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Marklin H0 3-rail Digital 37047 DB Class 054 steam loco, heavy metal, with MFX-plus decoder and cab control feature. Marklin dealer conference loco 2014, very limited edition, complete with wooden display stand. New in original box with smoke generator unit. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)
Two barge teapots and covers, the first of baluster shape with applied flowers and a panel impressed 'You are welcome 1899', the second with applied birds and flowers and panels impressed 'Mrs Norton' and 'Newbold 1874', 29 & 19cm high (2)Condition report: First: spout to reapot finial missing. end of main spout broken and re-stuck.Second: chip to lid.
A collection of First and Second World War medals, to include a First World War and Victory medal, to 75601 Pte 1 F Ogle R.A.F., a First World War Victory medal to M2-081113 Pte A Murrell A.S.C, together with a Second World War medal, 1939-1945 Star medal, and The France and Germany Star medal, all un-named and in an O.H.M.S. box (qty.)Condition report: No ribbon for the First World War medal.Ribbons variously worn, colours faded to some, edges fraying. Discolouration/corrosion to some of the medals.An Italy Star ribbon, but no medal.
Swedish silver items: the first three by W A Bolin - a circular tray, 1946, 36cm diam., a dish, 1931, 19cm across, a beaker, 1939, 11cm high, the last an oval preserve dish with hinged lid, glass liner and shell spoon (not matching) stamped 800. 50ozt weighable silver (4)Condition report: Beaker has slight dent to footrim, larger trsy has scratches to back and partially worn maker's name
Two late 19th century German porcelain items, the first a Meissen figural candelabra with three branches, encrusted with flowers and painted with insects, blue crossed swords mark. and impressed no. 108. 45cm high, the second a Dresden two handled vase and cover, heavily encrusted with flowers, mounted with two cherub figures and painted with two couples in gardens. marked 'Dresden' in script. 38.5cm highCondition report: Meissen candelabra - many small chips to flowers and leaves, sconce on column restored (badly) One sconce on upper part has detached leaves which are sellotaped on now.Dresden vase - cover has two large branch losses, vase has many chips to foliage and losses, female cherub's arm missing, male's stick missing end
Otto Ludwig Naegele (1880-1952), dt. Maler und Grafiker aus München, sowie Mitbegründer und erster Torwart des FC. Bayern München. Stud. an den Akademien in München und Düsseldorf, war Mitglied der Luitpoldgrupp. ''Staffelsee bei Murnau'', Öl auf Lwd., unsign., verso auf Etikett alt bez. u. dat. 1926, ein kl. Flicken mit Retusche, 30 x 35 cm, ger. 36 x 40 cmOtto Ludwig Naegele (1880-1952), German painter and graphic artist from Munich, and co-founder and first goalkeeper of FC. Bayern Munich. Studied at the academies in Munich and Düsseldorf, was a member of the LuitpoldgruPassepartout ''Staffelsee bei Murnau'', oil on canvas, unsigned, verso on label old inscribed u. dated 1926, a small patch with retouching, 30 x 35 cm, framed 36 x 40 cm
Otto Dix (1891-1969), ''Nelly II'', Radierung auf Kupferdruckpapier, (1923/24 bzw. 1968), eines von 20 Exemplaren der späten Auflage von 1968, handsigniert unten rechts, bezeichnet ''Nachdruck 1967'', herausgegeben vom Fackelträger-Verlag 1968/70 in der Vorzugsausgabe ''Otto Dix. Das graphische Werk''. Nelly ist das erste Kind des Künstlers, sie wurde 1923 in Düsseldorf geboren. 19 x 13,5 cm, hinter Glas u. Pp. ger. 46 x 39 cmOtto Dix (1891-1969), ''Nelly II'', etching on copperplate paper, (1923/24 and 1968 respectively), one of 20 copies of the late edition of 1968, signed by hand lower right, inscribed ''Nachdruck 1967'', published by Fackelträger-Verlag 1968/70 in the special edition ''Otto Dix. The graphic work''. Nelly is the first child of the artist, she was born in Düsseldorf in 1923. 19 x 13.5 cm, framed behind glass u. Passepartout 46 x 39 cm
Säbel, 18. Jh. Einschneidige, gebogene, beidseitig gekehlte Klinge. Im ersten Drittel gebläut und goldtauschiert. Griff mit Leder und Drahtwicklung, leicht geschwungene Parierstange. Eisenscheide mit Ringen. Leicht ber. & best., korrosion, L. 104 cmSaber, 18th century. Single-edged, curved blade with fullers on both sides. The first third of the blade is blued and inlaid with gold. Handle with leather and wire winding, slightly curved quillons. Iron scabbard with rings. Slightly rubbed & bumped, corrosion, l. 104 cm.
Konvolut 5 rote Ordner: 3 x mit Erotika Fotografien (vorwiegend neuere Abzüge älterer Motive), 1 x mit Zeitschriftencovers der Illustrierten Film-Bühne, 1 x mit Briefmarken (Ersttagsbriefe, gelaufene und ungelaufene). Alles in sehr ordentlichem ZustandKonvolut 5 red folders: 3 x with erotica photographs (mainly newer prints of older motifs), 1 x with magazine covers of the Illustrierte Film-Bühne, 1 x with stamps (first day covers, used and unused). All in very neat condition
Figurenpaar 'Hans und Trine' / der erste Kuss, Bing & Gröndahl, Mitte 20. Jh., Modellnr. 2162, Entwurf von Claire Weiss, polychrome Unterglasurmalerei, H. 19 cmPair of figures 'Hans and Trine' / the first kiss, Bing & Gröndahl, mid-20th c., model no. 2162, design by Claire Weiss, polychrome underglaze painting, h. 19 cm.
Famian Strada, ''De Bello Belgico decades duae ab excessu Caroli V...'', 778 S. + Index. Mit der Karte des ''Leo Belgicus'' mit handschrft. Exlibris, 25 gestochenen Porträttafeln und 30 mehrfach gefalteten Kupferstichansichten, Mainz, Johann Gottfried Schönwetter, 1651. Die erste Ausgabe eines der bedeutendsten Werke über Belgien, Autor war der Jesuit und römische Rhetorikprofessor Famian Strada (1572-1649). Nicht eingehend kollationiert, gebräunt und fleckig, Pergamenteinband der Zeit, 21 x 17 cmFamian Strada, ''De Bello Belgico decades duae ab excessu Caroli V...'', 778 pp. + index. With the map of ''Leo Belgicus'' with handwritten. Bookplate, 25 engraved portrait plates and 30 copper engraved views folded several times, Mainz, Johann Gottfried Schönwetter, 1651. The first edition of one of the most important works on Belgium, author was the Jesuit and Roman professor of rhetoric Famian Strada (1572-1649). Not collated in depth, browned and spotted, vellum binding of the time, 21 x 17 cm.
James Rizzi (1950-2011), Der Brockhaus in 15 Bänden, 1999, Einbandgestaltung durch J. Rizzi, Auflage 373/1480, mit Lithographie ''The adventure of reading'' im ersten Band, diese handsigniert und nummeriert, jeweils im Schuber, diese mit leichten Gebrauchsspuren, H. 24,5 cmJames Rizzi (1950-2011), The Brockhaus in 15 volumes, 1999, cover design by J. Rizzi, edition 373/1480, with lithograph ''The adventure of reading'' in the first volume, these signed and numbered by hand, each in slipcase, these with slight signs of wear, h. 24.5 cm
Großer KeramikTeller/Schale der Maya-Kultur, 300-600 n. Chr., aus dem Bereich Tikal. Schmaler Fußring, zunächst flach dann steiler ansteigende Wandung. Etwa 1 cm unterhalb des Lippenrandes auf der Fahne ein dunkler Zierring, D. 29 cmLarge ceramic plate/bowl of the Maya culture, 300-600 AD, from the Tikal area. Narrow foot ring, at first flat then more steeply rising wall. About 1 cm below the lip rim on the flag a dark decorative ring, D. 29 cm.
ARTHUR WILLIAM HEINTZELMAN (AMERICAN 1891 - 1965), LA VIERGE ET L'ENFANT JESUS (Smith 155) drypoint etching on cream laid paper, 1929; edition of 70, signed in pencil 30cm x 23cm Mounted, framed and under glass Note: Born in Newark, New Jersey, Arthur William Heintzelman was a painter, etcher, copyist, teacher, and curator. Raised in Providence, Rhode Island, he first studied art at the Rhode Island School of Design, where he subsequently taught, and also in Europe. In 1921, the Heintzelmans moved to Paris and made their home in France, subsequently moving to Switzerland in 1931 and remaining there until 1934, when they returned to the United States. Already widely respected as a printmaker prior to his departure for Europe, he became internationally famous during his years abroad and was - and is - regarded as one of the greatest etchers of the Twentieth Century. During his years in Paris, Heintzelman met Eugène Delatre, who became his printer for the remainder of his stay in Europe, and who taught Heintzelman the intricacies of fine art printmaking for which his atelier was justly famous. In appreciation for his contribution to French art and culture, Heintzelman was named to the Legion of Honour by the French government. Following his return to the United States, Heintzelman became the first Keeper of Prints at the Boston Public Library and served there from 1941 to his retirement in 1960. Thanks to his close relationship with the Delatre family, Heintzelman coordinated the gift of the comprehensive collection of prints by both Auguste and Eugène Delatre to the Boston Public Library. He was succeeded as Keeper of Prints by Sinclair Hitchings. Heintzelman also headed the Fine Arts department of the Rhode Island School of Design. He was awarded numerous international prizes for his etchings, and his works are found in museum collections through the US and Europe. Heintzelman belonged to numerous professional associations both in the US and abroad. He lived and worked in Boston, Marblehead, and Rockport, Massachusetts and in New York City. He died at Rockport, Massachusetts. The works of Heintzelman are documented in The Prints of Arthur Wm. Heintzelman, the catalog raisonné compiled by Donald Eugene Smith and published by the Boston Public Library (USA) in 2004.
A Meissen (outside decorated) model of a Pug with a blue and gilt bell collar, another Meissen example and a pair of Continental porcelain Meissen-style models of Pugs with blue and gilt bell collars, all late 19th century, blue crossed swords, cancellation marks to first, press nummern and incised numerals (damages and losses), the first 18cm high (4)

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596772 item(s)/page