An early 19th century covered jar, decorated in blue with designs of pagodas, overall H: 10 cm. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
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A Han Dynasty shallow bowl, terracotta and tapering to a circular foot, D: 16 cm. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A group of seven archaic calcified jade burial goods, likely Han Dynasty, set within a contemporary fitted box, figure pendant H: 5 cm. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Neolithic period terracotta cauldron of diminutive proportions, raised on three supports and retaining some of its polychrome decoration, D: 10 cm, H: 10 cm. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
Qing Dynasty famille rose circular porcelain covered box, the lid finely painted with children playing in a garden setting, the circumference decorated with flower blossoms and swags against a yellow ground, Base marked for Zhuanshu Daoguang, D: 10 cm, overall H: 5 cm. Some areas of faded gilding to the edges and some firing flaws beneath the glaze. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Song Dynasty? brown glazed ewer or jar raised on three feet, single handle incorporated to the rim, D: 17 cm, H: 16 cm. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Ming Dynasty green glazed vessel, D: 12 cm, H: 17 cm. Firing faults including loss of glaze and pitting, no visible later damages. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Han Dynasty zoomorphic clay figure of a hen, L: 12 cm, H: 9 cm. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Ming Dynasty celadon glazed footed bowl of diminutive proportions, D: 8 cm, H: 3 cm. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Neolithic period painted terracotta twin handled pot, decorated with geometric designs, H: 10 cm, D: 9 cm. Loss to rim. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Song Dynasty large glazed clay bowl, D: 15 cm, H: 7 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Ming dynasty glazed white clay pedestal, having a bowl form top supported on a shaped stand, some loss of glaze, D: 11 cm, H: 12 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
Southern Song Dynasty glazed bowl, footed, D: 9 cm, H: 4 cm. Glaze stops short of the foot. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
An Indus Valley Neolithic period bowl, footed, D: 10 cm, H: 7 cm. Repaired damage to the body. Most of the design remains. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Ming Dynasty light-celadon glazed saucer or shallow dish, glaze stops just short of the rim, D: 14 cm, H: 3 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Song Dynasty clay formed zoomorphic figure, L: 15 cm, H: 8 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A pair of Ming Dynasty glazed bowls, each footed with shaped rims, D: 15 cm, H: 5 cm. Small losses to both rims. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
Two Tang Dynasty terracotta guardians, each of a standing priestess, each H: 22 cm. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A large Han Dynasty bowl, footed, D: 17 cm, H: 6 cm. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A very large Han Dynasty bowl or receptacle, off-circular and undecorated, D: 30 cm, H: 9 cm. Some minor losses to the rim. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Neolithic period vessel, of baluster form, D: 19 cm, H: 26 cm. Chip to the base and loss of decoration. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Ming Dynasty glazed bowl, raised on a wide foot and of tapering form, having painted character marks to the lower body, D: 16 cm, H: 6 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Ming Dynasty glazed bowl, having a shaped rim and flared foot, D: 11 cm, H: 5 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Song Dynasty crackle glazed bowl, shallow and footed, D: 11 cm, H: 4 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
Six Song Dynasty glazed bowls, largest D: 15 cm, H: 5 cm. Each with minor losses mainly to the rims. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
Chinese white jade circular pendant, D: 55 mm. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
Mixed early Oriental carved jade attachments and buttons, largest L: 28 mm. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Chinese Hubei Mi Zhuan Cha tea brick, with information label verso, 24 x 18 cm, small losses to edges, otherwise good condition with strong definition. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Japanese Meiji period baluster vase, profusely gilt and decorated with panels depicting figures, having two applied handles to the neck and having a flared rim, H: 36 cm. Very good order throughout, light surface wear, no visible losses, damages or repairs.P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
A Kangxi glazed baluster form jar of diminutive proportions, simply decorated in blue of two seated figures and pagoda against a white ground, four-character mark to the base, H: 12 cm. No visible damages or repairs. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)Warrington Auction endeavours to accurately describe the items being sold, but all property offered for sale is strictly as-is, where-is, and with all faults. All representations or statements made by Warrington Auction and its representatives, or in the catalogue or publication or report, as to the correctness of description, genuineness, attribution, provenance or period of the lot, are statements of opinion only.
HRH The Duke of d'Abruzzi, Fine Victorian presentation diamond and ruby scarf clip in the form of the Duke's yacht racing pennant with original letter 'By Order of HRH The Duke of d'Abruzzi' from the Royal jewellers Henry Lewis & Co, 172 New Bond Street, London dated Sept. 7th 1898 to Captain Sycamore, Yacht "Bona", Brightlingsea. The Duke of Abruzzi was a famous Italian mountain climber, Polar explorer and sportsman. He commissioned the racing yacht "Bona" in 1897 and employed Captain Sycamore from Brightlingsea, Essex and his crew to race it for him with considerable success dominating the English yacht racing season for two years.In the 1898 season Bona won thirty- nine flags, thirty-two of which were first places. To honour his Captain and crew the Duke hosted a lavish banquet and dinner dance at London's Swan Hotel and announced his retirement from racing in order to concentrate on his Polar expedition.Captain Sycamore went on to Captain Sir Henry Liptons Yacht 'Shamrock' in the 1899 Americas Cup and also Captained The Kaisers Yacht. Sold with a book ' The Duke of the Abruzzi, An exporer's life' (3)
Victorian miniature silver copy of the Elcho Challenge Shield, with embossed decoration representing Scotland and England (Unmarked). 10.5cm overall length.The Elcho challenge is an annual long range shooting competition between National Teams from England, Scotland, Ireland and Wales. The first match was held in 1862 at Wimbledon Common between England and Scotland, which England won by 166 marks. The original shield was 6 feet high and made from a sheet of iron with gilt highlights.General overall condition quite good, decoration is clear, top left corner is knocked, some minor denting to top left England shield and to top right set of Oak leaves, surface scratching and minor wear, shield is not solid and seam on one side has opened, back plate is distorted. Unmarked.
Her Late Majesty Queen Elizabeth II - very rare 1945 military provisional driving license for when she was Princess Elizabeth and was serving in the ATS together with a contemporary charming handwritten and typed account of her service, photographs and related ephemera from her driving instructor in the A.T.S. The late Miss (Major)Violet Wellesley M.B.E.The War Department Driving Permit No.B1232 named to 'H.R.H. Princess Elizabeth' and stating she has blue eyes, 5ft 4 inches high and has light brown hair and dated '1st March 1945'. Signed by the Princess in ink 'Elizabeth'. Official stamp to reverse No.1 Company T.C.M.T. Camberley and in ink 'Wellesley trainer 1st March 1945' 10 x 8 cm. Sold with a group of fascinating photographs of the Princess during her service in the ATS including driving a truck with her instructor Miss Wellesley, working on trucks, group shots and charming shots of the King and Queen visiting the Princess during her service. Various letters from Sir John Wheeler-Bennett on Buckingham Palace headed writing paper requesting Miss Wellesley to write a frank account of her time with Princess Elizabeth in the ATS for the Royal archives , her charming handwritten account with many anecdotes and typed versions of the same, other Royal letters including an envelope addressed to Miss Wellesley from Princess Elizabeth, press cuttings etc.Provenance: Major Violet Wellesley M.B.E. (1897-1971) served in the First World War as a despatch rider and went on to become a driving instructor in the Women's Royal Auxillary Corps (Territorial Army) during the Second World War and as senior driving instructor was appointed by The King to teach Princess Elizabeth to drive when she joined up in 1945. She was awarded an M.B.E. in 1946. After her death in 1971 this unique archive was entrusted to her companion who in turn entrusted it to the vendor . We have been informed by the Adjutant General's Corps Museum in Winchester that they also have an album belonging to Major Wellesley including photographs and a provisional driving licence for Princess Elizabeth which is numbered B1230. Our example is numbered B1232 and has the official Corps stamp and Major Wellesley's name to the reverse leaving us in no doubt as to its authenticity. All the other written and printed ephemera in the lot is original with the exception of the wartime photographs which are post-war reprints ( the copyright for which vests with The Imperial War Museum). The photograph of Major Wellesley with her gas mask bag is the original.
Very rare Choir Sister nun doll, probably 18th century, the doll with painted wooden face with inset glass eyes framed by delicate painted lashes and brows, painted mouth and rouged cheeks, the tapering wooden torso with cloth upper arms and carved and painted lower arms with detailed fork hands, jointed at the hips and knees, dressed in probably later hand-stitched habit with cross of Lorraine emblem, her fine hand-stitched leather boots and belt possibly from an earlier scheme of dress, approximately 45cm high. Provenance: To be sold by direction of the Canonesses of the Holy SepulchreNB: Nun dolls are believed to have been originally intended as instructional tools, for teaching novice nuns how to attire themselves, and also to maintain strict conformity to the Order’s specific costume over long periods of time. There are also documented instances of nuns sending the dolls to their families as keepsakes or to demonstrate their costume and as first communion gifts. The earliest documented nun doll is the famous 17th Swarbrick doll, thought to date to 1680, which has come to auction a number of times, but most recently in Bonhams, London on 17th November 2009 when it sold for £30,000. When the Swarbrick doll was previously offered in 1996, correspondence was initiated between the Canonesses and academic researchers, letters from that time state that almost all examples of nun dolls are now in museums or private collections and that the doll (or dolls - it is unclear whether the researchers were aware of both dolls) is one of just two instances where they are to be found in original context with their religious order (the other being The Canonesses of St. Augustine at Sayers Common), the letters also state that most examples are thought to be of French origin and that the dolls held by the Sepulchrines in Chelmsford, and at Sayers Common are of 19th century origin. However our comparisons with other early dolls point more towards an 18th century date for this doll which would be consistent with the time when the Canonesses were in Liege, prior to the French Revolution, these dolls may have been amongst the possessions carried in 800 coffers, which were said to have been transported to England, when the Canonesses became displaced. The English house of the Convent of The Holy Sepulchre was established in 1642 in Liège, Belgium by 20 year-old Susan Hawley. Susan’s family were English Catholics, displaced to the Continent by religious persecution. The Convent was created at a time when many English speaking Religious Houses were being founded on the Continent. The Liège Community flourished for over 150 years, Christina Dennett, an early Prioress, advocated spreading the word of God through teaching and she established a school in the City. In 1794 the French Revolution brought new threats of persecution and the Community were forced to move again, much to the dismay of the the Liège townsfolk who had taken the Community to their hearts. After some time searching for a new home and brief stays at London, Yorkshire and Wiltshire, the Community finally found a suitable location at New Hall, near Chelmsford. The house and fifty acres were purchased by a wealthy donor for the Community at a cost of £4000 in 1798, once again a school became established and the Community flourished.Gesso losses to face, damage around her left eye and the nose, general wear and some damage to the clothing - socks and shoes, inspection of the body of the doll is proving difficult without compromising the integrity of the doll with elements of the costume attached to the body
Very rare Lay Sister or Novice nun doll, probably 18th century, the doll with painted wooden face with painted eyes and brows, painted mouth and rouged cheeks, the tapering wooden torso with cloth upper arms and carved and painted lower arms with detailed fork hands, jointed at the hips and knees, dressed in probably later hand-stitched habit, her fine hand-stitched leather boots and belt possibly from an earlier scheme of dress, approximately 36cm high. Provenance: To be sold by direction of the Canonesses of the Holy SepulchreNB: Nun dolls are believed to have been originally intended as instructional tools, for teaching novice nuns how to attire themselves, and also to maintain strict conformity to the Order’s specific costume over long periods of time. There are also documented instances of nuns sending the dolls to their families as keepsakes or to demonstrate their costume and as first communion gifts. The earliest documented nun doll is the famous 17th Swarbrick doll, thought to date to 1680, which has come to auction a number of times, but most recently in Bonhams, London on 17th November 2009 when it sold for £30,000. When the Swarbrick doll was previously offered in 1996, correspondence was initiated between the Canonesses and academic researchers, letters from that time state that almost all examples of nun dolls are now in museums or private collections and that the doll (or dolls - it is unclear whether the researchers were aware of both dolls) is one of just two instances where they are to be found in original context with their religious order (the other being The Canonesses of St. Augustine at Sayers Common), the letters also state that most examples are thought to be of French origin and that the dolls held by the Sepulchrines in Chelmsford, and at Sayers Common are of 19th century origin. However our comparisons with other early dolls point more towards an 18th century date for this doll, which would be consistent with the time when the Canonesses were in Liege, prior to the French Revolution, these dolls may have been amongst the possessions carried in 800 coffers, which were said to have been transported to England, when the Canonesses became displaced. The English house of the Convent of The Holy Sepulchre was established in 1642 in Liège, Belgium by 20 year-old Susan Hawley. Susan’s family were English Catholics, displaced to the Continent by religious persecution. The Convent was created at a time when many English speaking Religious Houses were being founded on the Continent. The Liège Community flourished for over 150 years, Christina Dennett, an early Prioress, advocated spreading the word of God through teaching and she established a school in the City. In 1794 the French Revolution brought new threats of persecution and the Community were forced to move again, much to the dismay of the the Liège townsfolk who had taken the Community to their hearts. After some time searching for a new home and brief stays at London, Yorkshire and Wiltshire, the Community finally found a suitable location at New Hall, near Chelmsford. The house and fifty acres were purchased by a wealthy donor for the Community at a cost of £4000 in 1798, once again a school became established and the Community flourished.One finger on the dolls right hand is partially missing, there's wear and scratches to the painted face, some deterioration to clothing, wear and small holes to the shoes, deterioration to socks, the clothing is attached in places including the boots to the socks and whimple to the head, making close examination of the body difficult
A Chinese yellow glass faceted cylindrical snuff bottle and a red overlay on snowstorm ground snuff bottle, Qing Dynasty, the first well hollowed and standing on a protruding circular foot, 7.2cm high, the second carved to the obverse and reverse with a tiger and bat group, stopper, 4.3cm high. (2)清 料鼻煙壺兩件Generally good condition, apart from a few manufacturing imperfections and a very tiny polished off area to the exterior of the rim.The overlay bottle with loss to the loop of each handles which has then been polished off.
Two Chinese blue and white 'a hundred boys' snuff bottles, 19th century, the first of cylindrical shape, 6.8cm high, the second of with turquoise-glazed stopper, 6.5cm high, apocryphal Kangxi six-character mark and Yongzheng four-character mark to bases (2)十九世紀 青花繪嬰戲圖紋鼻煙壺兩件Light fritting to edges of cylindrical bottle; fine hairline to neck of Yongzheng marked bottle, approx. 4mm long.
A Chinese Yixing stoneware snuff bottle, a Chinese famille rose and grisaille porcelain snuff bottle and a miniature turquoise-glazed incense burner, ding, 19th-early 20th century, the first with landscape medallions in duanni clay over a purplish brown body, apocryphal Qianlong seal mark to base, metal mounted stopper, 5cm high, the second with a continuous landscape, apocryphal seal mark to base, pink glass stopper, 6.2cm high, the miniature ding of hexagonal form and with everted handles, wood stand and wood cover, 2.5cm wide (3)十九-二十世紀早期 宜興紫砂、墨彩繪鼻煙壺及三足爐The ding with a tiny frit to the edge of the handle. Light surface wear to all, otherwise generally good condition.
A group of four large Chinese soapstone seals, 19th/20th century, the first with horned mythical beats and cubs finial, the base with narrative panels beside calligraphy extracts, the face reading 'seal of Smith' (史密夫印 shi mi fu yin), 16.5cm high, a square seal with dragon finial, face uncarved, 16cm high, a square seal with standing Budai finial, face uncarved, 16cm high, and a smaller oval seal with tiger and cub finial, the face with a three character mark in seal script (4)十九/二十世紀 印章一組四件All with nibbling to edges and fissures/inclusions to stone.
A pair of large Chinese lacquered jade and hardstone inlaid 'trompe l'oeil' display cabinet panels, late Qing dynasty, formed as a pair of rosewood display shelves with pierced ivory borders housing carved 'precious' vessels with ivory and carved wood stands including a bowl of fruit, a vase of flowers, a ruyi sceptre and ritual vessels, 89x66cm, fitted silk lined casesIvory exemption acquired. Reference number: R1WZBWAA.清中期 紫檀框黃漆地百寶嵌博古圖掛屏一對Note: As is recorded in Jianyangcongbi《尖陽叢筆》, a Qing dynasty book written by Wuqian (吳騫), Zhouzhu (周柱) was the first person in late Ming or Early Qing dynasty to invent the technique of inlaying lacquer panels with ‘Hundred Precious Materials’ (百寶嵌) such as jade, jadeite, pearls, corals, and ivory (其法以金、銀、寶石、珍珠、珊瑚、碧玉、翡翠……象牙……嵌於檀、梨、漆器之上……五色陸離,難以形容,真古以來未有之奇玩也). Such impressive inlaid design panels bespeak of the High Qing scholarly sensibility, and were popular among members of the Imperial household, especially during the reigns of Emperors Yongzheng and Qianlong. This can be seen in the detail of similarly inlaid doors of an imperial huanghuali cabinet in the Palace Museum, Beijing, illustrated by Hu Desheng in Ming Qing gong ting jia ju da guan, vol. II, Beijing, 2006, pp. 554-5.Apart from the ‘Hundred Previous Materials’, each of the pairs of panels depict the theme of ‘Hundred Antiques’ (博古), a collection of emblematic forms comprising ruyi handles, scholar’s objects, and archaic vessels. A pair of panels with similar shape, colour scheme, material, inlaid technique and theme is now exhibited in the Sui'an room (隨安室) in the Yangxindian (養心殿), which had been the bedroom of the Qing emperors in the Forbidden city since Qianlong emperor. Chinese collectors’ appreciation of this design continues until this day. Please refer to department for condition report
Two Khmer Angkorian vases, circa 11th century, the first of baluster form, with incised decoration to shoulder and neck, with four loop handles to shoulder, 24cm high, the other, of bottle shape, with fluted globular body and shaped neck, covered overall in a dark brown glaze, 27cm high. (2)高棉十一世紀 瓶兩件Baluster vase: nibbling to mouth and foot, approx. 13cm wide broken off area to mouth which has been restuck with some losses.Bottle: 4.5x2.5cm u-shaped section of mouth broken off and restuck, and two further small restuck chips to the edge of the mouth.Both with firing imperfections and expected surface wear.
A collection of Japanese pictures, including twenty-three monochrome tissue paper prints depicting domestic, trade and landscape scenes 27cm x 19cm, four woodblock prints 37cm x 25cm, first and second edition of Nishiki-e,38cm x 26cm, and cm x an ink on paper painting of bamboo 38cm x 28cm 日本版畫及雜誌一組 Please refer to department for condition report
A WWII British grooming kit, comprising razor by AS & CO, swith brush and soap tin, in carrier, all marked with a broad arrow and dated 1945, the carrier dated 1942, together with an unopened First Aid Packet (Carlisle Model), a Boots Saccharin tablet box, a US Small First Aid Dressing (Carlisle Model), 1944 British Field Dressing, Parachute Regiment beret, a Grenadier Guard beret and a Scottish Sidecap (parcel)
A percussion pistol (front loader) with a walnut stock from the late 18th or early 19th century. Loop is engraved with 'Canon Tordu'. With the original ramrod with nail head. The cock has two positions, but does not hang on the first position. The stock is decorated with carving. The gun has signs of use but is mostly in good condition. In addition, a French powder loader. 23 cm.
A nine-person first grade silver cutlery set, model: 'Hollands glad', 21st century. Comprising: nine dinner spoons, nine dinner forks, nine dinner knives, nine dessert spoons, nine dessert forks, nine dessert/fruit knives. Furthermore: nine breakfast spoons, nine breakfast forks, nine breakfast knives. A potato serving ladle, sauce ladle, two vegetable serving spoons. Marked: grade one (rampant lion, .925), yearmark 'R' (2001). Diverse afmetingen / various sizes.
Maria van Kesteren (1933-2020) A red glazed ceramic Bolder-vase for Oar Wurk, Makkum, designed circa 1985, marked to inside underneath. Provenance: Bernardine de Neeve (1915-1996), the first chief curator Applied Arts of Museum Boijmans van Beuningen in Rotterdam, thence by descent. 13 cm. h. x 18 cm. diam.

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