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Two Novelty Animal Cruet Stands, the first in Britannia Metal of a pack donkey which holds two glass condiments with plated lids (probably not the originals) and a further non-matching glass liner to the salt section; the other formed as a camel holding two moulded glass condiment bottles with previously plated lids (probably the originals) but liner missing to salt, each approximately 4 ½” long and 4 ½” tall (A/F) (2)
Family group of medals World War 1 / World War 2 comprising of first day of the Somme casualty group, trio to 12 - 18023 Rifleman Frank Kidd Royal Irish Rifles (to include other related ephemera & Queen Mary tin with bullet pencil). Frank Kidd was K.I.A on the 1st of July 1916. Also a World War 2 group to 6478216 Fusilier Herbert Kidd in named box comprising of 39-45 star, Africa star, Italy star and War medal. Herbert Kidd was taken P.O.W and was detained in Stalag VB, Wurttemberg Germany.
AN EXCEPTIONAL PAIR OF RUSSIAN LACQUER BOXES, KHOLUI, SIGNED, CIRCA 2000. The shaped boxes with hinged lids exquisitely painted with large central image surrounded by medallions with additional images. The first painted with scenes from the Russian fairy tale "The Golden Rooster" and the second illustrating scenes from the Russian fairy tale "Finest the Falcon". Each artist signed in Cyrillic A.V. Rybakov, Kholui and with title. 6 inches x 5.8 inches (15 x 13.5 cm) and 5.6 inches x 6.75 inches (14.5 x 17.4 cm), height 1.75 inches (4.5 cm) each. Each with original padded issuance box.
A PAIR OF RUSSIAN LACQUER BOXES, KHOLUI, SIGNED, CIRCA 2000. The first with hinged lid painted with geese and titled in Cyrillic `North`, the other with hinged lid painted with a scene from the Russian fairy tale "The Apples of Youth and The Water of Life", artist signed in Cyrillic Polyanina and Veselov, both inscribed Kholui. 4.5 inches x 6.25 inches (11.1 x 16 cm), height 1.25 inches (3.2 cm) and 4 inches x 5.6 inches (10.2 x 4.1 cm), height 1.6 inches (4 cm). Each contained in padded issuance box.
A PAIR OF RUSSIAN LACQUER BOXES, KHOLUI AND MSTERA, SIGNED, CIRCA 2002. The first with hinged lid painted with a scene from the Russian fairy tale "Stepan Razin", artist signed in Cyrillic S. Deviatkin and inscribed Kholui, dated and titled. 7.25 inches x 9.5 inches (18.5 x 24.3 cm), height 1.8 inches (4.7 cm). The other with hinged lid painted with a scene from the Russian folk song "The Mother in Law Had Seven Sons in Law", artist signed in Cyrillic Piotr Ilyich and inscribed Mstera. 5.75 inches x 5.75 inches (14.5 x 14.5 cm), height 1.75 inches (4.5 cm). Each contained in original padded issuance box.
A PAIR OF EXCEPTIONAL RUSSIAN LACQUER BOXES, PALEKH, CIRCA 2000. The first of rectangular form with raised back splat and side rails (perhaps a salt throne), the hinged lid finely painted with the scene from the Russian fairy tale "The Queen of Shemakha", artist signed in Cyrillic Vlezko, 4.8 inches x 3.5 inches (12.3 x 9.2 cm); together with an oval shaped box, the hinged lid finely painted with a scene from the Russian fairy tale "Vasilisa the Wise" and the interior painted with a bust portrait of the Tsar of the Sea, artist signed in Cyrillic Chibisov, height 3.75 inches (9.5 cm); together with a hinged egg set with butterfly and matching floral decorated stand, artist signed in Cyrillic Kornevan, height 4.75 inches (11 cm).
A PAIR OF INDO PERSIAN DAGGERS. The first with ornate rams head pommel on handle and velvet covered scabbard, length 14 inches (35.5 cm). The second ornately repousséd overall with scenes of tigers and other felines hunting various animals and with a tiger head pommel devouring a creature. The ricasso engraved with animals. Length 11.75 inches (30 cm).
INDO-PERSIAN DAGGERS AND KNIVES, A GROUP OF FIVE. Comprising three Damascus and nielloed daggers, the first with slightly curved Damascus blade, elephant head pommel and the handle and matching scabbard with pierced and gilt niello highlights, scrolling foliage and medallion bust profile portrait medallions, length 10 inches (25.5 cm). The second with slightly curved Damascus blade with decorative medallion and overall nielloed handle and scabbard, length 9.5 inches (24 cm), the third with straight saw tooth Damascus blade with matching gilt nielloing on handle and scabbard, length 9.5 inches (24 cm). Together with two small sheathed knives, the first with wavy Damascus blade with gilt decorated ricasso and tiger-head pommel. The handle and matching sheath with gilt nielloing of scrolling foliage, length 5.25 inches (16 cm). The second knife with slightly curved Damascus blade with inlaid Arabic character, horsehead pommel and the handle and sheath with nielloed designs of scrolling foliage, length 6.75 inches (17 cm).
A CIVIL WAR JOURNAL AND MEMOIR. Comprising a large format loose bound journal of 35 handwritten pages measuring 8 inches x 10 inches each, inscribed in ink by a yet unknown member of Co. C, 28th Iowa Volunteer Infantry Regiment. The journal covers a period of approximately two months, beginning with the first entry dated New Bern, North Carolina (March 1865) to Augusta, Georgia. The writing style is smooth, well-constructed and insightful. The author is obviously well-educated and talented well beyond the typical author of most Civil War journals. The entries would seem to be indigenous to the period and events being described. Likely representing only a fragment of a perhaps a once larger journal (or set of journals), as there are indications his service spanned over three years. Some writing examples include:“Battling together & suffering in common with one another has united our Regt like a Band of Brothers, and no Co. is more closely united that is Co C.”“No fancy pen can adequately describe the suffering of this wronged Southern people- the poor class called the ‘white trash’ by the Southern aristocrat.”“Elbowing my way into the anxious gazing crown of ‘blue coats’ I beheld standing on the platform of the car the center of attraction in the person of Maj. Gen. Wm. Tecumseh Sherman carrying on an easy conversation with his brother, Senator Sherman of Ohio and several Maj. & Brig. Generals who had clustered around the illustrious chieftain. Gen. Sherman is a tall spare built man, light complexion. Is a common looking unassuming man and on this occasion was dressed in a plain but neatly fitted military suit and wore a low crowned slouched hat.”“But when it was announced that Gen. Lee had surrendered himself & army of Northern Virginia to Gen. Grant on the 9” inst the enthusiasm & excitement of the soldiers of this Post knew no bounds.”“All were cheered to think there were such bright prospects of a speedy close of this most cruel Civil war which they had already carried mourning to most every household in the land. The men thought they could see the black cloudy war dispelling before the Star of peace.”“On the 16” of April in the midst of our rejoicing over gladsome war news a gloom was cast over our Camp by the announcement that President Lincoln had been assassinated by J.W. Booth at Ford’s Theatre Washington City on the evening of 14” inst. And that an attempt had also been made to murder Secretary Seward. All rejoicing was turned into sorrow. Never before had I seen sorrow so plainly depicted on the countenances of men. Among soldiers all thoughts of leniency toward ReBel leaders were smothered and the voice of the men was ‘Hang or banish every Rebel leader (civil or military).’ A few days afterwards an order from Gen. Grant announced that a badge of mourning would be worn on the left arm by the officers for the term of 30 days. Officers swords were also to be draped in mourning for the same length of time. Our colors were to be draped in mourning for the term of 6 months.”“It had now been 32 months since we left Iowa City headed toward Dixie & were then more anxious to get to the land of cotton than we now are to get ‘home again’.”, “But thank God their blood has not been shed in vain. The Rebellion is crushed The Union Saved And the old flag again waves in triumph from the Rio Grande to the Historic Potomac and from the Everglades of Florida to the Prairies of our own Iowa.” Together with another journal containing the memoir of apparently a different Iowa veteran of the Civil War, also apparently serving with the 28th Iowa Volunteer Infantry Regiment, and likely Co. C. The writings, both in ink and pencil, are contained in a bound ledger style journal, measuring 12 inches x 8 inches and comprising over 110 handwritten pages. While the ledger itself certainly dates to the war period, it seems likely that the handwritten entries may have been executed in part or in whole after the war, possibly from a diary or other source. The journal begins with the “Great Red River Expedition.” – March 1864 and would seem to conclude in February 1865, but also includes a great deal of statistical data regarding the Iowa 28th Volunteer Regiment such as KIA, wounded in action and the like, which postdates this time. Overall, the memoirs recall a great amount of detail regarding specific battles and engagements as well as interesting observations and other commentary all within the scope of the Iowa 28th Volunteer Infantry Regiment.While the penmanship is clearly by a different hand than the previously described journal and the style of writing different as well, it would seem likely that the two journals are somehow related beyond the Iowa 28th Vol. Regiment.
A U.S. WWI AIR SERVICE GROUPING. Comprising the memorabilia, insignia and uniform of Iowa native Lt. John M. Schaupp Jr. including a rare Spalding leather flight helmet with painted star insignia and integral neck cover, size 7 ¼ together with period cockpit photo with Schaupp wearing the helmet – very good condition. Also an issued corduroy lined leather flight jacket together with original receipt of issuance as “drawn from the 49th Aero Squadron” 3rd Aviation Instruction Center supply office. Two officer uniforms comprising two four pocket blouses and a pair of bloused pants. A peaked officer’s hat with eagle device and two cloth overseas caps. Two pairs of knee high leather flight boots, a pair of leather officer leggings, a pair of wool leggings, two pairs of vintage goggles one French in original box, boot hooks, officers toiletry kit (incomplete) collapsible cups with leather cased, straight edge razors, an issued canvas duffle bag boldly marked to Lt. John Schaupp Jr. U.S. Air Service A.E.F. as well as other personal items. Insignia includes original bullion pilot wings with applied silver-gilt US device. Officer`s collar insignia both US and Signal Corp type as well as 2nd and 1st Lieutenant pin back rank devices. Also Schaupp’s AEF photo identity card, Schaupp`s flight book, complete and with pressed four leaf clover first entry October 11, 1917, last entry December 1918. Plus various other paper items including receipts as well as over two dozen period photographs including cockpit shots, training shots, aircraft images and images of Schaupp in uniforms. A wonderful offering.
A RARE GERMAN WWII REICH CHANCELLERY BANNER WITH EXCELLENT PROVENANCE. The single sided tapestry banner entirely hand embroidered (needlepoint) in red, white and black wool. At center on a white medallion embroidered field, a black swastika on its side bordered with bullion edging. The swastika encircled with bullion oak leaves executed in crewel. Further out a double square bullion border with white and black border between. The upper section of the banner is sewn with an open sleeve so as to accommodate a suspension rod. The verso backed in red fabric and reinforced corners, the bottom border with bullion tassels. Light toning consistent with age and overall in very good to excellent condition. 68.5 inches x 51 inches (174 cm x 130 cm). Provenance:Chief Yeoman Le Roy Francis Gereau USN (1921-2005), obtained first hand from the Reich Chancellery, Berlin Germany, May 1945, and by descent to his wife, the consignor. Iowa native Le Roy Francis Gereau enlisted in the U.S. Navy in April of 1940 obtaining the rank of Chief Yeoman. From October 1944-March 1946, he served as the chief administrative clerk to Captain Arthur Harrison Graubart (US Naval Academy class of 1925). Along with Captain Graubart, Gereau was one of the first US Military personnel to visit Berlin at wars end. He also accompanied Captain Graubart to the Potsdam Conference while Captain Gereau (a lifelong Naval intelligence officer once stationed in pre-war Germany-Berlin) discussed the partition of the remainder of the German fleet eventually taking command of the German cruiser Prinz Eugen. According to written documents, the offered banner, along with another identical specimen were obtained by Chief Yeoman Gereau while visiting the Reich Chancellery while on duty in Berlin in May of 1945. One was kept by Gereau while the other was given to Captain Graubart. The banner received by Captain Graubart was donated to the U.S. Naval Academy museum where it is currently on display. The offered lot comes with a profusion of supporting documents consisting primarily of copies of various materials including correspondence with the Senior Curator at the U.S. Naval Academy Museum, correspondence between Gereau and Graubart regarding he banner. An illustrated biography on Gereau, obituaries, service records, photographs and more.
U.S. WWII AIRBORNE SECRECY POSTER. "Careless Talk...Got There First", original vintage color lithograph poster depicting a U.S. Airborne paratrooper falling to the ground dead having been shot by German fighter planes shown in the background sky, suggesting that "Careless Talk" had tipped off the German enemy to this operation, U.S. Government printing office dated 1954 by Herbert Morton Stoops (1888-1948), signed in the plate, 28 inches x 20 inches (71.1 x 50.8 cm). Together with an original vintage WWII OPA (Office of Price Administration) Poster "Let`s team up to keep food prices down", dated 1944. 28 inches x 20 inches (71.1 x 50.8 cm).
A FOUR PIECE ETCHED VINTAGE CRYSTAL GROUP, FIRST HALF 20TH CENTURY. Comprising a very fine Libbey floral etched compote, a gilt decorated compote, an etched muffineer with sterling cap, and a Hawkes etched and iridized glass cruet. Largest height 9 inches (23 cm). Together with a pair of satin amber chocolate cups with applied handles and four saucers and six Bohemian glass, gold decorated and gem mounted cordials. Diameter of plates 6 inches (15.25 cm). Largest height 3.5 inches (8.9 cm).
PETER MAX SIGNED POSTERS AND FIRST DAY COVERS, 1978. A pair of framed Peter Max posters signed in magic marker and with Expo 74 stamps and First Day issue envelopes, also signed and dated 1978. Both in attractive matching glazed frames. Poster size 21 inches x 18 inches (53.3 x 45.7 cm) and 24 inches x 18 inches (61 x 45.7 cm). Together with a color lithograph artist signed print titled "Cube Cluster #4", 25 inches x 21.5 inches (63.5 x 54.6 cm).
A FINE THREE PIECE GROUP OF CHINESE CARVED HARDSTONE BIRD FIGURES, FIRST HALF 20TH CENTURY. Comprising a two bird grouping perched on flowering lotus branches, and two matching opposing birds on carved rockery bases, in translucent pale colored celadon hardstone. Each raised on fitted hardwood stands. Largest height 8 inches (20.5 cm).
TEN ROYAL DOULTON CHARACTER JUGS, MID 20TH CENTURY. Comprising a large "Touchstone", a small "Jester", a large and small "Dick Turpin" (first version), a large and small "Lumberjack", a large and small "Robin Hood" (second version), and a large and small "Jarge". Largest height 6.5 inches (16.5 cm).
A THREE PIECE HAND PAINTED NORITAKE ART DECO PORCELAIN GROUP, EARLY 20TH CENTURY. Comprising a handled perfume bottle with harlequin figure (stopper absent), a blue luster wall pocket with blown out fruits, and a two sided figural peacock posy vase. The first and third marked with red "M in wreath" back stamps, the wall pocket with green Paulownia made in Japan flower mark. Largest length 8 inches (20.5 cm).
TWO HAND PAINTED NORITAKE ART DECO PORCELAIN COVERED POWDER BOXES, EARLY 20TH CENTURY. The first of heart shaped form decorated with a peacock, the second of circular form decorated with a serenading harlequin. Marked with red and green "M in wreath" back stamps. Largest diameter 4 inches (10 cm).
A FINE PAIR OF VICTORIAN MINIATURE IVORY PORTRAITS OF WOMEN ARISTOCRATS, 19TH CENTURY. Of circular form. The first inscribed on verso "Lady Clarigthon" and indistinct artist signature lower right. The second inscribed on verso "Duchess of Bedford" (Anna Maria Russell 1788-1861). Each contained in a gilt bronze bezel frame. Diameter 2.75 inches (7 cm).

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596780 item(s)/page