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Lot 98

Shelley (Percy Bysshe) Rosalind and Helen, a Modern Eclogue; with other poems, first edition, half-title, 4pp. advertisements at end, new endpapers, modern gilt panelled morocco, gilt panelled spine, g.e., slip-case, by Bayntun, [Ashley V 68], 8vo, for C. & J. Ollier, 1819.⁂ Contains the first appearance in book form of one of Shelley's most famous poems, Ozymanidas.

Lot 209

WYNDHAM JOHN.  The Day Of The Triffids. 1st ed. in orig. grey brds. (brds. worn with chipping, rubbing & knocking to corners). First edition, Doubleday & Co., 1951.

Lot 77

A quantity of unboxed Hornby Railways OO gauge railway. 2 First Great Western Class 43 power cars and unpowered cars, NR43029/43042. Plus 11 Great Western corridor coaches, all in blue/red/yellow/white livery. Together with a Virgin power car and unpowered car 43063/43093. Together with 2 Virgin corridor coaches. VGC, very minor wear. (19). £60-80

Lot 123

A Hornby '00' gauge Coach Pack 'The Golden Arrow' Coaches (R4196). Comprising 3x First Class Cars 'Adrian', 'Onyx' and 'Zenobia'. Boxed. Contents VGC-Mint. £40-60

Lot 187

An OO gauge kitbuilt brass Southern Railway 5-car EMU set. Brass kitbuilt cars; powered driving car (for 2-rail running), Palour First (12233), Brake Third (11153), Full Third (11620) and Composite First Third (11819). A superbly built and finished set with interior detailing. Each signed underneath; Laurence Searle, with an additional signature of D. Lawrence L. Goddard and dated 1983. Plus 2x books on Southern Electric. VGC. £100-150

Lot 200

2x Hornby Series O gauge Metropolitan suburban coaches with brass buffers and drop-link couplings in lined wood livery. Both Full First with diecast wheels, replacement windows and repainted roofs, etc. GC for age, some scratches/loses etc to paintwork and restoration. £50-70

Lot 201

2x Hornby Series O gauge Metropolitan suburban coaches with brass buffers and drop-link couplings in lined wood livery. Both Full First with diecast wheels, replacement windows and repainted roofs, etc. GC for age, some scratches/loses etc to paintwork and restoration. £50-70

Lot 172

A CHINESE EMBROIDERED WALL HANGING WITH GOLD THREAD, 19/20TH CENTURY. Embroidered in gold characters gifted to missionary worker. 170cm x 73cmSlight fraying to edges with stain under first character. Loss threading to last two characters.

Lot 269

BOOK: CHINESE CERAMICS - STACEY PIERSON. Hardback. Lavishly illustrated. 28cm x 22.5cm. 144 printed pages. V&A Publishing, 2009. First printing. Good condition.

Lot 270

BOOK: THE IMMORTAL STONE, CHINESE JADES FROM NEOLITHIC TO 20TH CENTURY. Hardback. Lavishly illustrated. 22cm x 26cm. 160 printed pages. 2009. First edition. New and unused with plastic wrapping unopened.

Lot 133

2014 First Strike 26th Anniversary China 10 Yuan solid .999 silver 1oz coin (certified slabbed & graded by PCGS as first strike)

Lot 208

2 boxes of hardback books for including 9 by Horror legend Stephen king (first edition “Desperation”

Lot 214

Total of 10 Mo Hayder hardback books of which 7 are signed by the Author including first edition “Ritual”

Lot 250

First in a series “Elizabeth Taylor” in Cleopatra doll together with Disneys 101 Dalmatians “Cruella De Vil - power in pinstripes doll, both with original boxes

Lot 329

2 Harry Potter first edition books includes Harry Potter ad the half blood prince and Harry Potter and the order of the pheonix

Lot 1471

ROYAL FAMILY INTEREST:Yootha ROSE (1899 - )Panto SpecialWatercolour, pen and pencilSigned32cm x 45cm Yootha was born in Australia in 1899 the daughter of Charles Rose a singer who had performed with Dame Nellie Melba. She was involved in the theatre from a young age and at eighteen moved to England with her family and became a stage performer. Later she undertook costume and stage designs for musical productions. During the Second World War Yootha taught at a boy's school in Dorset and it was there that she began making her wooden toys due to the lack of their availability during wartime austerity in England. Her toys 'roughly hewn but richly detailed…[were] a beguiling blend of the primitive and the sophisticated'. They depict a genteel post-Edwardian world where toy children are accompanied by toy nannies. In 1945 a selection of her toys were exhibited at London's Victoria and Albert Museum's exhibition 'Britain can Make It' and from then on orders began to roll in. During the 1940s and 1950s she was commissioned to make a doll's house for Princess Anne, a carousel for Prince Charles and a miniature village for the children of Princess Alexandra, the Queen's first cousin. Strongly against the mechanised production of toys, Yootha resisted all attempts to mass produce her work. This ensured its vitality and, combined with their bold colouring, vigorous carving and an imaginative use of materials, saw her work full of fantasy and childlike delight. As well as timber, Yootha used everyday items for her creations including cotton reels for hot air balloon baskets and gold-coloured doilies provided gilt for the dresses of paper angels. John Alden at Britain's Hove Museum and Art Gallery says 'the fantasy element in her work may be considered as a reinterpretation of childhood through adult eyes, explaining why her work has such a strong appeal to the collector'. Yootha was not restricted to toy making but contributed greatly to the preservation, presentation and promotion of antique toys. In 1952 she was appointed a trustee of the National Toy Museum and seven years later became its Honorary Curator. In 1956 she was a founding member of the British Toymakers Guild and organised a number of solo exhibitions at galleries and museums. Yootha had married a Mr Phillips but by 1978 was a widow living in Brighton, Sussex, while grandchildren lived in Australia. At this time she resided in a three-storey house filled with toys. Teddy bears sat on the stairs, Chinese mobiles hung from the ceiling and 100 year dolls rested against the walls.

Lot 22

English School, circa 1830Portrait of Adolphus George Edye, Royal Naval Volunteer, First ClassWatercolour, 13.5X11cm, with old label to verso.

Lot 244

Robin KNOX-JOHNSTON, A world of my own, First edition signed by the author together with 21 photographs of the Suhaili and Robin Knox-Johnston returning to Falmouth harbour.

Lot 803

An intriguing pair of soft paste porcelain pickle leaf dishes, circa 1780, possibly after Vauxhall originals, width 9.5cmLot 803First dish- Stem is broken off, there is a crack to the underside of the rim and associated hairline crack.Second dish- Small nibble to one tip.Please see extra images online.

Lot 140

A Fuller calculator by W.F. Stanley & co in the original case, a bone chess set circa first world war. A Negretti & Zambra pocket barometer, cased, a reproduction marching compass, cased and other oddments.

Lot 1

§ WILLIAM WILSON O.B.E., R.S.A., R.S.W. (SCOTTISH 1905-1972) ST. MARTIN'S BRIDGE, TOLEDO EtchingDimensions:the sheet 46cm x 57cm (18.25in x 22.5in) unframedNote: Arguably the most compelling work produced over William Wilson’s varied career was his etchings. In his youth Wilson cultivated his eye for composition while apprenticed to the stained glass firm James Ballantyne & Son. He later attended evening classes at Edinburgh College of Art, where he was introduced to printmaking by Adam Bruce Thomson. A 1932 Carnegie Travelling Scholarship from the Royal Scottish Academy enabled him to travel to France, Spain, Italy and Germany, where he developed many of the compositions in the present edition. Wilson commenced full-time study at Edinburgh College of Art, and befriended the artist Ian Fleming who helped him further cultivate his etching and engraving skills. He continued his studies at the Royal College of Art in London, and met the artist Edgar Holloway, with whom he set up a printing press. The pair travelled widely, and Wilson produced further etchings inspired by European topography and architecture.From 1937 Wilson largely ceased printmaking as he turned his attentions towards developing an Edinburgh stained glass studio. He established himself as the foremost British stained glass maker and was appointed O.B.E. in 1961.The present edition emerged after the vendor discovered the series of plates in the studio of her late husband, an artist. She first contacted esteemed Edinburgh printmaker Alfons Bytautas, who produced this exquisite posthumous edition, which is presumed to be unique. The full set of plates was then gifted to the Royal Scottish Academy, with the approval and authentication of William Wilson’s estate.

Lot 10

§ WILLIAM WILSON O.B.E., R.S.A., R.S.W. (SCOTTISH 1905-1972) SUTHERLAND LANDSCAPE Etching, and another, 'Untitled (Landscape)', etchingDimensions:the sheet 42cm x 50.5cm (16.5in x 19.75in) unframed; the sheet 35cm x 50.5cm (13.75in x 19.75in)Note: Arguably the most compelling work produced over William Wilson’s varied career was his etchings. In his youth Wilson cultivated his eye for composition while apprenticed to the stained glass firm James Ballantyne & Son. He later attended evening classes at Edinburgh College of Art, where he was introduced to printmaking by Adam Bruce Thomson. A 1932 Carnegie Travelling Scholarship from the Royal Scottish Academy enabled him to travel to France, Spain, Italy and Germany, where he developed many of the compositions in the present edition.Wilson commenced full-time study at Edinburgh College of Art, and befriended the artist Ian Fleming who helped him further cultivate his etching and engraving skills. He continued his studies at the Royal College of Art in London, and met the artist Edgar Holloway, with whom he set up a printing press. The pair travelled widely, and Wilson produced further etchings inspired by European topography and architecture.From 1937 Wilson largely ceased printmaking as he turned his attentions towards developing an Edinburgh stained glass studio. He established himself as the foremost British stained glass maker and was appointed O.B.E. in 1961.The present edition emerged after the vendor discovered the series of plates in the studio of her late husband, an artist. She first contacted esteemed Edinburgh printmaker Alfons Bytautas, who produced this exquisite posthumous edition, which is presumed to be unique. The full set of plates was then gifted to the Royal Scottish Academy, with the approval and authentication of William Wilson’s estate.

Lot 12

§ WILLIAM WILSON O.B.E., R.S.A., R.S.W. (SCOTTISH 1905-1972) THE HARROW EtchingDimensions:the sheet 35cm x 50.5cm (13.75in x 19.75in)Note: Arguably the most compelling work produced over William Wilson’s varied career was his etchings. In his youth Wilson cultivated his eye for composition while apprenticed to the stained glass firm James Ballantyne & Son. He later attended evening classes at Edinburgh College of Art, where he was introduced to printmaking by Adam Bruce Thomson. A 1932 Carnegie Travelling Scholarship from the Royal Scottish Academy enabled him to travel to France, Spain, Italy and Germany, where he developed many of the compositions in the present edition. Wilson commenced full-time study at Edinburgh College of Art, and befriended the artist Ian Fleming who helped him further cultivate his etching and engraving skills. He continued his studies at the Royal College of Art in London, and met the artist Edgar Holloway, with whom he set up a printing press. The pair travelled widely, and Wilson produced further etchings inspired by European topography and architecture.From 1937 Wilson largely ceased printmaking as he turned his attentions towards developing an Edinburgh stained glass studio. He established himself as the foremost British stained glass maker and was appointed O.B.E. in 1961.The present edition emerged after the vendor discovered the series of plates in the studio of her late husband, an artist. She first contacted esteemed Edinburgh printmaker Alfons Bytautas, who produced this exquisite posthumous edition, which is presumed to be unique. The full set of plates was then gifted to the Royal Scottish Academy, with the approval and authentication of William Wilson’s estate.

Lot 3

§ WILLIAM WILSON O.B.E., R.S.A., R.S.W. (SCOTTISH 1905-1972) ST. MONAN'S Etching, signed in plate, and another, 'Welsh Village', etchingDimensions:each sheet 34.5cm x 50.5cm (13.5in x 19.75in) unframedNote: Arguably the most compelling work produced over William Wilson’s varied career was his etchings. In his youth Wilson cultivated his eye for composition while apprenticed to the stained glass firm James Ballantyne & Son. He later attended evening classes at Edinburgh College of Art, where he was introduced to printmaking by Adam Bruce Thomson. A 1932 Carnegie Travelling Scholarship from the Royal Scottish Academy enabled him to travel to France, Spain, Italy and Germany, where he developed many of the compositions in the present edition.Wilson commenced full-time study at Edinburgh College of Art, and befriended the artist Ian Fleming who helped him further cultivate his etching and engraving skills. He continued his studies at the Royal College of Art in London, and met the artist Edgar Holloway, with whom he set up a printing press. The pair travelled widely, and Wilson produced further etchings inspired by European topography and architecture.From 1937 Wilson largely ceased printmaking as he turned his attentions towards developing an Edinburgh stained glass studio. He established himself as the foremost British stained glass maker and was appointed O.B.E. in 1961.The present edition emerged after the vendor discovered the series of plates in the studio of her late husband, an artist. She first contacted esteemed Edinburgh printmaker Alfons Bytautas, who produced this exquisite posthumous edition, which is presumed to be unique. The full set of plates was then gifted to the Royal Scottish Academy, with the approval and authentication of William Wilson’s estate.

Lot 4

§ WILLIAM WILSON O.B.E., R.S.A., R.S.W. (SCOTTISH 1905-1972) ESSEX BARN Etching, and another, 'Gothic Barn', etchingDimensions:each sheet 35cm x 50.5cm (13.75in x 19.75in) unframedNote: Arguably the most compelling work produced over William Wilson’s varied career was his etchings. In his youth Wilson cultivated his eye for composition while apprenticed to the stained glass firm James Ballantyne & Son. He later attended evening classes at Edinburgh College of Art, where he was introduced to printmaking by Adam Bruce Thomson. A 1932 Carnegie Travelling Scholarship from the Royal Scottish Academy enabled him to travel to France, Spain, Italy and Germany, where he developed many of the compositions in the present edition.Wilson commenced full-time study at Edinburgh College of Art, and befriended the artist Ian Fleming who helped him further cultivate his etching and engraving skills. He continued his studies at the Royal College of Art in London, and met the artist Edgar Holloway, with whom he set up a printing press. The pair travelled widely, and Wilson produced further etchings inspired by European topography and architecture.From 1937 Wilson largely ceased printmaking as he turned his attentions towards developing an Edinburgh stained glass studio. He established himself as the foremost British stained glass maker and was appointed O.B.E. in 1961.The present edition emerged after the vendor discovered the series of plates in the studio of her late husband, an artist. She first contacted esteemed Edinburgh printmaker Alfons Bytautas, who produced this exquisite posthumous edition, which is presumed to be unique. The full set of plates was then gifted to the Royal Scottish Academy, with the approval and authentication of William Wilson’s estate.

Lot 5

§ WILLIAM WILSON O.B.E., R.S.A., R.S.W. (SCOTTISH 1905-1972) RONDA Etching, signed and dated 1946 in plate, and another, 'San Gimignano', etchingDimensions:each sheet 35cm x 50.5cm (13.75in x 19.75in) unframedNote: Arguably the most compelling work produced over William Wilson’s varied career was his etchings. In his youth Wilson cultivated his eye for composition while apprenticed to the stained glass firm James Ballantyne & Son. He later attended evening classes at Edinburgh College of Art, where he was introduced to printmaking by Adam Bruce Thomson. A 1932 Carnegie Travelling Scholarship from the Royal Scottish Academy enabled him to travel to France, Spain, Italy and Germany, where he developed many of the compositions in the present edition. Wilson commenced full-time study at Edinburgh College of Art, and befriended the artist Ian Fleming who helped him further cultivate his etching and engraving skills. He continued his studies at the Royal College of Art in London, and met the artist Edgar Holloway, with whom he set up a printing press. The pair travelled widely, and Wilson produced further etchings inspired by European topography and architecture.From 1937 Wilson largely ceased printmaking as he turned his attentions towards developing an Edinburgh stained glass studio. He established himself as the foremost British stained glass maker and was appointed O.B.E. in 1961.The present edition emerged after the vendor discovered the series of plates in the studio of her late husband, an artist. She first contacted esteemed Edinburgh printmaker Alfons Bytautas, who produced this exquisite posthumous edition, which is presumed to be unique. The full set of plates was then gifted to the Royal Scottish Academy, with the approval and authentication of William Wilson’s estate.

Lot 6

§ WILLIAM WILSON O.B.E., R.S.A., R.S.W. (SCOTTISH 1905-1972) HOLYROOD IN SNOW Etching, and another, 'Canongate', etchingDimensions:each sheet 35cm x 51cm (13.75in x 20in) unframedNote: Arguably the most compelling work produced over William Wilson’s varied career was his etchings. In his youth Wilson cultivated his eye for composition while apprenticed to the stained glass firm James Ballantyne & Son. He later attended evening classes at Edinburgh College of Art, where he was introduced to printmaking by Adam Bruce Thomson. A 1932 Carnegie Travelling Scholarship from the Royal Scottish Academy enabled him to travel to France, Spain, Italy and Germany, where he developed many of the compositions in the present edition.Wilson commenced full-time study at Edinburgh College of Art, and befriended the artist Ian Fleming who helped him further cultivate his etching and engraving skills. He continued his studies at the Royal College of Art in London, and met the artist Edgar Holloway, with whom he set up a printing press. The pair travelled widely, and Wilson produced further etchings inspired by European topography and architecture.From 1937 Wilson largely ceased printmaking as he turned his attentions towards developing an Edinburgh stained glass studio. He established himself as the foremost British stained glass maker and was appointed O.B.E. in 1961.The present edition emerged after the vendor discovered the series of plates in the studio of her late husband, an artist. She first contacted esteemed Edinburgh printmaker Alfons Bytautas, who produced this exquisite posthumous edition, which is presumed to be unique. The full set of plates was then gifted to the Royal Scottish Academy, with the approval and authentication of William Wilson’s estate.

Lot 7

§ WILLIAM WILSON O.B.E., R.S.A., R.S.W. (SCOTTISH 1905-1972) NORTH HIGHLAND LANDSCAPE EtchingDimensions:the sheet 50cm x 55cm (19.75in x 21.75in) unframedNote: Arguably the most compelling work produced over William Wilson’s varied career was his etchings. In his youth Wilson cultivated his eye for composition while apprenticed to the stained glass firm James Ballantyne & Son. He later attended evening classes at Edinburgh College of Art, where he was introduced to printmaking by Adam Bruce Thomson. A 1932 Carnegie Travelling Scholarship from the Royal Scottish Academy enabled him to travel to France, Spain, Italy and Germany, where he developed many of the compositions in the present edition. Wilson commenced full-time study at Edinburgh College of Art, and befriended the artist Ian Fleming who helped him further cultivate his etching and engraving skills. He continued his studies at the Royal College of Art in London, and met the artist Edgar Holloway, with whom he set up a printing press. The pair travelled widely, and Wilson produced further etchings inspired by European topography and architecture.From 1937 Wilson largely ceased printmaking as he turned his attentions towards developing an Edinburgh stained glass studio. He established himself as the foremost British stained glass maker and was appointed O.B.E. in 1961.The present edition emerged after the vendor discovered the series of plates in the studio of her late husband, an artist. She first contacted esteemed Edinburgh printmaker Alfons Bytautas, who produced this exquisite posthumous edition, which is presumed to be unique. The full set of plates was then gifted to the Royal Scottish Academy, with the approval and authentication of William Wilson’s estate.

Lot 8

§ WILLIAM WILSON O.B.E., R.S.A., R.S.W. (SCOTTISH 1905-1972) LOCH SCAVAIG Etching, signed in plateDimensions:the sheet 50cm x 55cm (19.75in x 21.75in) unframedNote: Arguably the most compelling work produced over William Wilson’s varied career was his etchings. In his youth Wilson cultivated his eye for composition while apprenticed to the stained glass firm James Ballantyne & Son. He later attended evening classes at Edinburgh College of Art, where he was introduced to printmaking by Adam Bruce Thomson. A 1932 Carnegie Travelling Scholarship from the Royal Scottish Academy enabled him to travel to France, Spain, Italy and Germany, where he developed many of the compositions in the present edition.Wilson commenced full-time study at Edinburgh College of Art, and befriended the artist Ian Fleming who helped him further cultivate his etching and engraving skills. He continued his studies at the Royal College of Art in London, and met the artist Edgar Holloway, with whom he set up a printing press. The pair travelled widely, and Wilson produced further etchings inspired by European topography and architecture.From 1937 Wilson largely ceased printmaking as he turned his attentions towards developing an Edinburgh stained glass studio. He established himself as the foremost British stained glass maker and was appointed O.B.E. in 1961.The present edition emerged after the vendor discovered the series of plates in the studio of her late husband, an artist. She first contacted esteemed Edinburgh printmaker Alfons Bytautas, who produced this exquisite posthumous edition, which is presumed to be unique. The full set of plates was then gifted to the Royal Scottish Academy, with the approval and authentication of William Wilson’s estate.

Lot 1054

Two lady's wristwatches, Omega, the first with a square dial, to a mesh bracelet, manual winding movement, dial 12 x 12mm, bracelet length 145mm, signed Omega, British hallmark for 9ct gold; the second with a circular dial, to a later bracelet of foliate design, manual winding movement, dial 17mm, bracelet length 168mm, dial signed Omega, bracelet unsigned, bracelet stamped 750

Lot 1155

A mother of pearl dress set, first half 20th century, comprising a pair of cufflinks, four buttons and three studs, each set with polished mother of pearl within a border accented with black enamel, the cufflinks with bar connectors, cufflink and button fronts 1.2 x 1.2cm, each stamped 14K, fitted case

Lot 1181

Two Victorian bar brooches, late 19th century, the first of knife wire construction in silver on gold, with a foiliate scroll set with circular-cut diamonds, length 4.1cm, later steel pinl; the second of arabesque scroll design, set with half seed pearls and circular-cut diamonds, length 4.3cm, stamped SS18, pearls untested

Lot 233

A box of first day covers, photographs etc

Lot 325

A box of first day covers, II World War propaganda books

Lot 407

Two Victorian needlework's, the first with a Bullfinch on branch and in a mahogany frame, 14.5 x 17.5 cm, the next of a lady 23 cm x 17.5 cm in a gilt frame

Lot 1065

Royal Doulton Fleur lady figure, Worcester First Dance lady figure, along with two Beswick horses

Lot 1113

A collection of five Royal Crown Derby Imari pattern dinner plates, two are first quality and three are second quality 

Lot 1127

Two medium Royal Crown Derby 1128 Imari plates, first quality, along with silver stopper Crown Derby Santa paperweight

Lot 1133

Royal Crown Derby 1128 Imari large dinner plate, first quality

Lot 1164

Two early 20th Century first firings from King Street Derby figures of Summer and Winter by S&H WE J Dean, hand painted plate of Ilam Rock, Dovedale, with two other hand painted plates by RCD

Lot 2361

A collection of albums containing first day covers

Lot 2371

A large collection of first day covers

Lot 2391

A collection of early to mid 20th Century books and road maps, along with a collection of first day covers

Lot 2407

A 1930/40's First Aid metal tin, along with silver plated tray and flatwares

Lot 443

A printed tinplate biscuit tin, SS LUSITANIA by Huntley and Palmer, 1908. Bearing on the lid a portrait of the ship off the Statue of Liberty in New York, in a cartouche with Cunard badge and House Flag. The sides decorated with images of the First Class Dining Saloon, Smoking Room, Lounge and Entrance Hall. Along with a J.J Colman mustard tin and another tin with Thames and Houses of parliament. H.14 W.22 D.14.5cm (largest)

Lot 16

John H Glenn signed NASA 10x8 colour photo. John Herschel Glenn Jr. (July 18, 1921 - December 8, 2016) was an American aviator in the United States Marine Corps, engineer, astronaut, businessman, and politician. He was the third American in space, and the first American to orbit the Earth, circling it three times in 1962. Following his retirement from NASA, he served from 1974 to 1999 as a Democratic United States Senator from Ohio; in 1998, he flew into space again at age 77. Good condition Est.

Lot 175

Actor, Anna May Wong vintage signature piece professionally double mounted and framed approx. 19x13. This beautiful piece features a colour photograph of the iconic star and a signed page, all professionally double mounted and well presented in a gold/ wood effect frame. Wong Liu-tsong (January 3, 1905 - February 3, 1961), known professionally as Anna May Wong, was an American actress, considered to be the first Chinese American Hollywood movie star, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio. As one of the first women depicted on the reverse of the quarter in the 2022-2025 American Women quarters series, she will also be the first Asian American to appear on US currency. Good condition Est.

Lot 181

Nadia Comaneci 10x8 mounted signature piece includes signed album page and colour photo of the Olympic legend in action. Nadia Elena Comaneci Conner (born November 12, 1961), known professionally as Nadia Comaneci is a Romanian retired gymnast and a five-time Olympic gold medallist, all in individual events. In 1976, at the age of 14, Comaneci was the first gymnast to be awarded a perfect score of 10. 0 at the Olympic Games. At the same Games (1976 Summer Olympics in Montreal) she received six more perfect 10s for events En route to winning three gold medals. At the 1980 Summer Olympics in Moscow Comaneci won two more gold medals and achieved two more perfect 10s. During her career Comaneci won nine Olympic medals and four World Artistic Gymnastics Championship medals. Good condition Est.

Lot 188

Cricket collection includes two England legends signatures Len Hutton and Wilfred Rhodes. Wilfred Rhodes (29 October 1877 - 8 July 1973) was an English professional cricketer who played 58 Test matches for England between 1899 and 1930. In Tests, Rhodes took 127 wickets and scored 2, 325 runs, becoming the first Englishman to complete the double of 1, 000 runs and 100 wickets in Test matches. Sir Leonard Hutton (23 June 1916 - 6 September 1990) was an English cricketer. He played as an opening batsman for Yorkshire County Cricket Club from 1934 to 1955 and for England in 79 Test matches between 1937 and 1955. Good condition Est.

Lot 197

Canelo Alvarez signed 12x8 colour photo. Santos Saul Álvarez Barragan (born 18 July 1990), popularly known as Canelo Álvarez, is a Mexican professional boxer. He has won multiple world championships in four weight classes from light middleweight to light heavyweight, including unified titles in three of those weight classes and lineal titles in two. Álvarez is the first boxer in history to become undisputed champion at super middleweight, having held the WBA (Super), WBC and Ring magazine titles since 2020, and the IBF and WBO titles since 2021. Good condition Est.

Lot 212

Lois Maxwell signed James Bond Miss Moneypenny 10x8 colour photo. Lois Ruth Maxwell (born Lois Ruth Hooker; 14 February 1927 - 29 September 2007) was a Canadian actress, best known for her portrayal of Miss Moneypenny in the fourteen Eon-produced James Bond films (1962-1985). She was the first actress to play the part. The films in which she played Miss Moneypenny were Dr. No (1962), From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), On Her Majesty's Secret Service (1969), Diamonds Are Forever (1971), Live and Let Die (1973), The Man with the Golden Gun (1974), The Spy Who Loved Me (1977), Moonraker (1979), For Your Eyes Only (1981), Octopussy (1983), and A View to a Kill (1985). She did not appear in the 1967 adaptations of Casino Royale, nor in the 1983 remake of Thunderball, Never Say Never Again, as the production was not Eon's, though she did, as a similar character, in the spoof O. K. Connery. Good condition Est.

Lot 213

Ursula Andress signed James Bond 10x8 black and white photo affixed to card. Ursula Andress (born 19 March 1936) is a Swiss actress, former model and sex symbol who has appeared in American, British and Italian films. Her breakthrough role was as Bond girl Honey Ryder in the first James Bond film, Dr. No (1962). She later starred as Vesper Lynd in the 1967 Bond parody Casino Royale. Other credits include Fun in Acapulco (1963), 4 for Texas (1963), She (1965), The 10th Victim (1965), The Blue Max (1966), The Southern Star (1969), Perfect Friday (1970), Red Sun (1971), The Sensuous Nurse (1975), Slave of the Cannibal God (1978), The Fifth Musketeer (1979), Clash of the Titans (1981) and Peter the Great (1986). Good condition Est.

Lot 225

Jill St John signed 10x8 colour photo. Jill St. John (born Jill Arlyn Oppenheim; August 19, 1940) is an American former actress. She may be best known for playing Tiffany Case, the first American Bond girl of the 007 franchise, in Diamonds Are Forever. Additional performances in film include Holiday for Lovers, The Lost World, Tender Is the Night, Come Blow Your Horn, for which she received a Golden Globe nomination, Who's Minding the Store?, Honeymoon Hotel, The Liquidator, The Oscar, Tony Rome, Sitting Target and The Concrete Jungle. Good condition Est.

Lot 231

Bernard Lee signed 5x3 album page. John Bernard Lee (10 January 1908 - 16 January 1981), known as Bernard Lee, was an English actor, best known for his role as M in the first eleven Eon-produced James Bond films. Lee's film career spanned the years 1934 to 1979, though he had appeared on stage from the age of six. He was trained at the Royal Academy of Dramatic Art in London. Lee appeared in over one hundred films, as well as on stage and in television dramatizations. He was known for his roles as authority figures, often playing military characters or policemen in films such as The Third Man, The Blue Lamp, The Battle of the River Plate, and Whistle Down the Wind. He died of stomach cancer in 1981, aged 73. Good condition Est.

Lot 25

Tony Hancock signed 11x8 magazine black and white photo. Anthony John Hancock (12 May 1924 - 25 June 1968) was an English comedian and actor. High-profile during the 1950s and early 1960s, he had a major success with his BBC series Hancock's Half Hour, first broadcast on radio from 1954, then on television from 1956, in which he soon formed a strong professional and personal bond with comic actor Sid James. Although Hancock's decision to cease working with James, when it became known in early 1960, disappointed many at the time, his last BBC series in 1961 contains some of his best-remembered work (including The Blood Donor and The Radio Ham). After breaking with his scriptwriters Ray Galton and Alan Simpson later that year, his career declined. Good condition Est.

Lot 259

Kate Bush signed 10x8 black and white promo photo dedicated. Catherine Bush CBE (born 30 July 1958) is an English singer, songwriter, pianist and record producer. In 1978, aged 19, she topped the UK Singles Chart for four weeks with her debut single Wuthering Heights, becoming the first female artist to achieve a UK number one with a self-written song. Bush has since released 25 UK Top 40 singles, including the Top 10 hits. Good condition Est.

Lot 266

Concorde Barbara Harmer signed Concorde FDI PM 3 Mar 1969 Filton Bristol. Barbara Harmer (14 September 1953 - 20 February 2011) was the first qualified female Concorde pilot. Good condition Est.

Lot 269

Bill Edrich and Dennis Compton signed 50TH Anniversary of first flight of the Bristol Britain First 12 April 1985 FDC Jersey 12 Apr 85. Good condition Est.

Lot 274

David Suchet and Hugh Fraser signed Celebrating Agatha Christie FDC double PM 100TH Anniversary First Murder Mystery, Agatha Christie Torquay 15. 09. 2016. Good condition Est.

Lot 340

Lech Walesa signed 10x8 colour photo. Lech Walesa (born 29 September 1943) is a Polish statesman, dissident, and Nobel Peace Prize laureate, who served as the President of Poland between 1990 and 1995. After winning the 1990 election, Walesa became the first democratically elected President of Poland since 1926 and the first-ever Polish President elected in popular vote. A shipyard electrician by trade, Walesa became the leader of the Solidarity movement, and led a successful pro-democratic effort which in 1989 ended the Communist rule in Poland and ushered in the end of the Cold War. Good condition Est.

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