Three boxes containing a large collection of stamps including Royal Mail Year packs 1990 - 2010 (2009 appears to be missing) First Day Cover ring binders (13) The Gold Jubilee. A gracious accession. Mint Stamps. Gracious accession booklet containing stamps. (5) postcards in the form of stamps. HM Queen Elizabeth The Queen Mother in memoriam. Mint stamps. Churchill 1874 - 1974. Mint Stamps in presentation booklet. Halley's comet. Mint stamps. Christmas 1977 - 1982 (there are 2 1979) and 1987 - 1988. Mint Stamps. Book of 36 second class Christmas stamps. Year? book appears to be sealed. Christmas 1988 postcards in the form of stamps. (5) International Stamp Exhibition 1980. Souvenir stamps (3) Edward Lear. Miniature sheet. Ring Binder sheets with used British stamps attached. (2) Photograph Album (1) Various used and unused stamps. British Commonwealth Christmas. Ring binders (2) no complete. The Netherlands. Ring binders (2) not complete. Small box (1) Mint Stamps in British Philatelic Bureau envelops. Various used and unused stamps.
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ROYAL COPENHAGEN - RARE 1908 CHRISTMAS PLATE the first Christmas plate issued in 1908 by Royal Copenhagen, Madonna with child, designed by Christian Thomsen. Marked, Royal Copenhagen, 126. 15.5cms diameter *This is part of a large Royal Copenhagen Christmas plate collection from 1908 to the present day.
Two pairs of dark ivory ground rose and tulip decorated interlined curtains the first pair measuring each curtain 130cm across the top x 300cm across the bottom x 210cm high, the second pair 215cm across the top x 485cm across the bottom x 215cm high approximately (4)Condition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
A mid to late 17th century brass candlestick with turned stem and spreading base, 9.5cm diameter x 12cm high together with a possibly Dutch 17th century brass candlestick of squat form, 12.5cm highCondition report: The first candlestick with old split and repair to the edge of the base, dent and further minor dents; the second candlestick with minor marks and dents
Three ivory and one stag-antler netsukeOne by Masatomo, late 18th to early 19th centuryThe first of a large dog resting in a winnowing basket, the ivory somewhat worn and bearing a good patina, unsigned, 6.4cm (2½in) wide; the second of Chokaro seated, leaning to one side and holding a large double gourd, signed Masatomo, 4.5cm (1¾in) wide; the third a stag-antler netsuke of a seated man, smiling broadly while holding a sake cup, unsigned, 3.8cm (1½in) high; the fourth of a drunken man holding a sake cup and tokkuri (bottle), unsigned, 3.5cm (1 3/8in) high. (4).Footnotes:リザーブ設定無し象牙彫根付 三点 （笊に犬、張果老、泥酔する男）鹿角彫根付 一点 （酒を飲む男）18世紀後期-19世紀前期The Edward Wrangham Collection of Japanese Art: Part V, lot 78.www.bonhams.com/auctions/20555/lot/78/Lot to be sold without reserve.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Two large iron tsubaJakushi school, Tosho type, 17th to 18th centuryThe first of circular form, carved with a lake scene with mountains in the distance, the reverse with two smooth dragons in gold nunome, signed Jakushi, 8.2cm (3¼in); the second of circular form, later lacquered with a bucking horse in silhouette, unsigned, 8.2cm (3¼in). (2).Footnotes:リザーブ設定無し鍔 二点 （山水と龍、馬） 17-18世紀The Edward Wrangham Collection of Japanese Art: Part V, lot 6.www.bonhams.com/auctions/20555/lot/6/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Three iron tsubaNara and Yamashiro Schools, 17th to 18th centuryThe first carved and inlaid with a boy on an ox by a stream, signed Nara Toshiharu; the second of irregular form, carved in relief with an eagle looking for prey, signed Toshinaga; the third of mokko form, carved with a boy on an ox, signed Yamashiro no kuni Fushimi ju, Kaneie. 7cm (2¾in), 6.7cm (2 5/8in), 8.9cm (3½in). (3).Footnotes:リザーブ設定無し鐔 3点 17-18世紀The Edward Wrangham Collection of Japanese Art: Part I, lot 40.www.bonhams.com/auctions/18493/lot/40/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A gold-lacquer and metal-inlaid seven-case inroBy a member of the Kajikawa Family and Ishiguro Masayoshi, 19th centuryThe rectangular oval body with a mura-nashiji ground, decorated with the kachi-kachi yama legend, inlaid in gold, shakudo, copper, shibuichi and pewter high relief with a rabbit standing triumphantly towards the prow of his boat, about to strike with an oar the tanuki who clings onto a sinking barge, the reverse with the full moon inlaid in silver high relief, rising above the turbulent sea and the interior of rich gyobu; signed for the lacquer Kajikawa saku with a red pot seal Ei and for the metalwork, Masayoshi with a kao within a rectangular gold reserve; with a black glass ojime, unsigned. 8.8cm (3½in) high.Footnotes:リザーブ設定無し兎に狸（かちかち山）図蒔絵貼付彫金印籠 銘「梶川作 榮（壺印）」「政美（書判）」 19世紀Provenance: Gretchen Kroch Kelsch collection.Purchased from Eskenazi Ltd., London, 1987.Wrangham collection, no.1839.The kachi-kachi yama story is one of the few Japanese folktales in which a badger (tanuki) is the villain rather than the boisterous, corpulent alcoholic. The episode depicted here is when the tanuki challenged the rabbit to a life and death contest to prove who was the better creature. They were each to build a boat and race across a lake in them. The rabbit carved its boat out of a fallen tree trunk, but the foolish tanuki made a boat of mud. At first, the two competitors were evenly matched, but the badger's mud boat began to dissolve in the middle of the lake and instead of saving the badger, the rabbit strikes him with an oar, and proclaimed his friendship with the innocent human couple whom the wicked badger had earlier inflicted its horrible deeds - thus revealing his revenge.The Edward Wrangham Collection of Japanese Art: Part III, lot 235.www.bonhams.com/auctions/20189/lot/235/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A small copper tsuba with enamel inlayBy Tou, Nara School, 19th centuryOf rounded rectangular form, the ishime ground inlaid with fireflies escaping from a cage in gold-wired cloisonné-enamel beside a fan of shibuichi inlaid with the character ju in shakudo; signed Tou. 6cm (2 3/8in).Footnotes:リザーブ設定無し鍔 蛍に団扇 銘「東雨」 19世紀The signature Tou was first used by Tsuchiya Yasuchika (1670-1744), founder of the Nara School, but this example dates from the 19th century.The Edward Wrangham Collection of Japanese Art: Part VI, lot 2.www.bonhams.com/auctions/22338/lot/2/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Three kiseruzutsuOne by Shusai, late 19th centuryThe first of brown lacquer, engraved with tama (sacred jewels) and clouds, unsigned, 22.5cm (8 7/8in) long; the second of cherrywood, the bark forming a panel on the front, lacquered with flowering stems, signed Shusai, 22.3cm (8¾in) long; the third of ebony, carved with a vine, unsigned, 21cm (8¼in) long. (3).Footnotes:リザーブ設定無し木彫きせる筒 三点 （玉、花、蔓草花） 19世紀後期Provenance: the first purchased from Trudel Klefisch, Cologne, 2006.Wrangham collection, no.2234.The second purchased from Sotheby's, London, 2007.Wrangham collection, no.2254.The third purchased from Nelly Davies, London, 2006.Wrangham collection no.2249.The Edward Wrangham Collection of Japanese Art: Part V, lot 99.www.bonhams.com/auctions/20555/lot/99/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Three iron kozukaKaga style, Soten school, unknown school, 18th to 19th centuryThe first inlaid with a dance-stage curtain, unsigned; the second carved and inlaid with a hawk on a perch, signed Hikone no ju Soten; the third inlaid with a gold bird on a fence, signed Kazutsura. (3).Footnotes:リザーブ設定無し小柄 三点 （幕、鷹、小鳥） 18-19世紀The Edward Wrangham Collection of Japanese Art: Part V, lot 35.www.bonhams.com/auctions/20555/lot/35/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Two lacquered iron tsubaShoami and Mito Schools, 17th centuryThe first pierced within the hammered ground and later gilded and lacquered with lotus leaves, signed illegibly, 7cm (2¾in); the second of mokko form, lacquered with Mount Fuji above pine-clad hills, signed Kazushige, 8.5cm (3 3/8in). (2).Footnotes:リザーブ設定無し鍔 二点 （蓮、富士） 17世紀The Edward Wrangham Collection of Japanese Art: Part VI, lot 10.www.bonhams.com/auctions/22338/lot/10/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Three metal-inlaid miniature inro19th centuryComprising: a small copper two-case inro inlaid with a vase and a flying goose, signed Kikugawa; with a copper ojime; and a kagamibuta netsuke, the wood bowl with a copper plate, bearing the character ju, signed shichiju-o (at the age of 70), with a seal Mitsunobu, 4.2cm (1 5/8in); a silver single-case circular inro engraved and inlaid with butterflies and hagi (bush clover), signed Kikugawa with a kao, 3.8cm (1½in); and another engraved with a duck landing among water plants, unsigned, with a silver ojime, 3.2cm (1¼in). (3).Footnotes:リザーブ設定無し金工小印籠 三点 （月に雁、蝶に萩、鴨に野草） 19世紀Provenance: the first purchased at Sotheby's, London, 1988.Wrangham collection, no.1882.The second purchased at Phillips, London, 1989.Wrangham collection, no.1957.The third purchased at Sotheby's, Billingshurst, 1986.Wrangham collection, no.1826.The first published: E. A. Wrangham, The Index of Inro Artists, 1995, p.127, Kikugawa, left.The second published: E. A. Wrangham, The Index of Inro Artists, 1995, p.127, Kikugawa, right.The Edward Wrangham Collection of Japanese Art: Part IV, lot 328.www.bonhams.com/auctions/20493/lot/328/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Five kakejiku (hanging scroll) paintingsOne by Hanabusa Itcho (1652-1724), late 17th to 19th centuryInk and slight colour on silk, depicting a scarecrow propped up on bamboo stalks beneath a blossoming cherry, signed Hanabusa Itcho sho with a seal; the second in ink and slight colour on silk, depicting a scholar seated in deep slumber at the foot of a two-fold screen decorated with a mountainous landscape, with a signed and sealed seven-line inscription above, signed Nangaku with two seals, with wood storage box bearing an inscription inside the lid; the third, in ink on paper, depicting the great poet, To Enmei (in Chinese, Tao Yuanming, 365-427), holding a paper, with a full transcription of his poetry, titled Kikyorai no ji, signed with three seals; the fourth, in ink, colour and gold on paper, possibly depicting Soto Ori-hime gazing at a spider hanging from its web on the veranda, signed Miwa hitsu with a seal; the last by Ko Suikoku, in ink and colour on paper, depicting a pilgrim looking up at a signboard on a pole behind a bamboo fence, signed Ko Suikoku with a seal. The smallest 73cm x 26cm (28¾in x 10¼in), the largest 103cm x 36cm (40½in x 14 3/16in). (6).Footnotes:リザーブ設定無し掛軸 五幅 (案山子図、学者図、陶淵明図、衣通姫図、巡礼者図） 17世紀後期-19世紀Provenance: the first from the Michael Tomkinson collection, no.166.The Edward Wrangham Collection of Japanese Art: Part V, lot 249.www.bonhams.com/auctions/20555/lot/249/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Three leather tabako-ire (tobacco pouches) and two kiseruzutsuThe miniature kiseruzutsu by Issai, 19th centuryThe first of leather tooled with a design of an exotic bird, partly gilt, the gold and copper mae-kanagu in the form of a snail, unsigned, 13cm (5 1/8in) wide; the second of snakeskin, with a cloisonné-enamel mae-kanagu of an ema with a design of a prancing horse, unsigned, 13cm (5 1/8in) wide; with a bone filigree ojime; the third of leather with a shibuichi mae-kanagu of a toad, unsigned, 12cm (4¾in) wide; one pipe case of muso-zutsu form, of woven rattan, unsigned, 21cm (8¼in) long; the other a miniature kiseruzutsu of bamboo strips, signed Issai, with a tobacco pouch of small size, of tooled leather, and a blue and white porcelain ojime, the tabako-ire 6.7cm (2 5/8in) wide, the kiseruzutsu 14.5cm (5¾in) long. (5).Footnotes:リザーブ設定無し煙草入 三点 （鳥図附蝸牛形前金具、絵馬形前金具、蛙形前金具）きせる筒 二点 （竹網代組、竹製附小煙草入）19世紀Provenance: the first purchased at Sotheby's, London, 1966.Wrangham collection, no.675.The second purchased at Sotheby's, London, 1985.Wrangham collection, no.1737.The third and the rattan pipe case purchased at Sotheby's, London, 2007.Wrangham collection, no.2252.The miniature pipe case and pouch purchased from Robert Fleischel, Tokyo, 2009.Wrangham collection, no.2340.The Edward Wrangham Collection of Japanese Art: Part V, lot 109.www.bonhams.com/auctions/20555/lot/109/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A pale wood eye-glass case19th centuryOf flattened, oval section, with a hinged shibuichi cover, carved with a continuous design of three Gigaku masks, two of Kuron or Konron rendered in contrasting colours and one mask of Goko, carved in shishiaibori (sunken relief carving) beneath deeply-engraved descriptive inscriptions referring to the general background of the mask; with no apparent signature of maker for the case. 16.8cm (6 5/8in).Footnotes:リザーブ設定無し木製漆塗眼鏡入 伎楽面（崑崙、呉公） 製作者不明 19世紀The inscription includes the date of the first year of Kenkyu (1190) which probably refers to the date of the manufacture of the masks.The Edward Wrangham Collection of Japanese Art: Part III, lot 161.www.bonhams.com/auctions/20189/lot/161/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A complete set of twelve ceramic three-case inroBy Ogata Kenya II (1853-1923), late 19th centuryEach with a flattened oval or waisted body with a crackled cream-glazed ground painted in coloured enamels with flowers or plants representing the months of the year, each signed Kenya; each with a globular ojime and a clam-shaped netsuke, painted with the same plants decorating the corresponding inro, three signed Tenrokudo; in a fitted four-tiered box. Each inro approximately: 9cm (3½in) high. (12).Footnotes:花鳥十二ヶ月図陶製印籠（十二点） 銘「乾也」 19世紀後期Provenance: purchased from Graham Gemmell, London, 1989.Wrangham collection, nos.1938-1949.The months and plants represented are as follows: First month: wakamatsu (pine saplings) with cranes flying aboveSecond month: yanagi (willow) and a sagi (heron) wading in a stream Third month: sakura (cherry) and a kiji (pheasant)Fourth month: fuji (wisteria) and a pair of hibari (skylark)Fifth month: kakitsubata (iris) growing beside the yatsuhashi (eight-fold bridge)Sixth month: white and purple kiri (paulownia)Seventh month: butterflies hovering over botan (peony)Eighth month: geese flying over susuki (pampas grass)Ninth month: kiku (chrysanthemum) growing behind bamboo fencesTenth month: nanakusa (autumn grasses) of pampus grass and Chinese bellflowersEleventh month: an onagadori (a long-tailed cockerel) perched on a momiji (maple) branchTwelfth month: flowering white and red ume (plum)The Edward Wrangham Collection of Japanese Art: Part IV, lot 333.www.bonhams.com/auctions/20493/lot/333/For further information on this lot please visit Bonhams.com
Two shakudo nanako kozukaMurakami school and Goto style, 18th centuryThe first inlaid with three swimming fish and aquatic plants, with slight gold details, signed Masanori with a kao; the second inlaid in gold with an owl perched on a withered branch, unsigned. (2).Footnotes:リザーブ設定無し小柄 二点 （魚三匹、梟） 18世紀The Edward Wrangham Collection of Japanese Art: Part V, lot 28.www.bonhams.com/auctions/20555/lot/28/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Three tsuba18th/19th centuryThe first of iron, of oval form, inlaid with the peak of Mount Fuji in gold and silver nunome, inscribed Tsuki Mitsuoki, after an unidentified painter, with a gold kao in the form of a chidori (plover), 7.3cm (2 7/8in); the second of shakudo with roped silver rim, delicately engraved with peonies, unsigned, 6cm (2 3/8in); the third of pale shibuichi, of lobed square form, inlaid with exotic birds and auspicious characters in green enamel, unsigned, 6.7cm (2 5/8in). (3).Footnotes:リザーブ設定無し鍔 三点 （富士、牡丹、吉祥文字） 18/19世紀The Edward Wrangham Collection of Japanese Art: Part VI, lot 13.www.bonhams.com/auctions/22338/lot/13/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A black-lacquer three-case inroBy Koma Yasutada, 19th centuryThe vertical rectangular body with a rich roiro ground lacquered with a pigeon, depicted in silver and pale brown takamaki-e feeding on a grassy bank beside a large bush of gold togidashi maki-e, the interior of red lacquer with matt gold lacquer risers; signed Koma Yasutada saku. 7.6cm (3in) high.Footnotes:鳩図蒔絵印籠 銘「古満安匡作」 19世紀Provenance: Michael Tomkinson collection, no.709, sold at Glendining & Co. London, 26 April 1922.Purchased from Spink & Son Ltd., London, 1987. Wrangham collection, no.1847.Published: E. A. Wrangham, The Index of Inro Artists, 1995, p.328, Koma Yasutada, bottom left.The design is from the set known as The Hundred Gifu Inro, produced by Koma Yasutada for the Gifu Shogun while he was in the service of a daimyo of that province. The designs are taken from Gazu hyakkacho, a woodblock printed book by Sekizushi Morinori, first published in 1729. The present design is bird no.98, illustrated in vol.4, described as Kaya kuguri (Japanese accentor). A paper on the subject by Julia Hutt was published in Transactions of the Oriental Ceramic Society, 1988-89, vol.53, pp.65-86. A further discussion of the series by Heinz Kress was published in The Netsuke Kenkyukai Study Journal, vol.15, pp.22-40, no.3. Two other examples from the series were sold in these rooms, The Edward Wrangham Collection of Japanese Art: Part I, 9 November 2010, lots 270 and 277.The Edward Wrangham Collection of Japanese Art: Part II, lot 227.www.bonhams.com/auctions/19295/lot/227/For further information on this lot please visit Bonhams.com
A bamboo small two-case inro and a wood cylindrical sagemono19th centuryThe bamboo inro with a flattened oval body, each side carved with an oval panel depicting Chinese scholars, trees and buildings, unsigned, 7.3cm (3in) high; the wood sagemono of lobed cylindrical form, the cover decorated with a mythological animal, unsigned, with an ivory openwork ojime, and a jade and hardwood netsuke in the form of a leaf with ivory lining to the himotoshi, unsigned, 6cm (2 3/8in) high. (2).Footnotes:リザーブ設定無し竹製印籠 一点 文人 無銘木製提物 一点 神獣 無銘19世紀Provenance: the first item purchased at Sotheby's, London, 1969.Wrangham collection, no.908.The Edward Wrangham Collection of Japanese Art: Part VI, lot 144.www.bonhams.com/auctions/22338/lot/144/Lot to be sold without reserve.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Two Chinese pale celadon jade carvings, 18th/19th century,the first carved as a mandarin duck turning its neck backward to bite a sprig of foliage, with a russet skin to the crest on its head, 5.7 cm, the second carved in the form of two bitter melons with leaves and tendrils, 6 cm long, with two incorrect wood stands
TWO SILVER PLATED CANTEENS OF CUTLERY AND A WALKING STICK, the first a hinged wooden box containing a set of twelve Walker & Hall silver plated knives and forks with mother of pearl handles and decorative floral detail to the metal, case with key, the second a larger hinged wooden box containing a canteen of silver plated cutlery, to include eight table knives and forks, eight side knives and forks, eight soup spoons, eight fish knives and forks, eight dessert spoons, six teaspoons, four serving spoons, a cake slice and carving set, together with a selection of various items of non matching silver plated cutlery, and a wooden walking stick with silver handle, hallmark for Dalman & Narborough Ltd, Birmingham 1978
A QUANTITY OF COMICS, over four hundred comics in four boxes, comics are predominantly Marvel with highlights including X-Men: God Loves, Man Kills (1994 reprint of William Stryker's first appearance), X-Men The Movie Comic, over fifty Avengers United comics, over one hundred Essential X-Men comics, over one hundred Wolverine comics and five Marvel Collector's Packs (Marvel Premiere, Marvel's Greatest, Mini-Masterworks, Marvel Premiere and Marvel Milestones) all in original packaging (Condition:- condition ranges from fair to good) (list available on request)
TWO BOXES OF METAL WARES, MANTEL CLOCK AND SUNDRIES, ETC, to include a brass model horse and cart, length approximately 40cm, two brass horse sculptures, fireside companion set, chrome weights for scales, brass mantel clock having rectangular base with female figure, tall rectangular body, enamel dial, winds and runs, chime requires attention, milk glass lamp base, onyx lamp base, carved wood figures from the Middle East, two Middle East war time fabric souvenirs, the first for Royal Corps of Ordnance 1941, the second for Palestine both with condition issues, ceiling light, etc
A BOX AND LOOSE SUNDRY ITEMS ETC, to include a Singer 201K sewing machine with accessories, boxed flatwares including six silver teaspoons, six Yeoman plate coffee spoons, first half 20th century photographs, mainly family photos but with a small quantity of soldiers and a sailor, faux tortoise shell dressing table set, Indian carved table, oak magazine rack, etc
TWO RINGS, the first a diamond eternity ring, each single cut diamond within millIgrain surrounds, stamped 9ct, ring size M ½, estimated total diamond weight 0.18ct, the second a sapphire and diamond dress ring, designed as a central vertical row of three circular sapphires flanked by vertical rows of three single cut diamonds, 9ct hallmark for Birmingham 1987, ring size I, approximate total gross weight 4.6 grams (condition report: overall good to fair condition, there is a surface reaching fracture to three of the diamonds in the sapphire and diamond ring, one has a chip to the table)
Poetry books, to include Goblin Market, the Prince's Progress and other poems by Christina Rossetti, William Gaunt, the Pre-Raphaelite dream, Kathleen Raine, The Hollow Hill, first edition 1965, the poetical works of William Wordsworth, the poetical works of John Keats, August 1865, Robert Louis Stevenson, Catriona, 1893 (6)
20th Century first edition books, to include Anthony Powell Journals 1987-1989, 1996, Gerald Moore, The Schubert Song Cycles, 1975, A.R. Mills, Two Victorian Ladies, 1969, John Halperin, The Life of Jane Austen, 1984, Elizabeth Jane Howard, Slipstream A Memoir, 2002, The Tongs and The Bones- The Memoirs of Lord Harewood, 1981, Philip Howard, Weasel Words, 1978, A Word In Your Ear, 1983, Richard Mabey, Gilbert White, 1986, Ian McEwan, Enduring Love, 1997, Adrian Desmond, Huxley Evoloution's High Priest (11)
Collection of various books, to include My Early Life by Winston Churchill, Mr Beluncle by V.S. Pritchett, Jim Davis by John Masefield, Mother of Pearl and The Well of St Clare by Anatole France, Tom Tiddlers Ground and The Lord Fish by Walter De La Mare, The Silver Bough by Neil M. Gunn etc., some first editions (qty)
Thornton Wilder, The Angel That Troubled the Waters, first edition, published by Longmans Green & Co. 1928, Samuel Butler, Alps and Sanctuaries, published by Jonathan Cape 1923, Tom Steel, The Life and Death of St Kilda, published by the National trust for Scotland 1965, Izaak Walton, The Compleat Angler, Folio Press 1973 (4)
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