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Lot 138
French First Empire Napoleonic General Officer's Saber. The steel curved blade has one wide fuller with foliate and military engraving. The gilded brass handle has a simple cross with a cross in the shape of a lion's head. The pommel of the saber in the shape of a lion's head. Solid carved wooden handle with cross hatching on both sides. An extremely ornate brass scabbard with three panels on the front depicting repuss goddesses and a large depiction of arms with armor. A wonderful collector's item from the time of Napoleon I Boanaparte.Height: 101 cm;
Lot 54
Magnificent, richly decorated knife, Indonesia, first half of the 20th century. The massive steel blade is decorated with engraved floral patterns and gilding. The skillfully carved handle is made of horn. The scabbard made of horn plates is decorated with beautiful carvings in the form of floral decoration. The metal parts of the hilt and scabbard are made of silver and decorated with chasing and engraving. A wonderful collectible.Height: 54 cm;
Lot 137
French First Empire Napoleonic Officer's Saber by "Pirmet a Paris" C. 1800. The steel, curved blade that is decorated with fire blue and gilt engraved motifs for half its length. Something unusual with the fire blue panels outlined in gilt. Also visible at the base of the blade, underneath the langet, are the letters I S B. Blade in superb condition with just a couple of small patches of very minor pitting, else about perfect. The brass hilt is unembellished with the exception of the fluting on the top of the pommel. Finely checkered ebony grip with just one tiny hairline else about perfect. Hilt retains much of the original gilt. The brass scabbard is also unembellished with the exception of the raised ring mounts and embossed lines on either side of the ring mounts. Decoratively cut steel drag. Scabbard about perfect, just a couple of tiny, really negligible, dents and retaining much of the original gilt. A very pretty First Empire saber in superior condition. Provenance: Heritage Auctions, 25 June 2011, lot 52161.Height: 100 cm;
Lot 37
IWC Vintage Ultradünn Ref. 3204 Herren Armbanduhr. Erstkauf 06.07.1979 bei Christ in Frankfurt. Edelstahl. Neues Lederband mit Stiftschließe. Automatikwerk, Kal. 3235 mit sehr guten Gangwerten, Protokoll anbei. Silbernes Zifferblatt mit Stabindizes und Datumsanzeige. Guter Zustand, altergemäße, leichte Tragespuren. Original Garantiezertifikat und Booklet anbei. Durchmesser ca. 33 mm ohne Krone. Passend bis zu ca. 19 cm Handgelenkumfang.| IWC Vintage ultrathin ref. 3204 men´s wristwatch. First purchase on July 6, 1979 from Christ in Frankfurt. Stainless steel. New leather strap with pin buckle. Automatic movement, cal. 3235 with very good performance, protocol enclosed. Silver dial with baton indices and date display. Good condition, age-appropriate, slight signs of wear. Original guarantee certificate and booklet enclosed. Diameter approx. 33 m without crown. Fits up to approx. 19 cm wrist circumference.
Lot 29
ROLEX Datejust Turn-O-Graph Ref. 16264 Herren Armbanduhr. Erstkauf 28.12.1995 bei Juweilier Lepple in Esslingen. Edelstahl/Weißgold mit bidirektionaler Lünette. Band mit Faltschließe. Automatikwerk, Kal. 3135 in funktionsfähigem Zustand, kompletter Service 10/2023. Gute Gangwerte, Protokoll anbei. Silbernes Zifferblatt mit Stabindizes und Datumsfenster. Gebraucht, mit Tragespuren am Band und Gehäuse. Original Box, Zertifikat sowie Booklet anbei. Durchmesser ca. 36 mm ohne Krone. Passend bis zu ca. 20,5 cm Handgelenkumfang.| ROLEX Datejust Turn-O-Graph ref. 16264 men´s wristwatch. First purchase 28.12.1995 at Juweilier Lepple in Esslingen. Stainless steel/white gold with bidirectional bezel. Bracelet with folding clasp. Automatic movement, cal. 3135 in working condition, fully serviced 10/2023. Good working order, protocol attached. Silver dial with baton indices and date window. Used, with signs of wear on the bracelet and case. Original box, certificate and booklet attached. Diameter approx. 36 mm without crown. Fits up to approx. 20.5 cm wristsize.
Lot 65
BREITLING Old Navitimer Chronograph, Patrouille Suisse Edition, Ref A13022. Herrenuhr. Edelstahl. Automatik-Uhrwerk. Lederband mit Stiftschließe (nicht original). Gebrauchter Zustand. Box und Papiere anbei. Erstkauf 08/1997. Revisionsbeleg von 2008 anbei. Gehäuse Durchmesser ca. 41 mm ohne Krone, passend bis zu ca. 19,5 cm Handgelenkumfang. | BREITLING Old Navitimer Chronograph, Patrouille Suisse Edition, Ref A13022. Men's watch. Stainless steel. Automatic movement. Leather strap with pin buckle (not original). Used condition. Box and papers enclosed. First purchase 08/1997. 2008 Service certificate enclosed. Case diameter approx. 41 mm without crown. Fits up to approx. 19 cm wristsize.
Lot 35
TUTIMA Grand Classic Havanna Fliegerchronograph Herren Armbanduhr. Ref. 781-01. Erstkauf Mai 2005 bei Hunke in Ludwigsburg. Limitierte Edition No. 011/800. Edelstahl mit Glasboden und bidirektionaler kanellierter Lünette. Stahlband mit Doppelfaltschließe. Automatikwerk, ETA Vajoux Kal. 7754 mit sehr guten Gangwerten, Protokoll anbei. Rotbraunes Zifferblatt mit Leuchtzeigern- und Ziffern, zweiter Zeitzone, 2 Chrongraphenregistern und Datumsanzeige. Gebraucht, Tragespuren am Band und Gehäuse. Original Box, Anleitung, Dornschließe mit 2 Federstegen für Lederband, Erstkaufrechnung sowie Zertifikat anbei. Durchmesser ca. 43 mm ohne Krone. Passend bis zu ca. 21,5 cm Handgelenkumfang.| TUTIMA Grand Classic Havana Aviator Chronograph men's wristwatch. Ref. 781-01. First purchased in May 2005 from Hunke in Ludwigsburg. Limited Edition No. 011/800. Stainless steel with glass back and bi-directional fluted bezel. Steel bracelet with double folding clasp. Automatic movement, ETA Vajoux cal. 7754 with very good performance, protocol enclosed. Red-brown dial with luminous hands and numbers, second time zone, 2 chronograph registers and date display. Used, signs of wear on the bracelet and case. Original box, instructions, pin buckle with 2 spring bars for leather strap, original purchase invoice and certificate enclosed. Diameter approx. 43 mm without crown. Fits up to approx. 21.5 cm wristsize.
Lot 32
STOWA Marine Original Herren Armbanduhr No. 393. Erstkauf Dezember 2007. Edelstahl mit Glasboden. Millenaise Band mit Doppelfaltschließe. Handaufzugswerk, Unitas Kal. 6498 mit guten Gangwerten, Protokoll anbei. Weißes Zifferblatt, arabisch Ziffern und kleine Sekunde. Gebrauchter Zustand, Tragespuren am Gehäuse und der Schließe. Original Alu Box mit Reiseetui, Rechnung sowie Garantiebeleg anbei. Durchmesser ca. 41 mm ohne Krone. Passend bis zu ca. 21 cm Handgelenkumfang.| STOWA Marine Original men´s wristwatch No. 393. First purchased December 2007. Stainless steel with glass base. Millenaise strap with double folding clasp. Manual-wound movement, Unitas cal. 6498 with good accuracy, protocol enclosed. White dial, Arabic numerals and small seconds. Used condition, signs of wear on the case and the clasp. Original aluminum box with travel case, invoice and guarantee voucher enclosed. Diameter approx. 41 mm without crown. Fits up to approx. 21 cm wristsize.
Lot 306
CHOPARD Ref. 5088 Damen Armbanduhr. Erstkauf 30.12.2981 bei Wempe in Stuttgart. 18K Gelbgold mit Diamantlünette. Lederband mit Stiftschließe. Qaurtzwerk in funktionsfähigem Zustand. goldenes Zifferblatt. Guter Zustand, leichte Tragespuren am Band und Gehäuse. Original Box und Zertifikat anbei. Breite ca. 19,5 mm ohne Krone, Höhe ca. 23 mm. Passend bis zu ca. 16,5 cm Handgelenkumfang. | CHOPARD ref. 5088 ladies wristwatch. First purchased on December 30, 2981 from Wempe in Stuttgart. 18K yellow gold with diamond bezel. Leather strap with pin buckle. Quartz movement in working condition. Gold colored dial. Good condition, slight signs of wear on the strap and case. Original box and certificate enclosed. Width approx. 19.5 mm without crown, height approx. 23 mm. Fits up to approx. 16.5 cm wristsize.
Lot 59
ROLEX Oyster Day Date Herrenuhr Ref. 18038. Gold 18K. Automatikwerk, Kaliber 3055 in funtkionstüchtigem Zustand. Serien Nr. 8968XXX. Sehr guter Zustand. Tropical Dial, vollständiger Farbverlust um Leuchtmasse. Box und Papiere anbei. Erstkauf 08/1986 bei Juwelier Bucherer in Basel. Durchmesser ca. 36 mm ohne Krone. Passend bis zu ca. 20 cm Handgelenkumfang.| ROLEX Vintage Day Date, ref. 18038. Mens wrist watch. Gold 18K. Automatic movement, caliber 3055 in working order. Serial no. 8968XXX. Very good condition. Tropical dial, complete color loss around luminous material. Box and papers enclosed. First purchase 08/1986 at Jeweler Bucherer in Basel. Case diameter approx. 36 mm without crown. Fits up to approx. 20 cm wristsize.
Lot 49
OMEGA DeVille Co-Axial Chronograph, Ref 45413100 Herren Armbanduhr. Erstkauf 16.05.2008 bei The Omega Boutique in London. Edelstahl mit Glasboden. Band mit Doppelfaltschließe. Automatik Co-Axial Werk Kal. 3313 mit guten Gangwerten, Protokoll anbei. Weißes Zifferblatt mit silbernen Indizes und Datumsanzeige. Gebrauchter Zustand, sichtbare Tragespuren am Gehäuse. Original Box und Zeritfikate anbei. Durchmesser ca. 41 mm ohne Krone. Passend bis zu ca. 19,5 cm Handgelenkumfang.| OMEGA DeVille Co-Axial Chronograph ref. 4541.1300 men´s wristwatch. First purchased May 16, 2008 at The Omega Boutique in London. Stainless steel with glass base. Bracelet with double folding clasp. Automatic Co-Axial movement cal. 3313 with good accuracy, protocol enclosed. White dial with silver indices and date display. Used condition, visible signs of wear on the case. Original box and certificates enclosed. Diameter approx. 41 mm without crown. Fits up to approx. 19.5 cm wristsize.
Lot 319
BREITLING Callisto, Ref A77346. Armbanduhr. Edelstahl-Gehäuse, Kautschuk-Armband. Quartz-Uhrwerk. Sehr guter Zustand. Leichte Tragespuren. Box und Papiere anbei. Erstkauf: 12/2015 bei CHRIST in München. Gehäuse Durchmesser ca. 34 mm (ohne Krone). | BREITLING Callisto, Ref A77346. Wrist watch. Stainless steel case, rubber strap. Quartz movement. Very good condition. Light wear marks. Box and papers enclosed. First purchase: 12/2015 at CHRIST in Munich. Case diameter approx. 34 mm (without crown).
Lot 33
JAEGER LECOULTRE Reverso Squadra Hometime Herren Armbanduhr. Ref. 7008420. Erstkauf April 2009 in Ludwigsburg. Edelstahl mit Glasboden. Original Lederband mit Doppelfaltschließe. Automatikwerk, Kal. 977 mit sehr guten Gangwerten, Protokoll anbei. Zifferblatt mit skelettiertem Referenzzeitzeiger, AM/PM Anzeige, kleiner Sekunde und Datum. Guter Zustand, leichte Tragespuren. Original Box, Zertifikat und Bedienungsanleitung anbei. Breite ca. 35 mm ohne Krone, Höhe ca. 50 mm. Passend bis zu ca. 20,5 cm Handgelenkumfang.| JAEGER LECOULTRE Reverso Squadra Hometime men´s wristwatch. Ref. 7008420. First purchased in April 2009 in Ludwigsburg. Stainless steel with glass base. Original leather strap with double folding clasp. Automatic movement, cal. 977 with very good performance, protocol enclosed. Dial with skeletonized reference time hand, AM/PM display, small seconds and date. Good condition, slight signs of wear. Original box, certificate and operating instructions enclosed. Width approx. 35 mm without crown, height approx. 50 mm. Fits up to approx. 20.5 cm wristsize.
Lot 44
IWC Portofino Ref. 3513 Herren Armbanduhr. Erstkauf 20.07.1994. Edelstahl. Neues Lederband mit original Stiftschließe. Automatikwerkl Kal. C 37521. Gute Gangwerte, Protokoll anbei. Weißes Zifferblatt mit Stabindizes und Datumsfenster. Guter Zustand, altersgemäße Tragespuren. Oiginal Zertifikat und Anleitung anbei. Durchmesser ca. 34 mm ohne Krone. Passend bis zu ca. 18,5 cm Handgelenkumfang.IWC Portofine ref. 3513 men´s wrsitwatch. First purchased July 20, 1994. Stainless steel. New leather strap with original pin buckle. Automatic movement cal. C 37521. Good performance, protocol enclosed. White dial with baton indices and date window. Good condition, age-appropriate signs of wear. Original certificate and manual attached. Diameter approx. 34 mm without crown. Fits up to approx. 18.5 cm wrist circumference.
Lot 60
Helmut Newton (1920 Berlin - 2004 Los Angeles)'Sumo', Helmut Newton und June Newton, 1999, Monte Carlo, Taschen Verlag, Köln, SS. 464, mit über 450 Abbildungen (teils farbig), OLwd. mit Deckel-Illustration mit illustr. OU., signiert, 01066/10000 nummeriert, ausklappbares Präsentationsgestell aus Chrom von Philippe Starck anbei, Maße 75 cm x 54 cm x 54 cm, "Helmut Newton" bezeichnet, verso "Starck" bezeichnet, Original Verpackung anbei Dieses monumentale, von Jane Newton herausgegebene Werk ist eine Hommage an den meisterhaften Fotografen Helmut Newton. In über 450 farbigen und schwarz-weißen Illustrationen werden Newtons bahnbrechenden Leistungen in der Modefotografie, seine wegweisenden Aktfotos und Porträts bekannter Persönlichkeiten dokumentiert und auf einzigartige Weise in Szene gesetzt. Im April 2000 erregte der SUMO-Bildband Aufsehen, als das Exemplar Nummer eins - handsigniert von über 100 der in dem Buch abgebildeten berühmten Persönlichkeiten - auf einer Charity-Auktion 620.000 DM erzielte und damit den Rekord für das teuerste Buch des 20. Jahrhunderts brach.Helmut Newton (1920 Berlin - 2004 Los Angeles)'Sumo', Helmut Newton and June Newton, 1999, Monte Carlo, Taschen Verlag, Cologne, 464 pgs., with over 450 illustrations (some in colour), original cloth bindings with original illustrated dust jacket, signed, numbered 01066/10000, with a folding chrome stand by Philippe Starck, dimensions 75 cm x 54 cm x 54 cm, inscribed ''Helmut Newton'', inscribed ''Starck'' on the reverse, original packaging enclosed This monumental work, edited by Jane Newton, is a tribute to the great photographer Helmut Newton. In over 450 colour and black-and-white illustrations, Newton's pioneering achievements in fashion photography, his groundbreaking nudes, and his portraits of well-known personalities are documented and uniquely showcased. In April 2000, the SUMO picture book caused a sensation when the first copy - hand-signed by over 100 of the famous personalities depicted in the book - fetched 620,000 DM at a charity auction, breaking the record for the most expensive book of the 20th century.
Lot 79
A. R. Penck (1939 Dresden - 2017 Zürich) (F)Ohne Titel, Acryl auf Leinwand, 100 cm x 200 cm Leinwandmaß, signiert, partiell leicht fleckig. Das Gemälde ist im Archiv der GALERIE MICHAEL WERNER verzeichnet. Wir danken Herrn Michael Werner (Galerie Michael Werner) für die freundliche Unterstützung.Auf 2 Metern Länge dominieren zahlreiche Strichmännchen das großformatige Gemälde und lassen den Betrachter an die Anfänge der primitiven Malerei zurückdenken. Die abstrahierten menschlichen Figuren kommen ohne jede Perspektive oder Zentrierung aus und befüllen in vollkommener Flächigkeit die gesamte Leinwand. Unter Verwendung ausschließlich dreier Grundfarben: Schwarz, Rot und Blau auf weißem Hintergrund, schafft A. R. Penck in der für ihn typischen linearen Zeichensprache eine ganz eigene Bildwelt. Das symbolhafte Zeichenrepertoire ist, ebenso wie die Verwendung der drei elementaren Farben, charakteristisch für sein sogenanntes "Standard-System", welches der Künstler in den 1960er Jahren entwickelte. Pencks Formensprache besteht hauptsächlich aus zu Strichmännchen abstrahierten Figuren und Tieren, sowie Linien und Symbolen. Dieses Alphabet ist solitär in der deutschen Nachkriegskunst und zeugt deutlich von der Auseinandersetzung des Künstlers mit der Archäologie, Ethnologie und der Kunstgeschichte, denn die einzigartige Zeichensprache rekurriert auf vorzeitliche Kulturen und greift sowohl prähistorische Höhlenmalereien als auch altägyptische Hieroglyphen auf. Diesem Markenzeichen verdankt Penck den Beinamen "Höhlenmaler der Postmoderne". Ebenjenem aus Zeichen bestehendem System bediente sich der Künstler als universell verständliches Ausdrucksmittel, dass auf den ersten Blick leicht zugänglich erscheint, deren Symbole und Hintergründe für den Betrachter jedoch nie gänzlich zu entschlüsseln sind und somit Raum für die individuelle Interpretation freilassen. Einen solchen Effekt erzeugt auch das vorliegende Querformat. Die symbolhafte Malerei des Künstlers, verbindet sich auf einer Länge von 2 Metern mit modernen Piktogrammen zu einer gleichermaßen archaischen wie humorvollen Darstellung, dessen Decodierung dem Betrachter selbst überlassen ist - schließlich schwieg der Künstler zeit seines Lebens zur Entschlüsselung seiner Formensprache. "Auch halte ich es für völlig überflüssig, meinen Bildern noch irgendwelche Erklärungen beizugeben." (A. R. Penck, in: Kunstforum, Bd. 12, Ich über mich selbst.)A. R. Penck (1939 Dresden - 2017 Zurich) (F)Untitled, acrylic on canvas, 100 cm x 200 cm canvas dimensions, signed, slightly stained in places. The painting is listed in the archive of the GALERIE MICHAEL WERNER. We would like to thank Mr. Michael Werner (Galerie Michael Werner) for his kind support.Numerous stick figures dominate the large-format painting over a length of 2 meters and make the viewer think back to the beginnings of primitive painting. The abstracted human figures do without any perspective or centering and fill the entire canvas in perfect flatness. Using only three primary colors: black, red and blue on a white background, A. R. Penck creates a very unique world of images in his typical linear sign language. The symbolic drawing repertoire, as well as the use of the three elementary colors, is characteristic of his so-called ''standard system'', which the artist developed in the 1960s. Penck's formal language mainly consists of figures and animals abstracted into stick figures, as well as lines and symbols. This alphabet is unique in German post-war art and clearly demonstrates the artist's engagement with archaeology, ethnology and art history, as the unique sign language refers to prehistoric cultures and takes up both prehistoric cave paintings and ancient Egyptian hieroglyphs. Penck owes his nickname ''postmodern cave painter'' to this trademark. The artist used this system consisting of signs as a universally understandable means of expression that appears easy to access at first glance, but whose symbols and backgrounds can never be completely deciphered by the viewer and thus leave room for individual interpretation. The present landscape format also creates such an effect. The artist's symbolic painting, over a length of 2 meters, combines with modern pictograms to create an equally archaic and humorous representation, the decoding of which is left to the viewer himself - after all, the artist remained silent throughout his life when deciphering his formal language. ''I also think it's completely unnecessary to add any explanations to my pictures.'' (A. R. Penck, in: Kunstforum, Vol. 12, I about myself.)
Lot 32
1821 Coronation: a fascinating panorama of the procession published by W. Sams of St James Street, contained in a treen cylinder with rotating top to wind in the hand-coloured engraving measuring well in excess of twenty-five feet in length, the cylinder affixed with a colour printed label, 126mm high, first six sections (of well over 120 sections) missing and one taped repair (commemorative, royal, royalty, George IV) * A previously recorded example was recorded as being thirty-six feet in length which in all probability this example is.
Lot 61
Princess Victoria: a small mug printed in black with a carriage and Windsor Castle in the background, the inner rim named, circa 1841, 62mm minor hairline crack to rim (commemorative, royal, royalty) * Born in 1840 Princess Victoria was christened on 10th February 1841, the day of Victoria and Albert’s first wedding anniversary.
Lot 211
Ernst Ludwig Kirchner, FrauenkopfFarbkreidezeichnung auf glattem Papier. 50,7 x 31,7 cm. Unter Glas gerahmt. Oben rechts mit Bleistift signiert 'ELKirchner'. - Der rechte Rand unregelmäßig gerissen. Mit kleinen bräunlichen Flecken in den Ecken.ProvenienzMarlborough Fine Art, London (1969); Galerie Regina, Davos (1977); Privatsammlung Baden-Württemberg; seitdem in FamilienbesitzAusstellungenLondon 1969 (Marlborough Fine Art), Kirchner 1880-1938. Oils, Watercolours, Drawings and Graphics. First London Exhibition, Kat. Nr. 64 mit Abb.
Lot 508
Marjorie Strider, Beach TowelAcryl auf Leinwand. 122 x 183 cm. Rückseitig auf der Leinwand signiert und datiert 'STRIDER '10'. - Mit geringfügigen Altersspuren.ProvenienzEstate der Künstlerin; Privatsammlung, SchweizMarjorie Strider zieht in den frühen 1960er Jahren von Kansas nach New York, wo sie 1964 durch ihre Teilnahme an der Pop Art-Ausstellung „First International Girlie Show“ in der Pace Gallery bekannt wird. Sie ist bald Teil der avantgardistischen Kunstszene New Yorks und gut befreundet mit Künstlern wie Claes Oldenbourg, Sol LeWitt, Allan Kaprow und Eva Hesse. Ihre überdimensionalen Werke greifen das sexualisierte Frauenbild aus Werbung und Pin-up-Postern humorvoll auf und verkehren die dort zum Objekt degradierte Frau zur überwältigenden Erscheinung, die den Betrachter ihrerseits zu bedrängen scheint. Oftmals verbindet sie ihre Malerei mit plastischen, dreidimensional ausgeformten Elementen, die dadurch eine besondere Betonung erfahren. Das selbstbewusste Oeuvre Majorie Striders, das auch Performances umfasst, thematisiert Feminismus und weibliche Macht auf eine subtile Weise, die die männlich geprägte Sichtweise der Popkultur unterläuft.
Lot 297
A group of four military prints, comprising 'Avro Lancaster Path Finder', signed by the artist, Dan Briggs DFC 156 Sqn, and Ken Chalmber DFC 9A 630 Sqns, 29 by 40cm, mounted, glazed and framed, 61 by 61cm, 'Spitfire', by Robert Taylor, First Edition signed by Johnnie Johnson and Douglas Bader, 33 by 47cm, mounted, glazed and framed, 56 by 68.5cm, 'Storm Over The Desert', by Keith Hill, and after JMW Turner 'The Battle of Trafalgar', limited edition, with certificate. (4)
Lot 204
A collection Royal Mail first day covers and royal commemorative coins, 1970’s onward, including Guernsey, Jersey, Channel Islands, Royal Mail first day covers including ten pound stamp with five pound coin, 40th Coronation Anniversary 1993, brilliant uncirculated 1 pound Bank Of England 30 years coin, Wales 1995 one pound coin, 1995 RJ Mitchell one pound coin, 1995 WWII 20th anniversary two pound coin, royal marriage stamps for Princess Anne / Mark Phillips 1972 and 1981 Price of Wales & Diana Spencer. (1 box)
Lot 1
GEORGE BEST 1967 MATCH WORN MANCHESTER UNITED JERSEY AND A 1968 EUROPEAN CUP FINAL SIGNED PROGRAMMEGeorge Best was football’s version of The Beatles. The first true celebrity footballer, Best possessed an incredible ability to dribble the football and a lifestyle to match. To this day, Best is considered one of the absolute best to ever lace up their boots. Best famously led Manchester United to European Cup glory in 1968, the same season he won the Ballon d’Or as the best European Footballer. This garment was an original squad equipment at Old Trafford, and was worn on the pitch by George Best.The jersey is an Aertex type of red with white collar and short-sleeved cuffs, #7 is sewn on the back in white fabric too. Correct Umbro label is sewn in the collar and another Umbro print is evident on the lower hem.Additionally, the jersey comes with a 1968 European Cup Final Programme signed by George Best with a Sportizus letter of authenticity certified by Hamilton Bland.The jersey is accompanied by a letter of authenticity which states that the vendor got this jersey in 2016 from the collection of the Irish player and Best's teammate Tony Dunne. The letter states that according to https://www.historicalkits.co.uk the jersey was worn by Best in August and/or September from the 1967 season.
Lot 78
Leather Bound Bible 'Annotations on the New Testament of Jesus Christ in which I. The literal sense is explained according to the Expositions of the ancient Fathers. II. The false interpretations, both of the ancient and modern Writers, which are contrary to the received Doctrine of the Catholic Church, are briefly exa-mined and disproved. III. With an account of the chief differences betwixt the text of the ancient Latin-Version, and the Greek in the printed Editions, and MSS' The First Volume by Robert Witham 1730 with inscription to preface Thomas Barrett of Cambridgeshire
Lot 16
2021 COPA AMERICA WINNER'S GOLD MEDALCopa America is one of the world's oldest soccer competitions and has traditionally featured only South American countries to determine the best national team on the continent. The first one took place in 1916, hosted and won by Argentina. La Albiceleste (White and Sky Blues) have won the tournament 15 times alongside Uruguay. Surprisingly, Brazil is third with nine Copa titles. Since 1993, at least two teams - one or more from North America and one from Asia - have been invited outside of South America's usual 10 CONMEBOL (South American Football Confederation) teams. The 2021 edition was held in Brazil. In the end, it was Argentina holding off the host nation Brazil in the Final 1-0.Presented here is a gold winner's medal awarded to a member of the 2021 Copa America champion Argentina National Team. Designed with a loop and lovely blue 2021 Copa America ribbon (32” if fully stretched) to wear proudly, it measures 60 mm in diameter and weighs 88 grams (including the ribbon). The obverse has “AL CAMPEON” at the top with “CONMEBOL COPA AMERICA 2021” at the bottom and an image of the tournament emblem at centre. The reverse has an image of the South American continent and “1916” to denote the first year the tournament was played.
Lot 11
KYLIAN MBAPPE 2018 FIFA WORLD CUP FINAL MATCH ISSUED FRANCE JERSEYThis was France's third World Cup final. They also won in 1998 but lost on penalties in 2006. They reached more finals in the last 20 years than any other nation (Brazil and Germany two each). France and Croatia had met five times previously; France won three and two drawn. The first meeting was the only previous World Cup encounter in 1998 when France, captained by Didier Deschamps, won the semi-final in Paris (2-1) with two goals from Lillian Thuram.At 19 years and 207 days, Kylian Mbappe became the third-youngest player to appear in a World Cup final. Brazil's Pele was 17 years and 249 days when he played against Sweden in the 1958 final while Giuseppe Bergomi was 18 years and 201 days when he played in Italy's 1982 win against West Germany. After Pele in 1958, he also became the second-youngest scorer in a World Cup final. 27 years after their declaration of independence, Croatia became the 13th nation to reach a World Cup final and the tenth from Europe. The Nike dark blue Vaporknit jersey was prepared for Kylian Mbappe for the 2018 FIFA World Cup Final. The jersey has the name "MBAPPE" and #10 on back and front heat-applied. The FFF crest with one star applied to the chest. The match day details are applied beneath them. The Nike swoosh applied above #10 on front. The 2018 World Cup patches applied on sleeves. The wash label is screen printed on the inside of the jersey. Sized L.
Lot 594
A Collection Of Original LPs to Include:Roxy Music, UB40, Julian Lennon, Bryan Adams, Ultravox, Midgeure.Also Includes 4 LPs By Eurythmics To Include: We Too Are One, Be Yourself Tonight, Revenge and Touch.Also Includes The Average White Band Feel No Fret, Average White Band Four Channel Discrete QUADRADISC and Fairground Attraction The First Of A Million Kisses.
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596772 item(s)/page