Steve Ferguson (B. 1946) "General Dynamics F16C Fighting Airplane" Signed lower left. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood Commemorative Cover with the U.S. Flag 29c stamp issued January 20, 1992. In 1975 General Dynamics began mass production of a new, light-weight air combat fighter for the U.S. Air Force. Designated the F-16, the "Fighting Falcon" performed superlatively during trials and demonstrated excellent interceptor and bomber capabilities as well. Also ordered by U.S. allies, the aircraft first saw combat in 1981, when eight Israeli F-16s destroyed an Iraqi nuclear installation. But the aircraft truly proved its mettle as a fighter bomber during the 1991 Persian Gulf War. Loaded with both cluster bomb units and Sidewinder missiles, F-16s from units such as the 421st Tactical Fighter Squadron from Hill AFB, Utah, wreaked havoc on entrenched Iraqi troops. With regular updates in avionics and electronics, this invaluable aircraft should serve well into the 21st C. Image Size: 16.5 x 14 in. Overall Size: 20 x 15 in. Unframed. (B13444)
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Jack Fellows (B. 1941) "Space Shuttle Endeavour" Signed lower right. Original Oil on Masonite painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Republic of the Marshall Islands PresentationPak for the 1996 Space Shuttle Endeavour $10 Commemorative Coin. The mission accomplished on space shuttle Endeavour's first flight resulted in several records and "firsts" for the shuttle program. Commander Daniel Brandenstein and pilot Kevin Chilton were assigned to transport mission specialists Pierre Thuot, Kathryn Thornton, Richard Hieb, Thomas Akers and Bruce Melnick into position to capture the malfunctioning satellite INTELSAT VI. The mission required three EVAs (extravehicular activities) before the four-ton communications satellite was successfully captured, refitted with a new perigee kick motor and re-released into orbit. Endeavour's initial flight witnessed a total of four separate EVAs, one involving three astronauts -- a "first." These EVAs combined for the longest spacewalk time ever logged on a single mission -- 25 hours and 27 minutes -- and required three rendezvous with an orbiting spacecraft. Two of these EVAs were the longest single spacewalks to date -- eight hours and 29 minutes, and seven hours and 45 minutes. Endeavour was also the first shuttle to utilize a drag-chute during landing. Image Size: 16.5 x 14 in. Overall Size: 18 x 16.5 in. Unframed. (B15338)
Robert Seabeck (American, B. 1945) "1941 Lincoln Continental" Signed lower left. Original Mixed Media painting on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Federated States of Micronesia 55c 1941 Lincoln Continental stamp issued June 4, 1996. In 1896 Henry Ford built his first car -- the Quadricycle. This unique vehicle featured a buggy-type chassis that rolled on bicycle-type tires and weighed only 500 pounds. Reaching a speed of 20 mph, the Quadricycle was powered by a four-horsepower, two-cylinder, four-stroke, water-cooled engine. It had two forward speeds but no brakes or reverse gear. Henry Ford went on to produce a long line of Ford automobiles. Ford's 1917 Model T truck featured a larger high-set radiator than previous models, as well as crowned fenders and nickel-plated hubcaps. The Tudor sedan was the first Model A built, and was introduced in 1928. This instantly popular automobile could reach a speed of 65 mph. One of Ford's first sporty cars was the 1932 V-8 Sport Roadster, which featured fold-down windshields. These tough cars also had anti-theft locks on the steering columns. In 1941, the Lincoln Continental became a separate model instead of a Zephyr series, and in 1953 the F-100 half-ton pickup -- with a 110-inch wheel base -- debuted. This rugged truck sold for $1,330. A personal luxury cruiser, the Thunderbird convertible was re-introduced as a four-seater in 1958. Today, the 1996 Mercury Sable embodies the essence of aerodynamic engineering and modern automobile design. Image Size: 7.75 x 13.5 in. Overall Size: 15 x 22.5 in. Unframed. (B15443)
Robert Seabeck (American, B. 1945) "1932 V-8 Sport Roadster" Signed lower left. Original Mixed Media painting on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Federated States of Micronesia 55c 1932 V-8 Sport Roadster stamp issued June 4, 1996. In 1896 Henry Ford built his first car -- the Quadricycle. This unique vehicle featured a buggy-type chassis that rolled on bicycle-type tires and weighed only 500 pounds. Reaching a speed of 20 mph, the Quadricycle was powered by a four-horsepower, two-cylinder, four-stroke, water-cooled engine. It had two forward speeds but no brakes or reverse gear. Henry Ford went on to produce a long line of Ford automobiles. Ford's 1917 Model T truck featured a larger high-set radiator than previous models, as well as crowned fenders and nickel-plated hubcaps. The Tudor sedan was the first Model A built, and was introduced in 1928. This instantly popular automobile could reach a speed of 65 mph. One of Ford's first sporty cars was the 1932 V-8 Sport Roadster, which featured fold-down windshields. These tough cars also had anti-theft locks on the steering columns. In 1941, the Lincoln Continental became a separate model instead of a Zephyr series, and in 1953 the F-100 half-ton pickup -- with a 110-inch wheel base -- debuted. This rugged truck sold for $1,330. A personal luxury cruiser, the Thunderbird convertible was re-introduced as a four-seater in 1958. Today, the 1996 Mercury Sable embodies the essence of aerodynamic engineering and modern automobile design. Image Size: 5.75 x 13.5 in. Overall Size: 15 x 22.25 in. Unframed. (B15438)
Saul Mandel (1926 - 2011) "Earth Day - Clean Air" Signed lower right. Original Watercolor painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood First Day Cover of the 32c Tree Planting stamp issued April 20, 1995. Polluted air has existed in urban communities for many years. Concern about this condition is a relatively recent development. As we become more aware of the harmful effects of poor air quality on living things, increased efforts are being made to find ways to eliminate or control its causes. For example, scientific studies have proven that when waste gases, such as those released by the burning of fossil fuels in electric power plants and refineries, combine with atmospheric water vapor, certain types of acids are formed and ultimately fall to the ground. This condition, known as "acid rain", can lead to detrimental effects on the ecology. Acidic precipitation has been found to be harmful to trees and other forms of vegetation, resulting in foliage damage and reduction in growth. More obvious signs of air pollution are noted in large urban centers such as Los Angeles, where the brown haze known as "smog" hangs over the city. Another damaging side effect is caused by automobile exhaust. When these noxious gases are released into the air, their presence can cause respiratory distress as well as damage to plant life. The enforcement of auto emissions testing and tighter controls on industry have begun to improve the life-giving air we breathe. Image Size: 9.75 x 8 in. Overall Size: 13.75 x 11 in. Unframed. (B14985)
Zu Tianli (Chinese, 20th C.) "Year of the Horse" Water color on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 34c Year of the Horse stamp issued February 11, 2002. Dating back to the 27th C. B.C., the Chinese calendar is a combination of symbolism and mathematical complexities. Twelve animals are associated with the calendar -- the rat, ox, tiger, hare, dragon, serpent, horse, ram, monkey, rooster, dog and boar. During the Han Dynasty (206 B.C. -- A.D. 220), the Chinese calendar was organized into repeating 12 year cycles, with each year designated by 1 of the 12 animals. The Chinese commonly refer to the year by its animal name -- 2002 is the Year of the Horse. Those born in a given year are said to share that animal's character traits. People born during the Year of the Horse are cheerful, friendly and popular. The years of the Horse are: 1930, 1942, 1954, 1966, 1978, 1990, 2002 and 2014. Image Size: 12.25 x 11.75 in. Overall Size: 24 x 20 in. Unframed. (B11278)
Zu Tianli (Chinese, 20th C.) "Year of the Rat" Water color on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. It is unclear exactly when in ancient times the Chinese began to use the "Sheng Xiao," or lunar horoscope, to predict the character and fate of a person born in a given year. However, we do know that, even today, the horoscope remains an integral part of everyday life for many people in China and elsewhere around the world. Regarded by many Westerners as a combination of mathematical complexities and symbolic tradition. The 12 fastest competitors would receive a place on the calendar according to the order in which they finished. The last stage of the race involved crossing a large river. The rat convinced the kind-hearted ox to carry him across and, as they neared the riverbank, the rat leapt from the ox's back onto land. Through his trickery, the rat succeeded in winning the race and capturing first place in the calendar. Perhaps this explains why those born during the Year of the Rat are said to be impatient and somewhat opportunistic. People whose birth years are represented by the rat are also believed to be cheerful, sentimental and devoted to their families. The Years of the Rat are: 1924, 1936, 1948, 1960, 1972, 1984, 1996 and 2008. Image Size: 12.25 x 11.75 in. Overall Size: 19.5 x 15.75 in. Unframed. (B11300)
Zu Tianli (Chinese, 20th C.) "Year of the Pig" Water color on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. Regarded by many Westerners as a combination of mathematical complexities and symbolic tradition, the Chinese lunar calendar is aligned in repeating 12-year cycles. Each year in the cycle is represented by a different animal. Many legends offer explanations for how these particular creatures were chosen. One states that the Heavenly Jade Emperor summoned all the world's animals to participate in a race. The first 12 to complete the challenge were chosen to represent each of the different years, which were assigned by the order in which the animal finished. Occupying first place is the rat, who, according to the story, did so by using trickery. When confronted by a large river that he was unable to cross, the clever rodent hitched a ride on the back of the ox, another participant in the race. As they neared the far side of the river, the rat jumped from the large beast to finish first. The pig came in 12th, capturing last place. Perhaps this explains why those born during the Year of the Pig appear to be sedate and easy going! People whose birth years are represented by the Pig are also believed to be sincere, tolerant and honest. But, because they expect others to possess these same honorable traits, they are considered to be naive as well. The years of the Pig/Boar are: 1935, 1947, 1959, 1971, 1983, 1995 and 2007. Image Size: 11.25 x 11.5 in. Overall Size: 24 x 20.25 in. Unframed. (B11276)
Chris Calle (American, B. 1961) "Blue Planet Space Explorers" Signed lower right. Original Mixed Media on Illustration Board painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 29c Blue Planet stamp issued January 25, 1993. In his book From the Earth to the Moon, Jules Verne sent his travelers moonward aboard a hollow projectile fired from a huge cannon. When the novel was written in 1865, propelling people into space via huge guns sounded quite feasible. Of course we now know the space-gun idea will not work. The force of departure at escape velocity would not only kill the astronauts, but atmospheric friction would melt the craft as well. Verne also erred when describing zero gravity. In his story, the intrepid travelers experienced weightlessness only when their projectile arrived at the "neutral" point -- where the Earth's pull balances that of the Moon's. But all things considered, it's astounding how many of Verne's predictions eventually came true. His imaginary cannon was fired not far from Cape Canaveral; the splash-down was quite close to Apollo 1's re-entry, and the enormous fictional telescope Verne built on Colorado's Long's Peak proved to be the precursor of the 200-inch Hale reflector at Mt. Palomar. Verne may have also been the first to envision artificial satellites. In The Begum's Fortune, the malevolent Professor Schultz fired a shell at the metropolis of Frankville. But, alas, the shell was fired with such great velocity it missed Frankville, hurtling into space where it remained in closed orbit round the Earth. As with From the Earth to the Moon, however, the effects of air resistance were ignored. Image Size: 13.75 x 12 in. Overall Size: 23 x 19.25 in. Unframed. (B14126)
Chris Calle (American, B. 1961) "First Successful Orbital Rendezvous" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover of the Malta 25th Anniversary of the Moon Landing stamps issued July 20, 1994. On July 18, 1966, exactly 101 minutes apart, two rockets were launched flawlessly into space from Cape Kennedy, Florida. Timing was critical (a leeway of only 40 seconds could be allowed) because the two spacecraft were to attempt to rendezvous miles above Earth. The manned craft was Gemini 10, piloted by John Young and copiloted by Michael Collins. Their key objective was to dock Gemini 10 with the unmanned Agena spacecraft launched less than two hours earlier. It was important to the entire Gemini Project that the mission succeed; previous such flights had experienced disappointing failures in attempting to accomplish such a rendezvous. After 40 minutes of maneuvering, the Gemini 10 astronauts successfully docked their vehicle with its target. Young and Collins then proceeded to approach Gemini 8's derelict Agena, which had been left behind in an emergency. Collins reached the marooned craft with a 27-minute space walk. Loud cheers could be heard in Mission Control when the astronauts' spacecraft finally splashed down in the Atlantic, for Gemini 10 was the first mission to accomplish all of the objectives required for a lunar mission in the upcoming Apollo program: orbital rendezvous, docking, orbital maneuvering of the composite vehicle and controlled work during extra-vehicular activity. Image Size: 7.25 x 6 in. Overall Size: 11.5 x 9.25 in. Unframed. (B14877)
David Paulley (B. 1931) "25th anniversary of Hawaiian State Hood" Signed lower right, also titled, signed and dated verso. Oil on Canvas. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 20c Hawaii Statehood stamp issued March 12, 1984. August 21, 1959 is a day that will live forever in America's history .. for on that day the territory of Hawaii became the fiftieth state of the Union. Prior to Hawaii's attaining statehood, travelers from all over the world had already made Hawaii famous for its lovely beaches and beautiful weather -- Mark Twain called it "the loveliest fleet of islands that lies anchored in any ocean." Not surprisingly, as American visitors came to know their new American neighbors, they also found that the Hawaiian people were kind and happy and had outstanding character. They also found that the Hawaiian culture includes diverse backgrounds, and there are seven ethnic groups in Hawaii -- people of Japanese, Chinese, Filipino, Korean, Caucasian, and Polynesian ancestry, as well as a mixture called Cosmopolitan. The geography of the Aloha State is also as distinctive as its inhabitants. The islands of this balmy paradise rise out of the warm waters of the Pacific and are topped by peaks which sometimes spew forth a fiery breath of lava. Looking down from the volcanic peaks, one may see the velvet green stretches of sugarcane and pineapple crops. Modern Hawaii has not lost sight of her fascinating history. A large bronze statue of King Kamehameha I, the ruler who united many independent tribal kingdoms under his rule, stands tall in Honolulu's Civic Center. Image Size: 16.5 x 14.25 in. Overall Size: 23.75 x 19.75 in. Unframed. (B08525)
Brian Sanders (British, B. 1937) "Oyster Dredger" Original Watercolor on paper painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the Great Britain 14p Oyster Dredger stamp issue of September 23, 1981. In England, the oyster has been a favorite delicacy since Roman times. At different points in history, man's taste for the small sea animal has brought it to the brink of extinction. For this reason, the oyster is today well protected from over-harvesting. In fact, it is raised in undersea farms where it can be carefully managed and harvested at just the right moment. Boats, like the Oyster Dredger depicted in this painting, are common in the oyster farms around East Anglia, a region of southeastern England famous for its oysters. This traditional craft bears dredging gear which is drag-towed along the seabed to collect the oysters. Instead of dredging gear, many contemporary oyster boats are rigged with suction pumps to pull their catch from its muddy habitat. But, on the Oyster Dredger, men continue to use the time-honored methods to haul their catch up from the ocean floor. When the heavy load is surfaced, it is dumped on deck to be taken back to port for cleaning and packaging for market. In Southeastern England, the oyster season usually begins in September and continues through April. Colchester, a city of this region and Britain's oldest recorded town, is world famous for its oysters. Each September, Colchester's mayor officially opens the season by sailing downstream from town to dredge oysters at the mouth of the river and then toast the Queen. The ceremony dates from 1256, an impressive testimony to the longevity of the oyster tradition in England. Image Size: 12.25 x 14.25 in. Overall Size: 16 x 22.25 in. Unframed. (B06848)
Don Balke (B. 1933) "Bald Eagle" Signed lower left. Original Watercolor. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover for the U.S. 29c Eagle Self-adhesive stamp issued February 4, 1994. When Congress selected the Bald Eagle as America's national symbol on June 20, 1782, Ben Franklin voiced his opposition, suggesting the turkey would be more fitting. Further evidence of Franklin's displeasure was documented in a letter to his daughter Sarah. In it he referred to the Eagle as "a bird of bad moral character" and "a rank coward." However, ornithologists refute Franklin's claims about the national symbol's cowardice. Furthermore, its moral character seems to be beyond reproach. It is believed that Bald Eagles mate for life and may live together for more than 20 years, returning to the same breeding site year after year to improve upon their nest. After 200 years of serving as America's symbol, the Eagle was even awarded its own day of recognition. In 1982, President Ronald Reagan proclaimed June 20th Bald Eagle Day. This handsome bird also acts as the symbol of the U.S. Postal Service and has appeared on a number of American postage stamps throughout the years. Frequently portrayed on airmail stamps, the Eagle has been depicted in flight, in silhouette and as part of the Great Seal of the United States. Image Size: 12.25 x 13.75 in. Overall Size: 20.25 x 23 in. Unframed. (B07555)
Don Balke (B. 1933) "Mountain Caribou and Western Hemlock" Signed lower right. Original Watercolor painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This art was originally published in the limited edition collection of philatelic proofcards issued by Fleetwood and the National Audubon Society for the Wildlife of the 50 States. Swimming, running or snowshoeing across countless miles, Mountain Caribou always seem to be on the move. When they travel over land, their tendons click against their feet, making a noise that can be heard up to one hundred feet away. Part of the reason they are so mobile is that the tasty moss and lichen that they love to eat grows slowly. So, America's native reindeer must range over a wide area. Caribou are well equipped for their travels. About four feet tall, Caribou can weigh up to 375 pounds. Part of this weight comes from thick pads of fat that keep the animals warm during freezing northern winters. These fatty tissues are protected by coats that vary in color from white to brown, and tiny air pockets among the fine hairs act as natural life jackets when the occasionally aquatic Caribou take to the water. In addition, their broad hooves make excellent snowshoes. In the fall, when Caribou mate, jealous males guard large harems until the rutting season ends. Then, in the spring, female Caribou, now heavy with their fawns, are first to leave winter feeding grounds to deliver their young in solitude. Soon after birth, the spotted fawns begin to follow their mothers about. By fall, the fawns are mature enough to follow the herd to winter ranges. This artwork depicts a mighty Mountain Caribou, a member of the single Caribou species that ranges south of the Canadian border. The powerful animal is grazing in front of a stand of Washington's beautiful state tree, the Western Hemlock. Image Size: 12 x 13.75 in. Overall Size: 20.25 x 23 in. Unframed. (B06418)
Kirk Stirnweis (B. 1967) "Bobcat" Signed lower right. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day of Issue Maximum Card of the 22c Bobcat issued on June 13, 1987. Resembling a common house cat, the Bobcat hunts silently by night through the forests, swamplands, mountains, and deserts of North America. However, this resemblance is only superficial. The Bobcat - named for his characteristically stubby, blak-tipped tail - is a powerful feline weighing some twenty pounds, standing fifteen in tall, and measuring about two feet in length. Its stealth and cunning have earned the Bobcat a reputation as an extraordinary hunter. His shy nature is underscored by the fact that the Bobcat hunts, and usually lives, alone. Bobcat dens are generally found among the rocks and caves or even in hollow logs. Here, the female gives birth to her young, nursing them for two months. Soon, she is leading them on forays into the night, teaching them the ways of the species. Fluffy and playful, the kittens learn quickly the serious side of life in the wild, and by the age of one year, they are ready to go out on their own. Image Size: 13.5 x 18.25 in. Overall Size: 17.5 x 21.75 in. Unframed. (B10908)
Shannon Stirnweis (B. 1931) "Bison" Signed lower left. Original Oil on Illustration Board painting. Original Fleetwood First Day cover painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day of Issue Maximum Card of the 22c Bison issued on June 13, 1987. Sporting a long, wooly mane, the Bison - the heaviest land animal in North America - can weigh a ton or even more. Long before the pioneers came, great Bison herds thundered across the plains shaking the earth beneath their feet. Thus were born many Indian legends about the mystical, powerful Bison. When White settlers came, they called them "buffalo," though this name was incorrect. Buffalo Bill and the "home where the buffalo roam," took their cues from this dark brown creature. Even today, he is sometimes called the American Buffalo, despite the characteristic shoulder hump that separates him from the true buffaloes of Asia and Africa. Today, Bison herds can be found in the parks and wildlife preserves of the Great Plains and Rocky Mountains. In winter, they stand out boldly against the white of snow; dark, shaggy manes about their heads, necks, and shoulders. When the weather warms, Bison shed their heavy overcoats and plunge into rivers and streams to cool their massive bodies. Image Size: 13.5 x 18.25 in. Overall Size: 17.5 x 22.25 in. Unframed. (B11086)
Large Victorian / Edwardian Photograph Album of Military and Family Interest, consisting of mostly fine studio portrait photographs of various members of a family, including a number in uniform etc. The first page has images of a member of the Royal Naval Air Service in flight gear. Many of the images are annotated below with who the person is etc. Housed in a large leather bound album with gilt tooled initials to the front, “G.R.O 1901”. 102 images in total.
Oil Painting Painted at Dartmoor Prison 1918, showing a musician holding a violin. Signed to the bottom corner “G.M 1918”. Housed in a wooden frame, reverse has inked “Poul Wood plastic painting by Geoffrey Mastiner 1918 – IN A CELL AT DARTMOOR PRISON Painted by the light of a candle, During the first world war and hangining this ------ -------“. Frame measures 27 x 27cms.
Oil painting on plywood. Alicò Giovanni (Catania 1906-1971). Nude woman (1947). 102x79, signed on the lower right and dated 1947. "Talent in continuous experimentation, self-taught painter, he starts from post impressionistic experiences to arrive at informal results. In 1937 he settles first in Naples and then in Milan in 1942 he participates in the Venice Biennale and holds his first solo exhibition at the Tornabuoni gallery in Florence. From 48 to 53 he moved to Argentina where he actively participated in pictorial and cultural events. Returning to Italy in the context of the social realism of the 1950s, he brought his style closer to that of Guttuso. color palette is particular and is formed on delicate shades with bright and nuanced, vibrant effects of heated spirituality "STUDIO ASOR
Collection of monk figures and monk themed jugCondition: 6 of the monks (the first 7 of the extra images as I have shown one side on) appear to be in very good condition. The 8th picture shows the wooden one which has had his bible broken away. 3 of the monks have fingers missing or chipped.
A Green Ace Herald stamp album full of all world mint and used, defin and commem including (GB 2/6- and 5/- KGV Seahorses), China (Mao etc) and Portuguese 1922 air set ti 2 escudos, also QV postage pre-paid cards and others (seven total) and KGV Karachi/Calcutta 'First Air Mail' postmarked cover
Liverpool F C - a football matchday programme, Liverpool -v- Cardiff City, Saturday 19th December 1959, Bill Shankly's first match as manager of Liverpool, programme excellent, clean with no tears, 0-4 hand written in red ink to cover, otherwise unmarked - included in the lot is the book, Kevin Keegan 'My Life in Football' autobiography [2]
An antique early 20th century 1920's conductor's baton - tapering carved form, with inset silver plated grips and a small plaque which reads ' Presented To H. Treby Heale By Members Of Pung Chow Of Po - 1924 '. Pung Chow Of Po being a musical comedy from the period - this baton quite possibly presented to the conductor after its first outing in Vancouver, 1924. Measures 44cm long.
After James Northcote (1746-1841)- English School - A pair of early 19th century oil on board paintings of Royal scenes 'The Marriage of Richard, Duke of York' and 'Princess Bridget Plantagenet Dedicated To The Nunnery at Dartford'. Both in period gilt wood and plaster frames. The first with writing to verso describing the scene (incorrectly) as ' Marriage of Henry 8th & Princess Bridget Plantagenet ' and the other labelled as 'Princess Bridget Plantagenet consigned to the convent of the Lady Abbess at Dartford'. Both also inscribed 'Copied from Northcote'. Good 19th century paintings. Both approx; 19x17cm total size.
William Lionel Wyllie (1851-1931) - IndIndefatigable And Invincible On Patrol - 1915 - a good WWI First World War interest watercolour painting of the British Naval Drednoughts at sea. Neatly signed to corner and dated 1915. Framed. Total size approx; 50x63cm. Various previous owners' details to reverse. A fine watercolour.
An 18th / 19th Indian bronze figurine of Shiva Nataraja God of Dance in halo of flames standing on a dwarf like creature "apasmara purusha". Raised on a lotus pedestal base the figure holding in his upper right hand the damaru (hand drum that made the first sounds of creation). His upper left hand holds agni (the fire that will destroy the universe). With his lower right hand, he makes abhaya mudra (the gesture that allays fear). Shiva's front left hand, pointing to his raised left foot, signifies refuge for the troubled soul. Measures: 22cm x 18cm.
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