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Heuer, Carrera ref. 2447S, a stainless steel chronograph wrist watch, numbered 77622, circa 1964, manual wind movement, 17 jewels unadjusted, cal. Valjoux 72, later 'first execution' white dial with white subdials, pointed steel hands with luminous inserts, black subsidiary dial hands, steel seconds recording hand, screw-down case back, dial, case, crown and movement signed, on a non-original black leather strap with signed stainless steel pin buckle, diameter 36mm
A pair of George III silver columnar candlesticks by Tudor & Leader (Henry Tudor & Thomas Leader), Sheffield 1773, the detachable square sconces with punch beaded rims, the capitals fluted with foliage beneath, the columns embossed with husk swags flowing into twist drops, the square conical bases bead outlined and embossed with husk swags and patera, engraved with a crest, 32cm (12 1/2in) high, loaded 1773 was the first year of the Sheffield assay office operating. The crest for ALVAS, BARNEY, CATCHER, DALE, ELLIS, FALCONER, GILLIOT, HARROWER, JAMES, MALTBY, OATLY, PAUL, RANDOLL, SICKLEMORE, TIPPET, VALLANCE, WINTON, YOUL and many others.
An amethyst and cultured pearl ring and brooch by Stuart Devlin, the panel composed of various textured and polished discs, with a central polished amethyst orb with cultured pearl accents, hallmarked London 1976 with Stuart Devlin maker's mark, finger size N 1/2, in original Stuart Devlin box, together with a matching circlet brooch, with polished and textured circular panels, set with polished amethyst orbs and graduated cultured pearls, hallmarked London 1975 with Stuart Devlin maker's mark, 4.9cm diameter, in original Stuart Devlin box Described by the Duke of Edinburgh as 'probably the most original and creative goldsmith and silversmith of his time, and one of the greats of all time', Stuart Devlin (1931-2018) was born in Australia, and after an upward trajectory winning scholarships, awards and competitions including the designing of Australia's first decimal coinage, he went on to become one of the forefathers of modern design.He was appointed CMG in 1980, and in 1982 he was granted the Royal Warrant of Appointment as Goldsmith and Jeweller to Her Majesty the Queen. He was Prime Warden of the Goldsmiths company between 1996 and 1997, and following this he remained closely involved with the Goldsmiths and was integral in creating a new evolved institute for future goldsmiths, the Goldsmiths' Centre, which focused on developing goldsmiths creative education and skills.
Ï’ Girard Perregaux, Vintage 1945, ref. 99860, an 18 carat gold perpetual calendar wrist watch, no. 6, circa 2009, manual wind movement with tourbillon and three gold bridges, 19 jewels, cal. 9802, no. 6, white dial, Arabic numerals, Dauphine hands, subsidiary dials for combined constant seconds and moonphase aperture, day, date and month, screwed down glazed back with four screws, case, dial and movement signed, on a Girard Perregaux brown alligator strap with an 18 carat gold deployant clasp, accompanied by a Girard Perregaux box with two keys, guarantee card and certificate, information book, user manual, outer card packaging and a copy of Girard Perregaux by Francois Chaille with dust cover, width 38mm A function on a watch that is used to tell anything other than the time is referred to as a complication. This watch features three of the most difficult complications to produce on a watch. The perpetual calendar displays the day, date and month. This difficult to produce mechanism will account for leap years and both shorter and longer months. Once properly set the perpetual calendar will not need adjusting for many years. The perpetual calendar on this watch is also combined with a moonphase. As the name suggests this displays the current phase of the moon in the sky. Where this may be considered one of the least useful functions of a watch, it allows the manufacture to show their artistry and skill in producing fine and complicated watches.The final complication on this watch can be viewed in the form of a tourbillon through the back of the watch. The tourbillon was first invented in 1795 by Abraham-Louis Breguet. The tourbillon was designed to counter the effects of gravity on pocket watches by placing the escapement and balance wheel within a rotating cage. This mechanism is found in watches by only the highest of skilled watchmaker's due to the difficulty to produce. All these complications come together in this fine watch. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
*Antonio Pisano called Pisanello (c. 1393-1455), Filippo Maria Visconti (Duke of Milan, 1412-47), bronze medal, bust to right wearing hat with soft top; long inscription giving his titles of Duke of Milan, Count of Pavia and Angera, Lord of Genoa, rev., the duke in full armour on horseback left holding lance upright; to the right, a page on horseback and between them, an armed horseman to front; in the background, a mountainous landscape with buildings and, on the right, a colossal female statue stands amid the buildings; signed below, OPVS PISANI PICTORIS, 102.5mm (Hill 21; Arm. I, 8, 23; Kress 3 = Pollard 2; Syson & Gordon 66, 2.24), pierced, a few knocks in obverse field, a very fine contemporary cast with brown patina. Much has been written on the subject of Pisanello’s medals for he is universally acknowledged as the inventor of the portrait medal, an art form that he made popular and which flourished thereafter in Italy and beyond. His first medal has generally been regarded as that of John VIII Palaeologus who was in Italy in 1438-39 to attend the ecumenical council of the Greek and Latin churches held initially in Ferrara and later moved to Florence. The present medal of Filippo Maria Visconti has also been put forward as a contender for Pisanello’s first medal – and Syson and Gordon in Pisanello, Painter to the Renaissance Court (2001) date the medal of Visconti to c.1435-40 and that of the Byzantine emperor to c.1438-41. They show how the chivalric reverses have been influenced by, in the case of Visconti, Pisanello’s fresco of St. George and the Princess of Silena (c.1434-38) and in the case of John VIII Palaeologus, Pisanello’s painting of The Vision of St. Eustace (c. 1438-42). The duke was notoriously shy of his appearance (as related by his secretary Pier Candido Decembrio) and would only allow Pisanello to portray him, so that all other depictions of him depend upon the medal. Provenance: Collection Vicomte de Jonghe, J. Schulman, 24 November 1936, lot 3 and pl. III.
Charles II (1660-1685), five-guineas, 1668, first laureate bust left with pointed truncation, elephant below, rev., crowned cruciform shields with sceptres in angles, interlinked C’s at centre, lettered edge reads vicesimo, 41.77g (M.C.E. 2; S. 3329), traces of very light wear on the high points of hair, good extremely fine and with much original mint bloom, rare thus. The first year of issue for five-guinea pieces.
Henry VIII (1509-47), first coinage (1509-26), groat, Tournai, m.m. crowned T, 2.95g (Whitton -; N. -; S. 2317), light scuffs in field before King’s crown, faint scratches on reverse, otherwise a full round toned coin, with a good portrait, good very fine, very rare. Ex Dr E. Burstal, Glendining, 15-16 May 1968, lot 118 and C. F. Gilboy, Spink 16, 9-10 July 1981, lot 234.
Karel de Stoute (1467-1477), First Coinage, bourgondische goudgulden, undated (1467-1474), St Andrew, nimbate, standing facing and holding long cross, rev., Burgundian arms on long cross pattée, 3.03g (Delmonte 493; D. de P. IV, 57; v.G&H 21-3; F. 189), edge shaved and has been made round (for mounting?), otherwise very fine. Bought Schulman, 1959.
Filips de Schone (minority, 1482-1494), First Coinage, dubbel vuurijzer, undated (1486-1487) and Second Coinage, halve stuiver or groot, undated (1485), 3.01, 1.94g (v.G&H 52-5, 63-5), first with minor marks in reverse field but very fine or better and toned, second stained and fine to good fine (2)
Revolt of Ghent (1488-1492), First Coinage, St Jansgoudgulden, undated (1488), St John holding agnus Dei and supporting shield bearing arms of Flanders, spur-rowel stops, rev., arms of Austria and Burgundy on cross fleury, without city-name in angles, 3.16g (Delmonte 501 [R.1]; v.G&H 142c; F. 239), tiny loss at edge and traces of solder on obverse rim, otherwise good very fine and well-struck, rare. Bought de Mey, 2 October 1971.
Revolt of Ghent (1488-1492), First Coinage, stuiver, 1488, + eqva libtertas deo grata 1488, lion rampant left, trefoil stops in legend, rev., phs d gra d b co fla, arms of Austria and Burgundy on cross fleury, without city-name in angles, 3.10g (v.G&H 143c), minor central weakness but good very fine for issue and scarce
Keizer Karel (1506-1555), First Coinage, St Filippus goudgulden, undated (1506-13), St Philip, nimbate, standing facing, holding long cross and book and supporting crowned shield with arms of Austria and Burgundy, rev., cross fleury with lis in centre, crowns and lis diagonally opposed in angles, saltire stops, 3.28g (Delmonte 513; v.G&H 169-5a; F. 204), very fine. Bought Franceschi, 1 December 1961.
Keizer Karel (1506-1555), First Coinage, mule St Filippus goudgulden, undated (1506-13), St Philip, nimbate, standing facing, holding long cross and book and supporting crowned shield with arms of Austria and Burgundy, rev., phs dei gra archidv avst du z bg co f, cross fleury with lis in centre, crowns and lis diagonally opposed in angles, saltire stops, 3.28g (Delmonte 513/510; v.G&H 169-5a/115-5c), a mule with an old reverse die of Filips de Schone, head of Saint weakly struck, otherwise good very fine and rare. Bought Delmonte, 23 December 1966.
Filips II (1555-1598), First Coinage, gouden reaal, undated, with English title (1557-1560), · phs d:g · hisp ·ang · z ·rex · comes · fla, crowned and armoured bust right, rev., crowned arms within collar of the Order of the Golden Fleece, 5.26g (Delmonte 519; v.G&H 206-7a; F. 210), better than very fine. Bought Taelman, June 1968.
Filips II (1555-1598), First Coinage, gouden reaal, undated, without English title (1560-1576), · phs · d:g · hisp · z ·rex · comes · flan, crowned and armoured bust right, rev., crowned arms within collar of the Order of the Golden Fleece, 5.26g (Delmonte 519; v.G&H 206-7b; F. 210), almost extremely fine
Filips II (1555-1598), First Coinage, halve gouden reaal, undated, without English title (1560-1567), bare-headed bust right, draped and wearing ruff, rev., phs · d:g · hispaniarv · rex · co : flan, crowned arms, 3.48g (Delmonte 520; v.G&H 207-7b II; F. 213), apparently an excavated piece, about very fine
Filips II (1555-1598), First Coinage, halve gouden reaal, undated, without English title (1560-1567), bare-headed bust right, draped and wearing ruff, rev., phs · d:g · hisp · rex · comes : fl, crowned arms, 3.50g (Delmonte 520; v.G&H 207-7b III; F. 213), small X scratched behind bust, very fine or better
Maria Theresia (1740-1780), Ghent, silver jetons (2), both by J. Roettiers, varieties with younger bust right wearing earrings, and older bust right without earring and wearing veil, both with R below, revs., gatehouse of the Gravensteen with lion on battlements, 29.5mm and 31mm (de Coster 771, -), first about extremely fine, second better than very fine, both richly toned (2)
Spain, Ferdinand VI (1746-1759), half escudo or durillo (2), 1747 S-PJ, 1751 S-PJ, both Seville mint, bare head right, date below, rev., crowned quartered shield of arms, S below, letters P and J either side, 1.64g and 1.77g (Cayon 10656, 10666; KM 373, 374); the first fair / fine with tiny quatrefoil countermark or ‘resello’ in reverse field, the second nearly very fine (2). The first ex Glendining, 10 March 1966, lot 618 (part).
Spain, Ferdinand VI (1746-1759), half escudo or durillo (2), 1756 S-PJ, 1758 S-JV with roses, both Seville mint, bare head right, date below, rev., crowned quartered shield of arms, S below, letters P and J / J and V either side, 1.75g and 1.62g (Cayon 10679, 10686; KM 374); good fine, reverses slightly better (2). The first ex Glendining, October 1962, lot 111 (ex Bauer); the second ex Glendining, 10 March 1966, lot 618 (part).
Spain, Charles III, half escudo or durillo, 1785 M-DV, 1.75g and Charles IV, gold 1 escudo, 1799 M-MF, both Madrid mint, cuirassed bust right, date below, rev., crowned shield of arms within collar of the golden fleece, crowned M and SF either side, 3.36g (Cayon 12196; KM 415.1; and Cayon 14073; KM 434); good fine / nearly very fine, the first a scarce date, the second with some lustre (2). The first ex Sotheby’s 21 July 1971, lot 541 (part); the second ex Glendining, 26 May 1971, lot 17 (part).
Spain, Charles IV, 2 escudos, 1805 M-FA, and gold 1 escudo, 1807 M-FA, both Madrid Mint, cuirassed bust right, date below, rev., crowned shield of arms within collar of the golden fleece, value either side, crowned M and FA below, 6.76g and 3.32g (Cayon 14281, 14131; KM 435.1, 434); the first with light surface marks, very fine, reverse better, lustrous, the second fine (2). The first ex Glendining, 26 May 1971, lot 16 (part); the second ex Glendining, 10 March 1966, lot 634 (part).
The W.A. Pullam World Champ weight lifter silver gilt medal, with inscription verso "presented by instructor W.A. Pullam to J.G. Wilson who practised with success my system of physical training May 1919", the silver Fattorini & Sons Birmingham 1918. Footnote: Horatio William Albert Pullam (1887-1960) was a weight lifting champion, instructor and author. As a young teenager he spent nearly three years in hospital with a variety of ailments to include tuberculosis and meningitis, undergoing many operations. After encountering a strong man performance upon leaving hospital he went on to reside with a family of professional strong men and at age 19 he founded the Lothian club in Camberwell which is renowned as a first school of physical culture and hence became the famous Camberwell weight lifting club. Over his career he had over 200 weight lifting records and nearly 200 official World and British weight lifting records and a winner of over 50 gold medals. A highlight of his career was coaching the 1948 British Olympic weight lifting team.
A Queen Anne style wing easy chair, upholstered in mushroom velvet type material and raised on front cabriole legs with turned stretchers. Width across arms 86 cm, height to top of back 120 cm (see illustration). CONDITION REPORT: The chair looks to be second half 20th century. It is very good quality. We are not sure as to the nature of the fabric however we would doubt that it is synthetic. With the exception of minor scuffs to the feet and small marks to the legs the chair is in first class condition. There are no loose joints. The upholstery is generally very good indeed and the chair could be used in its current state without the need for any work.
A set of eight Chippendale style mahogany dining chairs, each with yoke shaped top rail, pierced splat back, drop in seat upholstered in blue and beige patterned material and raised on cabriole legs terminating in claw and ball feet. CONDITION REPORT: These chairs have no great age. The upholstered seat pads have the post 1988 Fire Safety Regulation labels, nevertheless these are in first class condition with no loose joints or any repairs. Other than very minor scratches and marks they are in first class condition and this includes the upholstery.
A Regency mahogany longcase clock by Bryson of Edinburgh, with two-train movement and subsidiary seconds and date dials, the case with quarter column corners and all raised on short turned feet. Height including finial 218 cm (see illustration). CONDITION REPORT: The clock winds on both trains. It is currently ticking away and striking when advanced. We have both weights and pendulum. The case is basically in very good condition with only one minor issue. There is a small section of veneer missing to the top left hand corner of the base of the case and a section of applied moulding in the bottom right hand corner of the front base panel with the exception of this the case is really in first class condition with only very minor stress fractures and the odd mark. There is no warping to the trunk door.

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