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Lot 219
OF MASONIC INTEREST A SMALL SILVER DISH WITH COMPASS AND SET SQUARE TO CENTRE 6cm diameter, hallmarked London 1923, note weighted base, together with a silver set square with a rectangular drop and hanging loop to top, part of masonic regalia, hallmarked Birmingham 1931 by Spencer of London, maximum width 14cm, weighing approx. 67 grams (not including first item)
![[CLASSIC LITERATURE] Wells, H.G. Men Like Gods, first edition, Cassell, London, 1923, green cloth, octavo; with The Dream, f](https://cdn.globalauctionplatform.com/fcdcc878-6866-44b6-a0a5-ac6000ef719d/41938856-eebb-473a-8c0e-ac6700ba6fbe/468x382.jpg)
Lot 495
[CLASSIC LITERATURE] Wells, H.G. Men Like Gods, first edition, Cassell, London, 1923, green cloth, octavo; with The Dream, first edition, Cape, London, 1924, maroon cloth, octavo; The Shape of Things to Come, first edition, Hutchinson, London, 1933, navy cloth, octavo; and twelve other works by the same, (15).
![[HISTORY] Dalrymple, David, editor. An Account of the Preservation of King Charles II after the Battle of Worcester, drawn u](https://cdn.globalauctionplatform.com/fcdcc878-6866-44b6-a0a5-ac6000ef719d/86a4ce98-725e-40c6-83f6-ac6400c8f050/468x382.jpg)
Lot 498
[HISTORY] Dalrymple, David, editor. An Account of the Preservation of King Charles II after the Battle of Worcester, drawn up by Himself, to which are added His Letters to Several Persons, by Foulis, Glasgow, 1766, full marbled leather (upper board detached; rubbed), engraved frontispiece, octavo (first gathering almost detached).
![[MODERN FIRST EDITIONS] Maclean, Alistair. When Eight Bells Toll, first edition, Collins, London, 1966, boards, dustjacket (](https://cdn.globalauctionplatform.com/fcdcc878-6866-44b6-a0a5-ac6000ef719d/372aa194-7e98-4643-8976-ac6400b2b9d8/468x382.jpg)
Lot 500
[MODERN FIRST EDITIONS] Maclean, Alistair. When Eight Bells Toll, first edition, Collins, London, 1966, boards, dustjacket (price-clipped), octavo; together with Where Eagles Dare, first edition, Collins, 1967, boards, dustjacket (non price-clipped but with creased front wrap-around), octavo; Puppet on a Chain, first edition, Collins, 1969, boards, dustjacket (non price-clipped but with creased front wrap-around), octavo; two copies of Circus, first edition, Collins, 1975, boards, dustjackets (both price-clipped), octavo; and River of Death, first edition, Collins, 1981, boards, dustjacket, octavo; also Forsyth, Frederick. The Devil's Alternative, first edition, Hutchinson, London, 1979, boards, dustjacket (price-clipped), octavo; Le Carre, John. A Small Town in Germany, first edition, Heinemann, London, 1968, boards, dustjacket (price-clipped), octavo; Smiley's People, first edition, Hodder & Stoughton, London, 1980, boards, dustjacket (price-clipped), octavo; and A Perfect Spy, first edition, Hodder & Stoughton, 1986, boards, dustjacket (non price-clipped), octavo, (10).
![[MISCELLANEOUS] Forster, Rev. Charles. The Monuments of Assyria, Babylonia, and Persia, Bentley, London, 1859, original gree](https://cdn.globalauctionplatform.com/fcdcc878-6866-44b6-a0a5-ac6000ef719d/b6fc7591-2653-4e18-a410-ac6400c8f69b/468x382.jpg)
Lot 514
[MISCELLANEOUS] Forster, Rev. Charles. The Monuments of Assyria, Babylonia, and Persia, Bentley, London, 1859, original green cloth, plate, full-page and vignette text illustrations, octavo; Graves, Robert. Lawrence and the Arabs, first edition, Cape, London, 1927, tan cloth, portrait frontispiece, further plate illustrations, octavo; and thirteen other works in fourteen volumes, (16).
![[MISCELLANEOUS] Garnett, David. Pocahontas or the Nonparell of Virginia, first edition, Chatto & Windus, London, 1933, o](https://cdn.globalauctionplatform.com/fcdcc878-6866-44b6-a0a5-ac6000ef719d/9e3d2807-d638-4e62-bb8a-ac6400c8fad2/468x382.jpg)
Lot 520
[MISCELLANEOUS] Garnett, David. Pocahontas or the Nonparell of Virginia, first edition, Chatto & Windus, London, 1933, original cloth, frontispiece, folding map at rear, octavo; Garnett, Richard. The Twilight of the Gods and Other Tales, first illustrated edition, The Bodley Head, London, 1924, original black cloth gilt, plate and text illustrations by Henry Keen, octavo; and two other illustrated works, (4).
![[MISCELLANEOUS]. BINDINGS Irving, Washington. The Sketch Book of George Crayon, Gent., second edition, Murray, London, 1820,](https://cdn.globalauctionplatform.com/fcdcc878-6866-44b6-a0a5-ac6000ef719d/5d19bce5-1043-447a-9a5e-ac6400c8ff7f/468x382.jpg)
Lot 523
[MISCELLANEOUS]. BINDINGS Irving, Washington. The Sketch Book of George Crayon, Gent., second edition, Murray, London, 1820, half leather (scuffed; upper board damp marked), all edges gilt, octavo; Shakespeare, William, & Woodroffe, Paul, illustrator. The Tempest, Chapman & Hall, London, 1908, full vellum by Bickers & Son, London, all edges gilt, frontispiece and a further nineteen paper-protected tipped-in colour plate illustrations (as called for), quarto; and Nolhac, Pierre de, & Binet, Rene, illustrator. Versailles and the Trianons, first edition, Heinemann, London, 1906, full vellum by Bickers & Son, London, frontispiece and further paper-protected tipped-in colour plate illustrations, small quarto, (3).
Lot 156
Small Selection of Red Cross and Other Medals including Voluntary Medical Service medal named “Miss Ethel Mary Bargent” ... Civil Defence Long Service medal Queen Elizabeth II in box of issue, unnamed ... KC gilt and enamel Red Cross For Merit medal named “3386 E Bargent” ... Red Cross medal, top bar First Aid In Chemical Warfare and bar ARP 1941, named “E Bargent” ... Red Cross medal, top bar Red Cross Nursing. Named “E Bargent” ... Red Cross 3 Year Service medal with 3 separate 3 Years Service bars ... Red Cross medal with . Top bar Air Raid Precautions Training. Named “D M Cox” in box of issue ... Small selection of paperwork and ID tag to “E M Bargent”.
Lot 198
Selection of Various Items including boxed set of WW2 medals consisting France & Germany Star, Africa Star, Defence and War medals ... 1943 First Aid dressing ... Jack knife ... Alloy, field made lighter ... 2 x brass shells ... 1939 dated, white metal whistle. All contained in an armoured fighting vehicles, first aid tin.
Lot 247
Selection of WW2 ARP & Home Front Paperwork including Wanstead & Woodford ARP Wardens First Aid Course ... Consolidated Instructions to Invasion Committees 1942 ... Basic Training In Air Raid Precautions ... Anti Gas Training 1937 ... Provisions Of Air Raid Shelters In Basements ... Fire Protection ... Medical Manual of Chemical Warfare ... Organisation Of Road Transport For a Defence Emergency. 20 items.
Lot 250
Selection of Various WW2 and ARP Booklets including ARP diary 1942 ... Fighting Forces Handbook ... Duties of Air Raid Wardens ... Incendiary Bombs and Fire Precautions ... Red Cross First Aid In Wartime ... Red Cross Chemical Warfare ... Seaman’s Pocket Book 1943 ... Practical Guide For The Householder And Air Raid Wardens. 20 items.
Lot 311
Civil Defence Battle Dress Jacket and Trousers dark blue, woollen, single breasted, closed collar, short jacket. Lower belt. Patch chest pockets with buttoned flaps. Lower right cuff with pointed overseas chevrons. Internal issue label dated “1952” .. Dark blue woollen trousers. Left hip, first aid pocket. Hidden seat pockets with buttoned flaps. Internal issue label, size 15, undated. 2 items.
Lot 360
Selection of WW2 ARP First Aid Items consisting “The Complete First Aid Outfit Book and ARP”. Complete with contents ... Black lacquered, rectangular tin “ARP Home First Aid Case”, complete with contents ... 2 x red, triangular bandages, complete with information booklet ... 2 x empty, black lacquered, ARP, first aid tins.
Lot 392
Selection of 1937 Pattern Webbing including 10 x webbing, full, waterbottle, cradles mostly dated “1943” ... Blancoed, small pack complete with L straps ... Webbing belt dated “1940” ... Pair of post war dated gaiters ... Army hose respirator, complete in canvas transit bag ... Webbing first aid satchel dated 1943, complete with some contents. Quantity.
Lot 74
UTAGAWA HIROSHIGE II; a Japanese ukiyo-e woodblock print, 'Evening View of Kiribata in Rain at Akasaka', 33 x 21.5cm, and 'Plum Garden, Kamata' from the One Hundred Famous Views of Edo series by Utagawa Hiroshige (Ando), 35 x 23cm, both framed and glazed (latter frame af) (2).Additional InformationFrame of second print has lot upper section and is very loose, will need to be replaced; first image with a crease upper left and some yellowing to border.
Lot 664
SAMSON; an early 20th century porcelain figure group depicting an elder beside a maiden holding basket of flowers and a cherub, gilt pseudo anchor mark to base, height 17cm, and a pair of Capodimonte figures of a huntsman and a lady fish wife, blue painted mark to base, height 23cm (3).Additional InformationThe huntsman is missing his first figure, chips to the pheasant wings and tails, the Samson group with numerous areas of loss to the painted decoration, chips to the flowers.
Lot 253
GREAT BRITAIN from 1840 1d black, better 1902-11 mint shades range, KGVI sets to both £1 mint, Wildings and Castles, later incl. Decimal cylinder blocks to £5, some First Day Covers, also some Channel Islands and Isle of Man, Commonwealth incl. Ascension, Gambia, Malta, various definitive sets incl. Falklands 1938 to £1 etc.
Lot 417
19TH CENTURY ENGLISH SCHOOL; a pair of oval portrait miniatures on ivory depicting a young gentleman wearing blue coat and white cravat, his companion wearing a lace bonnet, a further matching portrait of an elderly woman wearing a lace bonnet, and a fourth oval portrait depicting a gentleman in profile, the first three on ivory, the fourth on paper, each inscribed to the reverse with family details, the image 6.5 x 5.25cm, framed (4).Additional InformationA little bit of staining and a couple of spots of foxing, the watercolour is slightly browned and also slightly rippled within the frame. One also has a chip to the frame, there are a couple of tiny chips to the other frames.
Lot 401
HEINRICH HERMAN SCHAFER (German, 1815-1884); watercolour, ‘Fécamp, Normandy’, signed lower right with Unicorn Gallery of Wilmslow label verso, 24 x 20cm, and a further watercolour by Walter M. May, ‘Sörfford, Hardinger’, lake scene with two figures boating to centre, signed lower left and dated 1892 to label verso, 24 x 34cm, both framed and glazed.Additional InformationThe first image has a 3cm brown line to the upper right with further spotting. The second painting with further spotting and foxing, waviness to the paper. Both with some dirt and specks to mount and frames with general light wear.
Lot 705
ROYAL CROWN DERBY; two circular pin dishes including 'The 1998 Year Tray Blue Tit First Edition', each fitted in original box, together with a contemporary hallmarked silver bottle collar inscribed 'Port', Belleek basket, etc (6).Additional InformationMinimal wear throughout, the Lalique piece with large area of damage and loss, the ribbing plate with large chip to the edge.
Lot 365
TOLKIEN, J. R. R; 'The Hobbit', a rare first paperback edition signed to title page, pub. Puffin Books 1961, with illustrated front cover by Pauline Baynes, 11 x 17.9cm.Provenance: Purchased in 2003 from St. Mary's Books & Prints of Stamford, with receipt and further paperwork including signed statement of verification from St. Mary's detailing that the autograph has been verified by 'a leading autograph specialist' and a further statement of verification in the form of a photocopied typed and signed letter from the original owner of the book, Ian C. Postgate, detailing the circumstances in which the book was signed for him which are detailed below.This book was originally owned by Ian C. Postgate, a student at Malvern College studying Anglo-Saxon and Early English under Mr. George Sayer. Mr. Sayer was aware of his student's interest in Tolkien, Professor of Anglo-Saxon at Oxford University, and, as he himself was a good friend of Tolkien's, arranged for Tolkien to sign the book while on a visit to Oxford and gifted this autographed copy to Mr. Postgate who kept it for forty years before selling it to St. Mary's. Mr. Sayer is of interest as the person who convinced a depressed Tolkien not to burn the manuscripts of The Lord of the Rings when he was struggling to find a publisher, hence this book, already rare, holds additional significance for Tolkien enthusiasts; this is possibly the only copy that Tolkien signed for his good and important friend Mr. Sayer.Mr. Sayer was also involved in the editing the Lord of the Rings manuscripts, was reportedly influential in obtaining a publishing deal with Allen & Unwin, and received Tolkien at his home many times and it was at his home that Tolkien recorded excerpts from The Hobbit and The Lord of the Rings in 1952 which were later released as LP records.Additional InformationOnly one third of front cover attached from top down, the lower two-thirds detached, creases and scuffing to covers and spine, small tear to rear cover, fading and yellowing/browning in colours, browning to pages.
Lot 61
A pair of Japanese Meiji period bronze twin handled vases with foliate detail in relief, unmarked, height 33cm, a smaller pair featuring landscapes and figural detail to lower sections, height 16cm, and three further vases with relief detail, two featuring dragons and the taller with stamped mark to base, height 21.4cm.Additional InformationCasting flaws particularly to the three latter mentioned vases, one of these with numerous solder repairs, one with a hole, all these three with knocks and dents, general heavy wear, misshaping to rims, scratches and nicks and small losses to rims, the four vases mentioned first with general surface wear, some pitting, casting imperfections, slight misshaping to rims, nicks, etc.
Lot 838
A group of silver plated tea ware to include a squat three piece tea set with cast floral detail, part gadrooned and chased examples, etc.Additional InformationThe first tea set mentioned, the sugar bowl creamer has silver silt inside with marks and scratches throughout with some losses to the gilding and silver plate. Knocks, marks, scratches and dents throughout.
Lot 406
A late 19th century watercolour, 'Loch Fyne', inscribed 'J.H. Taberner, after E.A Perley July 26 1884' to lower left, 23.5 x 48.5cm, a further watercolour, 'Bay of Santos', by Mrs Barclay of Moberley Hall Cheshire and an oilograph depicting a church, all framed and glazed (3).Additional InformationFirst picture somewhat spotted and foxed, some browning, general wear to frames.
Lot 446
the first with oval bowl 7.5cm wide including the pouring lip, with pressed piecrust rim, the bowl set with a George II sixpence (1732) the flat strip mount decorated with bright cut engraving flaring to a short tubular socket holding the twisted baleen handle topped with a simple pointed silver terminal, overall length 37cm; the second with oval bowl 8cm wide including the pouring lip, the rim with indecipherable lettering indicating construction by hammering out a silver coin, the bowl set with a George II sixpence (1757), the simple conical tubular socket holding the twisted baleen handle topped with a plain silver terminal, overall length 32cm, monogrammed; the third with circular bowl 6cm diameter and 2.5cm deep decorated with repoussé vine leaves, tendrils and grapes around a monogrammed cartouche, the rim with indecipherable lettering indicating construction by hammering out a silver coin, the base of the bowl set with a gilded George II sixpence (1758), the flat strip mount flaring to a short tubular socket holding the twisted baleen handle topped with a simple pointed silver terminal, overall length 37cm (3)
Lot 451
the first by Samuel Herbert, London 1749, the fluted oval bowl, 8.5cm wide including the pouring lip and 3cm deep, decorated with repoussé images of vines, leaves and grapes around the crest of William Stuart, the split and double scrolled mount to a simple conical tubular socket holding the turned wooden handle, overall length 39cm; the second with rubbed maker's mark, London 1752, in the same style, with a plain fluted oval bowl, 9cm wide including the pouring lip and 3cm deep, crested to the side, overall length 37cm (2)Footnote: William Stuart (1798 - 1874), of Tempsford Hall in Bedfordshire and Aldenham Abbey in Hertfordshire, was the eldest son of William Stuart, Archbishop of Armagh and Sophia Margaret Juliana, daughter of Thomas Penn of Stoke Poges, and was the grandson of John, 3rd Earl of Bute. Stuart was a Justice of the Peace and a Deputy Lieutenant. He married, on 8 August 1821, Henrietta Maria Sarah, the eldest daughter of Admiral Sir Charles Morice Pole, Baronet. She died 26 July 1853, and he married, again, on 31 August 1854, Georgina Adelaide Forester.
Lot 454
the first, maker's mark indecipherable, London 1748, of traditional urn shape, leaf capped scroll handle and gilt wash interior, monogrammed, raised on a simple pedestal foot, 11cm in height, 4.6ozt; the second, by William Kersill, London 1757, again of traditional urn shape with simple handle and cut edge rim, raised on three pad feet, initialled to the underside, 10cm in height, 2.2ozt; the third possibly by Charles Chesterman, London 1768, of traditional baluster shape with double scroll handle and gadrooned rim, raised on a simple gadroon edged pedestal foot, gilt wash interior, 10cm in height, 2.30zt (3)
Lot 456
all London hallmarked and with round and decoratively pierced bowls, the first with indecipherable maker's mark and probably 1751, crested, 'beaded edge' style; the second by John Lampfert, 1773 and the third probably by George Smith (III), 1774, crested, both 'Hanoverian' style; the fourth by Thomas & William Chawner, 1771 and the fifth possibly by John Lambe,1771, both crested, 'feather edge' style, 6.7ozt gross (5)
Lot 466
c1775, 5 by Thomas Wallis II and 5 by William Chatterton, all with pierced arms and monogrammed bows, 12.5ozt gross (10)Footnote: Cast tongs followed on from the earlier scissor action tea tongs and were the first of the bow shaped devices designed for picking up lumps of sugar. Made in three sections - the two arms and the connecting bow - they were deceptively complex to produce and were very quickly superseded by the easier to make, and less expensive, sugar nips. Few now survive undamaged, partly due to the two joints which formed the construction failing through use. Cast tongs were only made for a short length of time, c1765 - c1780, and are now rare and collectable.
Lot 492
the first set by Robert Sallam c1766, with London hallmarks, 'Old English' pattern with very faint monogram (cased), the second set probably by John Scofield c1775, with London hallmarks, 'Old English' pattern with lace back bowls, monogrammed, the third set by George Smith (II) & Thomas Hayter, London 1793 'Old English' pattern with bright cut engraving, monogrammed, 6.8ozt gross (18)
Lot 493
the first by Elizabeth Morley, London 1799, the oval bowl 9.5cm wide including the pouring lip, with flared rim, the flat strip mount flaring to a short tubular socket holding the twisted baleen handle topped with a simple pointed silver terminal, overall length 36.5cm; the second, maker's mark rubbed, London 1776, the oval bowl 8cm wide including the pouring lip, with beaded rim, the flat strip mount with matching beaded decoration flaring to a short tubular socket holding the twisted baleen handle topped with a simple pointed silver terminal, overall length 24cm; the third, maker's mark rubbed, London 1775, the circular bowl 6cm diameter and 2.5cm deep, with flared and reeded lip, the flat strip mount with bright cut decoration flaring to a short tubular socket holding the twisted baleen handle topped with a simple pointed silver terminal, overall length 35.5cm; the fourth, maker's mark rubbed, London 1817, the oval bowl 8.5mm diameter with flared lip, the flat strip mount flaring to a short tubular socket holding the twisted baleen handle, overall length 37cm (4)
Lot 494
all of traditional baluster form, the first, maker's mark (RH) not traced, London 1773, with beaded waist, the part marked friction fitting and pierced cover topped with a flame finial, simple reeded pedestal foot, 14cm in height, 2.6ozt; the second possibly by William Bateman I, London 1812, with reeded waist, the part marked friction fitting and pierced cover topped with a ball finial, simple reeded pedestal foot, 14cm in height, 2.4ozt; the third, by Samuel & Edward Davenport, London 1803, with reeded waist, the part marked friction fitting and pierced cover topped with an urn finial, simple reeded pedestal foot on a square plinth, 14.5cm in height 2.5ozt (3)
Lot 5
the first, of rectangular form and of chequerboard style with a mosaic of multi coloured hardstones, pierced mount, pin and hook fitting, length 4.9cm, unmarked yellow metal tested as 9ct gold; the second, a memorial brooch of oval form with central swivel section decorated to the front with two colours of woven hair, verso plain, surrounded by a border of thistles, length 5cm, base metal; the third, a round target brooch with carved decoration and saltire cross overlay, set with red paste, pin and revolver fitting, diameter 3.8cm, base metal, gross weight 52.2g (3)
Lot 500
all presented with their (probably original) blue glass liners, the first by Robert Hennell I, London 1794, of plain oval form with reeded rim and base, the part marked, flat topped and hinged cover with simple oval thumbpiece, simple reeded handle, 3.4ozt weighable silver; the second by Thomas Shepherd, London 1789, again of oval form with pierced and bright cut decorated sides, the part marked, domed and hinged cover with bright cut decoration topped with a ball finial, simple handle, 3.2ozt weighable silver; the third, a drum mustard, maker's mark (AL) not traced, London 1769, with symmetrically pierced sides, the part marked, flat topped and hinged cover with simple pierced thumbpiece, simple scroll handle and solid base, 2.6ozt weighable silver (3)
Lot 503
the first and largest, London 1773, the beautifully pierced bowl with symmetrical design and the handle with bright cut engraving around a vacant cartouche, 21cm in length, 2.2ozt; the second, London 1777, the pieced bowl of star shape designs, the 'Hanoverian' style handle with crest, 16cm in length, 1.10zt; the third, London 1770, the bowl with symmetrical piercing, the 'feather-edge' style handle with a single initial, 13cm in length, 0.9ozt (3)
Lot 506
the first by Smith, Tate & Co (George Smith, Robert Tate, William Nicholson & Ewin Hoult), Sheffield 1825, decorated with bright cut engraving, and with right-angled arms; the second by John William Blake, London 1832, of plain and traditional form, monogrammed; the third by George Wintle, London 1792, of traditional form decorated with bright cut engraving, monogrammed; the fourth by James Sutton & James Bult, c1783, decorated with bright cut engraving, and with scalloped edge and textured terminals, 4.6ozt gross (4)
Lot 510
both by William Eley, William Fearn & William Chawner, the first, London 1813, with slender spearpoint blade terminating in a shell motif and topped with a simple ring top, crested, 29cm in length, 3.3ozt; the second, London 1810, the slender spearpoint blade terminating in a simple ring top, monogrammed, 28cm in length 2.5ozt (2)
Lot 520
the first, maker's mark indecipherable, London 1795, decorated with vertical lines of bright cut engraving under an elaborate monogrammed cartouche surrounded by scrollwork and foliage, simple pedestal foot on a square plinth, 11.5cm; the second by Crispin Fuller, London 1797, plain except for an elaborately engraved but vacant cartouche, with reeded rim and half reeded handle, raised on a simple reeded pedestal foot, 14cm; the third, maker's mark indecipherable, London 1788, the panelled sides decorated with bright cut engraving and with an oval, once engraved, cartouche, reeded rim and handle and reeded pedestal base on a fluted plinth 16cm, 13.3ozt gross (3)
Lot 525
each by Rebecca Emes & Edward Barnard I, the first, London 1809 of nominally rectangular form with a wide gadrooned waist, gadrooned and scrolled rim and leaf capped flying scroll handle, raised on four bun feet, 7.7ozt; the second, London 1827, similar in design, with gadrooned rim and simple leaf capped handle, gilded interior, 4.6ozt; the third, London 1823, of circular form with a wide shell and scroll waist and matching rim, leaf capped flying scroll handle and raised on four cast foliate feet, gilt washed interior, 8.6ozt (3)Condition report: 0
Lot 536
the first pair by William Eaton, London 1825, with shell bowls, the stems decorated with bright cut engraving around vacant cartouches, 18cm in length, 3.2ozt; the second pair, by H J Lias & Son (Henry John Lias & Henry John Lias), London 1872, with shell bowls, one of which has been pierced and subsequently converted into a sifting spoon, reeded handles and decorated tops, 15cm in length 3.3ozt (4)
Lot 547
the first by James Dixon & Sons, Sheffield 1874, of heavy gauge, lavishly decorated with foliage and swags around two vacant cartouches and with bright cut engraving between two beaded bands, beaded edged handle with ram's mask terminal with gilt wash interior and raised on a beaded edged and decorated foot, 14cm, 10.5ozt; the second by William Wrangham Williams, London 1871, of urn shape with beaded waist, the sides decorated with two applied plaques decorated with putti, flying scroll handle, gilded interior and raised on a beaded edged pedestal foot, 16cm, signed to the base 'Lambert,12 Coventry St London', 6.2ozt (2)
Lot 552
both 'Fiddle' pattern and with London hallmarks, the first by A B Savory & Sons (William Smily), 1856, with pierced and engraved foliate scroll blades, the retainer with rosette terminals, 29cm in length, 7.5ozt; the second by Chawner & Co (George William Adams), 1844, with decoratively pierced blades, 26cm in length 6.5ozt (2)
Lot 553
the first by Thomas Tongue, Birmingham 1877, of oval form with pierced sides and beaded edges, raised on four cast scroll feet, with blue glass liners, and contemporary spoons 8 x 6cm; the second by Richard Pearce & George Burrows, London 1846, cauldron shaped with pierced sides and shell and scroll rim, raised on four cast shell and scroll feet, with blue glass liners and contemporary spoons, 7cm in diameter (4)
Lot 556
the first by Edward, John & William Barnard, London 1847, decorated with foliate engraving around a central monogrammed cartouche, the part marked flat topped hinged cover similarly decorated, with shell thumbpiece, simple handle and presented with the star cut blue glass liner, 7cm in diameter, 4.5ozt weighable silver; the second by Edward & John Barnard, London 1853, the pierced body decorated with symmetrical designs, the solid and part marked flat topped hinged cover, engraved in a similar style with pierced thumbpiece, simple handle and presented with the blue glass liner, 7cm in diameter, 4.7ozt weighable silver (2)
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596772 item(s)/page