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TWO LATE 19TH/EARLY 20TH-CENTURY CHRYSTOLEUMS each depicting a girl with St. Bernard dog, the first girl wearing a bonnet and holding two puppies, after the original by Arthur J. Elsley dated 1901, 24.5cm x 19.2cm, (9.6in x 7.6in), in modern gilt frame, the second girl seated on a balloon-backed chair with kitten, marked lower right "G.W.F & Co. No 25", 25cm x 17.5cm, (9.8in x 6.9in), in matching frame (2)
TWO LATE 19TH/EARLY 20TH-CENTURY CHRYSTOLEUMS, the first depicting a young girl taking off her stocking, watched by a grey tabby cat, 23cm x 18cm, (9in x 7in), in modern gilt frame under glass, the second depicting two dogs, confronting a kitten, cowering beneath a huge dog before steps, after the original by H.Spirling, 18cm x 23cm, (7in x 9in), in matching frame (2)
A PAIR OF LATE 19TH/EARLY 20TH-CENTURY CHRYSTOLEUMS, the first depicting two kittens beside a tempting roast chicken on a dinner table, the second a puppy confronting a tabby cat in a barn, watched from the safety of a stool by a kitten, both 24.2cm x 19cm, (9.5in x 7.5in), in silvered slips and original shell-and-scroll decorated green and gilt frames
Local Interest: A FINE WILLIAM IV WINE "CRUSHED" MOROCOO WRESTLING BELT gold-tooled with formal decorative borders and inscription "TO Wm. ROBINSON BEING THE WINNER OF THE FIRST PRIZE AT THE CARLISLE WRESTLING 1830" and "PRESENTED BY THE EARL OF LONSDALE", the two parts separated by a yellow-silk rosette, with yellow-silk lining and ornate shell-and-scroll ormolu buckle with steel fittings, 150cm, (58in) long *** Sold with photo-copies of entries in 1). Wrestling, by Walter Armstrong 1870, showing W.Robinson of Renwick as the Heavyweight winner in 1829 and 1830. 2). Carlisle Patriot for his receipt in 1829 of a similar belt and a prize of 8 quineas. 3). Letter from Carlisle Museum re. the above.
A FIRST-HALF 19TH-CENTURY TURNED WOOD CIRCULAR TABLE SNUFF BOX the push-on cover inset to the centre with a bone medallion engraved with a named depiction of Lancaster Castle, 13cm, (5in) diameter, and ANOTHER TREEN BOX of footed tapering cylindrical form having bone or ivory enrichments with turned cover and button finial 13cm, (5in) high (2)
A PAIR OF CIRCULAR COPPER-ALLOY WALL PLAQUES of roundel form, modelled in deep relief by E.W.Wyon, one after Sir Thomas Lawrence, the other after Sir Joshua Reynolds, depicting children, the first dated "1st June 1848", the other "Published 1840", 18.5cm, (7.25in) diameter, in turned oak frames
A PAIR OF MID 20TH-CENTURY NEEDLEWORK SAMPLERS FOR A BOY AND GIRL, by "J.W.W. 1948", the first worked with two cyclists, a biplane, locomotive and tender, and a battleship above flowerheads, six children building two snowmen, alphabetical samples, figures gardening, and a frieze of birds, within leaf-and-berry border, the second depicting pairs of girls and boys flanking a lady and gentleman above a group of dancers forming a ring, alphabetical and numerical samples, a spider's web between toadstools in a garden with peacock, trees, dog an two figures beneath a crescent moon, within pineapple border each sampler initialled and dated 75.5cm x 54cm, (29.7in x 21.25in), in gilt slip and rosewood frame under glass
AN UNUSUAL CRANBERRY GLASS FIVE-BRANCH ELECTROLIER AND MATCHING TWO-BRANCH WALL LIGHTS, the first having a flared lobed surmount, knopped stem and five S-scroll branches each of spirally-moulded form with bellflower pendants, the branches linked by pale pink glass chains, the lobed hemispherical sockets fitted for electricity, the central stem with pendants, the sockets framing floral and foliate stems (as in an epergne), the whole 54cm diameter x 79cm high, (21.25in x 31in) the matching wall lights with similar twin branches, S-form stems and quarter-spherical sockets (5) (losses/depletion)
TWO VICTORIAN STAFFORDSHIRE POTTERY DALMATIANS, the first in standing pose with curled tail, a naturalistic stump beneath its belly, on a naturalistic base, 15.5cm, (6.2in) high (tail restored), and a seated Dalmatian with gilt collar and chain, on a gilt-lined mazarin blue oval base, 12.3cm, (4.9in) high (2)
THREE EARLY 19TH-CENTURY STAFFORDSHIRE PEARL-GLAZED EARTHENWARE SHEEP, the first with "pitted" coat, reclining before a (depleted) tree, on a naturalistic base, 11.5cm, (4.5in) wide (losses); the second a ram standing on a stepped base, 8.5cm, (3.3in) high (paint lacking, tree depleted), and a standing lamb, c.1800, 7.5cm, (3in) high (3)
TWO 19TH-CENTURY BLUE TRANSFER-PRINTED POTTERY ASHETS or meat plates, the first of "Wild Rose" pattern, with a view of Nuneham Courtney, Nr Oxford, 31.8cm, (12.5in) wide, the second of "Etruscan & Greek Vases" pattern, with a view of Coughton Court near Alcester, urn-form title mark to back, combed underside, 26cm, (10.2in) wide (2)
THREE EARLY VICTORIAN RELIEF-MOULDED POTTERY JUGS, the first of octagonal section, modelled with "singerie" scenes of monkeys dressed as Native American Indians smoking clay pipes, playing cards and drinking, beneath a frieze of fruiting vine, pale blue glaze, 26cm, (10.2in) high; the second in buff stoneware, of pear form, modelled with a grape harvesting scene with ox and cart, within all-over fruiting vine, 31cm, (12.2in) high, the third, in green stoneware, modelled in deep relief with an enebriated Bacchus being aided by two satyrs, and a young Bacchus with satyrs riding a donkey; all with fruiting vine, banner mark "No 18" beneath, with pewter cover, 18.5cm, (7.3in) high excluding thumbpiece (3)
TWO PAIRS OF 19TH-CENTURY FURNITURE RESTS OR SASH WINDOW STOPS, the first of honey-glazed earthenware moulded with lion masks, hollow based, 11cm wide x 13.5cm high, (4.3in x 5.3in), the second pair in brown stoneware incised with human masks, 8cm wide x 11.5cm high, (3.2in x 4.5in); a single example modelled as a spaniel's head in brown stoneware, 8cm wide x 10cm high, (3.2in x 4in), a sixth, in treacle-glazed stoneware modelled with a bearded male mask, 7.2cm x 13.5cn, (2.9in x 5.3in), and a stoneware bust of a smiling man with hat and bow tie, hollow-based, 18.5cm, (7.3in) high (damage) (7)
TWO LARGE VICTORIAN BLUE TRANSFER-PRINTED POTTERY JUGS, the first of multi-lobed pear form decorated with "Statue" pattern, impressed B beneath, 34cm, (13.4in) high, (rim chip) and the second of broadening octagonal section, decorated with "Brooklyn" pattern, belt-form mark "PEARL WARE" beneath, 30.5cm, (12in) high (2)
FIVE ITEMS OF PRATTWARE comprising, a tobacco jar decorated with "Village Scene on the Continent (398) and "View near St. Michael's Mount" (334) on a maroon ground, 14.5cm, (5.7in) high; a matching large mug decorated with "View near St Michael's Mount" (334) and "The Windmill" (399), printed mark "F & R PRATT & CO /FENTON/123", 10.5cm, (4.1in) high, a medium-size mug decorated with "Driving Cattle" (387) and "Cavalier and Serving Women" (381) on a rose pink ground, 9.5cm, (3.7in) high; and two small mugs, the first decorated with "Driving Cattle" (387) on a pale pink ground, 7.3cm, (2.9in) high, the other with "Cows in Stream near Ruins" (388) on a jade ground, same size (Numbers in brackets refer to Clarke, H.G., The Pictorial Pot Lid Book, 1970) (5)
TWO SECOND QUARTER 19TH-CENTURY CHILD'S POTTERY NURSERY PLATES, the first of circular form transfer-printed in green entitled "Grandpa's Hat", with blue and red painted moulded floral border and red-lined rim, 12.7cm, (5in) diameter (rim flaws), the second of octagonal form printed in black with a child riding a large dog, entitled "The Little Jockey", the moulded border painted with flowerheads in red, green and blue with rope twist rim, 12cm, (4.7in) diameter (one corner with minor restoration) (2) *** For a plate with similar subject and the same title as the second, see Riley, Noel, Gifts for Good Children, Vol 1, Richard Dennis, 1991, p.199. entry 758.
FOUR CHINESE PAINTED POTTERY TOMB FIGURES, possibly late Ming Dynasty, the first with pronounced bulge to this forehead (perhaps a sage), two bearded white-faced figures (one holding a doll or baby, the other a staff), and a portly figure with fan, 15.5cm to 16cm, (6.1in to 6.3in) high (much paint flaking to all four)
THIS AND THE FOLLOWING LOTS ARE THE SECOND PART OF A PRIVATELY-CONSIGNED SINGLE-OWNER COLLECTION OF FOX-HUNTING CARICATURES BY "WILK", (John William (Bill) Wilkinson), (1906-1994), the first half dispersed at our 6th April 2005 sale: "IF HITLER COMES" or "ONE DICTATOR TO ANOTHER" "Little Hitler" asking the Fuhrer for "Tuppence", ink and grey monochrome wash, signed lower left, 25cm x 35.5cm, (10in x 14in), framed under glass
"Gianni" TWO ITALIAN SCENES, the first depicting the Bay of Naples, with Vesuvius smouldering beyond, watercolour, signed "U. Gianni" lower left, 29cm x 47cm, (11.4in x 18.5in), in green plush slip and foliate scroll-pierced gilt frame under non-reflective glass, the other depicting a bay or lake with sailing boats, peaks beyond, signed "M. Gianni" lower right, same size, mount, framing and glazing (2)
G*** H*** Pettitt, (fl. mid 19th century) TWO VIEWS IN BORROWDALE, watercolours, the first of Rosthwaite, a farmer and his sheepdog before farm cottages and fells, signed lower left, 16cm x 23cm, (6.3in x 9in), the second of Stonethwaite, signed with initials lower left, 12cm x 17.5cm, (4.7in x 6.9in), both in gilt card mount and gilt frame under glass
The following eight lots were given to the current owner by a former employee of Unlimited who was given them upon departure from the company. Unlimited was established around 1966/67 by Jeremy Fry at Widcombe Manor, Bath. The company ceased trading circa 1971. Unlimited worked with the following artists to produce their artworks on a large scale. Unlimited exhibited at the London Arts Gallery, 22 New Bond Street, London circa 1970. The following designs can be seen in the Unlimited brochure for the exhibition. Kenneth Martin (1905-1984) Screw Mobile Manufactured by Unlimited, circa 1970, made from chromium plated steel, formed of thirty seven flat bars at equal intervals in ascending order around a vertical rod, overall dimensions 65.5cm high, 25cm wide. Provenance: Unlimited, Widcombe Manor, Bath, circa 1970. Kenneth Martin was born in Sheffield in 1906, and studied at the Sheffield school of Art and the Royal College of Art, London. His first Screw mobiles were produced circa 1953
Vassilakis Takis (1925-) A Series I Signal Manufactured by Unlimited. The kinetic sculpture is constructed from an extendable telescopic chromium rod supporting coloured lights which flash intermittently, unmarked Provenance: Unlimited, Widcombe Manor, Bath. Takis was born in Athens in 1925, and moved to Paris in 1954. Since 1966 he has lived and worked in London. His kinetic experiments were started in 1954, in that same year his first signals were produced.
A Great War O.B.E. group of eleven to Robert Bruce Oram. Most Excellent Order of the British Empire 2nd type, Military Division, 1914-15 Star (2896 Pte R.B.Oram.21-London R.), War and Victory medals with M.I.D. oakleaf (2896 Pte. R.B.Oram.21-London R.), 1939-45 Star, Italy Star, Defence Medal, War Medal with M.I.D. oakleaf, Meritorious Service Medal, Army Reserve Decoration Elizabeth II with first clasp, Serbian Obilitch Medal for Valour.
A First Period Worcester teapot and cover, together with a matching cup and saucer, decorated in coloured enamels with chrysanthemum and other flowers in gilt edged cartouche shaped panels reserved on a blue scale ground, teapot 15.5cm. high, fretted square marks, circa 1775, glue repair to flower knop.

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596780 item(s)/page