'On Good Friday', both signed 'Hannah Noble' and dated '18010 and '1803', in later glazed frames (2) 41.5 x 31.5cm (max) Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, pp. 252-253 for a discussion of these samplers. Catalogue Note These samplers were made as part of a four-piece series, all with a Christian subject.
Lot 118
A PAIR OF ROYAL CROWN DERBY PRESENTATION DISHES FROM THE VERNON-HARCOURT SERVICE of leaf shape, the centres painted with flowers, the blue and gilt borders with jewelled decoration, with gilt monograms and inscribed 'Presented to Mr & Mrs Lewis Vernon Harcourt, with the best wishes of the Liberals of Derby, June 6th 1899' (2) 29cm wide Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Catalogue Note Lewis Vernon Harcourt (1863-1922) (First Viscount Harcourt) was Secretary of State for the Colonies from 1910-15.
Lot 196
A REGENCY IRISH NEEDLEWORK QUAKER MOUNTMELLICK SCHOOL SAMPLER BY ELIZABETH NEALE worked with polychrome silks in cross, satin and eyelet stitch on a linen ground, with brightly coloured alphabets, one in the mythical 'Holbein' stitch and numerals, with bands of flowers within a scrolling leaf and flower border, signed and dated 'Elizabeth Neale Mountmelick Boarding School Anno 1807', in a later glazed wood frame 55 x 33.4cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Catalogue Note William Edmundson, the father of Quakerism in Ireland, settled in Mountmellick along with John Pim and a number of other Quakers in 1659. The first Quaker school was opened in Mountmellick in 1677 where stitching and knitting were taught to both girls and boys.
Lot 290
A GEORGE III HOLY POINT NEEDLE LACE SQUARE BY MARGARET DAVISON with a lattice design created by applied cream silk slips, worked with various lace designs, with the inscription 'Margt Davi 1808' worked into the central square, in a glazed ebonised moulded wood frame, the reverse of the frame with a handwritten note 'This seems to have been laced by the Margaret Davidson who died in 1830. Her name is worked into the middle square & the date seems to be 1808.' 13.3 x 13.8cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.70 for a discussion of this sampler. Catalogue Note Holy or hollie point is a flat needle lace completely detached from the fabric. Its name relates to items worked with this technique and used in liturgical laces. The Puritans were the first to make common use of this needlework design.
Lot 338
A WILLIAM IV NEEDLEWORK ANTI-SLAVERY SAMPLER BY M. A. ROBINS worked with black silk floss on a linen ground, in cross stitch, with three extracts, the first one describing the sad plight of a negro woman, signed and dated 'M. A. Robins Birmingham, Octr 24 1831', in a later glazed ebonised frame 36.5 x 34.2cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.172 for a discussion of this sampler.
Lot 425
AN EARLY VICTORIAN NEEDLEWORK SAMPLER BY ANNE WILLS INSLEY worked with polychrome silks on a linen ground in cross, satin, stem and running stitch, depicting Jesus meeting with his mother Mary after his first fall, the fourth Station of the Cross, with pairs of butterflies, birds, urns of flowers, squirrels, bees and a birdcage, in a rose border, signed and dated 'Anne Wills Insley Aged 11 years 1843', in a glazed ebonised frame 41.1 x 31.2cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.258 for a discussion of this sampler.
Lot 736
A VICTORIAN NEEDLEWORK SCHOOL SAMPLER DATED '1849' worked with polychrome silk floss on a linen ground with cross stitch, with the names of nine school class mates from Margaretting School, dedicated to 'Miss M Jesse from her first class', in a later glazed ebonised frame 20.9 x 33.3cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.62 for a discussion of this sampler.
Lot 591
A WILLIAM IV NEEDLEWORK SCHOOL SAMPLER BY MARY WASDEN worked with coloured floss silks using cross, eyelet and satin stitches on a linen ground, with alphabets, numerals above a virtuous verse, with a country house possibly Serlby Hall flanked by trees, birds and flowers, signed and dated 'Mary Wasden Harworth School 1836 Her work', in a later glazed bird's eye maple frame 32.5 x 32.3cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.58 for a discussion of this sampler. Catalogue Note Harworth Free School was first endowed by a cook. In 1700 Robert Brailsford, employed at nearby Serlby Hall, home to Viscount Galway, established the school initially for the education of poor boys.
Lot 339
AN AMERICAN NEEDLEWORK QUAKER SCHOOL SAMPLER BY HANNAH TALLCOT OF NINE PARTNER'S SCHOOL NEW YORK worked with polychrome silk floss on a coarse linen ground, with cross stitch, with alphabets and numerals, signed and dated 'Hannah Tallcott Sampler 18 of 7 Month 1810', in a later glazed ebonised frame 27.6 x 38cm Provenance M. Finkel & Daughter, 936, Pine Street, Philadelphia, Pennsylvania Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Catalogue Note In December 1796 a Quaker Boarding School called Nine Partners School was opened under the auspices of the New York Yearly Meeting. For its first five years the administrators were Joseph Tallcot and his wife Sarah Hawxhurst Tallcot, This school was the first successful American co-educational boarding school and served as a template for many Quaer Schools in the early United States.
Lot 344
AN AMERICAN NEEDLEWORK SAMPLER BY SARAH KNOWER, EARLY 19TH CENTURY worked with black and grey floss silk on a coarse linen ground, in cross stitch with 'An Elegy' inscribed 'On the Death of Mrs Maria Knower consort of Samuel Knower who Died at Sing Sing westchester Co NY on the 7th of August AD 1829' and signed 'Worked by Sarah Knower aged 10 years', in a later glazed ebonised frame 44.6 x 40cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.176 for a discussion of this sampler. Catalogue Note In the 17th century, the Knower family were one of the first recorded settler families in the Massachusetts area and research concludes that the family originally came from Eastcheap, London.
Lot 255
ROLEX OYSTER PERPETUAL STAINLESS STEEL GENT'S BRACELET WRISTWATCH - No 976511 circa 1960, gold bezel and crown winder, champagne dial with arrowhead markers, screw on bubble back marked 'Registered Design Modele Depose', strap ends No 557, first link 78350/19, 33mm case excluding winder, not currently working, no box or paperwork except a 1979 dated service number receipt
Lot 31
A George III silver urn-shaped mustard pot, by Robert Hennell (I), London 1790, with reeded border, the high-domed, hinged cover applied with a ball finial, decorated throughout with fine wrigglework bands, the front engraved with a crest, a gilt interior (no liner), together with a late 18th century glass and part-marked silver preserve pot of vase shape, London 1796, 13.5 & 16.5cm high, weighable silver 4.1oztProvenance: The Peter and Pat Crofts CollectionCondition report: First pot - No obvious major faults. Crest a little worn.Second pot - restoration to hinge, part-marked on rim and thse marks are rubbed.
Lot 190
Four items of glassware, the first two by Thomas Webb & Sons, Stourbridge, 1969 'The Investiture of The Prince of Wales', 22/50, with certificate. 24.5cm high; 1947-1972 Silver Wedding of The Queen and Prince Phillip, 44/50, with framed certificate. 18.5cm high; a 19th century rummer; a wine glassCondition report: No apparent defects
Lot 217
A collection of glass rummers, early 19th century, to include a set of four, each with a conical bowl with an ‘OXO’ border, raised on a lemon squeezer, 11.5cm high, another example engraved ‘Factis non verbis’, 13.5cm high, a slice cut example, engraved with a crest, 14.7cm high, a further rummer with a engraved swag border and cipher below, 11.7cm high, two cut glass examples, the first with a slice cut bowl and bladed knop stem, 12.5cm high, the second with diamond cut band, 12.5cm high, a moulded example, 9.5cm high and two plain examples, 11.5cmProvenance: The Peter and Pat Crofts CollectionCondition report: Two lemon squeezer examples with chips to the feet. Minor frits to the cutting, general surface wear and scratches.
Lot 222A
An ivory slave bangle, 18th/19th century, constructed of three pinned sections, 14cm diameter, together with another similar example, 9cm wide (2)Provenance: The Peter and Pat Crofts CollectionCondition report: The first with age related splits, wear and knocks. Some difference in patination.The second with age related knocks and wear.
Lot 315
A VERY RARE FRENCH FIRST EMPIRE .650 CALIBRE FLINTLOCK GARDE IMPERIALE CHASSEUR CHEVAL CARBINE, 20.25inch sighted barrel engraved in script Garde Imperial and CHASSEUR CHEVAL, stepped and bevelled lock with brass pan, signed Reingeisen ARQbr a PARIS, half stocked with regulation brass and steel mounts, steel ramrod. Small repair to stock at head of rail.
Lot 425
A VERY RARE FIELD MARSHALL'S MAMELUKE TO THE FIRST BARON WILLIAM NICHOLSON GCB, 81.5cm clean curved blade with clipped back tip, etched with scrolling foliage, crowned GVR cypher and crowned crossed batons within a laurel wreath, all on a matt grey ground, stamped with the serial no. 04594 on the back edge, regulation gilt hilt incorporating crossed batons within a laurel wreath to either side, rosette riveted two-piece ivory grips, contained in its hallmarked silver scabbard, William Briggs & Co. London 1914. William Nicholson served in the Second Anglo-Afghan War, Mahdist War, Third Anglo-Burmese War, Second Boer War and the First World War finishing with the rank of Field Marshal and was Chief of the Imperial General Staff. Since the establishment of the Rank of Field Marshal in 1736 there have only been 141 appointments.
Lot 436
A 7TH QUEEN'S HUSSARS OFFICER'S SWORD TO MAJOR GENERAL JOHN VAUGHAN CB DSO OF OMDURMAN CHARGE FAME, 87cm blade etched with scrolling foliage, crowned regimental device for the 7th Hussars, crowned regimental device for the 10th Hussars, crowned VR cypher, owner's initials and maker's panel for Wilkinson, serial no. 30719, regulation pierced steel hilt with patent-solid grip, contained in its field service scabbard complete with knot. Major General John Vaughan graduated from Sandhurst in 1891 and immediately joined the 7th Hussars, serving in the Matabele, Mashonaland and Sudan wars. Most famously he participated in the charge of the 21st Lancers at Omdurman in 1898. During the Second Boer war, now promoted to Captain he was thrice mentioned in dispatches and received the DSO. By 1908 Vaughan was Lieutenant-Colonel of the 10th Hussars. During the First War he commanded the 3rd Cavalry Brigade and later as Major-General the 3rd Cavalry Division and went on to be mentioned in dispatches, earned a bar to his DSO and was made a companion of the Order of the Bath by the end of the War.
Lot 442
A 1ST DURHAM VOLUNTEER RIFLE CORPS PRESENTATION SWORD, 82cm slightly curved blade profusely etched with scrolling foliage, stands of arms, oak leaves, laurel sprays, a figure of Victory, strung bugle horns, a crowned VR cypher and PRESENTED TO CAPTAIN THOMPSON BY THE EFFECTIVE MEMBERS OF THE FIRST DURHAM VOLUNTEER RIFLE CORPS AS A TOKEN OF THEIR ESTEEM AND REGARD AND IN ACKNOWLEDGEMENT OF HIS ZEAL AND ENERGY IN PROMOTING THE WELFARE OF THE CORPS APRIL 1861, pierced and plated hilt decorated with scrolling foliage, oak leaves and laurel sprays, regimental devices and the arms of the city, silver wire bound fishskin grip, contained in its plated steel scabbard with pierced foliate mounts decorated to match, complete with silver bullion knot.
Lot 488
THREE 1805 PATTERN MIDSHIPMAN'S SWORDS, the first with 68cm blade decorated with stands of arms and a fouled anchor, highlighted in gilt with traces of a blued ground, regulation copper gilt hilt, the langets with crowned fouled anchors, flattened lion's head pommel, carved ivory grip, together with two similar examples. (3)
Lot 36
OO Scale Trackside Models by Lledo and Exclusive First Editions, a boxed collection of vintage 1:76 scale models includes Lledo Trackside articulated and other vehicles (40) Showmans Collection (1), Brewing in Britain (2), Circus Collection (1) and EFE commercial models (10), G-E, Boxes G-E, (50+) in two boxes
Lot 411
Various Toy Reference and Collectors Books, Bonzo by Babb, The Great Book of Corgi with Pocket Guide, Yesteryear's Toys by Kitahara, DC The Greatest 'Golden Age' Stories Ever Told, Model Cars of the World by Greilsamer, Matchbox Diecast Toy First 40 years by McGimsey, The Yesteryear Book 1956-93 and 1956-1996, The Tin Toy Car by Kelly, Products of Binns Road by Randall, Old Cottage Toys by Fleischmann, Dolls by Boehn, Teddy's Dream Postcards ( 2 books of cards), Charlotte Rhead Potter & Designer, Toy Trains by McCrindell, Marklin Documentation 1990-1994, Best of Antique Collecting, Mechanical Toys by Bartholomew and Classic British Steam DVD Set, generally G-VG (20+ two magazines)
Lot 58
Modern Diecast US Commercial Models, a boxed collection of vintage 1:34 scale vehicles by First Gear, comprises 10-3627 Case International service truck, 19-2193 Firestone Ford straight truck, 19-3177 Mack US Army stake truck, 10-3434 WWII truck with trailer and scrap load, 10-3628 New Holland flatbed truck (broken wing mirrors) and tow trucks 19-2242 1960 Mack, 18-2505 Mack NY Police, 19-2637 Chevy Mobil Gas, 19-2977 GMC Ernest Holmes and 19-2322 GMC Holmes, P-E, Boxes F-E, (10)
Lot 68
Exclusive First Editions Buses and Coaches and Lledo Days Gone and Similar Models, a boxed collection of mainly vintage vehicles, includes single and double deck 1:76 scale models by EFE (18), together with various vintage vehicles by Lledo and similar manufacturers (90+) and a Days Gone plastic wall hanging display to hold twenty models, G-E, Boxes F-E, Display G, (118+) in three boxes)
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596772 item(s)/page