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Lot 323
Attributed to Sawrey Gilpin (1733-1807) and George Barrett Senior (1728 or 32-1784), Fox in a woodland clearing, note written (part indistinctly) in ink verso 'one of series of in Gilpin and Barrett "the lake Artists nee 1770" They were ... in the sporting magazine', oil on canvas, 83 x 115cmSporting art in the 18th century is arguably the first true English school of painting. Prior to 1660 (the restoration of Charles II) and for some time into the 18th century painting in England was largely the preserve of foreign artists (Kneller, Lely, van Dyck etc). The Dutch tradition of painting the outdoors was copied by the English but with the focus on hunting, racing and other sporting activities. Sawrey Gilpin's greatest contribution to this genre was to introduce new levels of realism in both anatomy and colour. This painting of a fox has those qualities and Gilpin collaborates with George Barrett to produce a very English sporting painting. This extends to the woodland clearing around the fox which portrays that 'damp fertility' so indicative of the English countryside.
Lot 328
After Daniel Mytens (1590-1647), Portrait of Prince Charles (later Charles I), head and shoulders wearing a white ruff and gold embroidered coat, oil on canvas, 52 x 46cm, in a heavy carved wood frame.Notes: The frame inscription reads: PRINCE CHARLES (afterwards Charles the first) Painted when in Spain 1623, for the Duke of Buckingham, a descendent of whom sold a part of the York-house collection in Holland, from whence this picture was brought. VELASQUEZ
Lot 1916
A George III mahogany longcase clock by John Wyke of Liverpool, with mahogany and marquetry case, with brass finial above the swans neck pediment in turn above the arched glazed door enclosing the 13" arched dial with moon phase and two-train striking movement flanked by fluted columns in turn above a foliate carved frieze and long trunk door with marquetry depicting The Passage of Time, commerce and other images, flanked by fluted quarter column corners, the base with urn and cover foliate marquetry and all raised on four angled carved lions paw feet. Height including brass finial 252 cm (see illustration). CONDITION REPORT: The clock case is in extremely good order. The hood should have four turned wooden finials, the rear two are missing. Other than this and minor veneer stress fractures the hood is in first class condition. The door has some nibbles around the lock escutcheon. The mask that should be around the dial is completely missing. The dial does however seem to fit the glazed aperture. The movement winds on both trains and is currently ticking away and keeping good time. The second hand is detached but we have it. The trunk door is not warped and closes as it should. The inlay is in generally very good condition to all parts of the case. There are some old faint stress fractures to the base panel. The feet are all in good order. The backboards are original. Clearly the inlay to the case may well be later, it is however a very impressive clock. We have a door key and winder.
Lot 344
A gentleman's Omega 9 ct gold wristwatch, with champagne dial, manual. Case diameter 31 mm (see illustration). CONDITION REPORT: The dial is in first class condition. There are no surface scratches, no spots and all the lettering is clear. The movement winds and runs as it should. The hands change correctly. There are some small dents to one lug and some scratches to the rear of the case where an attempt to open the back has been made. There are no dents to the case sides or back. The back closes tightly. The buckle is not original. We do not have a box. The winding crown has lost most of the gold plating.
Lot 432
A pair of silver char servers, Mappin & Webb, Sheffield 1906, the server with pierced scrolling blade with engraved fish, the fork with engraved foliate decoration, all in a plush lined original fitted case. Longest 16.7 cm. NOTE - Char (calvinus alpinus) is a red bellied fish that can be found in local lakes. Windermere char has such a sublime flavour and was so popular in the 17th century that it was potted in clarified butter and transported to some of London's finest restaurants. CONDITION REPORT: Both the server and fork are in first class condition with no issues. The hallmarks are very clear. The plush lined case is in very good condition internally. The outer case has a loss to the front right hand corner and various other abrasions and scuffs but does shut correctly.
Lot 449
A Liberty & Co. silver cream jug, London 1901, with stylised sparrow beak spout over a swollen body with streamline handle all on circular foot, 6 ozs. Length 9.5 cm (see illustration). CONDITION REPORT: The hallmarks are in first class condition. The jug itself is also in extremely good order with no issues at all.
Lot 450
A silver cream jug, Hunt & Roskell, London 1866, with silver gilt interior, ring handle with trefoil terminal, relief cast faun mask beneath the spout, the inverted baluster body engraved with a crest and arm cutting a fouled anchor, all on a circular base, stamped to the underside "Hunt & Roskell 3918", 11.2 ozs. 12 cm (see illustration). CONDITION REPORT: First class condition with no damage, no repairs and no restoration. The hallmarks are crisp and clear. The Hunt & Roskell lettering to the base is very slightly rubbed but not significantly.
Lot 451
An Arts & Crafts cream jug, David & Maurice Davis, Birmingham 1905, with sparrow beak on a cauldron form planished body with whiplash handle and all supported on four sturdy square legs with pad feet, height 7.8 cm, and a silver cream jug, Rachel E. Stone, London 1939, the faceted body engraved "R" on a shaped foot, height 9.5 cm, overall weight 12.6 ozs (see illustration). CONDITION REPORT: Both jugs are in first class condition with no significant issues. Both have very clear hallmarks.
Lot 455
A George III silver cream jug, John Emes, London 1803, with bellflower rim above a squat body and simulated weave shoulder, raised on a circular foot with bellflower and beaded decoration, 10.3 ozs. Height 9 cm (see illustration). CONDITION REPORT: First class condition with no damage, no repairs and no restoration. Hallmarks are crisp and clear. We can see no evidence of any repair to the handle.
Lot 456
A Liberty & Co. cream jug, Birmingham 1933, with intertwined ribbon band between rope twist borders above the planished body, height 10 cm, and a silver cream jug, Rachel E. Stone, 1937, height 9.5 cm (see illustration). CONDITION REPORT: The Liberty jug is in first class condition with no issues. The Rachel Stone jug has one very small dent to the top lip but other than this is in first class condition.
Lot 487
A pair of William IV silver candlesticks, Kitchen Walker & Curr, Sheffield 1833, with foliate moulded detachable sconces, urn shaped nozzles on knopped and waisted stems and raised on stepped square weighted bases. Height 23.5 cm (see illustration). CONDITION REPORT: Both sconces of these candlesticks have engraved crest of the profile of a bull bust armorial. The first candlestick, one high point on the shell feet has a very tiny 1 mm x 2 mm hole. The shell foot next to it has a small indentation in the highest point but has not broken through. The remaining two opposing corners, each have tiny knocks to the shell high point otherwise appears to be in good order with no obvious visible faults. The next candlestick, one shell foot high point has a 1 mm x 1 mm hole. The high point on the remaining three feet appear to be in good order. The candlestick on the whole appears to have no obvious faults or visible flaws. In fact both sconces are movable but are in a fixed position and do not appear to have been moved for some time. Both bases are not covered in baize and show the weighted metal. The majority of the marks and the high points are only notable by using a jewellers loop. Please note, although these are silver the candlesticks are weighted so we are unable to give true weight of silver content.
Lot 533
A George IV silver snuffbox, by John Linnett, London 1824, of oblong waisted form, the lid with roundel engraved with an ostrich with snake in its beak, with silver gilt interior. 8.5 cm (see illustration). CONDITION REPORT: First class condition. The gilt interior is crisp and clean as are the hallmarks. The lid closes as it should. The hinge and body are both in extremely good condition. No issues.
Lot 616
David M. Martin, oil on canvas, "Striped Mat". 75 cm x 75 cm (see illustration). CONDITION REPORT: This painting is in first class condition with no damage, no repairs and no restoration. There is no paint loss and no issues that we can see. The colours are bright and strong. The frame is in generally very good condition with only minor small marks and tiny nibbles to the gilding none of which are in our opinion important.
Lot 653
Timothy J. Gustard, acrylic on card or board, "Tim Takes Tea". 16 cm x 23.5 cm (see illustration). CONDITION REPORT: This painting is in first class condition with no damage, no repairs and no restoration. There are several vertical lines at the extreme right hand side of the painting which have clearly always been present, there is also a similar line at the very top edge of the painting. The picture is clearly in its original frame however if the lines offend a slightly different mount would obscure these lines.
Lot 802
A Derby group of Jason and Medea at the altar of Diana, circa 1780, Diana standing on a rams mask plinth with quiver, arrows on her back, a bow by her right hand side, Jason and Medea on a naturalistic ground standing either side of her, sword and shield to the foreground, incised "No. 37" and further incised "3". 59 cm (see illustration). CONDITION REPORT: The crescent headband has two small chips and a hint of possible restoration. The gilding is a little rubbed. The raised hand of the left figure has some restoration to the thumb and first two fingers. The right hand figure has restoration to the hand and in particularly the finger tips. There is a small loss to the tip of one ear of the goat on the pedestal. There are the usual chips to the floral encrustations around the base. The rear goat head has two losses to the ears. The burning fire has one small chip. The gilding is a little rubbed in places and there are one or two minor paint chips.
Lot 805
A Bow bocage figure of a dancer, circa 1760/70, modelled as a young boy wearing a plumed hat and long jacket with fanciful trousers all with floral pattern standing in front of a large floral encrusted bocage and on a Rococo scrolling ground with further applied floral sprays and heightened with gilding and turquoise, unmarked. Height 22 cm (see illustration). CONDITION REPORT: There is a patch to the reverse of the bocage where a leaf was once stuck and in the same area a branch has been broken off. Two branches of the upper section of the bocage have been knocked off and oversprayed. On the reverse of the bocage to the upper left hand section a leaf has been broken in half and a there are further leaves throughout the bocage which have small chips. On first view the flowers all appear to be intact however some, though not all, have petals missing or chipped. The figure's left hand has been off and is restored. Given its faults this is still a rather attractive piece and we would think the faults are inline with something of this nature. I can see no obvious faults to the base or the remainder of the figure.
Lot 808
A Vienna style claret and gilt ground tea kettle and cover, late 19th/early 20th century, of globular form with gilt bronze dolphin form and porcelain bale handle, the cover with a gilt knop connected to the handle by a short beaded chain, the body painted with a continuous view of children dancing and courting, beehive mark to underside and inscribed "Werbung" and "Tanz", height 17 cm including handle, and a Vienna style cabinet plate, mid 19th/early 20th century, painted with rural view of figures before a building and mountainous landscape at a roadside junction, bordered with gilt scrolls and trelliswork against a claret ground, beehive mark to underside, diameter 21 cm. CONDITION REPORT: The teapot lid has a 2 cm long rim chip and the knop appears to have been broken and glued back on. The teapot body has a small chip to its shoulder rim. The spout has been broken in three places and glued together. There is a chip along 50% of the spout rim. There is a small chip to the handle edge. Other than those faults mentioned the main body and decoration appear to be in good order. The plate has a tiny rim chip and a small amount of gilding loss to the rim. There are three worn patches to the main decoration, the first being to the figure and cart on the left, the second and third small patches appear on the path at the foot of the decoration (almost 6 o'clock if looking on a clock face). Other than these small faults it remains an attractive and decorative plate.
Lot 818
Three Sunderland lustre maritime scene plaques, one decorated with The Flying Cloud Boston, one with Mariners Arms and one with two masted vessel, all with shell and scroll moulded borders. Largest 23.5 cm. CONDITION REPORT: The first plaque “The Flying Cloud Boston” is in good physical order with no obvious chips, cracks or restoration but as is expected with these items the glaze is extremely crazed to the white body. On the “The Mariners Arms” plaque the pink lustre around the print is 50% missingand there is stained crazing on the upper border. The plaque is physically sound and in good order. The reverse has a lot of stained crazing which is commonplace on these items. I cannot see any further post manufacture faults or flaws.“The Tea Clipper” Plaque - There are no obvious chips, cracks or flaws visible to the body. The white ground is extensively crazed throughout. There is an impressed number 11 on the reverse. There is a firing crack on the reverse on the bottom right corner about 1 cm long, but other that this I cannot see any post production further faults or flaws.
Lot 903
A "Bacchanalian Dance" jug by Charles Meigh, first registered 1844, relief moulded with fruiting vines above dancing figures, with applied blue crowned registration mark to underside. Height 29 cm. NOTE - See R.K. Henrywood "An Illustrated Guide to British Jugs" page 134 for a matching example.
Lot 944
A pair of glass lustres, late 19th century, with fine etched decoration to the top above the hollow knopped body. Height 16.5 cm. CONDITION REPORT: On the first lustre four of the ten long prism drops drops have small chips to the upper shoulder and one has a 2 cm long splice missing down the left hand side. Otherwise the glass body is in good order and free from any obvious faults. On the second lustre seven of the ten prism drops have small chips to the shoulder. The main glass body appears to be free from any post production faults or flaws. There are no chips visible. Although the lustres do have some damage it is not instantly notable.
Lot 321
A FAMILY OF FIRST AND SECOND WORLD WAR MEDALS, comprising 1939-1945 Star, Burma Star, Defence Medal and War Medal awarded to Captain K J Gardner of the Lancaster Fusiliers, with medal miniatures, Lancaster Fusiliers badge, Lancaster Fusiliers swagger stick, an 1895 pattern infantry officer's sword with knot and George V cypher, tunic, trousers, slouch hat with cross key insignia, service books and documentation and a large portfolio of information about his service including photographs and associated maps, together with his Father-in-Law Charles Herbert Hudson's medals comprising 1914-15 Star, British War Medal and Victory medal, with dog tags, badges, paperwork and other ephemera (qty) NB. The following lot is associated with this collection (Est. plus 21% premium inc. VAT)
Lot 24
Garden Statuary: Joseph Durham: A carved white marble group of two childrentitled ‘Trying the lesson’ and signed J Durham120cm highJoseph Durham ARA, 1814-1877 in London was an English sculptor and exhibited his first piece of sculpture in the Royal Academy in 1835. In 1858 he won the commission for the Memorial to the Great Exhibition of 1851, which ultimately included the electrotyped statue of Albert, Prince Consort following Albert’s death in 1861. Between 1835 and 1878 Durham exhibited 126 pieces of sculpture at the Royal Academy and six at the British Institution. He was noted for his figures of boys engaged in sporting activities. A porcelain reproduction of his sculpture Go to Sleep was distributed as a prize to members of the Art Union of London in 1865. He became an associate of the Royal Academy in 1866.This piece is recorded as being sculpted in 1865 of Edith and G C Ashton Jonson and was exhibited at the Royal Academy.
Lot 42
Garden Sculpture: ▲ Edward Bainbridge Copnall EvolutionCarved Portland stone190cm high by 107cm squareEdward Bainbridge Copnall MBE, 1903 -1973 was a British sculptor and painter best known for his architectural and decorative sculptures featuring allegorical and religious subjects. He was the President of the Royal Society of Sculptors from 1961 to 1966.He was born in Cape Town, South Africa in 1903 and moved to Horsham, West Sussex in England as a young child after the death of his mother. His father, photographer Edward White Copnall (born 1878, Isle of Wight), lived and worked in Horsham from 1915 to 1962. The Copnall family have a long association with Horsham, the street Copnall Way is named after them. The exterior sculptural scheme for the Royal Institute of British Architects new building in Portland Place, London, completed in 1934, was an important early commission. In the Second World War, he worked as a camouflage officer in the Middle East, building dummies as part of the military deception for Operation Crusader. Copnall lived in Burma from 1955 to 1956, and completed 50-60 paintings, mainly portraits, during that time. He was also commissioned to do a memorial of General Aung San, the first Prime Minister of Free Burma. The statue was unveiled in Burma in 1955.Other notable works include;Wood carvings for the Cunard Line liners RMS Queen Mary and RMS Queen Elizabeth.The Stag, 1962, Maidstone, Kent. His largest work, originally located in Stag Place, London but moved to Maidstone in 2004.Crucifixion of Jesus, 1964, St John’s Church, Horsham. Made from coal dust and resin, it was removed from the facade of the church in December 2008 to Horsham Museum and Art Gallery. Rev Ewen Souter, the vicar at St John’s Church said it was “a horrifying depiction of pain and suffering” that ‘scared children and deterred worshippers’. Thomas Becket, 1970, St. Paul’s Cathedral Churchyard, LondonThe Boy David, 1971, Chelsea EmbankmentExterior work at St. Columba’s Church, Pont Street, London He was president of the Royal Society of British Sculptors from 1961 to 1966. He wrote A Sculptor’s Manual, published in 1971, a copy of which is included with this lot, in which he gives a detailed explanation of the carving of this piece, together with related newspaper cuttings commenting; ‘I carved each of the three sides which had been sawn off making the following works: “Creation”, “Conception” and “Resurrection”’.Provenance: Carved in North Street House, Horsham and then with Mr Turner of Nutley Green before being gifted to the present owner in 1980.
Lot 52
Garden Sculpture: ▲ Ian ChappellA carved wood swanSigned 48cm high by 85cm longBorn in Gloucestershire within five miles of what is now the Wildfowl & Wetlands Trust Ian had a keen interest in art, woodworking and birds from a very early age. Whilst maintaining these interests in various ways he did not start carving birds until 1990 when his wife gave him a set of carving chisels. That same year he joined the British Decoy & Wildfowl Carvers Association, and entered a Kestrel in his first competition held at WWT Slimbridge with great success. He attended the World Wildfowl Carving Championships in Ocean City, Maryland, USA in 1997 for the first time and won four ribbons for his entries, and has continued to compete, both at World level and National level winning the British Wildfowl Carving Championship in 2003 and more recently the Best in Waterfowl Carving with a Gadwall in 2011 at Bakewell, Derbyshire.His work is appreciated by connoisseurs, collectors and bird lovers who like the accuracy of his life size carvings of all species of birds. He has exhibited at many events including the BBC Natural History Fair at Bristol, the National Exhibition of Wildlife Sculpture in Norfolk and at the Wildfowl and Wetlands Trust at Slimbridge. His carvings have featured in Wood Carving Magazine.
Lot 153
DUDSON, AUDREY M. 'Dudson A Family of Potters since 1800', limited first edition of 2000, signed with dedication by the author. Published by Dudson Publications 1985, red cloth with d/w; KYBALOV, JANA 'European Creamware', Burchill and Ross, 'A History of the Potters Union', 1st Edition. Published 1977, and RELATED WORKS on ceramics, including Monographs. (16 vols in all plus booklets)
Lot 162
HANDLEY-TAYLOR, GEOFFREY. 'John Mansefield - A Bibleography and Eighty First Birthday Tribute'. Published by Cranbrook Tower Press 1960, Poets Laureate Series No. 1. No. 255A of 999 signed copies, signed by the compiler, maroon cloth; SMITH, CONSTANCE BABINGTON, 'John Masefield a Life', 1st Edition. Published by Oxford University Press 1978, D/W, AND MASEFIELD, JOHN 'Minnie Marlow's Story' 1931, 'Philip the King', 1920; Sara Harker' 1924, and 'Lollingdon Downs' 1917, AND SUNDRY BOOKS, Poetry etc... (14) (1 box)
Lot 164
SITWELL, SACHEVERELL, 'Conversation Pieces' a Survey of English and Domestic Portraits and their Painters. Published by Batsford Ltd, 1st Edition 1936, maroon cloth; SWEET, HENRY 'First Steps in Anglo Saxon', Published by Clarendon Press, Oxford 1897, sundry works mainly reference and languages in includes 'The Shorter Oxford English Dictionary' and E.C. Brewer 'Dictionary of Phrase and Fable' (1 box)
Lot 174
FIVE FOOTBALL STARS AUTOBIOGRAPHICAL WOKS, comprising; THREE SIGNED FIRST EDITIONS, Bert Trautmann - 'Steppes to Wembley'. Pub 1956; Royal Paul 'Red Dragon of Wales'. Published 1956 and Jimmy Greaves 'A Funny thing happened on the way to Spurs'. Published 1962 also unsigned First editions by Tom Finney, 'Finney on Football'. Published 1958 and Eddie Firmani. Published 1959, all 5 with D/w (5)
Lot 36
British Empire Medal for Meritorious Service, Civil issue, Geo VI first type (George Longmire) GVF Plate 1 Note: London Gazette 7th March 1941 George Longmire, Senior A.R.P. Warden, Manchester, “An oil bomb struck the roof of a dwelling house setting the premises on fire. Longmire immediately ran to the house. entered it and saw a woman on the floor of the hall with her clothing on fire. Dragging her into the front garden he extinguished the burning clothing, afterwards entering the house again to see if anyone had been left inside. Finding that the occupants had been escorted to safety he ran to his own house nearby, brought back a garden hose and kept the fire in check until the arrival of the fire brigade. Longmire, who sustained burns and other injuries to his hands, set a splendid example of bravery and devotion to duty and undoubtedly assisted in saving life by his prompt action.”
Lot 752
A quantity of various makes. A 1960’s Matchbox small carry case to contain 24 vehicles. Includes 24 used mostly Matchbox and a Corgi. Vehicles include Rolls Royce, Unimog, Caravan, Mercedes coach, 2x Commer Ice Cream vans, Dodge truck, BP petrol tanker, Taylor Jumbo crane etc. Together with a Team Convoy 2 vehicle NASA set, 3x My First Matchbox 3-vehicle sets (variations). Britains – Renault TX 145-14 Tractor & Grass Mower. Fold-Up Cultivator and a Setrite Potato Planter. 4x 4 figure military sets – Royal Marine Colour Party 7201, Royal Marine Drum & Bugle 7203. 2x US Marine Drum & Bugle Corps 7304, plus a few leaflet style catalogues for 2x 1986 3x 1987 and 2x 1989. 2 Corgi 1959 to 1989 Mini and a London Transport Silver Jubilee Bus. EFE Air France Double Deck Bus. Plus 3x3 vehicle sets by Lledo 2x RAF and a Home Front. All boxed, minor wear. Contents VGC-Mint
Lot 901
10 Corgi Aviation Archive aircraft. Frontier Airliners Lockheed Constellation KLM 47504. Boeing B29 Super Fortress Enola Gay 48901. Douglas DC-3 South African Airways Historic Flight AA30007. Heinkel HE111 H-6 AA33702. Douglas R4D-5 ‘The First Aircraft to land at the South Pole’ AA30002. Douglas C47A Dakota USAF 20th Tactical Fighter Wing AA30006. Vought F4U-1 Corsair ‘Daphne C’ AA33001. Focke-Wulf FW190A-4 ‘White 8’ AA34301. Douglas DC3 KLM 47108. Plus a P-47D Thunderbolt Boxted December 1944 AA33801. All boxed, minor/some wear. Contents VGC-Mint.
Lot 1
A Bentley Continental GT Auto, 6.0 litre, registration WA04 DGV, petrol, odometer shows a reading of 79,000 miles (not verified), black (though currently wrapped to appear white, first registered 7 May 2004, currently SORN, MOT expired 12 March 2018, with some service history, with V5 document, one key.
Lot 186
TWO LARGE IMARI DISHESGENROKU PERIOD, CIRCA 1700 the first painted with koi leaping above sea waves, surrounded by six petal-form cartouches enclosing flowering branches; the second of lobed form and painted with a chrysanthemum flowerhead enclosed within a broad band of flowering prunus trees and floral roundels (2)larger one 33.5cm diamProvenance:A private Scottish collection, for more information, please see lot 174. Note:A very similar Imari 'koi' dish is in the collection of Empress Maria Theresa Walburga Amalia Christina (1717-1780), see Imari-Porzelan am Hofe der Kaiserin Maria Theresa, published by Hetjens-Museum Düsseldorf, Deutsches Keramikmuseum, p. 48.
Lot 187
THREE ARITA BLUE AND WHITE DISHESEDO PERIOD, 17TH/18TH CENTURY the first painted with a dragonfly above a large vase of flowers in a fenced garden, the second with a deer amongst flowering branches, the third with cottages in a landscape (3)largest 31cm diamProvenance:A private Scottish collection, for more information, please see lot 174.
Lot 189
THREE IMARI DISHESEDO PERIOD, 18TH CENTURY the first of simple circular form, painted with a coiled dragon within an octagram; the second of lobed form, painted with a lotus spray within a chrysanthemum-formed medallion; the third of lobed form, painted with flowerheads within shaped cartouches, the glaze suffused with fine crackles (3)largest 22.8cm diamProvenance:A private Scottish collection, for more information, please see lot 174.
Lot 190
TWO IMARI DISHESEDO PERIOD, LATE 17TH/EARLY 18TH CENTURY the first painted with a large tripod koro issuing flowers to the centre and with two phoenix amongst blossoming branches to the border, the second with a lobed rim, the interior painted with a pot of flowers encircled by two bands with small shaped floral panels alternating with single floral sprays (2)larger one 21.8cm diamProvenance:A private Scottish collection, for more information, please see lot 174.
Lot 191
TWO IMARI DISHESEDO PERIOD, 18TH CENTURY the first painted in Kangxi famille verte style with a jardinière surrounded by four lobed panels enclosing prunus and pine, the exterior decorated with a continuous floral scroll; the second decorated with circular medallions reserved on a Kinrande ground with gilt leafy scrolls on an iron-red ground, the base with a six-character Chinese inscription reading 'qi yu bao ding zhi zhen' (precious as a treasured ding of rare jade) (2)larger one 21.5cm diamProvenance:A private Scottish collection, for more information, please see lot 174.
Lot 204
TWO PORCELAIN FIGURES OF A GEISHAMEIJI PERIOD the first figure shown seated beside a Daruma doll on a bench draped with a cloth, reading a calligraphic scroll, the cloth and the kimono decorated with a profusion of seasonal flowers; the second standing and holding a globular vessel (2)larger one 28cm highProvenance:A private Scottish collection, for more information, please see lot 174.
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