ROYAL DOULTON; HN370, 'Henry VIII', an extremely rare example, first version, model 271, issued 1920-38, height 20cm.This is a particularly rare figurine as this model was introduced in 1920 but in such limited numbers that fewer than five are known to exist. This example has an impressed date for 1919, making it a year before production, impressed model number 271, and is a colourway version of the 1920 HN370. The Royal Doulton book indicates that only one of these figurines is known. Provenance: Private collection. Condition Report: To request estimate, please submit a Condition Report request. Small shallow chip to the bottom of the cloak, small glaze fault to the reverse of the figure, light crazing to the glaze, otherwise good.
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ROYAL DOULTON; HN663, 'One of the Forty', twelfth version, 1924-38, model 327, a rare large example dated 3.24, making this the first year of production, height 28cm.Provenance: Private collection.Condition Report: For estimate, please submit a Condition Report request.Very minor glaze crazing, but good condition with no chips, cracks or restoration.
ROYAL DOULTON; HN636, 'Masquerade' (Male), first version, issued 1924-36, model 420, handwritten in black to base 'Masquerade HN636 Potted by Doulton & Co', with original Doulton label in very rare experimental highly burnished gold finish, circa 1920, a pre-production model, height 16.5cm.Provenance: Private collection.
T851 RCR - Renault Laguna 1.6 16v RT Sport car, in blue. First registered in May 1999, this five-door hatchback RT Sport edition originally boasted an upgraded 16 valve engine, rear spoiler, sun roof and air conditioning. This example in blue, with a mileage circa 60,000. Running condition unknown as has been stood for over a year. V5c not present (this message will be updated if it is located), one key, and original driver's handbook present. Last MOT expired 28th October 2002, which it passed with only one advisory (perished tyre). Important Notice: As a second-hand vehicle, buyers are reminded that such items are sold strictly 'as is' with no guarantees or warranties as to any aspect of its mechanical or electrical safety, or roadworthiness implied by Auctioneum or any agent, irrespective of any description, or written / verbal report.
Shaku Sōen (1860 - 1919)A Japanese painting with calligraphy, ink on paper, mounted as hanging scrolls, painted with side profile of Daruma looking up to the inscription atop of him, signed by the artist with three seals.66 x 47cm, with fitted wood box.cf. Shaku Sōen, or Kōgaku Shaku Sōen, was a rōshi of the Rinzai school and was abbot of both Kenchō-ji and Engaku-ji in Kamakura, Japan. He was on of the first Zen Buddhist masters to teach in the United States. Condition Report: Slight staining, creasing and foxing to the painting, yellowing, fraying and staining to the top section of the back of the mount, commensurate with age.
Tomioka Tessai (1836 - 1924)A Japanese landscape painting, ink on paper, mounted has hanging scroll, depicting two scholars sitting on a cliff admiring the rushing waterfall, inscribed and signed Tessai Gaishi with two seals of the artist and two other seals.130 x 63cm, with inscribed fitted wood box.cf. Tomioka Tessai is regarded as the last major artist in the Bunjinga tradition (also Nanga, under the influence of Chinese wenrenhua, literati paintings) and one of the first major artists of the Nihonga (Japanese style). Condition Report: Creases to the painting, otherwise good condition.
A Chinese iron red enamelled 'shou' cupQing dynasty, Daoguang mark and periodWith a short straight foot rising to gilded foliate rim, painted to the exterior with shou characters in various fonts, the six-character seal mark in iron-red to base.6.7cm diameter.Provenance: the Collection of Mengbi (1888-1970).Mr. Mengbi (1888-1970) was the grandfather of the present owner. A native of Shunde, Guangdong, he moved to Malaysia in 1906 and founded Malaysia's first integrated rubber factory in 1921, which is still run by his family today. He was very fond of art, so he became an avid collector and associated with literati and artists, amongst whom Wen Yongchen, Xu Beihong and Liu Haisu.清道光 礬紅描金繪壽字紋杯,礬紅「大清道光年製」篆書款夢弼先生(1888-1970)乃現藏家祖父。廣東順德人,一九〇六年南下馬來西亞,一九二一年創立大馬首個集成橡膠廠,至今仍由其家族經營。夢弼性耽藝術,好收藏。喜交文人雅士,於藝術家溫永琛,徐悲鴻及劉海粟相交。Condition Report: 品項報告There are hairlines from the rim, wear to the enamel. Please request extra images from the department for a full overview.
A Chinese blue and white ‘landscape’ baluster vaseQing dynasty, 19th centuryRising from a short stepped foot, painted to the body with a cowherd pulling a buffalo crossing the bridge, fisherman within a watery landscape, double circle in underglaze blue to base.25cm high, wood stand.Provenance: from the collection of one of the first diplomats to the People's Republic of China in the early 1950s, and thence by descent.清十九世紀 青花繪人物山水圖紋瓶連木座來源:1950年代駐中國大使私人收藏,後傳承至現藏家。Condition Report: A hairline of approx. 1.5cm from the mouth rim. Firing imperfection including iron spots and pitting to the surface. Minor scratches to the glaze commensurate with age.
A small Chinese blue and white silver-mounted bottleQing dynasty, Kangxi period, H mark to baseThe cylindrical body painted with lappet-shaped medallions variously enclosing flowering prunus, peony, chrysanthemum, finger citron and lotus.12.5cm high.Provenance: from the collection of one of the first diplomats to the People's Republic of China in the early 1950s, and thence by descent.清康熙 鑲銀青花瓶來源:1950年代駐中國大使私人收藏,後傳承至現藏家。 Condition Report: The porcelain unexamined under mount. Light surface wear.
A Chinese blue and white rouleau vaseLate Qing dynastyPainted in underglaze blue with an elegant lady and her attendant greeting two warriors as their horse grazes. 37cm high. Provenance: from the collection of one of the first diplomats to the People's Republic of China in the early 1950s, and thence by descent.清晚期 青花繪人物故事圖紋棒槌瓶來源:1950年代駐中國大使私人收藏,後傳承至現藏家。Condition Report: general expected firing imperfections including light warping, some pitting to the surface and scattered iron spots
A Chinese blue and white ‘landscape’ baluster vaseQing dynasty, 19th centuryRising from short stepped foot, painted with trees and houses below mountainous to one side, a figure crossing the bridge over water to the reverse, four character shop mark reading shun li ku ji in underglaze blue to base.25cm high, with wood stand.Provenance: from the collection of one of the first diplomats to the People's Republic of China in the early 1950s, and thence by descent.清十九世紀 青花繪山水人物圖紋瓶,青花楷書「順利坤記」款來源:1950年代駐中國大使私人收藏,後傳承至現藏家。Condition Report: An area of restoration to the mouth rim with overpainting of approx. 8.5cm across, nibbling to the foot. general surface wear commensurate with age. Firing imperfection including pitting and iron spots.
Two Chinese flamblé-glazed baluster vasesQing dynasty, 19th centuryThe first with a flared neck over a cylindrical body, covered overall in a finely crackled red glaze thinning to white at the rim, unglazed base; the second with bulging rounded shoulders under a flared neck and above a splayed foot, covered overall in a glassy red glaze, the base with creamy crackled glaze. 38cm and 37cm high (2).清十九世紀 窯變釉瓶兩件Condition Report: the first with firing imperfections including fine crackling to the glaze and an extensive silverish glaze pitting throughout, a roughly 7cm wide u-shaped mouth section broken off and restuck, foot rim and glaze have typically been chipped off as consistent with type when the glaze pools in the firing process, roughly 2cm crack to the base; the second with general expected firing imperfections including crazing, nibble to the glaze on the mouth rim roughly 0.5cm, large pit to the interior of the mouth, two rim hairlines joining at the bottom in a u-shape with a couple of further associated hairlines, shallow chips to exterior of foot rim.
A Chinese Canton famille rose baluster vase and coverQing dynasty, 19th centuryPainted to the exterior with cartouches depicting birds and court scenes in pavilion and garden settings on floral and foliate grounds, beneath a band of dragons amidst clouds, with a gilt Buddhist-lion shaped finial and bronze mount.15.2cm highProvenance: from the collection of one of the first diplomats to the People's Republic of China in the early 1950s, and thence by descent.清 十九世紀 廣彩花鳥人物紋蓋瓶來源:1950年代駐中國大使私人收藏,後傳承至現藏家。 Condition Report: The base is glued to the stand. A long U-shaped hairline (approx. 80mm) and a Y-shaped hairline (appro.15mm) to the mouth rim. Nibbles to the footrim. Some wear to the enamel commensurate with age
Two Chinese armorial platesQing dynasty, Kangxi period, circa 1720 and Qianlong period, circa 1750The first bearing the arms of Pitt, Baron Londonderry, with Ridgeway in pretence above the motto AMITIE; the second enamelled and gilt with the arms of Skinner (2).22.2cm diameter and 17cm wide.清康熙約一七二零及乾隆約一七五零 徽章盤兩件Cf. the first, D. S. Howard, Chinese Armorial Porcelain, Vol. I, London, 1974, p. 184, B9. The second, ibid, p.466.Condition Report: The first with small rim chip and associated hairline, approx. 40mm long. The second riveted through middle. Expected surface wear and nibbling to edges.
A Chinese en-grisaille, gilt and reouge-de-fer 'Ovando' armorial plate for the Spanish marketQing dynasty, Qianlong period, circa 1750Enamelled and gilt to the centre with the coat-of-arms of José de Ovando y Solís, 1st Marquis of Ovando (1693-1755), with a marquis coronet as a crest, surrounded by an elaborate diamond trelliswork and framed by rococo scrolls and the letters OBANDO in gold, the rim with elaborate border with peacocks and daisies, based on border designs of the Royal Vienna porcelain factory founded in 1717.29cm diameter.清乾隆約一七五零 外銷西班牙墨彩描金繪奧萬多(Ovando)家族徽章盤José de Ovando y Solís, 1st Marquis of Ovando (1693-1755) was born in Cáceres in Spain and took part in the Spanish War of Succession ((1701 - 1714), siding with the Austrians. He chose a career in the military, enlisting in the Regimen of the Crown and later in the naval battalions, soon rising through the ranks to become governor of the South China Sea in 1743, then Governor of Chile two years later, and Governor General of the Philippines between 1750-1754.This plate comes from the first of two services ordered by him, probably when he first arrived in Manila in 1750.This service is illustrated by Jorge Welsh & Rocio Diaz in Chinese Armorial for Spain (Jorge Welsh Books, London and Lisbon, November, 2010, n. 10, pp. 130-133), with a cup from the V&A and a plate from a private collection.A number of pieces from this service are in museum collections worldwide, including the Museo Nacional de Artes Decorativas (Madrid), the Victoria & Albert Museum (London), The Museo Historico de Acapulco – Fuerte de San Diego (see, Porcelain de la Compana de Indias para Mexico, exhibition catalogue Instituto national de Antropologica, Historia Mexico City, 2002, p. 74).Condition Report: Rim hairline, approx 10cm long. Some fritting and small chip to rim. Expected firing imperfections and light wear with some rubbing to enamel and gilt.
Three Chinese famille rose export ewers, including two armorial ewersQing dynasty, 18th centuryThe first, enamelled with insects over bunches of flowers; the seecond, in the shape of a gravy boat, with a coat of arms of Justice and another figure by a floral medallion surmounted by a bird holding a flower in its beak; the third with the coat of arms of a double-headed black eagle surmounted by a crown.15cm high, 16.5cm wide and 22cm high (3).清十八世紀 外銷粉彩執壺三把
A Chinese robin's egg-glazed stand and a hexagonal turquoise-glazed standQing dynasty, 19th centuryThe first formed as a kang table with channeled top and reticulated aprons; the second, with circular aperture to the centre, standing on six human mask corner legs.7cm long and 11.5cm wide (2).清十九世紀 爐鈞釉底座及松石綠地八方底座
A Chinese famille rose browliner pot and a Japanese celadon-glazed double gourd vaseQing dynasty, 19th century and Meiji/Taisho periodThe first, enamelled with a sage and boy attendant; the second, carved to the lower body with tall flowers swaying in the wind.11.5cm and 15.5cm high (2).清十九世紀及明治/大正時期 粉彩繪人物故事圖紋眉插及模印青花葫蘆瓶
A Chinese clair-de-lune-glazed vase and a Chinese celadon-glazed archaistic vaseLate Qing dynasty/Republic period, apocryphal Qianlong seal marksThe first with subtle archaistic impressed scrolls to the globular mid-section, the base with underglaze blue six-character seal mark; the second with paired loose-ring-and-dragon handles under the tall mouth rim and incised lotus scrolls to the pear-shaped body, the base with incised six-character seal mark.The first, 17.5cm high, the second 23.5cm high (2).晚清/民國 天藍釉瓶及青釉雙耳瓶,「大清乾隆年製」寄託款Condition Report: Both with expected firing imperfections and surface wear. The clair-de-lune vase very slightly warped.
Two small Chinese famille rose faceted vasesRepublic period, apocryphal Qianlong marksThe first potted as a bottle vase with faceted lower body, enamelled overall with flowers on brocaded and dotted grounds, the base with iron-red Qianlong seal mark; the second of diamond-section pear shape, enamelled with a dragon and a phoenix on a black brocaded ground dotted with flowerheads, the base with iron-red four character seal mark.12.3cm and 11.5cm high (2).民國 粉彩繪龍紋及花卉圖紋,礬紅「乾隆年製」寄託款Condition Report: The first with a small glaze nibble to the exterior of the mouth. Both with mild firing imperfections and some surface wear including rubbing to enamels.
A Chinese semi-eggshell enamelled 'landscape and poem' globular jarletRepublic period/20th century, apocryphal Qianlong markEnamelled with a young scholar and his attendant on a boat in a river dotted with willows, the reverse with a Qianlong poem and apocryphal Qianlong date, the base with the seal mark in iron red within a square.7.5cm high.Provenance: from the collection of one of the first diplomats to the People's Republic of China in the early 1950s, and thence by descent.民國/二十世紀 題詩粉彩繪山水圖紋罐,「乾隆年製」寄託款來源:1950年代駐中國大使私人收藏,後傳承至現藏家。Condition Report: Minor rubbing to enamels and gilt otherwise generally good.
A Chinese amber-glazed 'tiger' incense burner and cover, a Japanese black and slip-decorated stoneware tapering vase with garlic mouth, a Chinese green-glazed stoneware beaker, gu, and a pair of Japanese celadon-glazed incense burners with reticulated coversLate Qing dynasty and Meiji periodThe first modelled as a seated tiger, with detachable head with open fangs; the second of tapering cylindrical form painted in slip with qilins amongst clouds and covered overall in a glassy black glaze stopping at the foot to reveal a grey body on the base; as a recumbent animal; the third of square section, moulded underneath the translucent, emerald-green glaze with archaistic motifs; the pair of incense burners of rectangular section, moulded with flowers to one side and flanked with pairs of upright loop handles, the reticulated covers with Buddhist Lion finials, the bases left unglazed.16.5cm high, 32.5cm high, 31.5cm high and 12.5cm wide (5).清晚期及明治時期 中國及日本雜項一組
A pair of 19th Century French gilt bronze table lamps in the Louis XV Rococo taste by Gagneau of Paris 60.5 cm high together with another to match (the first two with block capital signature to base, the third with Italic signature to base) CONDITION REPORTS All three have pitting, patination and some verdigris. All wires have been cut. The pair are missing finials. General wear and tear conducive with age and use. See images for further detail.
GRAHAM TURNER "Fishing tackle - the ultimate collector's guide" first edition published 2009 by Cliff Moulder tooled and gilded clothboard bound (including many illustrations of rods, reels and requisites various with many fine illustrations/photographs particularly from auction catalogues including Moore Allen & Innocent one owner sale on behalf of the Assets Recovery Agency Tuesday 11th March 2008, Christie's and others)
Two boxes of various cartridges including five boxes of 25 Hull Cartridge High Pheasant 30g 6 shot cartridges, plastic wad, four boxes of 25 Lyalvale Express Special Game 12 bore cartridges 30g 6 shot, fibre wad, one box of 25 Eley First 28g 8 shot fibre wad clay shooting cartridges and a small quantity of various others (REQUIRES PRODUCTION OF A CURRENT SHOTGUN / RFD LICENCE PRIOR TO RELEASE FROM THE AUCTION ROOMS)
A pair of 20th Century French walnut grey veined white marble topped pot cupboards with drawers over cupboard doors enclosing a pottery lined interior on carved cabriole legs to scroll feet, each 41.5cm wide x 39cm deep x 89cm high CONDITION REPORTS First cupboard with repaired crack horizontally around half way. Chips to left side particularly and scratching to the surface variously throughout the marble. See images for further detail. Main body of piece in good condition throughout though with signs of wear and tear conducive with age and use. Pottery interior intact though again with some surface scratching to the glaze. See images.Second cupboard - marble intact though with some surface scratching, arguably slightly darker in colour. Otherwise similar condition. Cupboard itself again in good condition throughout though with signs of wear and tear conducive with age and use and some scratching to the glaze of the pottery to the interior. Otherwise basically sound.
A collection of Hasbro My Little Pony figures, accessories and playset together with other toys from that era. Lot includes 10 mostly first generation pony's, School House Playset (a/f) and a small number of parts and accessories, together with a Barbie Swing & Twirl Tika Elephant, M.I.G. plastic stable, and a Vivid Imaginations Fluffy Surprise figure.

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596780 item(s)/page