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Lot 2177
Younghusband, Sir Francis "India and Tibet 1910" Coomaraswamy, Ananda "Buddha and the Gospel of Buddhism", New York 1916, illustrated, a quantity of early 20th century travel books including Arabia, Persia, Lhasa, etc Scott Paul 'The Raj Quartet..." Heinemann 1984 black cloth, d-j, signed on endpapers by members of the cast of the television production - Tim Pigott Smith, Charles Dance, Geraldine James, Nicholas le Provost, Susan Woolridge, Martyn Gibbs. Rushdie Salmon " The Satanic Verses" Viking 1988, first edition , blue cloth, d-j, signed by the author of the title page, and various other volumes (4 boxes) PLease see additional images
Lot 1
* GORDON K MITCHELL RSA RSW RGI (SCOTTISH b. 1952),RED RIBBON DAYoil on canvas, signed, titled and dated 1999 label versoimage size 38cm x 27cm, overall size 58cm x 48cm Framed and under glass.Handwritten label verso.Note: Prizes and Awards include: Borders Biennial Exhibition; First Prize, City Arts Centre, Open Exhibition; First Prize, Educational Institute for Scotland; Purchase Prize, Glasgow Mayfest Award, Royal Scottish Academy Award; First Prize, Royal Scottish Society of Painters in Watercolour; William Gillies Award, Scottish Drawing Competition, Paisley; Second Prize, Royal Scottish Academy; J. Murray Thompson Award, Scottish Artists and Artist Craftsmen; Arts Club Prize, Scottish Artists and Artist Craftsmen; Whyte & Mackay Award, Scottish Artists and Artist Craftsmen; Scottish Provident Award, Scottish Artists and Artist Craftsmen; Dunfermline Building Society Prize, Scottish Artists and Artist Craftsmen; SSWA Special Award. Solo Exhibitions include Dorothy Quinn Gallery, St. Andrews, Henderson Gallery, Edinburgh, Old City Art Gallery, Jerusalem, Traverse Theatre, Edinburgh, Open Eye Gallery, Edinburgh (biannually since 1992), Roger Billcliffe Fine Art, Glasgow (biannually since 1993), Atholl Gallery, Dunkeld (1993) Albemarle Gallery (biannually since 1997). Represented in Group Exhibitions in the United Kingdom, including:Allan Park Gallery, Stirling, Atholl Gallery, Dunkeld, Borders Biennial Exhibition, City Arts Centre, Edinburgh, Contemporary British Art Show, London, Contemporary Fine Art Gallery, Fine Art Society Galleries, Glasgow, Gracefield Art Centre, Dumfries, Hilton Hotel, Hong Kong, John Martin of London, Kirkcaldy Art Gallery, Mall Galleries, London, Morrison Scottish Portrait ExhibitionOpen Eye Gallery, Edinburgh, Paisley Art Institute, Portland Gallery, London, Richard Demarco Gallery, Edinburgh, Roger Billcliffe Fine Art, Glasgow, Royal Glasgow Institute, Royal Scottish Academy, Edinburgh, Royal Scottish Society of Painters in Watercolour, Scottish Arts Club, Edinburgh, Scottish Arts Council Gallery, Smith Art Gallery & Museum, Society of Scottish ArtistsSociety of Scottish Artists and Artist Craftsmen, Stirling Gallery, Talbot Rice Gallery, Edinburgh Group Exhibitions held abroad: Through the `Old City Gallery` Jerusalem, paintings have been included in group exhibitions in Israel, Australia, Canada, U.S.A. and Sweden. Blue and White Gallery, Jerusalem, Contemporary Scottish Art 1994, Hilton Hotel, Hong Kong Collections: Works held in a great many private and public collections, including; Alliance & Leicester Building Society, Edinburgh Distillers Co. Ltd, Edinburgh College of Art, Educational Institute for Scotland, Johnny Walker Whisky Co, Kansas City Art Institute, Macfarlane Group Plc, National Westminster Bank, Paisley Art Institute, Scottish Arts Council, Scottish Brewers Limited, Slottseal Forthside Limited, The Knesset, Israel, University of Edinburgh, Welcome Inns, Whyte & Mackay Group, William Teacher & Sons (Whisky). The most recent example of Gordon Mitchell's paintings we've offered was "Castaway" a 73 x 98cm oil on canvas which sold in The Scottish Contemporary Art Auction of 24th January 2021 for £8000 (hammer) setting a new auction world record for a work by the artist. Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.
Lot 10
* GERARD BURNS (SCOTTISH b. 1961),UNTITLEDoil on canvas, signedimage size 120cm x 88cm, overall size 148cm x 117cmFramed.Note: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow. Portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.
Lot 137
* JAMES RENNY (b. 1946),PTARMIGAN IN SNOWgouache on paper, signed, image size 22.5cm x 34.5cm, overall size 41cm x 52cmMounted, framed and under glass.Note: James Renny was born in Sri Lanka in 1946 and brought up in Zimbabwe. He obtained a diploma in art and a degree in Fine Art studies at the University of Witswaterstrand 1964-68 and returned to Zimbabwe to teach for two years; living rough in the bush studying wildlife under the guidance of an elderly native. Then travelled to Greece and Switzerland before reaching and settling in Scotland in 1974. Became a full-time painter in 1975. His first one-man exhibition in 1980 was opened by HRH Prince Philip and was a sell-out; his second exhibition in London 1986 was sold out on the opening day. Commissions worldwide include The Birds of New South Wales and The Birds of Canada. Displays of his early work may be seen at the National Trust properties at Killicrankie and St Abb’s Head. Renny is internationally recognised as an exceptional wildlife artist.
Lot 16
* DAVID EVANS, ARCA RSA RSW (1942–2020)A PEEP AT THE NIGHToil on canvas, titled and dated 1969 verso image size 68cm x 61cm, overall size 77cm x 70cm Framed.Note: David Pugh Evans was a Welsh-born artist who lived and painted in Edinburgh. He produced hyperrealist paintings of seemingly mundane interior views, still lifes, building facades and street scenes. David Evans was born in South Wales in 1942 and studied at Newport College of Art from 1959 to 1962 and the Royal College of Art, London from 1962 to 1965. He moved to Scotland and became Lecturer at Edinburgh College of Art in 1965 until his retirement in 1998. He has travelled and studied extensively throughout the United States of America; his earlier paintings of sidewalk views, interchanges and exterior neon and directional signage are a nod to the work of super-realists such as Richard Estes. Since his first exhibition in Edinburgh in 1966, Evans exhibited regularly in Scotland and London. A large retrospective of his work was held at the Fruitmarket Gallery, Edinburgh in 1982. His primary gallery in Scotland was (and still is) the prestigious Open Eye Gallery (Edinburgh).
Lot 225
* CLIFFORD HANLEY (SCOTTISH 1948 - 2021),SHINY SHINY CREPUSCULEoil on board, signed and dated '97, titled versoimage size 106cm x 70cm, overall size 110cm x 74cm Framed. Note: Eldest child of Cliff Hanley, author, & Anna Hanley, artist. Attended Hillhead High School then Glasgow School of Art (Diploma, Drawing & Painting). His first (sell out) exhibition was at the age of 15 in the Grosvenor Cafe, Byres Road, Glasgow. On leaving the Art School Clifford worked on various projects including the refurbishment of a Glasgow city centre pub, The Muscular Arms. He was also involved in the music scene, playing lead guitar in a succession of bands culminating in “the Motels” a name which then had to be changed to “Montels” after the intervention of a US band with more money for a lawyer! In 1979 he moved to London to promote the band, sidelining art completely, but in ’84 following a brain aneurysm, he lost the use of his left hand and had to give up playing. He returned to painting, opening a small gallery in a local shop and became immersed in the local art scene. A short-lived marriage saw him move to Bath then singly to Bristol where again he became very involved in local arts festivals and also campaigning for Palestinian rights. It was while quietly handing out leaflets that he was assaulted which led to his 3rd brain injury. He also had associated epilepsy, and the culmination was the loss of some 30 years of memory and in 2015 he was finally admitted to care in a specialist brain injury care unit. Clifford died on 26th July 2021.
Lot 229
* HANNAH FRANK (SCOTTISH 1908 - 2008), GARDEN (1932)lithograph on paper, signed in pencil, titled and dated 1932image size 31.5cm x 27.5cm, sheet size 43cm x 32cm, overall size 46cm x 36cmFramed and under glass.Note: "Garden (1932)" is one of the rarest Hannah Frank signed prints. A previous example of this print was sold (by McTear's) for £650 (lot 526 The Scottish Contemporary Art Auction 27th September 2020). Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than three times higher than those achieved less than a decade ago. Note: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of prints of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy demand for her work after exhibitions in Edinburgh and Glasgow. Only a few of these prints were ever signed by Hannah who found the task of numbering and signing "tiresome". A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.
Lot 241
* CLIFFORD HANLEY (SCOTTISH 1948 - 2021),CHICKENSoil on canvas, signed, titled versooverall size 76cm x 81cm Unframed. Note: Eldest child of Cliff Hanley, author, & Anna Hanley, artist. Attended Hillhead High School then Glasgow School of Art (Diploma, Drawing & Painting). His first (sell out) exhibition was at the age of 15 in the Grosvenor Cafe, Byres Road, Glasgow. On leaving the Art School Clifford worked on various projects including the refurbishment of a Glasgow city centre pub, The Muscular Arms. He was also involved in the music scene, playing lead guitar in a succession of bands culminating in “the Motels” a name which then had to be changed to “Montels” after the intervention of a US band with more money for a lawyer! In 1979 he moved to London to promote the band, sidelining art completely, but in ’84 following a brain aneurysm, he lost the use of his left hand and had to give up playing. He returned to painting, opening a small gallery in a local shop and became immersed in the local art scene. A short-lived marriage saw him move to Bath then singly to Bristol where again he became very involved in local arts festivals and also campaigning for Palestinian rights. It was while quietly handing out leaflets that he was assaulted which led to his 3rd brain injury. He also had associated epilepsy, and the culmination was the loss of some 30 years of memory and in 2015 he was finally admitted to care in a specialist brain injury care unit. Clifford died on 26th July 2021.
Lot 250
* CLIFFORD HANLEY (SCOTTISH 1948 - 2021),SLIDE IN LIKE PINK FISHoil on board, signed and dated '96, titled versoimage size 60cm x 101cm, overall size 65cm x 116cm Framed (frame is loose). Note: Eldest child of Cliff Hanley, author, & Anna Hanley, artist. Attended Hillhead High School then Glasgow School of Art (Diploma, Drawing & Painting). His first (sell out) exhibition was at the age of 15 in the Grosvenor Cafe, Byres Road, Glasgow. On leaving the Art School Clifford worked on various projects including the refurbishment of a Glasgow city centre pub, The Muscular Arms. He was also involved in the music scene, playing lead guitar in a succession of bands culminating in “the Motels” a name which then had to be changed to “Montels” after the intervention of a US band with more money for a lawyer! In 1979 he moved to London to promote the band, sidelining art completely, but in ’84 following a brain aneurysm, he lost the use of his left hand and had to give up playing. He returned to painting, opening a small gallery in a local shop and became immersed in the local art scene. A short-lived marriage saw him move to Bath then singly to Bristol where again he became very involved in local arts festivals and also campaigning for Palestinian rights. It was while quietly handing out leaflets that he was assaulted which led to his 3rd brain injury. He also had associated epilepsy, and the culmination was the loss of some 30 years of memory and in 2015 he was finally admitted to care in a specialist brain injury care unit. Clifford died on 26th July 2021.
Lot 4
JON SCHUELER (AMERICAN 1916-1992),"w/c 139", Untitled, (Romasaig, Scotland, June 1973)watercolour on paper, signed and dated '73, titled label versoimage size 26cm x 36cm, overall size 45.5cm x 54cmMounted, framed and under glass. Handwritten artist's label verso.Provenance: The authenticity of this lot has been confirmed by Magda Salvesen, Curator of The Jon Schueler Estate (New York, USA) who confirms "w/c 139" (the Estate inventory reference) and that this picture was exhibited: 1973 Exhibited in Jon Schueler: The Sound of Sleat. An Exhibition of Paintings Arranged by Richard Nathanson at the Edinburgh College of Art and 1975 Exhibited: Paintings by Jon Schueler at The Pitlochry Festival Theatre Gallery.Note: Jon Schueler (September 12, 1916 – August 5, 1992), was an American painter known for his abstract compositions which evoke nature. Recognized first as a second-generation Abstract Expressionist he lived in New York City and in Mallaig, Scotland, inspired by the dramatic skies over the Sound of Sleat. His work is included in international collections such as the Scottish National Gallery of Modern Art (Edinburgh), Whitney Museum of American Art (New York), and the National Gallery of Australia (Canberra). In 1975 Whitney Museum of American Art director John I. H. Baur described Schueler's distinctive style: "We see his paintings one minute as clouds and sea and islands, the next as swirling arrangements of pure color and light. And they shift back and forth in our vision from one pole to the other, amassing richness from both." In 2006, at the time of solo exhibitions of his work in Edinburgh and New York, art reviewer Janet McKenzie wrote of "his remarkable commitment and development as a mature painter, abstract, yet inspired by natural phenomena." Schueler himself wrote: "When I speak of nature, I’m speaking of the sky, because in many ways the sky became nature to me. And when I think of the sky, I think of the Scottish sky over Mallaig. Jon Schueler's work is held in the collections of more than sixty public museums and galleries in the US and UK. More information available at jonschueler.com .
Lot 6
* JIM NICHOLSON (BRITISH 1924 - 1996),ST KILDAwatercolour on paper, titled label verso image size 38cm x 42cm, overall size 62cm x 66cmMounted, framed and under glass. Artist's label verso. Handwritten artist's label verso.Note : Nicholson came to Edinburgh and worked for an advertising company for nine years, before joining the National Trust for Scotland in 1964, as its first artist designer. He retired in 1983 with the title of Art Director and had contributed immensely to the Trust's growth and effectiveness. He visited St Kilda; many of his paintings were of that world-renowned archipelago, and Trust work there always had his special interest. While being a full time artist by then, he was also a keen hill walker which enabled him to gain access to other remote parts of Scotland, particularly the North-West and Hebridean Islands. Since the 1970's Jim held over 40 one-man exhibitions throughout Scotland and in London, his work being in great demand. Many of his paintings are in public and private collections in America, Australia, Canada, Germany, Hungary, Japan, South Africa and New Zealand, and throughout Britain, including that of HM Queen Elizabeth the late Queen Mother.
Lot 75
* ANTHONY BAYNES (BRITISH 1921 - 2003),PORTRAIT OF A LADYoil on board, titled and attributed label versoimage size 41cm x 36cm, overall size 47cm x 41cm Framed. Note: Anthony Baynes was born in New Zealand. Came to England and studied art at the Slade School of Art. War evacuation meant that the school moved to the Ashmolean in Oxford where Baynes studied under the professorship of Randolphe Schwabe. Fellow students included Kyffin Williams and Bernard Dunstan. Lifelong friends were Allan Gwynne-Jones, then tutor at the school, his wife Rosemary, Eldred Bartlett and Nancy Carline. In 1946 his painting 'The Betrayal' (now in the collection of the UCL Art Museum) won the Mary Richgitz Prize. During the war served in the Royal Navy. After the war taught art at the Badminton School. In 1949 travelled to Greece, became the first art student at the British School of Archaeology. In the fifties lived in Crete. Held one-man show in Athens in 1955 and in London in 1958. An accomplished painter in gouache and oils, producing a number of notably fine portraits. Also a designer of both murals, theatrical sets (briefly for Sadler's Wells in the 1940s). Baynes was a notable designer of dust jackets from the 1950s to the 1970s, working for publishers including John Murray, Capes and Eyre and Spottiswoode. He painted murals at the London Stock Exchange and the Guildhall in Portsmouth in 1959. In the late 1980s and 90s mainly exhibited locally particularly in Oxfordshire and the Cotswolds specialising in portraiture.
Lot 83
* WILLIAM BIRNIE RSW RGI (SCOTTISH 1929 - 2006),WINTERFIELD, KILBARCHANoil on board, signed, titled labels versoimage size 35cm x 44cm, overall size 49cm x 59cmFramed.Artist's label verso.Handwritten label verso.Label verso: The Open Eye Gallery, Edinburgh.Note: Bill Birnie studied at Glasgow School of Art under Gilbert Spencer and then at Hospitalfield under Ian Fleming. After graduating, he joined the staff at Hyndland Secondary School in 1952. That same year he was also elected a member of the Society of Scottish Artists (SSA). In 1958, he became a founder member of the Glasgow Group and formed the Glasgow Group Society, of which he was Vice-President for 32 years. In 1965, he was elected a member of the Royal Scottish Society of Painters in Watercolour (RSW), a society of which he also became Vice-President and Treasurer. He became Principal Art Teacher at Douglas Academy, near Bearsden, and later at Gryffe High, near Kilbarchan. Bill's abilities not only as a teacher but also as an administrator were noticed by the Department of Education and he was soon appointed Head Examiner in Art for Scotland. He still managed to maintain a very active exhibiting schedule, and showed in all the main public galleries and many of Scotland's best commercial galleries. His work was enthusiastically collected and increasingly sought after. He was elected a member of the Royal Glasgow Institute of Fine Art (RGI) and of the Paisley Art Institute (PAI). In the early years, he painted from his garden, showing the village of Kilbarchan in its changing seasons, under a quiet blanket of winter snow, or framed in a blazing sunset through autumnal trees. Later visits to France and Italy with his artist wife, Cynthia Wall, whom he married in 1953, brought new subject matter, cafe scenes, vine groves, Italian clifftop villages, and the crumbling facades of palaces and churches of Venice. It was characteristic of the man that when told that his illness was terminal, he calmly put his affairs in order and started work for a final one-man show at the Open Eye Gallery (Edinburgh) the scene of so many of his successful shows. Unsurprisingly, the exhibition was a complete sell-out. In recent years there has been a widely acknowledged acceleration in the prices achieved at auctions around the UK for William Birnie's paintings. In the Scottish Contemporary Art Auction of 8th November 2020 lot 567 "The Red House" a 60 x 90cm oil sold for £3000 (hammer) which, not for the first time in recent years, set a new auction record for a painting by William Birnie.
Lot 87
* EILEEN LAWRENCE RSA,ASCENTgold leaf and watercolour on paper, signed, titled and dated 1989image size 41cm x 18cm, overall size 63cm x 39cm Mounted, framed and under glass.Handwritten artist's label verso.Note: Eileen Lawrence RSA was born in Leith and studied at Edinburgh College of Art (1963 – 1968). Using a precise and detailed technique like a botanical illustrator, Lawrence produces drawings and watercolours of natural objects, such as feathers and twigs. These items are collected by the artist on visits to the countryside. Lawrence`s intensely detailed studies are a way of meditating on man`s spiritual relationship to nature. Her first solo exhibition was held at the 57 Gallery, Edinburgh, in 1969. Significant early exhibitions included participation in the 1977 Paris Biennale and the seminal touring exhibition, Inscape, organised by the Scottish Arts Council around the same period. In 1978 Lawrence secured her first major solo exhibition, held at the Arnolfini, Bristol. These exhibitions cemented Lawrence’s reputation and acquisitions by the Tate and the National Galleries of Scotland followed. In 1992 the Fruitmarket Gallery, Edinburgh, held a retrospective of Lawrence’s practice and this toured to the Usher Gallery, Lincoln. Since then, major exhibitions have been held at Drumcroon, Wigan; Worcester City Art Gallery; the Pier Arts Centre, Stromness, Orkney; and the Mead Gallery, Warwick.
Lot 92
* PETER HOWSON OBE (SCOTTISH b. 1958),WOMEN ON THE MIND - DON GIOVANNI 1995oil on canvas, signedimage size 123cm x 107cm, overall size 132cm x 117cm Framed.Note: In 1995 Peter Howson collaborated with John Cox and the Scottish Opera on a new production of Mozart’s Don Giovanni. In an amazing interview with the Glasgow herald in 1995 Howson commented: “It’s an incredible opera and a fantastic opportunity. I’ve got the opera bug now. Everything to do with Don Giovanni is curvaceous and sexy. The rest is sharp, pointed and angular. I’ve kept the colour scheme very simple: rich scarlet, vermilion, and cherry red for Don Giovanni’s territory: his bedroom, ballroom, the wedding party scenes, and for Hell. Soft greens, greys and cream for the rest. Howson produced 300 preparatory drawings for the Opera, together with a group of Oil paintings which were exhibited at Bilcliffe fine art, Glasgow in September 1995. These works were inspired by the party scene nudes in the opera. Howson explained in the interview with the Herald: 'There are hundreds of nudes everywhere, some friendly, some demonic. It's like Dante's Inferno. Don Giovanni is a man of incredible sexual appetite and John Cox wanted this depicted in a Rubenesque way: not pornographic or smutty, but with as much nudity as Scottish sensibilities allow. There's even nude caryatids and statuary carved over the door to his palace. Although Scottish Opera's audiences can be terribly Calvinistic. They don't want too much said about the nudes in case people cancel their tickets!'' Surely not? ''It's true. It happened once before with Life with an Idiot. I see Don Giovanni as the life force. His bed is red; his dressing gown is opulent, flowing gold and red. Of course, he's amoral, what used to be known as a libertine and blasphemer, but he's also a free-thinker, a man before his time, a revolutionary who rejects the religious and sexual code of his society. He's defiant and unrepentant. He never forces himself on women, merely seduces. His affair with Donna Anna is the first time in his amorous career that things have gone wrong. He doesn't feel guilty for the Commendatore's death as the duel was fought in self-defence. When he's dead the town stagnates and misses him. The Don Juan story has always been popular even in folklore. Back in 1787 when the opera was first performed in Prague it must have seemed scandalous but today it's not so. We've tried to avoid setting the opera in any specific period. Hopefully, it's timeless.'' Provenance: Sotheby's, Gleneagles, lot 1024, 31st August 2005, estimate £10,000 - £15,000.
Lot 96
* ELEANOR CHRISTIE CHATTERLEY (SCOTTISH b. 1929),UNTITLEDcomposite sculpture, 160cm highNote: Eleanor Munro was born (1929) and educated in Scotland. She studied sculpture at The Glasgow School of Art and Camberwell School of Art. She taught Sculpture at London Marylebone Institute (St John's Wood Sculpture School) from 1970 - 84 and at Blackheath School of Art from 1987 - 93. In 1952 she married the artist Fyfe Christie (1918 - 1975). Some eighteen years after the death of her first husband (1993) Eleanor married the music producer Albert "Jack" Chatterley (died 2016). Eleanor Christie-Chatterley has exhibited her sculptures at numerous venues including Woodlands Art Gallery (London), Blackheath Gallery (London), Old Cattan House Gallery (Norwich), Buckenham Galleries and at Cyril Gerber Fine Art (Glasgow). Her sculptures are in numerous private collections in the UK, the US and in France. Eleanor Christie-Chatterley lives on the west coast of Scotland and is almost certainly Scotland's oldest living sculptor. In The Scottish Contemporary Art Auction of 24th October, "Green Man Walking" by Christie-Chatterley sold for £3800 (hammer) and three small stoneware sculptures sold for hammer prices of £480, £500 & £500. In the SCA Auction of 5th December, "Woman of the North" sold for £5000 (hammer).SHIPPING: Aardvark Art Services Ltd have quoted £150 to collect this sculpture and deliver it to most (except the more remote) UK mainland locations (further details on request).
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