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Lot 238

A Charles II Silver Crown, 1662, first type, Obv. Effigy of Charles II, Rose below, Rev. Four Cruciform Shields, interlinked C's in angle, F+, issued by Westminster in plastic capsule with fitted box, slip and certificate

Lot 308

Two trays of empty toy car boxes including Corgi, Exclusive First Editions and Maisto etc.

Lot 421

W.L. And Mrs Wyllie, London to the Nore, published by A & C Black, 1905, first edition, limited edition no. 46/250, signed 'W.L. Wyllie', sixty colour plates in good condition protected with tissue paper, bound in cream cloth with plastic protector, foxing to the pages and discolouration, pages nibbled, together with two booklets on Wyllie

Lot 541

WW1/ SS Kyarra / UB-57 interest: A large brass porthole No.9 from the Australian Steamer SS Kyarra, torpedoed off Anvil Point, Swanage on 6th May 1918 by U-Boat-57 Commander Johannes Lohs, together with certificate signed by John Broomhead (first diver to discover HMS Invincible off Hayling island), and various printed reference material. Porthole measures 23'/58cm diameter

Lot 402

JOHN CLOSTERMAN (GERMAN 1660-1711) THREE QUARTER LENGTH PORTRAIT OF JOHN PACKER (1660-1771) in blue Oil on canvas(127cm x 102cm (50in x 40in))Provenance: Collection of Dr. John A. Packer, EdinburghFootnote: Provenance: Groombridge Place, Kent Note: The sitter was the second son of Philip Packer and his first wife Isabella Berkeley of Spetchley. He inherited Groombridge from his father in 1686.

Lot 416

LOUIS RAOELINA (MADAGASCAN, LATE 19TH - EARLY 20TH CENTURY) A COLLECTION OF SCENES OF MADAGASCAN A collection of 15 watercolours and gouaches: Two Women in Blue, Signed and dated 1888, 21.5cm x 25cm; Two Women in Pink and Purple, Signed and dated 'Sep. 1888', 21cm x 26cm; Slaves Grinding Rice, Signed, titled and dated 1888, 21.5cm x 25cm; Gentleman Being Carried, 22cm x 25cm; Lady Being Carried, 22cm x 25cm; Two Blacksmiths Working, 24.5cm x 21.5cm; Woman Weaving, 22.5cm x 25cm; Woman Spinning, 25cm x 19cm; Practicing the Lasso, 20cm x 25cm; Two Women, 22cm x 23cm; The Water Carrier, 25cm x 21cm; Working the Earth, 26cm x 21cm; Meat Market, Signed with monogram, 25cm x 19cm; View of the Village, Signed with mongram and dated 1888, 18.5cm x 26cm; Looking Up to the Village, Signed with monogram and dated 1888, 20cm x 27cm(Various sizes, unframed)Footnote: Note: Very little is recorded about the life and work of Madagascan artist Louis Raoelina. He may be part of the first generation of Malagasy artists who were trained by British missionaries and depicted scenes of everyday life. When the island came under French occupation in 1897, French administrators were drawn to these works and some made it back to French collections. Within this collection, a wide range of aspects of everyday life is depicted – from contemporary hairstyles and dress to farming techniques, landscape and wider cultural practices. Raoelina’s delicate and deliberate technique is apparent in these works, as his exquisite attention to detail, capturing the tiniest aspects of Madagascan life. Very rarely offered on the open market, Raoelina’s work features in the collection of the Musee du quai Branly - Jacques Chirac, Paris and SOAS University Collection, London.

Lot 555

PAIR OF CLASSICAL BRONZE RELIEF PLAQUES LATE 19TH/ EARLY 20TH CENTURY the first depicting Ariadne with a panther, the other Venus and Cupid, both mounted in modern black frames(23cm high, 38cm wide)

Lot 98

TWO GEORGIAN TOILET MIRRORS 18TH CENTURY the first of mahogany with a shaped mirror plate in a moulded gilt slip, above three concave base drawers, on ogee bracket feet; the other of walnut with bevelled mirror and gilt moulded slip, above three concave base drawers, on ogee bracket feet(49cm wide, 63cm high, 19.5cm deep; and 38.5cm wide, 58cm high, 20cm deep)Property of a Scottish Borders family

Lot 216

Exclusive First Editions: eleven double-deck and eleven single deck buses in original boxes (22)

Lot 229

Exclusive First Edition China Motor Bus and City Bus including Bristol, Leyland and Daimler in original boxes (7), Bus Station Model Shop Hong Kong carrier bag and poster

Lot 394

Two First World War bronze memorial plaques, in memory of John Spooner and Percy Smith

Lot 107

* Andaman Islands. A group of 7 albumen print views circa 1870, the largest image of the convict settlement in the Bay of Bengal, slightly frayed at edges, 16 x 21.5cm, the remaining 6 mounted as pairs on 3 contemporary card mounts with ink captions beneath, showing 'The Pier, Port Blair', 'The Bazaar Ross', 'Mount Harriet', 'Scene of Lord Mayo's Murder', 'Our bungalow, Palaveram', and 'Bungalow, Mount Harriet', the first 4 10.5 x 9.5cm and similar the last 2 images each 10.5 x 13cmQty: (7)

Lot 11

* Cameron (Julia Margaret, 1815-1879). A Study of The Cenci, circa 1870, albumen print portrait of May Prinsep posing as Beatrice Cenci, wearing a patterned headscarf wrapped around her head and shoulders, 32 x 26 cm, pasted on board, framed and glazedQty: (1)NOTESNo other copies of this portrait have been located. Photographs of May Prinsep posing in a plain headscarf for the same study of The Cenci are found in Cox and Ford Catalogue Raisonné, nos. 409-412. These were photographed in 1870, two years after studies of the same subject by Kate Keown, nos. 988-989, seen wearing the same patterned headscarf. Beatrice Cenci was a 16th-century Roman woman who plotted the death of her tyrannical, abusive father, Count Francesco Cenci. The subsequent, lurid murder trial in Rome gave rise to an enduring legend about her. She was condemned and beheaded for the crime in 1599. A symbol to the people of Rome of resistance against the arrogant aristocracy, and the subject of a number of literary and musical works, notably Percy Bysshe Shelley's first drama The Cenci: A Tragedy in Five Acts (1819).

Lot 115

* Birmingham. A group of 24 albumen print photographs by Harold Baker, circa 1880s, mostly rural views with country people, all loose except one cabinet card on original support with printed details to mount verso, some pen or pencil inscriptions to versos of other photographs, largely 11.5 x 17.5 and similar sizesQty: (24)NOTESHarold Baker (1860-1942) opened his first photographic studio at 17 Canon Street, Birmingham, in 1866, moving to new premises in New Street the following year. He was a regular contributor to photographic magazines including Practical Photographer, and in about 1897 he became the official photographer for the Birmingham Magazine of Arts and Industries. A collection of his work is held in the library of Birmingham.

Lot 130

* Davies (G. Christopher). The Scenery of the Broads and Rivers of Norfolk & Suffolk, [First Series], London & Norwich: Jarrold & Sons, [1883], 19 (of 24) photogravure plates printed by T. & R. Annan of Glasgow, images 10.5 x 14.5 cm, printed caption slips to lower left corners of mounts on all but four sheets (38 x 28 cm), loosely contained in original half-cloth portfolio with printed title to upper cover, soiled and worn, folioQty: (19)NOTESA Second Series was published in 1883/4. Sold as a collection of plates, not subject to return.

Lot 141

* Fenton (Roger, 1819-1869). Major Cathcart mounted on a horse [General Codrington and horse], both Crimea, 1855, salt prints with contemporary watercolour and gouache highlight, the first showing Major Cathcart mounted on a horse facing right, the second showing General Codrington standing facing right with a horse beside him and nearer to camera, both photographs similarly composed with open land behind, 16.5 x 16.0 cm and 16.6 x 14.8 cm respectively, minor spotting, soiling and marks including a few tiny scratches, contemporary card mounts, the first with later pencil inscription to mount verso, the second with later pencil inscription to lower mount and small printed label to mount versoQty: (2)NOTESFenton exhibition catalogue (1855) nos. 34 & 73. Major Augustus Murray Cathcart (1830-1914) served in the Crimean War and later became the Justice of the Peace for Yorkshire. General Sir William John Codrington (1804-1884) commanded the British troops during the last part of the Crimean War and later became the Governor of Gibraltar.

Lot 142

Frith (Francis, 1822-1898). Egypt & Palestine Photographed and Described, volume 1 (of 2), 1st edition, James S. Virtue, [1858], with oval albumen print portrait of Frith in Turkish dress and 36 (complete) other mounted albumen prints, images 15.5 x 22.5 cm or the reverse, each with guards and printed descriptions, some scattered spotting, contents shaken and a few leaves detached, contemporary green half morocco gilt, some edge wear and a little wear to spine, folio (43.5 x 31.5 cm)Qty: (1)NOTESFirst edition of Frith’s earliest work. Blackmer 1942; Gernsheim Incunabula 88; Goldschmidt & Naef 61.

Lot 157

* India. 2 albums of views of northern India, 1920s/30s, gelatin silver prints, including views and scenes in Darjeeling, Srinagar and the Himalayas, the first album containing 85 photographs (9 larger photographs 15 x 20cm and similar sizes plus 76 small photographs 5.5 x 8cm), all corner mounted to rectos and 4 versos of album leaves with typed captions pasted to mounts beneath, contemporary boards, small oblong folio, the second small format album containing 21 small photographs, each 6.5 x 9cm, pasted to album relief rectos with brief captions to mounts, contemporary boards, oblong, 16mo, plus a disbound album, circa 1914, with approximately 170 snapshots including some India interest, oblong folio, plus a group of 6 gelatin silver print views, circa 1890, each approx. 21.5 x 29 cm, mounted on 7 album mounts with 13 smaller photos of India interestQty: (10)

Lot 182

* Military Daguerreotypes. A group of two one-sixth plate daguerreotypes, early 1850s, the first of a British officer with blue and gilt highlights, leather case, the second of an elderly man wearing an unidentifiable medal, heavy scratching and chemical spots, gilt and black passe-partout frame with Belgian label to verso, glazed, plus a ninth-plate daguerreotype of a British military officer, circa 1845, overall scratching from earlier cleaning and tarnishing to lower edge, leather case, plus a ninth-plate ambrotype of a British Sergeant, late 1850s, tinted red highlights, leather half case, some edge wearQty: (4)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 193

* Puyi (1906-1967). The Last Emperor of China. Two vintage photographs of the young Puyi, c. 1907, vintage gelatin silver print, the first of the young Puyi on his own in front of a Chinese screen, annotated in ink to verso, 'His Imperial Majesty the Emperor of China who ruled 350 Millions of Chinamen', short vertical split to top right corner, the second from the same occasion and now accompanied by his seated father Prince Chun with his younger brother Pu Chieh on his lap, inscribed to verso in the same hand, 'The Regent and his family the present Emperor is standing by his side', each 14 x 9 cmQty: (2)NOTESThese famous photographs were probably printed circa 1910, and are sometimes attributed to the French photo journalist and press agency owner Charles Chusseau-Flaviens (active 1890-1920). Puyi famously became the Xuantong Emperor at age 2 but was forced to abdicate on 12 February 1912 due to the Xinhai Revolution, later serving as the nominal ruler of the Japanese puppet state of Manchukuo during World War II.

Lot 202

[South Africa]. The Progress of His Royal Highness Prince Alfred... through the Cape Colony, British Kaffraria, the Orange Free State, and Port Natal, in the Year 1860, 1st edition, Cape Town: Saul Solomon & Co., 1861, half-title, title and dedication printed on glazed paper with decorative border in gold, half-title with mounted albumen print vignette, 16 albumen print photographs by Kirkman, Green and York mounted on leaves with captions and borders in red, includes 10 of paintings or drawings by Bowler and Baines, images 13 x 19.5cm and smaller, general fading to images, illustrations to text, some spotting and soiling throughout (worst at front and rear) with a few scattered closed marginal tears, original gilt-decorated pimpled cloth, worn and loss to spine, covers and some leaves detached, 4toQty: (1)NOTESGernsheim 150. The first book illustrated with photographs to be published in Africa and including some of the earliest photographs of South Africa. Images include the Prince at official ceremonies, scenes of Graham's Town, the Prince meeting the Tambookies, his travelling equipage, and 'Mohesh' or Moshoeshoe, King of Basutoland, in top hat and cane with his counsellors.

Lot 204

* Spain. A group of 10 photographs of Spain, circa 1860-1880, mostly albumen prints including some by J. Laurent, the largest three of 'La isla de los Faisanes', Behobia, 'El Ayuntamiento', Seville, and an untitled brick viaduct, the first two captioned in lower negative on contemporary mounts, the third with Laurent's inkstamp to verso, 24 x 33 cm and similar, the two smallest architectural cabinet cards by LaurentQty: (10)

Lot 212

Thompson (Charles Thurston, 1816-1868). The Cathedral of Santiago de Compostella in Spain, showing especially the Sculpture of the Portico de la Gloria, by Mestre Mateo, published by the Arundel Society for Promoting the Knowledge of Art, 1868, title, 5 pp. and 20 mounted albumen print photographs on individual mounts with numbered printed captions pasted beneath, images 38 x 31 cm and smaller, some scattered soiling and marginal fraying, most photographs with some spotting and/or fading, circulating library label of the Science and Art Department, South Kensington, the front pastedown with manuscript shelf number A/6c to upper board and pastedown, contents loose in original printed boards with plain morocco backstrip, heavily rubbed and soiled, folio (47 x 37 cm)Qty: (1)NOTESCharles Thurston Thompson was the first Official Photographer of the South Kensington Museum, later to become the Victoria & Albert Museum.

Lot 218

* Native Americans. A group of 5 large albumen print stereoviews by John Karl Hillers (1843-1925), taken during the Second Powell expedition, circa 1871, from the Department of the Interior Indians of Colorado Valley series, no.2 Group of Men in Full Dress, no.3 Chu-ai-um-peak and his friends, (a little damage with surface loss to left image), no.17 Ka-ni-ga - The Camp Ground and no.27 Won-Si-Vu or Young Antelope, the fifth stereoview from the Views of Rio Virgen series, no.27 Head of the Narrows, all images 11 x 7.5cm, mounted on oversized yellow cabinet card mounts with printed paper labels to versos, together with Han & Underwood stereoview of an Esquimau mother and infant and pet wolf on the deck of a steamer, 1902, plus 2 diapositive lantern slides of Native Americans in traditional dress, early twentieth century, the first with printed label of James Buncle of Edinburgh, showing 2 full length figures, the second showing a seated chief with white china ink lettering to lower edge, each 8 x 8cmQty: (8)

Lot 236

* Polaroid SX-70 Instant Land Camera. Polaroid SX-70 Instant Land Camera, tan leather version, the world's first folding SLR camera, split-screen focusing working well, opens and closes nicely, no obvious visible damage to bellows, some minor surface wear and scuffs to leather and casing but otherwise in good condition, untested, sold as seenQty: (1)

Lot 25

* Chang Woo Gow (1847-1893). A hand-coloured albumen print carte de visite of Chang Woo Gow [or Chang Yu Sing], the 'Chinese Giant' and his wife, by the London Stereoscopic Company, circa 1870, together with a near-matching card of a small Chinese child in costume with machete and shield, plus a duplicate uncoloured version of the first carte and another with his son, all with Stereoscopic Company details at foot and printed details to verso and with additional 'Chinese' red ink stamps, plus 4 other CDVs of Chinese people in traditional dress including one woman identified as Tcheou-Ya-Nai, plus 2 uncoloured albumen print cartes de visite of General Tom Thumb and his wife, the first featuring Lavinia in her reception dress, the second showing them posing with Commodore Nutt and Miss Minnie Warren at Windsor Castle, 24 June 1865Qty: (10)

Lot 32

* Daguerreotypes. Two hand-tinted daguerreotypes of unidentified women, circa 1855, the first a middle-aged woman in a bonnet with a book on the table beside her, a little spotting and mould, stamp of [Jabez] Hughes, Monteith Rooms, Glasgow [c. 1850-1856], the second of a younger woman, also three-quarter length and seated with a small vase of flowers on the table beside her, some light spots and marks, both in embossed leather cases, the first with push-button fastener, the second with two clasps, both rubbedQty: (2)

Lot 35

* Early Photography. An album of photographic portraits and some views, circa 1860s, small format albumen prints, plus some scenes in Berkhamsted, Hertfordshire, many identified on the mounts and presumably residents of Berkhamsted and environs, most images approximately 9 x 7.5 cm and similar sizes, mostly mounted as pairs to rectos and versos of paper leaves, possibly compiled by Reverend James Hutchinson, sitter in the first two photographs, inner hinges broken, contemporary half morocco, gilt-titled 'Shadows of Realities' to upper cover cover, covers and spine detached, 8vo (22 x 16cm), together with an album containing approximately 100 half-plate albumen print views, circa 1860s/1880s, showing views and family scenes in Basildon, Pangbourne, Streatley, Hoddesdon, Barmouth, etc., images 10.5 x 17 cm, mounted as pairs on rectos and versos of stiff card leaves with neat ink captions and many dates throughout, inner hinges broken, contemporary half morocco, plus another early British photograph album of portraits and views, circa 1860, including portraits of Colonel and Mrs T. Rawlins, Lord Raglan and his sons, General Sir Vincent Ayre, views of the interior of Dripshlill, members of the Tyler, Cooper, Allen, Martin, Empson families, etc., cartes de visites sizes and larger, mounted singly and as multiples on rectos and versos of paper leaves with ink rule borders and captions throughout, hinges broken, contemporary gilt decorated morocco with monogram AA[? Allen family] to upper cover, rubbed, 4toQty: (3)

Lot 5

[Baker, Thomas]. Memorials of Oldham's Tenement at Crumpsall in the Parish of Manchester, the birthplace of Hugh Oldham, Bishop of Exeter, and founder of the Manchester Free Grammar School, 1st edition, Manchester: Sidney Smith, 1864, 5 pp. plus 3 leaves with albumen print photographs, the first a mammoth print of the cottage at Crumpsall in which Hugh Oldham was born, 25.5 x 37 cm, the second of a fresco on a wall in the cottage, 20.5 x 32 cm, the third leaf with two vignette photographs of coats-of-arms in the cottage, 7 x 5.5 cm, some spotting, stitched as issued and now loose in original cloth boards with covers detached, armorial bookplate to front pastedown, slim folio (51 x 35 cm)Qty: (1)NOTESThe photographer of this rare work is unidentified. Copies located at Manchester Public Libraries and Chetham's Library only.

Lot 55

* Hill (David Octavius & Adamson, Robert). Mrs Elizabeth (Johnstone) Hall and unknown women [and] Fisher Laddies, Newhaven, Edinburgh, circa 1845, calotypes, both faded, the first mounted on card, and the second with small split to left margin, 20 x 15 cm & 14.5 x 20 cm, plus a third calotype attributed to Hill & Adamson of similar date, showing two boats against a harbour wall with a church and tower visible in the buildings behind, also somewhat faded, 14 x 19.5 cmQty: (3)NOTESFirst two photographs: Sara Stevenson, David Octavius Hill and Robert Adamson Catalogue of their Calotypes..., Newhaven, 25 & 51.

Lot 7

ARR * Beaton (Cecil, 1904-1980). H.R.H. The Princess Margaret, 1955, vintage bromoil gelatin silver print, seated and half-length in profile with full face and hands resting on the back of the chair in front of her, 37 x 28.5 cm, original mount signed and dated by the sitter in brown ink at foot, 'Margaret 1957' and with Cecil Beaton ink stamp to mount verso, overall 51 x 35.5 cm, together with: Wilding (Dorothy, 1893-1976). Queen Elizabeth II, 1952, gelatin silver print on tissue and card mount with photographer's facsimile signature at foot, image 24 x 19 cm, framed and glazed with desk supportQty: (2)NOTESThe first portrait was taken by Beaton in Clarence House, London, as an official portrait in advance of Princess Margaret's 25th birthday on 21 August 1955.

Lot 71

* Nadar (1820-1910). Self portrait in a hot air balloon basket, produced in his studio, c. 1863, albumen print carte de visite, together with three other cartes-de-visite by Nadar of an unidentified couple, Mrs Mallock and Jack Preston (both identified in pencil to versos), red rule borders with initial lower right and photographer's imprint details to versos, plus three Nadar cabinet cards, circa 1890s, all studies of the same man, possibly an actor, posing in different historical costumesQty: (7)NOTESGaspard-Félix Tournachon (1820-1910), better known by the pseudonym Nadar, was a French photographer, caricaturist, journalist, novelist, balloonist and proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. This is from a series of similar photographs taken by Nadar of himself in a balloon basket in his studio.

Lot 79

* Attributed to Oscar Gustave Rejlander (1813-1875). "Lost" and "Found", c. 1860, two albumen print photographs of young boys, images 8.5 x 5.5 cm, pasted on original paper mounts within printed borders with captions at foot, the first with sub-heading 'Alone in the streets of London', the second with 'And happy at work in the "Home"', additional printed line at foot of each, 'For the other side see Appendix' and 'Same boy as in Frontispiece', together with an albumen print carte de visite of a young woman's head in profile, c. 1860, possibly Mary Rejlander, the photographer's daughter, image 9 x 6 cm, Rejlander's credit details with the address 7 St. George's Terrace, Malden Road, Haverstock Hill to versoQty: (3)

Lot 108

Poster of A-10A Thunderbolt II US Navy, 706th Tactical Fighter Squadron New Orleans, signed by members of the squadron, the poster reads: To the British Special Forces our True Allies, approx 42 w x 30 h cms, together with a booklet relating to a Training Exercise at Eagle's Nest Fort Bragg North Carolina between July and October 1962, twelve weeks of training where the SAS received advanced training in the Special Forces basic skills of operations and intelligence, demolitions, light and heavy weapons and radio. The 22nd SAS participated in three maneuvers, Swift Strike II, Devil Arrow and an exercise in the Monongahela Nation Forest, West Virginia. The exercise marks the first time since the War of 1812 that an organized British fighting unit has been stationed in the United States. 

Lot 110

Limited edition David Rowlands entitled 'Mess Meeting at Wadi Tubal, Western Iraq, 16th February 1991 nr 129/150, signed in the upper margin by General Norman Schwarzkopf, General Sir Peter de la Billiere and the lower margin Peter Ratcliffe approx 52 w x 69 h cms. This meeting took place behind enemy lines during Operation Granby. Sergeant Major of 22 SAS, WO1 P Ratcliffe, who was commanding one of the four columns, called an extraordinary meeting of 22 SAS Warrant Officers' and Sergeants' Mess, this being the first opportunity since assuming his appointment as RSM on 3rd December 1990. This is believed to be the first ever Mess Meeting to be held behind enemy lines. The four mobile columns continued to operate behind the lines for a further 3 weeks. The margins are signed by the following:General H. Norman Schwarzkopf Commander in Chief, General Sir Peter de la Billiere Commander British Forces Middle East, Lt Col. J T Homes CO22 SAS; Warrant Officer P. Ratcliffe RSM 22 SAS and David Rowlands the artist, complete with certificate of authenticity. This includes a further limited edition print by Peter Archer entitled 'The Convoy' nr 23/850 with printed quotes by General H. Norman Schwarzkopf and General Sir Peter de la Billiere KCB, KBE and DSO, approx 63 x 45 cms, framed and glazed. 

Lot 183

Large quantity of collectables, including three mother of pearl silver bladed pen knives; the first 9cms when extended Sheffield hallmark 1937, the second 16 cms when extended Birmingham hallmark 1813 mm rubbed, and the third 9 cms when extended Sheffield hallmark 1910; seven silver spoons (various hallmarks); three silver sugar tongs, silver fork, Georgian silver caddy spoon (faded hallmarks mm T.O) silver pencil, unmarked caddy spoon in the form of a leaf and sterling silver childs spoon and fork, infant feeder; pair of silver Victorian salt spoons London hallmark 1863 approx 8 cms mm FH, two sewing items and two silver handled sewing scissors with ornate handles and steel blades approx 10 cms, approx 410 gms.

Lot 253

Two pairs of 18ct white gold diamond earrings. The first pair set with three graduated diamonds total diamond weight 0.3 cts approx 34 mm, 4.6 gms together with another pair of diamond earrings each set with three graduated diamonds total diamond weight approx 0.46 cts approx 18 mm, 1.8 gms, mm TR. 

Lot 327

Two cut crystal decanter and stoppers, the first is a ships decanter approx 27 cms h and the other a unmarked decanter and stopper approx 14 cms h. (2)

Lot 357

Three 20th century pottery vases, the first is tall cylindrical vase with attractive donkey-grey glaze heightened with olive green and brown approx 58 cms h; the second is flat baluster form approx 34 cms h and lastly an ovoid form approx 32.5 cms h. (3)

Lot 364

Cargo ware blue and white ceramics, including a miniature bowl painted with butterfly and two miniature ginger jars, the first painted with waves approx 5.5 cms in height and another blue and white ginger jar painted with flowers approx 5.5 cms. Note: The origin of this shipment was most likely China but the ceramics were purchased in Jakarta Indonesia.

Lot 404

Collection of 19th century engravings. The first after a painting by Sir Joshua Reynolds entitled 'Robinetta' published by J. Jones 1787; (ii) after A.E Chalon entitled 'Baroness Le Despencer', stipple engraving by Thomas Watson, after Daniel Gardner depicting Frances Anne Crewe (nee Greville) and another of Ms. Harriet Bouvier; an oval engraving of The Three Graces' and an engraving of angelic putti by Bartolozzi. (all framed and glazed. 

Lot 412

James Gillray (British, 1756-1815) The First Kiss This Ten Years! - or - The Meeting of Britannia & Citizen François print with hand-colouring, published by H. Humphrey, London, 1803, approx 20 x 38 cms, framed and glazed. 

Lot 74

Collection of medals attributed to 21023228 Trooper R. Ball SAS including a general service medal (clasp absent) and at fault together with two dog tags. A set of miniature medals for Palestine and Malaya and MID clasp and a pair of miniature medals (un-named). A regular Army and Good Conduct medal; single miniature medal with Northern Ireland clasp; and SAS shoulder title. Trooper R. Ball started his career in the Kings Royal Rifle Corp as a rifleman and later joined the SAS and was one of the first ranking men to be fully commissioned in the SAS, ending up as Major, he was one of a handful of men that received an MBE.  

Lot 153

TWO OFFICER'S SHOULDER BELT POUCHES 19TH CENTURY the first Victorian with a silver cover with gilt metal cypher VR, hallmarked Birmingham, 1879; the other larger and unmarked white metal with copper initials GGBG(17cm long and 18cm long)Provenance: Property from Kilmany House, Fife

Lot 192

REMBRANDT VAN RIJN (DUTCH 1606-1669) CHRIST DRIVING THE MONEY CHARGERS FROM THE TEMPLE (BARTSCH 69) Etching, 1635, a good impression of the first state of two, on paper with an 'Arms of Amsterdam' watermark(the sheet 14.5cm x 17.5cm (5.75in x 7in), unframed)Footnote: Provenance: Purchased by the current vendor's father at Sotheby's, 29.6.99.

Lot 196

JOHN MCLEOD (SCOTTISH FL.1846-1872) STUDY OF A WEST HIGHLAND OX AGED 5 YEARS Signed, oil on canvas, unframed(63.5cm x 81cm (25in x 32in))Provenance: Property of Archibald Stirling of KeirFootnote: Note: A label verso states that the Ox won First Prize at the Highland and Agricultural Society, Edinburgh 1853 and Glasgow 1854

Lot 316

TWO MINIATURE WALNUT CHESTS OF DRAWERS 19TH/ EARLY 20TH CENTURY the first with a crossbanded top above three short and two long drawers, raised on ogee bracket feet; the second of serpentine outline with two short over two long crossbanded drawers(19.5cm wide, 18cm high, 13cm deep; and 22cm wide, 20cm high, 13cm deep)Provenance: Property of a Scottish Borders family

Lot 379

TWO HANGING DISPLAY CABINETS 20TH CENTURY the first in the Chinese style with a glazed door and asymmetric shelves; the other of mahogany and parcel gilt, with a glazed door enclosing shelves(70cm wide, 85cm high, 16cm deep; 64cm wide, 97cm high, 14cm deep)Provenance: Collection of Dr. John A. Packer, Edinburgh

Lot 155

Four Royal Doulton porcelain ladies, Diana, Lizzie, First Waltz and Gail.

Lot 17

Three albums of postcards, to include First World War, pictorial, some amusing cards, etc.

Lot 171

Mid 20thC School. A bronzed spelter figure of a tennis player, on rectangular marble base, inscribed First Prize 131 Infantry Brigade, Berlin, August 1945, (racket AF), 18cm wide.

Lot 189

A First World War period bayonet, with mahogany handle and part leather scabbard, 58cm long.

Lot 197

A large quantity of first day covers, some stamp albums, etc.

Lot 236

Three Shire Horse Society medals, awarded to a Southrey Bronnie, belonging to a Messrs T Smithson and Son, Friskney 1914, another similar awarded to the same horse at Tattershall 1915, a medal awarded to Southrey Royal Princess, belonging to the same at Swineshead 1926, each hallmarked in silver, and a Britain's first decimal coin set.

Lot 261

Various 1960s coin sets and other coins, to include Britain's First Decimal, other British coins, Business First Decimal Coin, various threepenny bits, etc.

Lot 270

The Adelaide Jubilee International Exhibition 1887, to a Weston and Westall, First Order of Merit in presentation case.

Lot 301

A silver early 20thC silver M.B.E, London 1917, issued in a Garrard and Co. fitted case, with purple ribbon, believed to be one of the first 600 issued.

Lot 304

A First World War trio of medals, awarded to a 298 Staff Sergeant John Howard Davies, the Army Service Corp with miniatures and his dog tag.

Lot 452

After Henry Alken. The First Steeplechase on Record, plate numbers 1 to 4, coloured engravings 43cm x 53cm.

Lot 470

Robert Taylor. Lancaster, coloured print, signed by Leonard Cheshire, 49cm x 59cm, a print after Aspinal titled Trouble Brewing, signed by Bob Hollands and Peter B Osborne, a print after Gerald Coulson titled Band of Brothers, and a print titled First Flight after John Batchelor. (4)

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