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Lot 3000
(lot of 2) Yoshida Hiroshi (Japanese, 1876-1950), the first `Misty Day in Nikko`, woodblock print, lower right with the signature and seal, left margin with the jizuri (=self printed) seal, title, dated 1937, lower margin with the signature and title; the second `Cryptomeria Avenue`, woodblock print, lower right with the signature and seal, left margin with the title, dated 1937, lower margin with the signature and title, sight: 14.75"h x 9.5"w, overall (framed): 23.5"h x 16.5"wStarting Price: $200
Lot 3005
(lot of 2) Utagawa Kunitoshi (Japanese, 1847-1899), the first, Meiji period, woodblock print, `Shinagawa, Tokyo Train` from the `Famous Places in Tokyo` series, upper right with the title, lower left with artist and publisher seals, dated 1889; the second woodblock print depicting Shinagawa train station, upper left with the title, the lower left with the publisher Dobai Masadaya seal, sight: 12.5"h x 8"w, overall (framed): 20.75"h x 16.25"wStarting Price: $125
Lot 3069
(lot of 4) Chinese stone carvings, the first a red and white agate carved with a chilong forming a circle; second, a serpentine plaque pierced with a pair of phoenix; third, a serpentine circular box carved with a dragon; lastly, a soapstone plaque with a dragon in relief, 3"hStarting Price: $150
Lot 3088
(lot of 3) Chinese polychrome enameled porcelain plates, 19th century, the first, featuring a pan pipe hanging from a tree above a lotus pond, apocryphal Qianlong mark to the base; second, painted with seasonal flowers encircling a peach medallion to the center, the base with a red Tongzhi mark; lastly, with a pomegranate in the center and decorated with bats suspending coins, alternated with peony blossoms, the base with a Xianfeng mark (hairline crack), 7.125"wStarting Price: $250
Lot 83
A monumental Victorian carved oak, marquetry, marble and gilt metal mounted chimneypiece, circa 1854, by John Thomas, the arched overmantel mirror surmounted with a relief cast gilt electrotype portrait roundel of Sir Isaac Newton, within an arch of foliate marquetry, the decoration extending to guilloche carved pilasters projecting at the front and to each side, above variegated rouge marble columns with Gothic Revival capitals, with vacant plinths below; the marmo nero Belgio fire surround with fluted columnar jambs with foliate gilded electrotype capitals and infill, on octagonal bases, a conforming fire curb below, 376cm high, 244cm wide. This chimneypiece was removed from the Jewish Home and Hospital for Incurables, Tottenham. At nearly four metres in height this spectacular and beautifully crafted chimneypiece was made by John Thomas (1813-1862) for his lifelong patron and friend Sir Samuel Morton Peto (1809-1889). John Thomas was a prolific sculptor whose talent and industry was first noticed by Sir Charles Barry during the building of Pugin’s Birmingham Grammar School and later resulted in Thomas’ appointment as superintendent of stone carving at Barry and Pugin’s progressing Palace of Westminster. The contract for the construction of the new Parliament building was being undertaken by Peto. John Thomas and Morton Peto were to work together for many years. Peto had acquired Somerleyton House near Lowerstoft in the 1840s and commissioned John Thomas as architect and stone mason to undertake the renovations, transforming it from a crumbling Jacobean mansion into a Victorian stately home with fabulous carved chimneypieces throughout. However Peto’s fortunes suffered disaster in the early 1860s when his bank, responsible for paying his firm’s 30,000 staff folded, forcing the sale of Somerleyton House. The house was further renovated over the years but most of Thomas’ chimneypieces survived in situ. Peto himself made a second fortune and by 1854 was able to move from Russell Square to 12 Kensington Palace Gardens and it seems very likely that Peto commissioned the chimneypiece in this lot for that property. Certainly it appeared as a full page feature in GW Yapp’s work for the Art Journal where it was described as having been ‘designed for the Drawing Room of Sir Morton Peto, MP’. The Kensington Palace Gardens house proved to be too small for Peto’s needs, so he built a larger house in the grounds of number 12, (now No.12A, the Nepalese Embassy), number 12 ultimately passing into other ownership. It was Sir Samual Montagu who donated the chimneypiece to the Jewish Hospital in Tottenham in 1906.
Lot 265
A Victorian carved oak and blue leather upholstered mayorial throne for the London Borough of Holborn, last quarter 19th century, surmounted by a heraldic crest for the Dukedom of Bedford incorporating the motto ‘Che Sara Sara’, the back rest flanked by twin projecting columns, the arms with voluted terminals above acanthus leaves, on turned front legs and square section back legs, 238cm high, 80cm wide, 70cm deep. The throne was made for the first Mayor of Holborn Herbrand Russell KG, 11th Duke of Bedford. The Coat of Arms surmounting the Throne is that of the Bedfords whose London estate includes much of the north of the parish of St Giles. The mayoral throne was moved to the St-Giles-in-the-Fields church when the borough ceased to exist, St. Giles being the muncipal church of the borough until the 1960s.Please note, this throne is upholstered in leatherette, not leather as catalogued
Lot 139
Three Palitoy Action Man figures: first with brown flock hair, P with right hand missing, left with two fingers snapped off, some hair rubbed off, paint on eyebrows chipped, grubby marks to face; second with brown flock hair and beard, G, some hair and beard rubbed off, paint on eyebrows chipped; third with blond painted hair, paint chipped on hair and eyebrows, scuffs to body. Together with a Denys Fisher Six Million Dollar Man figure, VG in P box with large tears.
Lot 586
CHRISTOPHER FINCH "The Art of Walt Disney, from Mickey Mouse to the Magic Kingdoms", white cloth boards with applied Mickey Mouse, one volume "The Pirelli Calendar Album". one volume "The Complete Pirelli Calendar Book", one volume "In Vogue (Six Decades of Fashion)" edited by Georgina Howell, one volume TERENCE CONRAN "The Essential House Book", one volume "Dan Dare, Pilot of the Future, The Deluxe Collectors Edition", one volume "Dan Dare, Pilot of the Future, featuring The Red Moon Mystery & Marooned on Mercury, The 2nd Deluxe Collectors Edition", SUSAN BENJAMIN "The First 25 Years of Halcyon Days Enamels", and assorted 20th century hardback books
Lot 605
AFTER JOHN DEAN PAUL "The first ten minutes shaking off the cocktails" and "A struggle for the start", a pair of Leicestershire Hunt colour prints, and AFTER C.R. WINTER - two Oxford drag hunting prints (4) CONDITION REPORTS Wear and dirt, and some discolouration and foxing. Some chips to glazing. Frames with some losses and loose/separated joints.
Lot 562
Stamps - An all-world collection, (two albums); together with assorted GB, Channel Islands and other first day covers, (album); assorted 1973 Royal Wedding commemorative covers, (album); a collection of U.S.A. `Official Birds and Flowers of Our Fifty States` covers, (album); and a quantity of other items. Best Bid
Lot 70
Peavey T-60 electric guitar, Made in U.S.A, circa 1978, ser. no. 00000000, 21 fret maple fingerboard with dot position markers, natural finish double cutaway body with black scratchplate, two pickups and fixed tailpiece, original Peavey case *This is the original prototype T60 guitar from the initial production prototype run. It was the first Peavey guitar to come to Europe and was imported for the British musical instrument trade show in 1978. The guitar can be seen in Ken Achard - The Peavey Revolution, page 59.
Lot 228
Five-keyed hardwood flageolet by Leon Lot, France, first half of the 20th century, in two joints, nickel-silver mount, nickel-silver keys on pillar mounts, stamped Ln. Lot, France, Brevete S. G. D. S. Length 13 3/16", 33.5cm *Waterhouse/ Langwill records a pitch pipe by this maker, possibly this instrument.
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596772 item(s)/page