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Lot 184
Two gem set rings, the first ring is set with diamond chips and turquoise in a pierced-out half hoop setting on an 18ct yellow gold mount, ring size N 1/2. The second cluster ring has a central round dark Sapphire with four 8-cut diamonds set into the surrounding a pierced out under gallery on a split shoulder yellow metal mount stamped 18ct & Plat, ring size M.Total weight of the items 5.7 grams (2)
Lot 193
Two pairs of cultured pearl earrings and a pearl-set ring; the first consisting of disc-like button cultured pearl of 9.7 mm, with a stylised surmount in yellow gold fitted with peg and butterflies, London hallmarked '585', drop length 2.4 cm; the second pair comprises of round cultured pearls of 8.0 mm, fitted with post and butterflies, marked as '14K', A pearl-set ring featuring a semi-baroque pearl in a swirl mount to flat shank, marked '14K', ring size O½. Total weight of items 10.0 grams (3).
Lot 221
Two diamond set rings, the first ring features five old cut diamonds in a half hoop engraved setting on a yellow metal stamped 18ct mount, ring size O 1/2. The second daisy head ring is set with 7 old cut diamonds in a pierced out collet on a slightly tapering yellow metal band stamped 18ct, ring size J 1/2 Total weight of the items 4.4 grams
Lot 248
Two gem set rings, the first ring is set with old cut diamonds and Sapphires in a pierced-out half hoop setting on an 18ct yellow gold mount, ring size K. The second modern half hoop ring is set with synthetic peridots and opals on a 9ct yellow gold mount, ring size P.Total weight of the items 4.8 grams
Lot 270
Two gem-set 18ct gold rings; The first consists of an oval-shaped faceted synthetic sapphire within a surround pavéd with white stones, shoulders with scrollwork details to tapering flat shank, London hallmarked '750', 1983, size P; together with a five-stone half hoop ring, claw set with cubic zirconias to a tapered flat shank, marked '750', size O½. Total weight of items 8.6 grams (2).
Lot 326
Two 18th-century open-face pocket watches and an Elgin full hunter pocket watch. The Elgin hunter pocket watch features a keyless movement-signed Elgin Natl. Watch co No:1415590 with a white enamel dial in a base metal case measuring 54mm. The first open-face pocket watch is hallmarked silver London in 1797 with a key wound movement and white enamel dial, the second open-face pocket watch features a key wound movement with a white enamel dial. (3)Repair / restoration pieces
Lot 346
A Rolex Sea-Dweller Submariner 2000 - Double Red - Reference: 1665 from 1968. Featuring an automatic 26 jewelled Swiss-made movement, caliber: 1570, in a 39.5mm stainless steel 'thin' case with the first ever helium escape valve (HEV) at 9 o'clock on the case side. The Mark II dial features the 'double red' printed Sea-Dweller on the first line, and Submariner 2000 on the second with a black dial, luminous hour markers and a date aperture at 3 o'clock, all covered with an acrylic glass surrounded by a bidirectional, black aluminium insert bezel with 60-Minute Scale. All on the original stainless steel Oyster Rolex bracelet, reference 93150, end links stamped 580 with a stainless steel Rolex flip lock with extendable deployment clasp, stamped 93150, SU11.Year: 1968Model: 1665Serial: 1760296Case back interior engraved with last three numbers of the serial: 296Case interior also engraved: 1665 IV.67Case back Engraved: "Rolex Patent"This beautifully aged Double Red 1968 model, belonged to a sculptor called Peter William Nicholas who worked in and amongst the likes of Barbara Hepworth. It was bought new and comes to Dawsons directly from Peter's family. Nicholas is widely known in Wales for such iconic pieces as the statue of Ivor Novello in Cardiff Bay, and the Eddie Thomas sculpture in Merthyr Tydfil. The artist is seen wearing the watch in the additional images supplied by the family.The watch appears to be in good working order, no long-term tests have not been performed and accuracy cannot be guaranteed, a full service is advised on all watches and pocket watches once purchased.The hands appear to have been replaced at some point, all else seems originalNo box or papers, owned by the vendor since new.
Lot 81
Two cultured pearl necklaces with gem-set clasps; the first consists of a strand of cream-coloured round pearls of 6.7 mm with pink overtones, hand-knotted to an 18ct yellow gold figure-of-eight box clasp, set with sapphires and diamonds, Birmingham hallmarked '750', measuring 47.5 cm in length; the other comprises double strands of 6.8 mm pearls in cream colour, hand-knotted to a square box clasp, set with ruby and single-cut diamonds, measuring 58.5 cm long. Total weight of items 111.2 grams (2).
Lot 1201
Thomas Daniell R A (British 1749-1840) and William Daniell (British 1769-1837): VIEWS IN INDIA, Twelve uncoloured aquatints bound into a contemporary folio and one detached "VIEW TAKEN NEAR THE CITY OF SIRINAGUR", Plate No. XXIV. from the fourth set of Thomas Daniell's 'Oriental Scenery.' Drawn and engraved by Thos. & Wm. Daniell, Published as the act directs by Thos. Daniell R.A. Howland Street, Fitzroy Square, London, . Jan.1 1805 , Platemark 48.5cm, sheet 52cm x 73cm, surface dirt, top right corner folded. "THE WESTERN ENTERANCE OF SHERE SHAH'S FORT, DELHI", Plate No. XIII. from the first set of Thomas Daniell's 'Oriental Scenery.' Drawn and engraved by Thos. Daniell, Published as the act directs for Thos. Daniell R.A. by Robt Bowyer at the Historic Gallery, Pall Mall, March 1796, Platemark 48.5cm x 65.5cm, sheet 52cm x 73cm,surface dirt, top right corner folded. "THE SACRED TREE OF THE HINDOOS AT GYAH, BAHAR" Plate No. XV. from the first set of Thomas Daniell's 'Oriental Scenery.' Drawn and engraved by Thos. Daniell, Published as the act directs for Thos. Daniell R.A. by Robt Bowyer at the Historic Gallery, Pall Mall, May 1796, Platemark 48cm x 63cm, sheet 52cm x 73cm, surface dirt, top right corner folded. "AN HINDOO TEMPLE, AT MADURA" Plate No. XVI. from the second set of Thomas Daniell's 'Oriental Scenery.' Drawn by Thos. Daniell, Engraved by Thos. & Wm. Daniell, Published as the act directs by Thos. Daniell, Howland Street, Fitzroy Square, May 1798. Platemark 48.5cm x 65cm, sheet 52cm x 73cm, surface dirt, top right corner creased. "LUCNOW TAKEN FROM THE OPPOSITE SIDE BANK OF THE RIVER GOOMTY", Plate No. XVII,from the third set of Thomas Daniell's 'Oriental Scenery.' Drawn and engraved by Thos. & Wm. Daniell, Published as the act directs by Thos. Daniell R.A. Howland Street, Fitzroy Square, London, . Dec. 1 1802 , Platemark 48.5cm x 65cm, sheet 52cm x 73cm,surface dirt, top right corner creased. "TREMAL NAIG'S CHOULTRY, MADURA", Plate No. XVIII, Plate No. XVII,from the second set of Thomas Daniell's 'Oriental Scenery.' Drawn by Thos. Daniell, Engraved by Thos. & Wm. Daniell, Published as the act directs by Thos. Daniell, Howland Street, Fitzroy Square, November 1798. Platemark 48cm x 65cm, sheet 52cm x 73cm, surface dirt, top right corner creased. "THE OBSERVATORY AT DELHI", Plate No. XIX. from the fifth set of Thomas Daniell's 'Oriental Scenery.' Drawn and engraved by Thos. Daniell R. A. & Wm. Daniell, Published as the act directs by Thos. Daniell, Howland Street, Fitzroy Square, London. Dec 1 1808. Platemark 48cm x 65cm, sheet 52cm x 73cm, surface dirt, top right corner creased. "THE OBSERVATORY AT DELHI", Plate No. XX, from the fifth set of Thomas Daniell's 'Oriental Scenery.' Drawn and engraved by Thos. Daniell R. A. & Wm. Daniell, Published as the act directs by Thos. Daniell, Howland Street, Fitzroy Square, Dec 1 1808. Platemark 48cm x 65cm, sheet 52cm x 73cm, surface dirt, top right corner creased. "A PAVILLION, BELONGING TO AN HINDOO TEMPLE", Plate No. XXI. from the fifth set of Thomas Daniell's 'Oriental Scenery.' Drawn and engraved by Thos. Daniell R. A. & Wm. Daniell, Published as the act directs by Thos. Daniell R.A. Howland Street, Fitzroy Square, London, . Dec. 1 1808 , Platemark 65cm x 48.5cm, sheet 52cm x 73cm,surface dirt, bottom right corner creased. "THE GREAT BULL, AN HINDOO IDOL, AT TANJORE", Plate No. XXII. from the second set of Thomas Daniell's 'Oriental Scenery.' Drawn by Thos. Daniell, Engraved by Thos. & Wm. Daniell, Published as the act directs by Thos. Daniell, Howland Street, Fitzroy Square, July 1798. Platemark 48cm x 65cm, sheet 52cm x 73cm, surface dirt, top right corner creased. "A MINAR AT GOUR" Plate No. XXIII, from the fifth set of Thomas Daniell's 'Oriental Scenery.' Drawn and engraved by Thos. Daniell R. A. & Wm. Daniell, Published as the act directs by Thos. Daniell R.A. Howland Street, Fitzroy Square, London, . Dec. 1 1808 , Platemark 48cm x 65cm, sheet 52cm x 73cm,surface dirt, bottom right corner creased. "THE GREAT PAGODA, TANJORE", Plate No. XXIV. from the second set of Thomas Daniell's 'Oriental Scenery.' Drawn by Thos. Daniell. Engraved by Thos. & Wm. Daniell, Published as the act directs by Thos. Daniell, Howland Street, Fitzroy Square, December 1798. Platemark 48cm x 65cm, sheet 52cm x 73cm, surface dirt, top right corner creased, bottom left corner folded."PART OF THE PALACE IN THE FORT OF ALLAHBAD", Plate No. VIII.from the first set of Thomas Daniell's 'Drawn and engraved by Thos. Daniell, Published as the act directs for Thos. Daniell R.A. by Robt Bowyer at the Historic Gallery, Pall Mall, September 1795, loose and in poor condition with tears, fold and one corner and some edges lacking
Lot 1259
Henry Wallis RWS (British, 1830-1916), artist's sketchbook, mainly comprising landscape and architectural pencil sketches, as well as other smaller studies including human figures and objects, with two watercolour drawings depicting Egyptian motifs, sheet size 12.5 x 17cm approximately per page. In total, the sketchbook comprises 34 sketches and studies, with some pages double-sided.Provenance: given to the vendor by a descendent of the artist.Catalogue note: Wallis was a noted Pre-Raphaelite painter, writer and collector, perhaps best known for 'The Death of Chatterton' of 1856. he was an extremely well-regarded painter in his lifetime, counting John Ruskin and William Morris among his friends and admirers. In contrast to other artists in the Pre-Raphaelite circle, Wallis was notable for prioritising historical accuracy in his work. He is also remembered for his travels to Egypt, as well as his friendship with prominent archaeologists of the period. This sketchbook testifies to these interests, vividly conveying the artist's first impressions of Egypt.
Lot 1018A
QE II Silver Jubilee plate, cased, set of QE II Silver Jubilee spoons, cased, HRH The Princess Anne and Captain Mark Phillips marriage plate, cased, Set of Queens Beasts spoons, cased, set of The American Royal Family spoons, cased, and a folder of John Pinches, Great Britons Medallic first day covers Approx. 56oz 2021gm
Lot 1000
Three 1930s ladies vintage black dresses, the first in chiffon with inset lace panels to the bodice and sleeves with a deep lace trim to the skirt, approximate size 14/16, the second in black chiffon and lace, approximate size 12/14, and the last a full length evening dress in chiffon and lace approximate size 10. S/D (3)
Lot 1001
Four 1930s ladies vintage dresses, the first in black lace over a black chiffon underdress, approximate size 12, a full length black lace dress approximate size 12, a black taffeta underdress with applied floral panels, approximate size 12, and a black taffeta evening dress embroidered with pink hydrangea, the shoulder and skirt hem with net detailing, S/D. (4)
Lot 1049
Three 1920s Art Deco beaded bags, the first with a floral abstract design, the second in pink with silver fleur-de-lys and the third in blue with a silver zig-zag pattern, largest length 30cm, together with a beaded coin purse, two beaded panels and a Players cigarette tin containing loose seed beads. (qty)
Lot 1065
Five assorted ladies lingerie garments, to include a pair of 1920s Courtauld's bloomers in pink with floral soutache motifs, two pairs of 1920s/30s tap pants the first in peach silk and the second in pale pink silk, a 1930s cream silk and ecru lace boudoir robe and an Edwardian white cotton and lace camisole with pink ribbon. (5)
Lot 119
Two early 20th Century naive boxes and covers, the cylindrical forms imitating tree trunks with gnarled branches and stumps with ochre slip panels, the first incised 'Take a pipe T. Lewis 1921' and the second 'Mr Charles Vickers *** House Great-Saughall Cheshire', both unmarked but in the style of Ewenny, tallest 22cm, both S/D. (2)
Lot 27
Two 19th Century Flight Barr & Barr Worcester decorative rosewater sprinklers, the first decorated with a hand painted view titled Red Castle Hawkstone Park, Shropshire to one side and Ullswater Lake Cumberland to the reverse, the second with cartouche panels of birds, both against a royal blue ground, both with painted marks, both 9cm, both S/D and restored.
Lot 448
Dickens, Charles - 'The Mystery of Edwin Drood', published by Chapman and Hall, London, 1870, first edition, illustrated by Sir Luke Fildes, original illustrated blue paper magazine cover and advertisements bound in, half bound green calf and green cloth boards, 4to, also Dickens, Charles - 'Little Dorrit', published by Bradbury and Evans, London, 1857, first edition, half bound green calf and marbled boards, 4to. (2)
Lot 451
Potter, Beatrix - 'The Tale of Johnny Town-Mouse', published by Frederick Warne and Co., Ltd., London, 1918, first edition, second state, pale blue boards with inset illustration, with the N in London present. p.39 with quotes before first line and p.51 without quotes before first line, dust jacket present but torn and with losses, small 8vo, also four other books by Beatrix Potter. (5)
Lot 463
Bowdler Sharpe, R. - 'A Hand-Book to the Birds of Great Britain', published by Edward Lloyd Ltd., London, 1896, four volumes, rebound in half leather and black cloth boards, 8to, also Bannerman, David A. - 'The Birds of the British Isles', published by Oliver Boyd, 1953, first edition, eleven of the twelve volumes to the set (volume V missing). (15)
Lot 473
Methuen & Co. (Publishers) -'The Brothers Dalziel: A Record of fifty years work in conjunction with many of the most distinguished artists of the period 1840 - 1890', first edition, 1901, blue cloth boards, large 4to, also two copies of Dalziel's Illustrated Goldsmith and Macdonald, George - 'At the Back of the North Wind', published by Blackie and Son Ltd., circa 1900. (4)
Lot 480
Maeterlinck, Maurice - 'Hours of Gladness', published by George Allen & Co. Ltd., London, 1912, first edition, illustrated by E. J. Detmold, illustrated cream cloth boards, 4to, also Rackham, Arthur (illustrator) - 'Some British Ballads', published by Constable & Co., London, circa 1919, blue cloth boards and Folkard, Charles (illustrator) - 'Grimm's Fairy Tales', published by Adam & Charles, Black, London, 1911, illustrated boards. (3)
Lot 9
A 19th Century small Chamberlain Worcester drum shaped inkwell decorated with a hand painted scene of Oxford, painted mark, diameter 5cm, together with two larger drum shaped inkwells, the first Flight & Barr decorated with a painted grey veined marble, painted Flight & Barr, Coventry Street London, Barr Flight & Barr Worcester, Manufacturers to their majesties & Royal Family, diameter 7.7cm, the second decorated in orange with a gilt overlay pattern, incised B mark, diameter 8cm. (3)
Lot 999
Three 1930s ladies vintage black dresses, the first in velvet with a waistcoat type bodice fastening with poppers beneath a panel of buttons, approximate size 14, the second in satin with an inset panel to the shoulder and V shaped lace panels to the skirt, approximate size 14, and the last in satin formed as a bodice and skirt, possibly an alteration to a Victorian garment, approximate size 14. (3)
Lot 611
Led Zeppelin - their first rare and highly collectable album with the turquoise sleeve lettering, on red and maroon Atlantic label, superhype publishing credit, condition: side one has light scuff marks, side two the same, cover is slightly discoloured and some creasing to the front, edges are buffered, cover and vinyl appears vg plus.
Lot 105
Christopher Hewetson, 1737 – 1798, zug. und WerkstattPortrait des John Campbell, 1. Baron Cawdor FRS FSA (um 1753 - 1821)Höhe: 68 cm.Portrait des John Campbell, 1. Baron Cawdor FRS FSA (um 1753 - 1821).Christopher Hewetson führte eine Büste von John Campbell aus, als dieser 1784 zum ersten Mal Rom besuchte. Die erste Version wird in Cawdor Castle in Nairnshire, Schottland (Roscoe, S. 611) verwahrt. Diese weitere fast identische Version zeichnet sich durch die Abwesenheit der Signatur aus, jedoch bei ähnlich guter Qualität. Von Hewetson wissen wir, dass er Büsten mehrfach ausführte und dann nicht zwangsläufig signierte, wie dies für die Büste von Papst Clemens XIV verbürgt ist. Auch die Marmorbüste von Frau von Kniphausen ist nicht signiert.John Campbell, der später der erste Baron Cawdor of Castlemartin wurde, war italophil und bereiste Italien mehrfach in seinem Leben und wurde zum Beispiel der erste britische Förderer von Antonio Canova. Er bestellte bei dem Bildhauer einige seiner vortrefflichsten Werke wie „Cupido und Psyche“ (Louvre, Paris, Inv.Nr. MR 1777) oder die „Hebe“ (Chatsworth, Trustees of the Devonshire Settlement). Zu Beginn des 19. Jahrhunderts war er einer der größten Landbesitzer Großbritanniens und besaß sowohl die riesigen Ländereien Stackpole Court und Golden Grove in Wales als auch Cawdor Castle in Schottland. Dennoch litt Campbell unter Geldsorgen und war 1800 gezwungen, einen Großteil seiner Kunstsammlung zu verkaufen, darunter auch die Lante-Vase, die sich heute in Woburn Abbey befindet. Canova sprach in einem Brief an Mengs im Juni 1787 über Campbell: „Mein Kopf ist immer noch voll von der guten Zeit, die der Colonel [Campbell] mir geschenkt hat, Gott segne ihn, und ich werde ihn nie vergessen, komme was wolle. Wenn es wahr ist, dass Freundschaft und Dankbarkeit die Lebensgeister eines Menschen heben können, dann werde ich, wenn ich meinen Meißel in die Hand nehme, um für den Colonel zu arbeiten, besser arbeiten, als ich je gearbeitet habe, und vielleicht besser, als ich je für irgendjemand anderen arbeiten werde“ (zitiert in Davis, S. 50). Campbell besuchte Rom zum ersten Mal im Jahr 1784, und es wird angenommen, dass Hewetson zu dieser Zeit die erste Version seines Portraits fertigte, da Campbell an einer Veranstaltung mit Thomas Giffard teilnahm, dessen Portrait im selben Jahr geschaffen wurde. In den Jahren 1786-1787 kehrte er nach Rom zurück. Es erscheint logisch, dass Campbell die vorliegende Büste bei diesem zweiten Besuch in Auftrag gegeben haben könnte. (†)Provenienz:Vermutlich bei Gelli Aur (Golden Grove), Carmarthenshire.Sotheby´s, London, 4. Dezember 2018, Lot 108.Literatur:Vgl. Terenence Hodgkinson, Christopher Hewetson: An Irish Sculptor in Rome, The Volume of the Walpole Society, Bd. 34, 1952-1954, S. 42-54. Vgl. F. Russell, A Distinguished Generation, The Cawdor Collection, Country Life, Bd. CLXXV, June 1984, S. 1746-1748.Vgl. B. de Breffny, Christopher Hewetson, Irish Arts Review, Bd. 3, Nr. 3, 1986, S. 52-75.Vgl. M. Baker, in: Edgar Peters Bowron, Joseph J. Rishel (Hrsg.), Art in Rome in the eighteenth century, Ausstellungskatalog, Philadelphia Museum of Art, 16. März-28. Mai 2000, Museum of Fine Arts, Houston, 25. Juni-17. September 2000, Philadelphia/ London 2000.Vgl.J. E. Davies, John Campbell. First Baron Cawdor (1755-1821). Patron, Collector and Connoisseur, in: C. Mason (Hrsg.), Canova. Bust of Peace, London 2018, S. 50-55. (13306052) (13)Christopher Hewetson,1737 – 1798, attributed and workshopBUST OF JOHN CAMPBELL, 1ST BARON CAWDOR FRS FSA (ca. 1753 – 1821)Height: 68 cm.It is known that Hewetson created busts several times and then did not necessarily sign them, as is attested for the bust of Pope Clement XIV. The marble bust of Mrs von Knyphausen is also unsigned. (†)Provenance: Probably at Gelli Aur (Golden Grove), Carmarthenshire. Sotheby’s, London, 4 December 2018, lot 108.
Lot 1073
Große Sammlung von Illustrationen des18. Jahrhunderts in Bezug auf Augsburg und seine BürgerFolio, ca. 185 x 310 mm.Eine bemerkenswerte und einzigartig umfangreiche Sammlung von Illustrationen, die einen faszinierenden Einblick in die deutsche Universitätsstadt Augsburg während der zweiten Hälfte des 18. Jahrhunderts geben, alle in Kolorit der Zeit. Die Illustrationen umfassen solch vielfältige Themen wie Volkstracht & Militärtracht, heimische Szenen, Bibelszenen, Stadtpläne, Gymnastik, Jongleure, Kleinwüchsige, Narren, Bauernhochzeiten, Kinderspiele, Tiere und allegorische Darstellungen (Hahn und Henne).Ein Sammelband bestehend aus 71 doppelseitigen Tafeln mit Holzstichen bzw. Radierungen, alle zeitgenössisch handkoloriert, die erste Tafel ist am Falz teilweise gespalten, die zweite ist in zwei Teile gespalten mit der ersten Hälfte an der ersten Platte anhaftend, die achte Tafel mit Ausbesserungen, welches zu geringfügigem Verlust des Bildes führt, drei weitere Tafeln mit Ausbesserungen auf der Rückseite, einige geringfügige Spaltungen und Risse ohne Materialverluste um die Falze, ein paar Tafeln sind leicht beschnitten mit geringfügigen Verlusten, einige Verunreinigungen und Markierungen, meist leicht doch stellenweise stark, einige alte Kritzeleien und Markierungen, aber insgesamt intakt und in gutem Zustand, zeitgenössisches Halbpergament, stark abgenutzt.Provenienz:Exlibris Scheler v. Lorenz M. Rheude.Literatur:A. Schmidt, Erben (54), Nbg., Endter (8), Augsburg, Endress (4), und andere(5), [Augsburg, c. 1740-80]. (13013220) (10)A large collection of 18th century illustrations relating to Augsburg and its peopleFolio, ca.185 x 310 mm.A remarkable and uniquely comprehensive collection of illustrations, providing a fascinating insight into life in the German University Town of Augsburg during the second half of the eighteenth century, all with attractive contemporary colouring. The illustrations cover such diverse subjects as traditional & military costume, domestic scenes, biblical scenes, town plans, gymnastics, jugglers, dwarves, fools, farmers' weddings, children's games, animals and allegorical images (a rooster and a hen).A sammelband comprising 71 double-page wood-engraved or etched plates, all with contemporary hand-colouring, first plate partly split at fold, second split in half with first half adhering to first plate, eighth plate with repair causing some minor loss to picture, 3 other plates with repairs to reverse, a few minor splits and closed tears around folds, a few plates trimmed slightly with minor loss, some soiling and marking, mostly light but heavy in places, a few old doodles or markings, but overall intact and in good order, contemporary half vellum, badly worn.Provenance:Exlibris Scheler v. Lorenz M. Rheude.Literature:A. Schmidt, Erben (54), Nbg., Endter (8), Augsburg, Endress (4), and others (5), [Augsburg, c. 1740-80].
Lot 16
Bureau plat, signiert François LinkeHöhe: 75,5 cm. Breite: 100 cm. Tiefe: 60 cm.Eine der Ormolu-Appliken am Bein graviert mit der Signatur „F. Linke“.Paris, erste Hälfte 20. Jahrhundert.Im Louis XV-Stil gestalteter Bureau plat. Aufbau in Eiche, mit verschiedenen, teils gefärbten Edelhölzern furniert. Die vier leicht geschwungenen Beine in Blattsabots mit Widderapplikationen geschmückt. Zentraler Schub, von zwei tieferliegenden geschwungenen Schüben begleitet. Ein Schlüssel vorhanden. Die Lederplatte gold punziert, jedoch eventuell erneuert. Alters- und Gebrauchssp., minimal rest. (†) (13306027) (10)Bureau plat, signed François LinkeHeight: 75.5 cm. Width: 100 cm. Depth: 60 cm.Engraved signature “F. Linke” on one of the ormolu fittings on the leg.Paris, first half of the 20th century. (†)
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