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Lot 497
John Le Carre 'A Most Wanted Man', signed limited edition, No. 723 of 1000 copies, in the original publisher's cloth binding and decorative slipcase (Hodder & Stoughton, 2008), with Dick Francis 'The Danger', signed first edition, first impression, in the original publisher's cloth binding and unclipped dust wrapper (Michael Joseph, 1983) (2 books)
Lot 496
Two art reference books, to include; Hughes, Graham - 'Gerald Benney Goldsmith, The Story of Fifty Years at the Bench' (Starcity Ltd., 1998) first edition, in the orignial publisher's paper wraps, with Livingston, Karen, and Parry, Linda (eds.) - 'International Arts and Crafts' (V&A Publications, 2005) first edition in the original publisher's cloth binding and unclipped dust wrapper
Lot 485
Major-General S. Woodburn Kirby - 'The War Against Japan' - First edition, five volumes complete, in the original cloth bindings and unclipped dust wrappers, published by Her Majesty's Stationary Office, London, 1957-1969, illustrated with maps, folding and in colour, and monochrome plates, published as part of the 'History of the Second World War United Kingdom Military Series', edited by Sir James Butler
Lot 371
British First World War medal pair awarded to Serjant S.G.H. King of the Somerset Light Infantry comprising War Medal and Victory Medal, (205201 SJT. S.G.H. KING. SOM. L.I.), together with a Second World War medal group comprising; 1939-45 War Medal, The Defence Medal, The Italy Star, The Africa Star (with 8th Army clasp) and The 1939-1945 Star
Lot 503
Collection of fourteen books relating to war, mid twentieth century first and early editions, dust wrappers present, to include titles such as 'Across the High Frontier' by W. R. Lundgren, a review copy (Victor Gollancz Ltd, 1956), 'Wings of the Phoenix, the Official Story of the Air War in Burma', first edition (His Majesty's Stationary Office, 1949), 'Barnes Wallis, A Biography' by J. E. Morpurgo, first edition (Longman, 1972), etc
Lot 502
Lang, Andrew - Five Fairy and Animal books, first edition and later, to include; 'The Red Book of Animal Stories', first edition (1899), 'The Red Romance Book', first edition (1905), 'The Red Fairy Book', seventh impression (1901), 'The Blue Fairy Book', tenth impression (1903), and 'The Animal Story Book', a new impression (1903), with illustrations by H. J. Ford, all bound in the original publishers cloth with gilt decoration (a/f)
Lot 500
Collection of English literature, first and some early editions, to include; 'Jim Davis' by John Masefield, first edition [1911], published by Wells Gardner, Darton & Co., Ltd., 'The Midnight Folk' also by John Masefield, first edition (William Heinemann Ltd., 1927), first editions of 'The Small Miracle' and 'Thomasina' in the original dust wrappers (Michael Joseph, 1951, 1957), 'The Parasites' and 'Happy Christmas' by Daphne du Maurier, first editions, the latter with the original dust wrapper (Victor Gollancz Ltd, 1949 / Todd Publishing Group Ltd, 1952), etc (12 books)
Lot 484
Ashburton, Charles Alfred - 'A New and Complete History of England: From the First Settlement of Brutus, Upwards of One Thousand Years Before Julius Caesar, to the year 1793', printed and sold by W. and J. Stratford,1793, with engravings throughout, large folding map present, in quarter leather binding (a/f, title page missing)
Lot 238
Large quantity of approximately 567 First Day covers from the 1960s to early 2000s to include; '20th Century Women of Achievement', 'Big Stars From The Small Screen', 'Classic Sports Cars', 'All The Queen's Horses', 'Robert Burns', 'Post Offices', 'The Great Tudor', 'British Rural Architecture'. 'Ulster '71 Paintings', 'Modern University Buildings', 'Fire Service', 'Jane Austen', etc.
Lot 93
Two 9ct gold wedding bands, the first milled to exterior, 6mm girdle, 4g approx, the second plain, 7mm girdle, 5g approx, together with a pair of George V 9ct gold cufflinks, Birmingham, 1930, of canted oblong form with engine-turned banding, and other gold jewellery to include ear studs and a fine chain fragment, 21g gross approx
Lot 112
John BARNICOAT (1924-2013) Cornish Landscape, 1958 Oil on canvasSigned and dated 195861 x 51cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022. This work has pronounced ageing cracks. We believe it to be stable.
Lot 275
Margaret WARDMAN (XX-XXI) One Summer Day Oil on canvasSignedTitled and dated September/October '57 to verso along with a further study on the same canvas46cm x 62cm, 52cm x 67cm framed. Margaret Wardman (née Shuttleworth)Margret Wardman (1922–2020), born, West Riding of Yorkshire, studied Fine Art at Bradford and Leeds Colleges of Art during WW11. In wartime, she also specialised in weaving at the Ministry of Pensions Hospital, Occupational Therapy Department, Eden Hall, Edinburgh, Scotland. Followed by an appointment at Pinderfields Hospital in Wakefield as an Occupational Therapist whilst fitting in three summers farming in Warwickshire and Worcestershire drawing subject matter for the painting Harvest Group. Post war, teaching art in schools in Accrington and Manchester.Through the strong, professional interconnections with artists in the North of England and its principal art galleries and museums, Margret’s paintings and drawings of the 1940’s and 50’s saw her visual language and modernist, artistic style grow in confidence and maturity. Her paintings were shown and regularly highlighted in reviews in group exhibitions such as the ‘Yorkshire Artists Exhibition’, the Annual West Riding Artists Exhibition’ and ‘Artists with North Country Associations’ at Bradford, Leeds, Manchester and Wakefield City Art Galleries.Painting and family life ran parallel, expecting the first of three children, sketching subject matter for the oil painting, Buck’s Mills whilst on holiday in Devon. Involvement with Otley and Ilkley arts Clubs at that time provided further opportunities to exhibit and develop her talent. The family’s civil engineering business brought about a move and a period of four decades living on the Somerset levels. There a new focus for drawing and recording the architectural specialisms of the level’s historic, Dutch style houses emerged along with commissions for illustrations for local businesses. A more personal, intimate, domestic subject matter flowed through her flower studies integrated with her gardens.Margaret’s later paintings, she settled in Cornwall from 2006, rediscover her own pictorial language and formative experiences. As Barbara Hepworth noted in 1939-40, ‘the deep connectivity with the Cornish landscape and the Yorkshire Moors’ meant, for Margaret, her continued exploration of modernism and strong pictorial form - planar space, structure, composition, line, painted mark with colour which the earlier canvases had produced.
Lot 389
Margaret WARDMAN (XX-XXI) Hayle Estuary Oil on canvasSigned and dated 200930cm x 40.5cm, 35.5cm x 46cm Margaret Wardman (née Shuttleworth)Margret Wardman (1922–2020), born, West Riding of Yorkshire, studied Fine Art at Bradford and Leeds Colleges of Art during WW11. In wartime, she also specialised in weaving at the Ministry of Pensions Hospital, Occupational Therapy Department, Eden Hall, Edinburgh, Scotland. Followed by an appointment at Pinderfields Hospital in Wakefield as an Occupational Therapist whilst fitting in three summers farming in Warwickshire and Worcestershire drawing subject matter for the painting Harvest Group. Post war, teaching art in schools in Accrington and Manchester.Through the strong, professional interconnections with artists in the North of England and its principal art galleries and museums, Margret’s paintings and drawings of the 1940’s and 50’s saw her visual language and modernist, artistic style grow in confidence and maturity. Her paintings were shown and regularly highlighted in reviews in group exhibitions such as the ‘Yorkshire Artists Exhibition’, the Annual West Riding Artists Exhibition’ and ‘Artists with North Country Associations’ at Bradford, Leeds, Manchester and Wakefield City Art Galleries.Painting and family life ran parallel, expecting the first of three children, sketching subject matter for the oil painting, Buck’s Mills whilst on holiday in Devon. Involvement with Otley and Ilkley arts Clubs at that time provided further opportunities to exhibit and develop her talent. The family’s civil engineering business brought about a move and a period of four decades living on the Somerset levels. There a new focus for drawing and recording the architectural specialisms of the level’s historic, Dutch style houses emerged along with commissions for illustrations for local businesses. A more personal, intimate, domestic subject matter flowed through her flower studies integrated with her gardens.Margaret’s later paintings, she settled in Cornwall from 2006, rediscover her own pictorial language and formative experiences. As Barbara Hepworth noted in 1939-40, ‘the deep connectivity with the Cornish landscape and the Yorkshire Moors’ meant, for Margaret, her continued exploration of modernism and strong pictorial form - planar space, structure, composition, line, painted mark with colour which the earlier canvases had produced.
Lot 323
William Holt Yates TITCOMB (1859-1930) Mending Day - The Little Blue Maids of Bristol (RA 1917) Oil on canvas, signed, 90x114cm, overall 110x134cmExhibited:Royal Academy 1917 no. 372Penlee House W.H.Y. Titcomb A Newlyner from St Ives, in 2003 Note: This impressive and yet sensitive oil was given by Titcomb to St Ives Town Council in the 1920s but was sold off with a large number of other works amidst a great furore in 1967. It is illustrated and discussed at length with his other depictions of the quaintly attired children at Bristol's philanthropic institutions in David Tovey's W.H.Y.Titcomb - Bristol, Venice and the Continental Tours. The Blue Maids orphanage at Hook's Mills, Bristol, was set up in 1794 and ran until 1927. The girls there were trained up for domestic service. This historically interesting piece has not been examined out of the frame. It is displayed in a closed back frame which prevents us from viewing the reverse of the canvas, therefore we cannot confirm whether or not it has been lined. The work sits behind a layer of glass, which prevents us from taking closer inspection. Yet at first sight and having shone a UV light on the piece as it currently stands, it appears to be in very good condition.
Lot 259
Margaret WARDMAN (XX-XXI) View Beyond a Gate Oil on canvasInitialledDouble-sided with another oil to the verso36cm x 40.5cm Margaret Wardman (née Shuttleworth)Margret Wardman (1922–2020), born, West Riding of Yorkshire, studied Fine Art at Bradford and Leeds Colleges of Art during WW11. In wartime, she also specialised in weaving at the Ministry of Pensions Hospital, Occupational Therapy Department, Eden Hall, Edinburgh, Scotland. Followed by an appointment at Pinderfields Hospital in Wakefield as an Occupational Therapist whilst fitting in three summers farming in Warwickshire and Worcestershire drawing subject matter for the painting Harvest Group. Post war, teaching art in schools in Accrington and Manchester.Through the strong, professional interconnections with artists in the North of England and its principal art galleries and museums, Margret’s paintings and drawings of the 1940’s and 50’s saw her visual language and modernist, artistic style grow in confidence and maturity. Her paintings were shown and regularly highlighted in reviews in group exhibitions such as the ‘Yorkshire Artists Exhibition’, the Annual West Riding Artists Exhibition’ and ‘Artists with North Country Associations’ at Bradford, Leeds, Manchester and Wakefield City Art Galleries.Painting and family life ran parallel, expecting the first of three children, sketching subject matter for the oil painting, Buck’s Mills whilst on holiday in Devon. Involvement with Otley and Ilkley arts Clubs at that time provided further opportunities to exhibit and develop her talent. The family’s civil engineering business brought about a move and a period of four decades living on the Somerset levels. There a new focus for drawing and recording the architectural specialisms of the level’s historic, Dutch style houses emerged along with commissions for illustrations for local businesses. A more personal, intimate, domestic subject matter flowed through her flower studies integrated with her gardens.Margaret’s later paintings, she settled in Cornwall from 2006, rediscover her own pictorial language and formative experiences. As Barbara Hepworth noted in 1939-40, ‘the deep connectivity with the Cornish landscape and the Yorkshire Moors’ meant, for Margaret, her continued exploration of modernism and strong pictorial form - planar space, structure, composition, line, painted mark with colour which the earlier canvases had produced.
Lot 391
David Kim WHITTAKER (1964) Untitled, circa 2002 Mixed media/collage, 17.5 x 17.5cm, framed 34 x 34cmThe estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts.
Lot 229
Margaret WARDMAN (XX-XXI) Sheep Grazing Before a Hamlet Oil on boardSigned and dated23cm x 46.5cm Margaret Wardman (née Shuttleworth)Margret Wardman (1922–2020), born, West Riding of Yorkshire, studied Fine Art at Bradford and Leeds Colleges of Art during WW11. In wartime, she also specialised in weaving at the Ministry of Pensions Hospital, Occupational Therapy Department, Eden Hall, Edinburgh, Scotland. Followed by an appointment at Pinderfields Hospital in Wakefield as an Occupational Therapist whilst fitting in three summers farming in Warwickshire and Worcestershire drawing subject matter for the painting Harvest Group. Post war, teaching art in schools in Accrington and Manchester.Through the strong, professional interconnections with artists in the North of England and its principal art galleries and museums, Margret’s paintings and drawings of the 1940’s and 50’s saw her visual language and modernist, artistic style grow in confidence and maturity. Her paintings were shown and regularly highlighted in reviews in group exhibitions such as the ‘Yorkshire Artists Exhibition’, the Annual West Riding Artists Exhibition’ and ‘Artists with North Country Associations’ at Bradford, Leeds, Manchester and Wakefield City Art Galleries.Painting and family life ran parallel, expecting the first of three children, sketching subject matter for the oil painting, Buck’s Mills whilst on holiday in Devon. Involvement with Otley and Ilkley arts Clubs at that time provided further opportunities to exhibit and develop her talent. The family’s civil engineering business brought about a move and a period of four decades living on the Somerset levels. There a new focus for drawing and recording the architectural specialisms of the level’s historic, Dutch style houses emerged along with commissions for illustrations for local businesses. A more personal, intimate, domestic subject matter flowed through her flower studies integrated with her gardens.Margaret’s later paintings, she settled in Cornwall from 2006, rediscover her own pictorial language and formative experiences. As Barbara Hepworth noted in 1939-40, ‘the deep connectivity with the Cornish landscape and the Yorkshire Moors’ meant, for Margaret, her continued exploration of modernism and strong pictorial form - planar space, structure, composition, line, painted mark with colour which the earlier canvases had produced.
Lot 379
David Kim WHITTAKER (1964) All and Everything For Art, 2002 Mixed media collage, signed and inscribed label to verso, 21 x 21cm, framed 33 x 33cmThe estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts.
Lot 393
Vinyl - 17 The Beatles LPs to include The White Album (mono, top loader, No.0143599), Abbey Road x 2 (one misaligned apple), Sgt Pepper (2 box EMI, with cutout), Rubber Soul x 2 (one yellow and black labels), For Sale x 2 (one yellow and black labels), A Hard Days Night (Italian), With The Beatles, The Beatles First With Tony Sheridan, 62-66, 67-70 x 2. Condition varies
Lot 528
Vinyl - 2 albums and 7 x 12” singles by The Sisters Of Mercy to include: Vision Thing (MR 449 L), First And Last And Always (MR 337 L), Temple Of Love (Extended Version) (12”, MRX 027), Temple Of Love (1992) (12” MR 53T), The Reptile House E.P. (12”, MR 023), Walk Away (12” MR 033T), Alice (12”, MR 021), More (12”, MR 47T), Body And Soul (12”, MR 029T). Condition EX overall
Lot 122
Vinyl - 2 UK pressing Led Zeppelin LPs to include II (Atlantic – 588198) UK 1969 3rd pressing with plum labels, “Killing Floor” credit and track B4 John-Paul Jones is credited by his real name (Baldwin) G / G+, and IV / 4 symbols (Atlantic – 2401012) original UK 1971 version 1 first pressing with inverted feather symbol on side 2, Peter Grant credits and printed inner, G+ / G+, inner sleeve Poor
Lot 532
Vinyl - Goth Rock - 8 Goth Rock albums, 6 x 12” and one 10” box set to include: The Mission – Children (UK 1988, Mercury – 834 263-1), Play Dead – The First Flower (UK 1983, Jungle Records – FREUD 3), Sex Gang Children – Song And Legend (UK 1983, Illuminated Records – JAMS 666), Skeletal Family – Futile Combat (UK 1985, textured sleeve, Red Rhino Records – RED LP 57), Skeletal Family – Burning Oil (UK 1984, REDLP 44), Gene Loves Jezebel – Promise (UK 1983, SITU 7), Flesh For Lulu – Flesh For Lulu (UK 1984, POLD 5165), All About Eve – All About Eve (UK 1988, MERH 119), Paradise Lost – Say Just Words (UK 1997 12”, Music For Nations – 12KUT 174), Tones On Tail – Burning Skies (UK 1983, 12”, Situation Two – SIT 21T), Skeletal Family – Promised Land (UK 1985 12”, Red Rhino Records – REDT 54), The March Violets – Snake Dance (UK 1985 12”, snake skin design textured cover, Rebirth International – RB INT 2112), Crown Of Thorns – Pictures (Extended Version) (UK 1983 12”, I.R.S. Records – PFSX 1029), Belfegore – Belfegore (German 1983 12”, Pure Freude – PF 32 CK 16), The Mission – Butterfly On A Wheel (UK 1990 limited edition 10” Box set with 30" x 20” poster, Mercury – MYTH8 10). Condition at least EX overall
Lot 520
Vinyl - 3 Grunge / Alternative Rock albums and one 12” to include: The Jesus Lizard – Down (UK 1994 with printed inner, Touch And Go – TG131), The Jesus Lizard – Liar (UK 1992 with printed inner, Touch And Go – TG100), Singles (Original Motion Picture Soundtrack) (original UK 1992 with hype sticker, including: Pearl Jam, Soundgarden, Alice In Chains and others, Epic – EPC 471438 1), Sonic Youth / Mudhoney – Touch Me I'm Sick / Halloween (UK 1989 12” with black and white sleeve, Blast First – BFFP 46). Condition at least EX overall
Lot 479
Vinyl - 16 Faces and members albums and one shaped picture disc to include: Ooh La La (Original UK with Gimmix sleeve and insert), First Step x 2 (Both original UK 1st pressing orange Warner Bros. labels), Long Player (US), A Nod Is As Good As A Wink (US original with large poster included), Live Coast To Coast - Overture And Beginners x 2 (both original UK pressing), Rod Stewart - Gasoline Alley (UK swirl vertigo labels), Rod Stewart - An Old Raincoat Won't Ever Let You Down (Vertigo spaceship labels), Rod Stewart - Never A Dull Moment x 2 (original UK black labels and original French black labels), Rod Stewart - Every Picture tells A Story x 3 (all UK pressing, one black label and 2 blue labels issue), Ronnie Wood - Now Look (UK), Ronnie Wood - I’ve Got My Own Album To Do (US). Rod Stewart – This Old Heart Of Mine (UK 1989 shaped picture disc) EX. Condition VG+ overall with higher examples
Lot 1045
CONTINENTAL FULL-SIZE VIOLIN, BELIEVED ITALIAN, CIRCA FIRST HALF OF THE 18TH CENTURY with possible attribution to the Tononi family, one-piece back, presented alongside two previous notes, one handwritten and one typed, both discussing attribution to the Tononi family, in case with interior label for JETEL "ORCHESTRA" MODEL BNote: Both lot 1044 and 1045 have previously been played in a professional capacity in the BBC Scottish Symphony Orchestra. 14" back, 58.5cm long overall ATTRIBUTION BASED ON PREVIOUS NOTES, BUYERS SHOULD SATISFY CURIOSITY BEFORE BIDDING.THE TYPED NOTE IS BY R. GRAHAM, AND STATES 'THIS FINE VIOLIN HAS MANY CHARACTERISTICS OF THE TONONI FAMILY AND APPEARS TO HAVE BEEN MADE AROUND 1720...' - MEASUREMENT OF BACK IS 14 1/8" THOUGH ALSO DISCUSSES A BLEMISH THAT IS PRESENT ON THIS VIOLIN - OTHER MEASUREMENTS MATCHPREVIOUS RESTORATION WORKS HAVE BEEN CARRIED OUT ON THIS VIOLIN.
Lot 1253
GB Royal Mail mint stamps, a set of 29 London 2012 Gold Medal Winner miniature sheets, one for each gold medal winner, 6x29 first class stamps, also Paralympic Games London 2012 gold medal winner 2x34 first class stamp miniature sheets, estimated usable FV~£300 (242 first class stamps), and the matching first day covers, held in two official ring binder albums. (2)
Lot 1318
UNITED KINGDOM Queen Elizabeth II (1952-2022) two pound £2 coins x48 including William Shakespere 2016, DNA 2007, Charles Dickens 2012, First World War 2016, Robert Burns 2009, Mary Rose 2011, London Underground 2013, Brunell 2006, Florence Nightingale 2010, Anniversary of the Golden Guinea, etc.
Lot 1037
Britains (First Gear Inc) metal figures to include five Museum Collection figures 10000 Black Watch Highlanders 1740's, 10001 Black Watch Highlander Crimean War 1854, 10005 Black Watch Highlander Napoleonic Wars 1815, 10008 Black Watch Pipes and Drums Side Drummer, and 10009 Black Watch Pipes and Drums Piper, three Napoleonic collection figures 50014C, 50034C and two Redcoats collection 50026C and 44050, each boxed. (9)
Lot 1265
UNITED STATES OF AMERICA USA mint stamp commemorative sets including 1974, 1975, 1976, 1977, 1978, 1979, 1980, 1981 x2, 1982, 1983, 1984, 1985, 1986, 1987, 1988, 1989, 1990, 1991, 1992, and 1993, also a Franklin Philatelic Limited John Pinches Official Collection of World Wildlife First Days Covers, held in green leatherette binder.
Lot 1480
Medal of 12625 Private Frederick Lockhart Murchie of C Company 6th Battalion Kings Own Scottish Borderers KOSB who died 25th September 1915, killed in action KIA first day Battle of Loos, aged 35, son of the late Archibald and Agnes Jack Murchie of 130 Hospital Street Glasgow, commemorated at Loos Memorial comprising 1914-15 star [12625 PTE F MURCHIE K O SCO BORD]. Medal of 40520 Private John McKinnon of the 1st Battalion Kings Own Scottish Borderers KOSB (previously 4536 of the Royal Scots) who died 30th November 1917, killed in action KIA, commemorated at Cambrai Memorial Louverval comprising WWI war medal [40520 TE J MCKINNON K O SCO BORD], the two medals with copy research papers. (2)
Lot 1219
WWI British Royal Air Force interest, a 9ct gold and enamel football medal [RAF MID AREA F SECTION WINNERS COVENTRY AAP G W WILSON 1918] by Fattorini & Sons Ltd, Birmingham 1918, 16g, also a Scottish Open 1935 silver fob medal [E WILSON], a partial dog tag of 19962 Private W Wilson of the 3rd Battalion Royal Scots [19962 P W WILSON 3 R SCOTS], a gilt metal and enamel British Empire Service League South Africa button, a South Africa First Reserve Brigade cap badge, a HMS Vanguard enamel sweetheart brooch in the form of a wishbone and a Girl Guides badge, all held in a Royal Flying Corps hinge top box with the initials 'WGW' presumably of W G Wilson the awardee of the football medal.
Lot 1233
Vast collection of cigarette cards to include Wills booklets Association Footballers 1935-36, Radio Celebrities, Reign of King George V, Dogs, Safety First, Railway Engines, The Sea Shore, Wild Flowers etc. John Player and Sons booklets Cycling 1839-1939, etc. Topical Times album of Great Players, old cigarette card packets filled with cigarette cards (1000s) to include Famous Pictures (London Galleries), Association Footballers Garden Hints, 3 Jovial Golfers, Glamour Girls, Dogs, Public Eye, Champions, Railway Equipment etc.
Lot 1482
Medals of M2-032371 Private Reginald Brook Partridge of the Army Service Corps comprising WWI victory medal and 1914-15 star [m2-032371 PTE R B PARTRIDGE ASC], with cardboard issue box to the same, National Safety First Association driving awards with year bars, Reginald's Driving License book etc.
Lot 1325
The Royal Mint UNITED KINGDOM Queen Elizabeth II (1952-2022) three silver proof two pound £2 coins including Piedfort 2003 celebrating the Fiftieth Anniversary of the Double Helix Discovery, Piedfort 2005 The End of WWII 1945-2005 60th Anniversary and 2014 100th anniversary of the First World War Outbreak, also a silver proof fifty pence 50p 1994 D-Day commemorative, each coin with certificate of authenticity and in issue boxes. [73g 925 silver total]
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