56th Armoured Division, 44th Royal Tank Regiment Battle Dress Blouse, Lieutenants battle dress blouse of the 44th RTR, 56TH Division (Armoured). Pips upon each epaulette with the colours of the 44th RTR under the first pip. The 56th black cat formation signs are on each sleeve. With a nice padded ‘Mother Tank’ on the right arm. Officer’s kings crown RTR collar badges on each lapel. Pocket, Epaulette and cuff buttons appear to be missing. Moth hole damage to the back of the blouse.
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WW1 British / Canadian Jack knives, 1916, Two first world war British and Canadian jack knives. The British one in the larger ww1-Pre ww2 size is undated, although its nicely marked upon the blade with the ‘GR’ and crown. Manufactured by ‘Rogers & Sons’ of Norfolk. All three tools move nicely from the inside of the handle. The blade itself has been sharpened over its lifetime reducing the original width of the blade. Secondly in the Canadian made jack knife, typical in its manufacture with all metal grips. Marked to the body with the stamping, ‘M&D Canada’ and dated ‘1916’. On the reverse side is the Canadian ‘C’ stamp and broad arrow. The lanyard loop though has since long gone. (2 items)
WW1 German P08 Luger Holster and Spare Magazine, Nice original first world war P08 luger holster. This example in a medium brown leather is in great condition for its age. The leather itself still retains its sturdy hard shell-like appearance. The belt loops to the rear are good and strong. The stitching is intact all round with only one discrepancy being that the closing strap has been unpicked and moved slightly into a different position, although this is certainly a period adjustment. To the rear the imperial crown and ‘III’ is stamped into the leather. Under the lid is the makers mark just visible ‘Nordlingen’ and the date of ‘1918’. The spare Magazine that still sits in the holster is an original WW1 example with the wooden grip in situ to the bottom, overall good condition.
WW1 British Panoramic Photograph, Officers, 2nd London Division 1916, Lovely example of a first war photograph, featuring Officers of the 2nd London Division. Great example of these typical period panoramic photographs, many different regiments including Kings Royal Rifles, RW Surreys and Rifle Brigade. Although this is framed, the frame itself is in bad shape and will need repairing due to the wood joins detaching at the corners. 34 ½ in long. Please note due to the size, shipping will be higher. We would advise personal collection
WW1-WW2 Royal Navy Trench Art Shells, HMS Repulse, Two small shells in the form of trench art candle sticks. Both engraved with the HMS Repulse emblem and scroll. Good pair mounted upon a small stand and flared at the top. HMS Repulse a well known Royal Navy Cruiser which participated in the First and Second World Wars, Being sunk by a Japanese aerial attack on 10th December 1941. Please note we are not able to ship this lot outside of the UK. Only available to bidders in the UK
WW1 US Army P17 Bayonet, Good original example of a first war US P17 bayonet and scabbard. Manufactured by Remington with the usual ‘Flaming Grenade’ stamp and ‘1917’ to the blade. US pattern scabbard with webbing belt prongs to the top. Overall good condition with the leather in good condition and the fixing catch in working order.
Two WW2 British Army Officers Tunics, Two British army officers service dress tunics. First one with East Surrey regimental buttons and ‘Burton’ tailor’s label. The collar dogs and pips have been removed and is missing its waist belt. The second one of better quality in the economy cut, retains all is original metal work insignia, including the general service collar dogs, GS buttons and Captain rank pips to each shoulder. This example is made by the tailors ‘Tom Brown’ of ‘Conduit St, London’ although this address has been crossed out and re stamped in red ink a new address in ‘Princess St’ this was due to the original tailor shop being bombed in the Blitz and having moved shop. Named and dated ‘9/43’ on the label. Complete with waist belt. Nice wartime tunic, complete.
SGB report: This lot includes a heavy unlimited Base Set booster pack featuring the iconic Venusaur artwork, originating from the personal collection of Stephen Wilks, the former Managing Director of Wizards of the Coast UK, adding a unique and prestigious provenance to this sealed booster pack. Weighing in at 20.98g, it falls within the typical heavy pack range of 20.8g to 21.8g; however, while considered heavy, we cannot guarantee the contents.About this pack: The Pokémon TCG - Base Set Sealed Heavy Booster Pack with Venusaur Artwork is a highly sought-after vintage collectible from the iconic 1999 Wizards of the Coast Base Set. This factory-sealed, unweighed heavy pack offers a strong chance of containing a holographic rare card, including classic favorites like Charizard, Blastoise, or Venusaur. As a first-generation Pokémon booster pack, it carries significant nostalgic and investment value, making it ideal for collectors, investors, and those seeking PSA, BGS, or CGC grading. Featuring the original Venusaur pack artwork, this rare sealed pack is a must-have for serious Pokémon TCG enthusiasts looking to expand their collection or experience the excitement of opening a piece of Pokémon history.
Ca. 2500 - 900 BC.A pair of bronze weapons. The first is a pick axe featuring a socketed tubular body, with a long, tapered, polygonal pick that comes to a sharp point. On the back, there is a moulded figure of a standing quadruped. The second piece is a ceremonial bronze mace head, which has a tubular body and an enlarged bulb decorated with engraved diagonal lines.For similar see: The British Museum, Museum number 128682; The Metropolitan Museum of Art, Accession Number: 61.100.18. Size: 110-210mm x 40-65mm; Weight: 620g.Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Ca. 332 BC - AD 200. A collection of three mosaic glass bars. The first from the top has a white ground with a row of alternating red and dark green eight-petalled rosettes. The second features a yellow matrix decorated with a sequence of black rosettes, each centred with a small red dot. The third has a deep blue core framed by two parallel yellow borders along its length. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: The Louvre Museum, Main number E 10869.Size: 38-50mm x 5-7mm; Weight: 8gProvenance: Prince collection, 1990s-2014; Ex. Christie's.
Amarna Period, Ca. 1353 - 1336 BC. A pair of rock crystal vessels. The first on the left is a pomegranate-shaped jar with a rounded body and a flared crown-like rim with rounded projections. The second is a slender amphoriskos with an ovoid body, a short cylindrical neck with a flared rim, and two vertical handles are extending from the shoulder to the neck. Mounted on a custom-made display stand. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 55-65mm x 30-45mm; Weight: 75gProvenance: Prince collection, 1990s-2014; Ex. Simon Aaron collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 100 BC - AD 200. A collection of four square and rectangular mosaic glass inlays with various polychrome designs. The first on the left features a stylised four-petalled floral motif in red, white and blue against a yellow matrix. Two other inlays display checkered patterns composed of squares in red, blue, yellow, green, and white. A smaller fragment presents a similar floral motif in blue and red against a red background. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: The Metropolitan Museum of Art, Object Number: 81.10.158, 26.7.1224, 10.130.2702.Size: 15-22mm x 9-22mm; Weight: 10gProvenance: Prince collection, 1990s-2014; Ex. Horiuchi private collection, March 2007 and Ex. Mansour Gallery. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 332 BC - AD 200. A collection of three glass inlays with geometric and floral designs. The first, a curved fragment, has a blue ground decorated with a grid of small yellow squares, each containing a central dot. The second, a semicircular piece, displays a deep blue background punctuated by orange concentric circles. The third, a rectangular inlay, features an interlocking red and blue pattern forming a repeating floral motif. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: The Louvre Museum, Main number: E 22940.Size: 17-28mm x 15-17mm; Weight: 18gProvenance: Prince collection, 1990s-2014; Ex. Christie's, London Sale 595128, April 2009 Lot 79.
Ca. 1200 - 600 BC.A collection of three bronze weapons. The first is a bronze short dagger cast via the lost wax (cire perdue) technique with a small polygonal section tang. The double-edged blade has sharpened edges, and a profile that tapers to a narrow tip and prominent midrib. The second is a spearhead with a short curved tang and large blade finely cast in one piece. The third is a dagger with double sharpened edges and short tang. Layers of mottled green and brown patina envelop the entire weapon.For similar see: Muscarella O. W., Bronze and Iron: Ancient Near Eastern Artifacts in The Metropolitan Museum of Art, 1988, n. cat. 392. Size: 260-305mm x 40-40mm; Weight: 580g.Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Ca. 300 BC - AD 100. A pair of glass inlays. The first, on the left, is a rectangular piece with a yellow matrix, depicting a stylised lotus flower with three elongated blue petals outlined in black, flanked by two curving stems ending in red circular elements. The second, a circular inlay, has a yellow ground with a central eight-pointed star outlined in black, its arms flanked by scrolling tendrils and embellished with alternating palmettes and lilies. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: Bonhams, Antiquities, 28 October 2009, Lot 287; The Metropolitan Museum of Art, Object Number: 17.194.389.Size: 20-30mm x 20-22mm; Weight: 8gProvenance: Prince collection, 1990s-2014; Ex. Horiuchi private collection.
Ca. 100 BC - AD 100.A pair of rectangular glass inlays. The first on the left has a red background featuring a stylised lotus plant with three blue petals edged in yellow, flanked by two upward-curving stems terminating in white dots. Its base is framed by black and white stripes. The second inlay has a pale blue ground with a six-petalled yellow rosette outlined in black, centred with a white and black core. Two yellow borders extend along the upper and lower edges. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: The Corning Museum of Glass, Accession Number 59.1.103; The British Museum, Museum number 127349; Bonhams, Antiquities, 28 October 2009, Lot 287.Size: 10-10mm x 10-10mm; Weight: 2gProvenance: Prince collection, 1990s-2014; Ex. Bonhams and Mansour Gallery.
Ca. AD 400 - 600.A collection of belt buckles and decorations. The first piece is a buckle featuring a rectangular central body that is open in the middle. Its decorative elements consist of a geometric inlay with alternating red and green garnets set in a gilded frame. The second item is a rectangular plaque adorned with a geometrically patterned inlay made of red garnet, centred with an oval-shaped orange glass cabochon. The third piece is a plaque decoration designed with red garnets arranged in a geometric pattern, displaying four hearts facing each other within a rhombus at the centre. Finally, the fourth item is a portion of a belt buckle, which consists of a rectangular body inlaid with geometric motifs in red garnet and green glass. This piece also features a large oblong ring at one end for fastening the belt.Size: 39-47mm x 15-30mm; Weight: 95g.Provenance: London collection; Ex. Mayfair collection, acquired from an Ancient Art gallery; formerly acquired on the London art market pre-2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 30 BC - AD 200. A pair of fragmentary mosaic glass inlays. The first, on the left with a scale-like pattern of alternating blue and red semicircles arranged in horizontal rows. The second displays a layered pattern of blue scales outlined in green, with additional red accents.For similar see: Christie's, Live Auction 7758, The Groppi Collection, 26 April 2012, Lots 1, 62.Size: 50-60mm x 35-40mm; Weight: 30gProvenance: Prince collection, 1990s-2014; Ex. Bonhams. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 1200 - 600 BC.A collection of three bronze weapons. The first is a bronze short dagger cast via the lost wax (cire perdue) technique with a small polygonal section tang. The double-edged blade has sharpened edges and a profile that tapers to a narrow tip. The second is a dagger with a short tang and a large blade finely cast in one piece. The third is a spearhead with double sharpened edges and a short curved tang. Layers of mottled green and brown patina envelop the entire weapon.For similar see: Muscarella O. W., Bronze and Iron: Ancient Near Eastern Artifacts in The Metropolitan Museum of Art, 1988, n. cat. 392. Size: 280-330mm x 40-60mm; Weight: 680g.Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Ca. 30 BC - AD 200. A collection of four fragmentary mosaic glass inlays. The first, in the top left corner, has a blue ground with a white and yellow rosette. The second, in the top right, displays a marbled structure with a red and white background. The third, in the bottom left, has a yellow field bordered by a zigzag pattern separating it from a blue section. The fourth, in the bottom right, features Nilotic plants set against a dark blue background. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: Christie's, Live Auction 7758, The Groppi Collection, 26 April 2012, Lot 13; The Israel Museum, Jerusalem, Accession number: 77.12.340, 98.43.19, 77.12.182; The Ashmolean Museum, Accession no. AN1910.481.Size: 45-75mm x 35-50mm; Weight: 95gProvenance: Prince collection, 1990s-2014; Ex. Christie's and Ex. David Aaron and Ex. Bonhams.
Ca. 300 BC - AD 100. A collection of glass inlays and bars. The first, in the top left corner, is a circular inlay with a red ground, displaying a yellow eight-petalled rosette encircled by a yellow border. Another, a rectangular inlay with a red matrix, features a yellow curvilinear pattern. At the bottom, one bar has a red ground with a row of white dots, while two smaller bars exhibit wave motifs, both with red against a white ground.For similar see: The Corning Museum of Glass, Accession Number 59.1.94 L; The Louvre Museum, Main number E 22945 (wave pattern).Size: 12-30mm x 5-20mm; Weight: 13gProvenance: Prince collection, 1990s-2014; Ex. Skoluda private collection and Private collection 1970s-1990s and Ex. Bonhams.
Ca. 350 - 300 BC.A group of three skyphoi, each with a deep body tapering towards a small, disc-shaped foot. The rims are broad, with two opposing horizontal handles extending outward. The surfaces are covered in a black glaze, with decorative elements applied in added white, yellow, and red pigments. The first skyphos on the left features horizontal bands and rows of small dots encircling the upper body. The second and third skyphoi display stylised vine tendrils in the midsection, with dotted bands and linear patterns above, while an ovolo pattern runs along the rim. The bases are reserved, exposing the natural clay colour.For similar see: The Brooklyn Museum, Accession Number 22.31; The Spurlock Museum, 1900.11.0040.Size: 85-95mm x 140-130mm; Weight: 370gProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgium art market; Daniel Bogaerts, Brussels, 1995. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 2055 - 1069 BC.A pair of scarabs in black stone and glazed steatite of ovoid form with naturalistic features. The first is polished and the second has engraved the Ossyrinco fish. A suspension hole is drilled lengthwise through the body, for mounting on a necklace or a swivel ring.Size: 13-16mm x 11-13mm; Weight: 7g.Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.
Ca. 1st - 3rd century AD. A set of three glass implements, comprising two rods and an ear pick. The first rod on the left is formed from translucent green-green glass with a slender, cylindrical shaft terminating in a sharp point, and a rounded, bulbous head. The second rod in blue-green glass, features a slightly flared, flat head and a twisted pattern along the shaft. The third piece, an ear pick, is crafted from yellow glass and has a twisted, spiral shaft leading to a small, rounded bowl at the end.For similar see: The Cesnola Collection, the Cypriot Art, Glass, Cat. 454, 455.Size: 140-160mm x 4-6mm; Weight: 20gProvenance: Prince collection, 1990s-2014; Ex. Gorny & Mosch, 19 June 2009, sale 179.
1973 Garelli Rekord, 49cc. Registration number JUI 9040. Frame number CN*00640*. Engine number 2268253.Sold with the V5C.Founded in 1919 by Italian engineer Adalberto Garelli who designed his own two-stroke 350 cc engine and achieved national and international success. Garelli sports mopeds were imported into Britain by Agrati Sales (UK) Ltd and the first models were the Rekord and Tiger Cross being one of the fastest at the time reaching speeds of 60mph. In the early 1980s, Garelli dominated the 125 class in Grand Prix motorcycle racing winning six consecutive world championships between 1982 and 1987.JUI was sold as a project by Bonhams as lot 267 in October 2008, they stated " Believed first registered in the Irish Republic, this Garelli Rekord was reregistered as ‘AUI 136’ in Northern Ireland in 1973 and again in 1999 as ‘JUI 9040’. Offered for restoration and sold strictly as viewed, the machine displays a total of 2,337 miles on the odometer". Since this time the bike has been comprehensively restored and presents very.
1973 MGB GT, 1798cc. Registration number HAX 763L. Chassis number GHD5 305503G. Engine number Ivor Searle RS 47257 (incorrect on the V5C).Sold with the V5C, keys, history folder, photographic restoration folder.Outstandingly successful despite, or perhaps because of, its relative simplicity, the perennially popular MGB remained in production for 18 years while rivals came and went. Conceived in the late 1950s and launched in 1962, the MGB was mechanically similar to the preceding MGA, though with unitary-construction bodyshell instead of its forebear’s separate chassis. To compensate for the newcomer’s increased weight, the existing four-cylinder B-Series engine was stretched to 1,798cc while the MGB’s aerodynamically efficient lines made the most of the 95bhp available to achieve a top speed which just bested the magic ‘ton’. A ‘right first time’ design that changed little over the years, the MGB had enjoyed sales totalling in excess of 500,000 cars by the time production ceased in 1980.HAX has been comprehensively restored with new panels, including floors, sills, inner wing panels and outer wings. Photographs on file. The engine has been replaced with an Ivor Searle unleaded example.Our vendor has enjoyed his time with the car but now finds it a tad tricky getting in or out.
1968 Triumph TR25W, 250cc. Registration number AAS 866G. Frame number NC 7489. Engine number NC 7489. Sold with the V5C, key, workshop manual. An unashamed exercise in 'badge engineering', the Triumph TR25W Trophy was basically the BSA B25 Starfire in a new set of clothes. There were a number of cosmetic changes to identify the new model as a Triumph, while those of greater engineering significance included an alteration in gearing, adoption of larger wheel sizes and fitting of an upswept exhaust system to suit the Trophy's intended role as a trail bike. Introduced in 1968, the Trophy continued with relatively minor changes until BSA-Triumph's major revamp of its range in 1970 brought with it a new 'oil bearing' frame, conical hubs and a change of name to 'Blazer', with Street Scrambler and Trail versions available also. This Trophy is a two owner machine, first registered to Harrold & Sons of Elgin in January 1969, our vendor bought it from them in 2017. It has only covered some 4,777 miles in its life, he has only added some 150 in his custodianship. A new front tyre and electronic ignition has been added.
1980 Laverda Jota Mk 2, 180, 981cc. Registration number PNS 600V. Frame number LAV.1000*6914* DGM 12571 OM. Engine number 1000 *6914*. Sold with the V5C, V5, two keys, large history folder.Laverda began with the manufacture of farm machinery, diversifying into production of small capacity motorcycles in 1949. Increases in capacity and variations of design (including a scooter) followed over the years. They eventually offered a large-capacity 650cc twin in 1966, which was soon enlarged to 750. In 1969 Laverda exhibited their first three-cylinder machine which was to take until 1972 before being offered to the public as the 3C, later becoming the 3C(E). At the instigation of the British importer, Roger Slater, performance was enhanced by Laverda and the 3C(E) became the Jota. The 180 had the distinction of being the fastest production motorcycle in the world in the late 1970s, at over 140mph.The Jota model ran from 1976 through to 1982 and is powered by a 981cc DOHC air cooled inline triple with a dry weight of 234 kg. Originally fitted with a crankshaft with 180° crankpin phasing and ignition timing on the right hand side of the engine till 1980. Then in 1981 the ignition timing which was by then electronic, was moved to the left side and in 1982 the Jota 120° was released which had the crankpin phasing to 120°.PNS comes with a copy of Slaters import document dating from 1979, noting it went to Lloyds Bros in August 1980. In 1996 Tom Mitchell sold it to Stuart Oram and then Donald Drawbell in 1999. He sold it to Dr Murphie in 2005 and in 2014 it went to Paul Miles. In November 2016 Made in Italy sold it to Charles Rising for £15,000, he sold it to our vendor in 2017 using the services of The Bike Specialists in Sheffield.In 2015 it underwent a full restoration with Keith Nairn Of Lavenda Scozia, including new main/big ends, cylinder head overhaul, new mainshaft for the gearbox, the carbs were rebuilt, full stainless exhaust, brakes rebuilt, powder coated frame, all new bearings.There are MOT's on file from 1996 at 17,010 miles, rising slowly, 20,418 miles in 2003, 24,861 miles in 2016 and the last one was in 2019 at 26,998 miles. The odometer today shows 27,201 miles. This suggests it is the correct mileage and it has only covered some 3,000 miles since the rebuild.Our vendor has had it running before it was delivered to the saleroom.
1955 BSA Bantam D1, 125cc. Registration number PWX 954. Frame number BD2S 55777. Engine number DD 4675.Sold with the V5C and two old MOT's.any a now-mature motorcyclist's first two-wheeled experience will have been gained aboard a BSA Bantam. Developed from the pre-war DKW RT125 and announced in 1948, the Bantam became a top seller for BSA, in excess of half a million leaving the Birmingham factory before production ceased in 1971. Originally of 123cc, the engine grew first to 148cc and then to 172cc. Plunger rear suspension became available as an option in 1950, as did battery electrics powered by a 6-volt Lucas alternator, direct lighting having been relied upon hitherto. While larger-engined versions came and went, the original 123cc D1 Bantam in its updated, plunger-suspended form remained available until 1963.PWX is a plunger frame model with direct lighting, it appears unrestored and was bought as our vendors learner bike before moving onto larger machinery. The history shows it was owned by Robert Carter of Heckmondwike in 1985, he sold it to Our vendor in September 1986. It has been unused since 1988 and stored in his heated garage. He is now moving North and has decided not to take it with him.
c.1963 Benelli 3V Sprint, 48cc. Registration number not registered. Frame number CES 103476. Engine number not found.There is no paperwork with this lot, apart from an original owners manual.In 1921 the first real Benelli motorcycle appeared , the “Velomotore”, a 98cc two stroke lightweight bike presented in two models, Touring and Sport. Post WWII the Benelli brothers retrieved about 1000 military motorcycles - mainly of English origin – left in the battlefields by the allies into bikes for civilian use. 1947 was also the year when the racing activities were resumed.By the 1960's a wide range of models were produced by Benelli-Motobi, from scooters to the ‘Tornado’, a maxi bike 2-cylinder 650cc. In 1972 the company was bought by the Argentinean entrepreneur Alejandro De Tomaso. The 50cc was a fiercely contested market in Italy, the 3V Sprint being one of the premium machines.This example appears to be a very restored example, ready to grace any collection.
1980 Honda Britain CB750 F2, 738cc, Project. Registration number NFW 530V. Frame number CB750G 1013770. Engine number B750GE 1011741.Sold with the V5C.When Phil Read won the 1977 TT on a CB750F2 Honda decided to make race replicas (FRR) and commissioned Colin Seeley to undertake this and some 150 were produced before a falling out with Reed and Honda halted the production. There surplus components and Eric Sulley of Honda decided to carry on production with minor changes, a new paint scheme and re naming the bike the “Honda Britain 750 SS”. In November 1978 Colin received an order for 50 machines in red and white, and 50 machines in blue and white. The conversion from the standard F2 750 Honda consisted of the Phil Read type fairing and seat unit, alloy petrol tank, modified side panels, front mudguard and a Seeley reverse cone exhaust system. The total production run for these machines was 225, with the first models reaching dealerships in early 1979. This machine was owned by David Clayton in 1986, then Simon Carson in 2003, our vendor buying it as a project in the same year. Buyers should satisfy themselves as to whether it is a true Honda Britain and the completeness of the project.
1950 MG TD RHD. Registration number USV 564 (non transferrable). Body Type 22381. Body No., 2439/49727. Car No., TD/ 0668 EXR. Engine number CA325R.Sold with the V5C, key and wet weather side windows.The penultimate T-Series Midget, the TD, appeared in 1949. A continuation of the 1930's designed TC, the TD heralded some well-received post-war refinements; independent front suspension, rack and pinion steering, steel wheels, and the availability of left hand drive; this made the TD an appealing motorcar for the export market. When production finished in 1953 it's reported that all but around 1,650 of the 30,000 cars produced were exported, with 23,000 or so heading to the USA alone. USV was built on the 6th of February 1950 as a Home Market right hand drive, but the T Register records show that Home was crossed out and replaced by XPR. According to our vendor the first owner took it to South Africa where it remained until being repatriated in 1985 by Martin Reenhalgh of Doncaster. At some point in its early live the original engine XPAG/TD/913 was replaced by a BMC factory replacement as noted above (the V5C still states the original engine so we presume Reenhalgh replaced it). Our vendor bought it in 2005 and the DVLA MOT history shows 330,618 miles, by 2012 it had risen to 32,093 miles, the same as it is today. Dry stored since then it has regularly been started up and warmed through.When viewed it started without any issues and was driven around the field, it will required light recommissioning due to the lack of activity. Our vendor has not had to do anything to the bodywork, drive train or interior in his custodianship, the testament of a quality restoration.
1927 Raleigh 248cc. Registration number OP 5370. Frame number J10406. Engine number 10364.Sold with the V5C.Although known today mainly for its bicycle output, the Raleigh company was once one of the leading pioneers of the British motorcycle industry, building motorcycles first from 1899 to 1905 and then again from 1919 to 1933.The Model 14 was typical of Raleigh’s output, and of affordable motorcycling generally, during the Vintage years. Built from 1925 to 1927, the 248cc single-cylinder SV four stroke engine and three-speed Sturmey-Archer gearbox made for a bike which, by the standards of the day, was conventional, straightforward, easy to ride and economical. OP has been owned by our vendor for eight years and regularly ridden, a proper oily rag machine. The acetylene lamp system is fully functional and a bulb horn is fitted.
c.1957 BSA Gold Star 350 Arthur Lampkin Works Replica, 349cc. Registration number not registered. Frame number CB32 1056. Engine DB32 GS 853.There is no paperwork with this machine.He had started trials on a 197 James, then a Royal Enfield Bullet. In 1955 he got his first works BSA trials bike, OOH760. Scrambles riding soon followed, and Arthur was a natural. In a BSA team led by Jeff Smith he rode Goldies in the 500 class, winning the British Championship in 1959, until the factory switched to the C15-based 250s. The Lampkin family do not need any other words, they are probably the most famous family in off road motorcycling in the world!This bike is fitted with all the "Works" mods, floating front brake, inside footrest exhaust, box air filter, alloy petrol tank with works dents, central steel oil tank, low rise BSA pattern braced handlebars, Scrambles gearbox and competition Lucas Mag.Since completion it has been dry stored and will need commissioning before use.
1953 BSA BM33, 500cc. Registration number 787 UXV (non transferrable). Frame number ZM20S 1190. Engine number BM33 168.Sold with the V5C.The 499cc "all iron" BSA B33 arrived in 1947. Outwardly identical to the B31, the B33 featured a slightly larger carburettor, heavier flywheels and a larger rear tyre.The first B33s were built around rigid frames, but in 1949, plunger suspension became an option. Five years later, in 1954, swinging arm frames were introduced.In good running order, the bike was ridden to the saleroom. Only for sale due to dodgy knees, our vendor has owned it for 19 years.
1986 Yamaha TY250, 246cc. Registration number C181 JGL. Frame number 59N 001784. Engine number 59N 001784.Sold with the V5C, Yamaha dating letter, expired MOT.Having come to dominate the spheres of road racing and moto-cross, the major Japanese motorcycle factories turned their attention to the trials world in the early 1970s, recruiting top British riders to assist with machine development. In Yamaha’s case this meant Mick Andrews, late of Ossa, who began work on the TY250 in 1973. A conventional, air-cooled, single-cylinder two-stroke equipped with Yamaha’s reed-valve induction, the TY250 proved good enough for Andrews to win the arduous Scottish Six Days Trial in 1974 and the model went onto establish a formidable reputation in observed trails. Mono-shock rear suspension and a six-speed gearbox were among the innovations tried, both of which later found their way on to the production model.This example was first registered in the UK in 2018 to Martyn Smith, who fully restored it, our vendor bought it from him and has used it very lightly.
1961 Norton Navigator 349cc. Registration number ASL 695 (non transferrable). Frame number not found. Engine number 96361.Sold with the V5C.Introduced for 1961 at Earls Court, the Navigator was the first bike to be built on the Norton production line at Plumstead. With the 349cc model, the firm addressed almost all of the 250’s troubles and produced a very fine lightweight four-stroke twin. The cylinders were made of a single casting, to give better oil retention, although the cylinder heads continued to be separate. TT racer Harold Daniell raced a standard Norton Navigator at Silverstone, a recorded speed of 101 mph was achieved on a standard Navigator with a tweaked carburettor.ASL has been owned and ridden by our vendor for the last four years and is reported to be in good useable condition. It is being sold as he has bought a modern Royal Enfield.
1961 Triumph Bonneville T120, 648cc. Registration number 798 UXN. Frame number D16040. Engine number T120 D16040.Sold with the V5C and a history folder.Triumph is one of the most iconic and revered names in the history of motorcycling. Established in Coventry in 1885, by the start of the 1900s the company had made their first motorcycle beginning a continuous run of production under various ownership until its eventual closure in 1983. In 1937 the Edward Turner-designed Speed Twin was released launching a range of Triumph twins that went on to epitomize British motorcycles in the post-war years. Many believe the T120 Bonneville, first seen in late 1958, to be the ultimate version of the classic British vertical twin and is now one of the most sought-after bikes of the era.UXN, a wonderful matching numbers example of a 1961 T120, offered in sky blue over silver was owned by Howard Clough in 2005, he sold it to Phillip Cropper in 2008 and our vendor bought it from him in 2017. It has seen little road use over the last number of years, an MOT from 2014 was at 87 miles, in 2017, when purchased, it was 111 miles and the odometer now shows 637 miles. It was last ridden in 2024 and our vendor states it is an easy starter, just tickle the carb with no choke. It runs on 12 volt electrics.
1966 Yamaha YG1 (1963), 74cc. Registration number GAT 985D. Frame number Y20 87050. Engine number G1 87050.Sold with the V5C, V5 and one key.In 1963 Yamaha introduced the YG 1. It had a number current state of the art touches such as turn signals, drum brakes, pressed steel frame and a megaphone exhaust.The 74 cc single cylinder, air cooled, rotary valved engine delivered 6.44 HP through a 4 speed gearbox for a rumored top speed of 60 MPH and 170 claimed MPG. The oil mix was specified at 20:1 and you mixed it yourself. The first pre lube models were very quickly superseded by a pre mixed version and this example is one of the first that was not sold and put into storage. In 1966 Yamaha massively reduced the price of the model resulting in the DVLA dating of 1966 for this example.GAT, a local Hull bike, was first owned by Terrance Rowden of Hull, he sold it to Charles Kettlewell in 1999 and then it was owned by Ricky Gamewell in 2013, our vendor buying it in the same year. It has been part of his collection since that date. Sold with several spares bought to restore but never used.
1994 Yamaha Virago 749cc. Registration number L933 UUY. Frame number 4FY 008318. Engine number 4FY 008318.Sold with the V5C, MOT's 2007 until 2015 and two receipts.The Yamaha XV750 or Virago 750 was a V-twin cruiser motorcycle. Made from 1981 to 1983 and 1988 to 1998, it was part of Yamaha's Virago line of cruisers. It was their first foray into the V-twin cruiser market and shares a frame and many components with the larger XV1100 Virago.Purchased by our vendor in 2023 from this saleroom it has remained unused in garage and will need recommissioning.Sold with the V5C, MOT's 2007 until 2015 and two receipts.
Third Intermediate period, Ca. 1069 - 664 BC. A pair of restrung faience necklaces with central amulets. The first necklace is composed of annular faience beads in various colours, with tubular beads interspersed in the lower half section and a faience wedjat eye amulet in the focal point. The second necklace has a similar design, also featuring small faience beads, some tubular beads in the lower section, and a faience zoomorphic amulet at the centre. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.For similar see: The British Museum, Museum number EA7845.Size: 210/420-240/480mm x 8-15mm; Weight: 15.42gProvenance: Property of a London gallery; previously in a collection of a North London gentleman; formerly in a collection of Mrs B. Ellison, a deceased former member of the Egyptian Exploration Fund, bought from the 1940s, Cairo and London.
Ca. 400 - 300 BC. A collection of three Xenon ware vessels, each with a black-glazed surface and added red-painted decoration. The first vessel on the left is a kantharos with a pear-shaped body on a narrow foot with a circular base. Two high-arching handles extend from the rim to the shoulder. A large palmette motif, symmetrically arranged with radiating tendrils, decorates both sides of the body. The central vessel is a skyphos with a shallow, rounded bowl resting on a low, flaring foot. Two horizontal handles extend from opposite sides just below the rim. The exterior is encircled by a band of red-painted chevrons running parallel to the rim. The third vessel on the right is another kantharos with an inverted bell-shaped body set on a small, disc-shaped foot. Two looped handles rise from below the rim and curve outward before rejoining at the mid-body. The exterior features horizontal bands and a wavy linear motif positioned between the handles.For similar see: The Metropolitan Museum of Art, Object Number: 06.1021.218; Christie's, Live Auction 19876, Antiquities, Lot 60.Size: 65-105mm x 25-75mm; Weight: 135gProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgium art market; Daniel Bogaerts, Brussels, 1995.
Ca. AD 1 - 300.A collection of three terracotta oil lamps, each with moulded decoration. The first two on the right, classified as Loeschcke Type VIII, have broadly rounded bodies tapering to short nozzles, each with a raised circular rim enclosing a sunken discus. The rightmost lamp features a kantharos with two birds perched on its handles, framed by a border of small, evenly spaced dots. The central lamp depicts the head of Helios with eight petal-like rays extending outward. The leftmost lamp, attributed to Loeschcke Type IV or Bussière Type B, has a broad circular body and a rounded nozzle flanked by two volutes. The discus contains a scene with a stag standing to the left and a seated figure on the right, enclosed within a raised border and framed by concentric circular bands.For similar see: The Louvre Museum, Inventory number: MG 5272 (subject); The Morton Collection of Biblical Artifacts, L-30-M-58.Size: 20-30mm x 75-110mm; Weight: 185gProvenance: Private UK collection, acquired on the US art market, pre-2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. AD 100 - 500. A group of three glass vessels. The first on the left is a bottle with a globular body and a short cylindrical neck with a slightly flaring rim. The second is a small amphoriskos with a rounded body, a narrow neck, and two vertical handles extending from the shoulder to just below the rim. The third is an ovoid-bodied vessel with a long, slender neck, a rounded rim, and two handles attached at the shoulder and rim.For similar see: The Cesnola collection of Cypriot Art, The glass, Cat. 175; Christie's, Live auction, 21709, Antiquities, Lot. 135Size: 75-80mm x 25-60mm; Weight: 110gProvenance: Ex. Russkin collection, formed in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 330 - 300 BC. A collection of three Xenon ware vessels, each with a black-glazed surface and added red-painted decoration. The first vessel on the left is a small kantharos with a rounded body and two high-arching handles extending from the shoulder to the rim. The midsection is decorated with a laurel wreath composed of elongated leaves stretching across the body. The second vessel is a skyphos with a deep, slightly flaring cup, a ring base, and two D-shaped handles. Its exterior is decorated with a series of horizontal bands enclosing rows of vertical strokes and circular motifs. The third vessel is a cup with a deep body, an everted rim, and a small loop handle at the side, decorated with a scrolling tendril motif at the front.For similar see: The Metropolitan Museum of Art, Object Number: 06.1021.218; The Louvre Museum, Collection number: ED 509, ED 381; Christie's, Live Auction 7207, Antiquities, Lot 248 (decoration).Size: 50-70mm x 65-65mm; Weight: 135gProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgium art market; Daniel Bogaerts, Brussels, 1995.
Ca. 2350 - 2150 BC. A lapis lazuli cylinder seal engraved with two human figures accompanied by feline-like creatures. The figure on the left wears a horned headdress and a long garment, with a beast standing on its hind legs, head raised. Opposite, a figure in a short kilt is depicted with a second creature balancing on its front legs, head lowered. Behind the first figure, a lizard is positioned vertically.For similar see: The Metropolitan Museum of Art, Object Number: 1984.383.8.Size: 17.1mm x 8.3mm; Weight: 2.63gProvenance: Private Dutch collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 800 - 1100 BC. A collection of three bronze bracelets, each with a flat, open-ended band of uniform width. The first bracelet on the left features a series of concentric circles arranged in two rows at the midsection. The second bracelet is decorated with a pattern of geometric and curvilinear motifs, divided into rectangular segments. The third bracelet displays a textured surface with a repeating pattern of small, closely spaced diagonal lines creating a woven effect.For similar see: British Museum Museum number 1852,0329.166; Museum number 1871,0401.16Size: 62-65mm x 40-50mm; Weight: 55gProvenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
SGB report: Arguably one of the most iconic cards of all time, the original Base Set Charizard that was originally released in 1999. This card is in near mint condition and comes from the vault of a former Wizards of the Coast staff member! This is a great PSA candidate and a fantastic opportunity to own one of the most talked about Pokémon cards of all time. About this card: The Pokémon TCG Base Set (1999) is the first-ever Pokémon card set, featuring 102 cards and renowned holographic rares like Charizard, Blastoise, and Venusaur. It comes in three print runs: 1st Edition, Shadowless, and Unlimited. With no expansion symbol, this set laid the foundation for the game and remains one of the most nostalgic and valuable in Pokémon TCG history.
How many Charizards is too many? The 3rd Charizard Unlimited slab here!This card has been authenticated and graded by CGC and awarded an Near Mint/Mint+ 8.5.Grading report: A card graded 8.5 has relatively smooth edges with only minor touches of wear. It must have original color borders and gloss. One of the following very minor flaws is allowed: corners are sharp to the naked eye but reveal slight imperfections under magnification; a small amount of minor print spots; subtle focus imperfections of the image. A very slight diamond cut is allowed. TCG cards could show small handing defects.About this card: Unlimited Base Set was the 3rd wave of printing for the first ever English TCG expansion, it does NOT feature the iconic Shadowless design, nor the 1st Edition stamp. This print run was to supply the initial demand for Pokémon cards during the Pokémania frenzy in 1999-2000.

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