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Dreweatts 1759
Lot 136

Whatshisname Balloon Dogs At Night, 2020 Marker pen on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Born in the eastern Poland in 1982, today Whatshisname lives and works in London, UK. "I started creating his first digital art at the age of 7 while using Atari 130 XE. After moving to London in 2006 and having worked as an assistant to well established British artists, I create using both digital and traditional mediums. The aim of my art is to express what cannot be express with words. I want to encourage the viewer to look at surrounding world and question it in derisive, unorthodox way. An alias "Whatshisname" is inspired by the fact that I have trouble remembering other artists' names and by the Green Day's song "Whatshername".

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Dreweatts 1759
Lot 137

Whatshisname Popek Balloon Dog, 2020 Marker pen on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Born in the eastern Poland in 1982, today Whatshisname lives and works in London, UK. "I started creating his first digital art at the age of 7 while using Atari 130 XE. After moving to London in 2006 and having worked as an assistant to well established British artists, I create using both digital and traditional mediums. The aim of my art is to express what cannot be express with words. I want to encourage the viewer to look at surrounding world and question it in derisive, unorthodox way. An alias "Whatshisname" is inspired by the fact that I have trouble remembering other artists' names and by the Green Day's song "Whatshername".

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Dreweatts 1759
Lot 138

Whatshisname Happy Popek Balloon Dog, 2020 Marker pen on paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Born in the eastern Poland in 1982, today Whatshisname lives and works in London, UK. "I started creating his first digital art at the age of 7 while using Atari 130 XE. After moving to London in 2006 and having worked as an assistant to well established British artists, I create using both digital and traditional mediums. The aim of my art is to express what cannot be express with words. I want to encourage the viewer to look at surrounding world and question it in derisive, unorthodox way. An alias "Whatshisname" is inspired by the fact that I have trouble remembering other artists' names and by the Green Day's song "Whatshername".

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Dreweatts 1759
Lot 14

Stephen Kenny You Complete Me, 2020 Letterpress on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My paintings most often focus on the human figure paired with elements found in nature. These surreal, symbolic juxtapositions are intended to work on at least two levels.   The first alludes to the fact that we are an integral part of the natural world and subject to its laws. This seems like an obvious statement until we step back and objectively assess our symbiotic relationship with each other and the Earth. Depending on your perspective, these relationships fall somewhere on the scale between harmonious and dysfunctional.   The second turns the lens around to look inward upon the stewardship of our own emotional, intellectual and psychological landscapes. The same pictorial subject matter allows me to make references to our individual journeys of self-exploration and discovery. Again, depending on who is holding the compass, we are either lost or on the right path.   At the very least, I desire to create images of beauty and mystery that allow the viewer to find their own personal significance in them.    

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Dreweatts 1759
Lot 147

Kev Munday Duck Tangle, 2020 Paint pen on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Kev Munday creates colourful utopian worlds and invites the viewer to spend some time living in them. Inspired by people-watching and the everyday, Kev exaggerates and celebrates the ordinary and aims for his art to appeal to all ages.Using bold lines and block colours, the vibrancy of Munday's style creates an enthralling visual experience. his iconic crowd paintings depict a sea of unique individuals which pays tribute to the beauty found in diversity. each individual portrait is equally valued, taken altogether, the effect is a striking vision of community which is more than the sum of its individual parts.Starting his artistic career at the age of 16, Kev's first creative endeavours came in the form of street art; painting walls and leaving stickers, paste-ups and other markings on street furniture. It wasn't until a few years later that a friend and fellow artist suggested he transfer his artwork onto canvas and he found an instant attraction to the surface. Building upon the style he had been developing in his street work, Kev continued to work with spray paint and markers, using the vivid colours and bold lines that are still present in his work to date.Now aged 33, Kev has created artwork for brands including Walt Disney, IKEA, Artfinder and Uni-Ball and his art is collected and exhibited worldwide. Having recently been named by the Telegraph as a 'British artist to invest in right now' and the best-selling British artist of the year on Artfinder, Munday's work can be found transcending the gallery walls onto a plethora of surfaces, including everything from police cars to pianos, billboards to grandfather clocks. Still relishing the opportunity to work in the public domain, Kev likes to see everything as a canvas and can be regularly found producing his artwork live at a variety of events.

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Dreweatts 1759
Lot 148

Kev Munday Bird Tangle, 2020 Paint pen on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Kev Munday creates colourful utopian worlds and invites the viewer to spend some time living in them. Inspired by people-watching and the everyday, Kev exaggerates and celebrates the ordinary and aims for his art to appeal to all ages. Using bold lines and block colours, the vibrancy of Munday's style creates an enthralling visual experience. his iconic crowd paintings depict a sea of unique individuals which pays tribute to the beauty found in diversity. each individual portrait is equally valued, taken altogether, the effect is a striking vision of community which is more than the sum of its individual parts. Starting his artistic career at the age of 16, Kev's first creative endeavours came in the form of street art; painting walls and leaving stickers, paste-ups and other markins on street furniture. It wasn't until a few years later that a friend and fellow artit suggested he transfer his artwork onto canvas and he foundan instant attraction to the surface. Building upon the style he had been developing in his street work, Kev continued to work with spray paint and markers, using the vivid colours and bold lines that are still present in his work to date. Now aged 33, Kev has created artwork for brands including Walt Disney, IKEA, Artfinder and Uni-Ball and his art is collected and exhibited worldwide. Having recently been named by the Telegraph as a 'British artist to invest in right now' and the best-selling British artist of the year on Artfinder, Munday's work can be found transcending the gallery walls onto a plethora of surfaces, including everything from police cars to pianos, billboards to grandfather clocks. Still relishing the opportunity to work in the public domain, Kev likes to see everything as a canvas and can be regularly found producing his artwork live at a variety of events.  

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Dreweatts 1759
Lot 15

Stephen Kenny You Complete Me, 2020 Letterpress on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My paintings most often focus on the human figure paired with elements found in nature. These surreal, symbolic juxtapositions are intended to work on at least two levels.   The first alludes to the fact that we are an integral part of the natural world and subject to its laws. This seems like an obvious statement until we step back and objectively assess our symbiotic relationship with each other and the Earth. Depending on your perspective, these relationships fall somewhere on the scale between harmonious and dysfunctional.   The second turns the lens around to look inward upon the stewardship of our own emotional, intellectual and psychological landscapes. The same pictorial subject matter allows me to make references to our individual journeys of self-exploration and discovery. Again, depending on who is holding the compass, we are either lost or on the right path.   At the very least, I desire to create images of beauty and mystery that allow the viewer to find their own personal significance in them.    

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Dreweatts 1759
Lot 16

Stephen Kenny You Complete Me, 2020 Letterpress on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My paintings most often focus on the human figure paired with elements found in nature. These surreal, symbolic juxtapositions are intended to work on at least two levels.   The first alludes to the fact that we are an integral part of the natural world and subject to its laws. This seems like an obvious statement until we step back and objectively assess our symbiotic relationship with each other and the Earth. Depending on your perspective, these relationships fall somewhere on the scale between harmonious and dysfunctional.   The second turns the lens around to look inward upon the stewardship of our own emotional, intellectual and psychological landscapes. The same pictorial subject matter allows me to make references to our individual journeys of self-exploration and discovery. Again, depending on who is holding the compass, we are either lost or on the right path.   At the very least, I desire to create images of beauty and mystery that allow the viewer to find their own personal significance in them.    

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Dreweatts 1759
Lot 246

Anthony H'Haylock Defence of the Inanimate - Diet Coke Can, 2020 Acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) After studying graphics at college Antony, under the name H, teamed with partner Pez and quickly rose to become one of the foremost artists in the late 80's Rave scene, producing artwork for the first flyers and art installations on a large scale. As the Rave scene legalised and developed into the UK club scene, H was employed to bring the urban, gritty feel of the illegal warehouses to the interiors of the leading clubs throughout the country.

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Dreweatts 1759
Lot 247

Anthony H'Haylock Defence of the Inanimate - Pepsi Can, 2020 Acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) After studying graphics at college Antony, under the name H, teamed with partner Pez and quickly rose to become one of the foremost artists in the late 80's Rave scene, producing artwork for the first flyers and art installations on a large scale. As the Rave scene legalised and developed into the UK club scene, H was employed to bring the urban, gritty feel of the illegal warehouses to the interiors of the leading clubs throughout the country.

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Dreweatts 1759
Lot 248

Anthony H'Haylock Defence of the Inanimate - Coke Can, 2020 Acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) After studying graphics at college Antony, under the name H, teamed with partner Pez and quickly rose to become one of the foremost artists in the late 80's Rave scene, producing artwork for the first flyers and art installations on a large scale. As the Rave scene legalised and developed into the UK club scene, H was employed to bring the urban, gritty feel of the illegal warehouses to the interiors of the leading clubs throughout the country.

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Dreweatts 1759
Lot 265

Adam Bridgland My Favourite Colour Is Rainbow, 2020 Acrylic enamel and varnish on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) A graduate of the Royal College of Art, Adam lives and works as an artist in Cambridgeshire. Since his graduation in 2006, he has exhibited widely in the UK, America, Europe and Asia. The British Museum, the V&A, UBS, Boeing Asia and Debbie Harry are just some of the collectors of Adam's work. In July 2009 Adam was awarded his first major public art commission by Commissions East. He has since gone to complete a number of important projects, including work for YouTube, Heal's, Comme Des Garcons, Airnimal bikes, Ace Hotel, Soho House, SmartLIFE, Jacuzzi and Eastern Pavilions.

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Dreweatts 1759
Lot 31

Mr Sly All You Need Is Love, 2020 Vinyl print on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mr Sly is a British Artist known for his mixed media collages and his contemporary interpretation of 20th Century pop culture, combined with bold and graphic images are his unique trademark. Having experience in photo restoring and graphic design, he blends these talents in his artwork, by manipulating and restoring each image carefully. Now Producing limited edition prints and originals his work can be found in galleries across the U.K and U.S.A. His artwork can also be seen on the streets, paste ups of his images are now part of the street art scene in many cities. Born in Liverpool, England, he has travelled widely, which has informed his appreciation of urban and street art across the world. His first foray into the art world was inspired by 1980's band Frankie Goes to Hollywood and their iconic t-shirts from their hit song RELAX. It was this that spurred him to create artwork which is now gaining collectors across the globe. Mr Sly's work is featured in the Saatchi Art gallery and Artsy. Recent clients involve Chelsea Football Club, L'Oreal and RedKen.  

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Dreweatts 1759
Lot 32

Mr Sly Rocket Man, 2020 Paste up and silver leaf on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mr Sly is a British Artist known for his mixed media collages and his contemporary interpretation of 20th Century pop culture, combined with bold and graphic images are his unique trademark. Having experience in photo restoring and graphic design, he blends these talents in his artwork, by manipulating and restoring each image carefully. Now Producing limited edition prints and originals his work can be found in galleries across the U.K and U.S.A. His artwork can also be seen on the streets, paste ups of his images are now part of the street art scene in many cities. Born in Liverpool, England, he has travelled widely, which has informed his appreciation of urban and street art across the world. His first foray into the art world was inspired by 1980's band Frankie Goes to Hollywood and their iconic t-shirts from their hit song RELAX. It was this that spurred him to create artwork which is now gaining collectors across the globe. Mr Sly's work is featured in the Saatchi Art gallery and Artsy. Recent clients involve Chelsea Football Club, L'Oreal and RedKen.  

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Dreweatts 1759
Lot 33

Mr Sly Crazy Little Thing Called Love, 2020 Paste up and silver leaf on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mr Sly is a British Artist known for his mixed media collages and his contemporary interpretation of 20th Century pop culture, combined with bold and graphic images are his unique trademark. Having experience in photo restoring and graphic design, he blends these talents in his artwork, by manipulating and restoring each image carefully. Now Producing limited edition prints and originals his work can be found in galleries across the U.K and U.S.A. His artwork can also be seen on the streets, paste ups of his images are now part of the street art scene in many cities. Born in Liverpool, England, he has travelled widely, which has informed his appreciation of urban and street art across the world. His first foray into the art world was inspired by 1980's band Frankie Goes to Hollywood and their iconic t-shirts from their hit song RELAX. It was this that spurred him to create artwork which is now gaining collectors across the globe. Mr Sly's work is featured in the Saatchi Art gallery and Artsy. Recent clients involve Chelsea Football Club, L'Oreal and RedKen.  

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Dreweatts 1759
Lot 34

Mr Sly Choose Love, 2020 Vinyl print on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mr Sly is a British Artist known for his mixed media collages and his contemporary interpretation of 20th Century pop culture, combined with bold and graphic images are his unique trademark. Having experience in photo restoring and graphic design, he blends these talents in his artwork, by manipulating and restoring each image carefully. Now Producing limited edition prints and originals his work can be found in galleries across the U.K and U.S.A. His artwork can also be seen on the streets, paste ups of his images are now part of the street art scene in many cities. Born in Liverpool, England, he has travelled widely, which has informed his appreciation of urban and street art across the world. His first foray into the art world was inspired by 1980's band Frankie Goes to Hollywood and their iconic t-shirts from their hit song RELAX. It was this that spurred him to create artwork which is now gaining collectors across the globe. Mr Sly's work is featured in the Saatchi Art gallery and Artsy. Recent clients involve Chelsea Football Club, L'Oreal and RedKen.  

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Thomson Roddick Auctioneers & Valuers
Lot 148

SIMPSON CHARLES.  The Fields of Home. Signed ltd. ed. deluxe 19/100. Tipped in col. & other plates. Quarto. Binding rubbed & worn but contents good. 1948; also Sir Alfred Munnings, first 2 vols. of Autobiography, both in worn cond. but the first vol. signed by the Author to the frontis, 1950 & 1951.  (3).

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Thomson Roddick Auctioneers & Valuers
Lot 181

THE GLASGOW LOOKING GLASS LATER THE NORTHERN LOOKING GLASS.  Vol. 1, nos. 1 to 16. The earlier issues lithographed, the later ones engraved, caricature & comic illus. & text throughout, the latter issues each conclude with a letterpress final leaf. Folio. In orig. boards interleaved with blanks (visible professional repair to backstrip, tending to split internally at hinge, ownership inscription to paste-down dated Madeira, 1834). Label to upper board "Heath's Comic Looking Glass or Mirror of Mirth ... Price Twenty-Five Shillings in Boards". (There is some debate regarding the extent of William Heath's involvement with indications that he did not participate until issue no. 10; as early as issue 7, the publisher was advertising that complete sets could be hand on application). A pioneering publication & generally accepted as THE WORLD'S FIRST PUBLISHED COMIC with those famous words "to be continued" first used as early as issue 2. Very rare & few in private hands. Published by "John Watson, Lithographic Press, 169 George St. (Glasgow) - Hints taken, ideas illustrated and fancies illuminated". June 11th 1825 to February 20th 1826. (The final issue was reached soon afterwards, 3rd April 1826).

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Thomson Roddick Auctioneers & Valuers
Lot 193

LOWSON ALEXANDER.  Tales, Legends & Traditions of Forfarshire. First Series. Frontis & illus. Orig. pict. green cloth. Forfar, 1891; also New Statistical Account of Scotland, Clackmannshire, double page hand col. eng. map, orig. cloth, 1842 & Turner's Sketches & Drawings of Stirling & Neighbourhood, 1936.  (3).

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Thomson Roddick Auctioneers & Valuers
Lot 216

(BURNEY FRANCES).  Cecilia or Memoirs of an Heiress, by the Author of Evelena. 5 vols. 12mo. Calf, rebacked. Bookplate of Edward Bellamy to paste-down of each vol. First Edition, 1782.

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Thomson Roddick Auctioneers & Valuers
Lot 217

HUME DAVID.  Four Dissertations, The Natural History of Religion, Of the Passions, Of Tragedy and Of the Standard of Taste. Half title with advertisement to reverse & printed dedication "To the Reverend Mr Hume, Author of Douglas, A Tragedy". First words on pp9 & 131 corrected. K5 to K8 cut out, as usual. 12mo. Rebound calf, marginal brown stng. to lower corner of each leaf & around the margins of the last few leaves but otherwise clean & a nice enough copy in a neat rebind. Bookplate of Charles Walmesley of Westwood (scientist & mathematician & Catholic Bishop of Rama). First Edition, A. Millar, 1757.

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Thomson Roddick Auctioneers & Valuers
Lot 22

NANSEN FRIDTJOF.  The First Crossing of Greenland. Frontis & illus. Orig. maroon cloth. 1897; also 8 various vols., works of Charles Darwin.

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Thomson Roddick Auctioneers & Valuers
Lot 229

VOLNEY C-F.  Travels Through Syria & Egypt in the Years 1783, 1784 & 1785. 2 vols. 2 fldg. eng. maps & 3 fldg. eng. plates (incl. panorama of Palmyra), as required. 8vo with wide margins. Uncut & generally clean internally. Rebound calf. First English ed., 1787.

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Thomson Roddick Auctioneers & Valuers
Lot 235

(MORERI LEWIS).  The Great Historical, Geographical & Poetical Dictionary being a Curious Miscellany of Sacred & Profane History. 2 vols. in one. 2 rubricated titles. Folio. Rebound calf, worn internally with repairs to some pages, particularly the final leaves. When first published was "the first dictionary of facts that ever appeared". Henry Rhodes & Others, 1694.

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Thomson Roddick Auctioneers & Valuers
Lot 238

JOHNSON SAMUEL.  A Dictionary of the English Language. 2 vols. "By the Author" to both titles. Calf, gilt rebacking, tape strengthening internally at hinges. First Octavo Edition, 1756

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Thomson Roddick Auctioneers & Valuers
Lot 240

VOLTAIRE M. DE.  The Age of Lewis XIV. 2 eng. port. frontis. Rebound calf. First English Edition, 1752.

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Thomson Roddick Auctioneers & Valuers
Lot 267

GRAY THOMAS.  The Poems of Mr Gray, to which are prefixed Memoirs of His Life & Writings by W. Mason. Eng. port. frontis. Quarto. Calf, rebacked. 2nd (but first complete) Ed., 1775.

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Thomson Roddick Auctioneers & Valuers
Lot 269

BURNET GILBERT.  The History of the Reformation of the Church of England. Vols. 1 (The First Part) & Vol. 2 (The Second Part, 2nd ed.). Vol. 1 with eng. title (reps.) & 7 eng. port. plates (only?). Rubricated titles (some reps.). Folio. Calf, rebacked, internal browning & stng., particularly to vol. 2. Ex lib., 1679 & 1683.

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Thomson Roddick Auctioneers & Valuers
Lot 270

(WHITELOCKE SIR B.).  Memorials of the English Affairs or An Historical Account of what passed from the Beginning of the Reign of King Charles the First to King Charles the Second. Folio. Rebound calf, internal foxing & some wear. 1st ed., 1682.

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Thomson Roddick Auctioneers & Valuers
Lot 82

COLLINS W. (Pubs).  All Round The World. First Series. Maps & eng. illus. Quarto. Rubbed half brown morocco. 1868; also other leather bound vols.  (10).

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David Duggleby Auctioneers & Valuers
Lot 2319

2019 New Zealand's first gold quarter sovereign, with certificate Condition Report Click here for further images, condition, auction times & delivery costs

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Featonby's Auctioneers & Valuers
Lot 157

A VINTAGE TIN METAL BOOTS PURE DRUG CO LTD MANUFACTURING FIRST AID BOX (EMPTY)

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Featonby's Auctioneers & Valuers
Lot 82

20 DIFFERENT UK 2 POUND COINS FLORENCE NIGHTINGALE AND THE FIRST WORLD WAR ETC

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Sheffield Auction Gallery
Lot 330

'1909 England's First Flying Week, at Doncaster', Paper Handkerchief, by Eclipse Stationary, approximately 34cm square, Sheaffer pen, David Bryce miniature Holy Bible and Lectern, letter scales.

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Sheffield Auction Gallery
Lot 373

P.G. Wodehouse 'Nothing Serious', first edition with dustjacket, 'Money in the Bank' first edition with dustjacket and 'Summer Lightning', first edition; six others. (9)

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Sheffield Auction Gallery
Lot 411

Capt W.E John; Nineteen Biggles Titles, including Biggles Cuts it Fine (1954), Biggles Follows On (1952) Biggles and the Lost Sovereigns (1964), Biggles Goes to School (1951), Biggles Investigates (1964) and Biggles on Mystery Island (1958) all first editions in dust papers various conditions; Steeley Flies Again (July 1951) in dust jacket and two Gimlet editions. (22)

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Sheffield Auction Gallery
Lot 413

Enid Blyton; Eight Famous Five Editions, including three first editions; plus a quantity of other boys adventure hardbooks including J F C Westerman, Angus Macvicar, etc:- One Box

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Sheffield Auction Gallery
Lot 508

First Day Covers - Football club landmarks, Mexico '86, TT Races, Horse Racing etc, approximately thirty seven, plus stamps.

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Sheffield Auction Gallery
Lot 790

First War Medal to 2. Lieut. G.M.F. Hewart, 1902, Coronation medallion, novelty pig stopper (lacking cork), seal stamp.

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Henry Adams Auctions
Lot 272

Mackenzie Thorpe (b. 1956), landscape view of shepherd in silhouette beneath a vividly lit sky, 'First Light', limited edition colour print, numbered 311 / 395, inscribed and signed in pencil, 85cm by 115cm

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Henry Adams Auctions
Lot 385

A First World War British War medal 1914-1918, awarded to G.E. JEFFERSON. P.O.(SWS) R.N.V.R. a Menin Gate medal in remembrance Ypres 24.VII.27, an Ordnance badge, a compass, a T Force pass, and other items in a Christmas 1914 tin, a hip flask, a Military Vocabulary German-English dictionary by F.G. Zimmermann, and four Armed Services editions of novels including The Great Gatsby, I'm a Stranger Here Myself, The Asiatics, and The Razors Edge

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Beeston Auctions
Lot 1162

A limited edition Royal Worcester "The First Quadrille" figurine for Compton & Woodhouse, Ltd. 1992. Sculpted by N. Stevens. No. 9,323/12,5000. Approx. 21cm tall.

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Bonhams
Lot 30

A Schwarzburger Werkstätten figure of a hunterPre-1933Modelled by Paul Scheurich, wearing a yellow jacket, floral waistcoat, and black tricorn, a rifle slung over his right shoulder, on a stepped base, 26.5cm high, impressed factory mark, impressed model number U 45 and 1916 in blue, incised Scheurich to reverse of baseFootnotes:The present model and its female counterpart were the first two models Scheurich produced in porcelain at the Schwarzbuger Werkstätten in 1912. In fact the female counterpart of a huntress was his first model to be created in porcelain at all. He had had it made as a sample at his own cost at the Berlin porcelain factory, who subsequently refused to buy the model. And so it ended up at the Schwarzbuger Werkstätten under the direction of Max Adolf Pfeiffer, who was looking for new young talent.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 35

A Bloor Derby figure of John WilkesEarly 19th CenturyStanding with his right hand resting on two scrolls inscribed 'MAGNA CHARTER' and 'BILL OF RIGHTS', a putto holding the Cap of Liberty at his feet, 27cm high, printed red mark Footnotes:First issued in 1764, this model is after the portrait by Nathaniel Dance, in the manner of Scheemaker's marble of Shakespeare.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 362

Omega. Two 'Constellation' automatic wristwatchesThe first with stainless steel case, reference: case no. 167.005, movement 24416208Movement: 24 jewel cal. 551 automatic wind movement, together with another gold plated and stainless steel example Reference: case no. 14381 6 SC, movement 17369017Movement: 24 jewel cal. 551 automatic wind movement Size: 36mm and 37mm diameter (2)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 372

Hamilton and Illinois. Two late 19th/early 20th century 14k white gold American open faced keyless pocket watchesThe first example inscribed 'Hamilton' to dial, with Arabic numerals, 22-jewel, lever escapement with cut and compensated bi metal balance, serial no. 3000185, 'Made in the USA', with rolled gold chain, together with a nickel plated pen knife and another similar example inscribed to the dial 'Illinois', 21-jewel movement, serial no. '3869741', 44m and 45mm diameter, 59g and 54g (2)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 4

A Hanau faience chargerCirca 1680-1700Of pleated shape, decorated with an elaborate bucolic landscape with figures in various pursuits, all surrounding a large centrally placed tree, 35cm diameterFootnotes:Provenance:The Sperling Collection, MunichA highly comparable pleated dish is illustrated in Uta Piereth et.al., Museum Deutscher Fayencen in Schloss Höchstädt (2010), p. 46. The first German faience factory was founded in Hanau in 1661. The Dutch entrepreneurs Daniel Behaghel and Jacobus van der Walle asked for a license to produce 'Porcelain-Backerey'. Friedrich Casimir, Graf von Hanau was the first to react, and thanks to the participation of very capable Dutch workmen the factory soon achieved a high level of faience production.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 58

A Derby biscuit group of Two Bacchantes adorning a bust of Pan, and a Derby biscuit group of MusicCirca 1775-80The first group after Angelica Kauffmann, 32.5cm high, incised N 196, the Music group 25.5cm high, incised 17 (2)Footnotes:The Derby sale catalogue for May 1778 included 'One large group of two Bacchantes dressing Pan with a garland of flowers, in biscuit £1 15s 0d'For further information on this lot please visit Bonhams.com

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Bonhams
Lot 94

Two ale glasses and a ratafia glass18th CenturyThe first with plain stem engraved with hops and barley, the second with opaque twist stem, similarly engraved, the ratafia glass with narrow bowl and double series opaque twist stem, tallest 19.1cm (3)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 96

Two mixed twist wine glasses and an incised twist wine glass18th CenturyThe former both with central air twist enclosed by opaque white threads, the first with bell shaped bowl, the second with ogee bowl and moulded flutes, together with a wine glass with round funnel bowl on short, incised twist stem, tallest 18cm high (3)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 105

Michael Casson (British 1925-2003): a stoneware jug, and Walter Keeler (British, b.1942): a jug and leaning lidded jarThe first in blue saltglaze with incised wavy line and brown streaks, 43cm high, impressed MC seal, the Walter Keeler jug in blue/grey stoneware with a looped strap handle, 25cm high, the leaning jar in blue saltglaze and of cylindrical form, 16cm high impressed marks (3)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 109

Two 20th century Austro-Hungarian silver platters800 standard, with maker's marks of C.W and FR The first of pointed oval form with scrolling foliate border, length 69cm, the second of plain oval form, length 71cm, weight 100oz. (2)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 130

Omar Ramsden; a silver spoon with thistle terminal and two with ship terminals,London 1931, 1935 and 1937 respectively All of hammered finish, the first with rounded bowl 16cm long, the others with tapering handles and rat-tail to the reverse of the bowl, 14cm, weight 4.5oz. (3)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 140

Two silver salversby Henry Williamson Ltd, Birmingham 1923 and E.Viner, Sheffield 1963 The first with shell and scroll border, the second canted corner, together with a silver bread basket and a further American Sterling basket, weight 60oz. (4)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 159

Two 20th century silver salversby Mappin & Webb, Sheffield 1934, and Poston Products Ltd, Sheffield 1962 The first on three hoof feet and with Art Deco Border, diameter 31cm, the second with moulded edge, on four hoof feet, diameter 30cm, weight 51oz. (2)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 164

Two 20th century silver salvers with matching crestsby C.Bradbury & Sons, and H.Atkins, Sheffield 1938 The first circular with gadrooned rim, on three claw and ball feet, the second with moulded edge, on four scroll feet, diameter 32 & 26cm, weight 50oz. (2)For further information on this lot please visit Bonhams.com

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Cooper & Tanner
Lot 229

SHELF OF ITEMS TO INCLUDE OUTDOOR CLOCK, FIRST AID KIT, CLEANING EQUIPMENT ETC

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Cooper & Tanner
Lot 543

SHELF OF ITEMS TO INCLUDE FIRST AID KIT, CAT IN THE HAT BOOKS, DOLLS HOUSE, MILITARY STYLE BAG ETC

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