Eugene Galien-Laloue (1854-1941) 'La Porte Saint-Martin,' Figures and horse drawn Omnibuses on a Parisian boulevard, evening. signed, also inscribed on a plaque attached to the frame, with a further exhibition label verso, gouache heightened with white, 18 x 29.5 cm, **The artist was born in Paris, he was mainly known for his impressionistic portrayal of that City. In 1877 he was a student of Charles Laloue, a long time member of the Artistes Francais. During the early part of his career he used a number of pseudonyms to overcome an exclusive contract with a major gallery, these included, L.Dupuy, J.Lievin and E.Galiany, all of which are listed in the catalogue raisonne. He worked mainly in gouache with a light expressive style. He depicted the early 1900's with an accuracy that reflected that iconic era, indeed he was one of the first painters to historically represent these bustling streets and as such has been a great influence to a host of later artists, such as Edouard Cortes and Antoine Blanchard.
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After John Piper CH (1903-1992) 'Llangloffan, Pembrokeshire, the baptist chapel' (Levinson, No 140) inscribed on various labels verso, reproduction print, 54 x 71.5 cm ** The final proof before the artist authorised the complete run of prints this print and the following item represent the first stage of production, Mark Goldmark of the 'Goldmark Gallery' in Uppingham purchased them both from the Curwen archive when sold by, Stanley Jones. **Both images are from the series entitled, 'A Retrospective of Churches' (1964) published by Jones on the basis that 'Piper' would authorise (or not) the production of the final proofs. May be subject to artist resale rights.
Brian Shields 'Braaq' (1951-1997) A young boy with a hoop wearing wellington boots, possibly the artist, Another young boy smoking a cigarette wearing a 'Fame' tee shirt and wellington boots, A young girl playing with a small balloon, possibly the artist's sister Ann, A young girl wearing a pink jumper, all signed 'Braaq' and inscribed Ann, oil on board, each 12.5cm x 10cm, unframed (a set of four) The artist was born in Liverpool, purportedly in Kinder Street washouse. He is renowned for producing industrial scenes of Northern life, in fact he was referred to as the 'Liverpool Lowry'. He acquired the nickname 'Braaq' in his school days, on account of his artistic talent after the French painter Georges Braque, a misspelling then transformed Braque into 'Braaq'. He was the fourth child of a large family (twelve siblings) his father Dennis was an established artist, and one of his brothers also called Dennis is a Lanarkshire (Coatbridge) based sculptor and painter. Brian held his first exhibition in 1974, and in 1977 was invited to hold four shows in London, he was described by 'The Times' as "one of the six most successful artists in England. The Liverpool Echo also featured him in many of their issues, often comparing him to Manchester's, Laurence Stephen Lowry. In the late 1970's tragedy struck and his sister Ann sadly died at the extremely young age of twenty, in memory of her, many of his pictures were not only signed, but inscribed 'Ann'. He is also renowned for painting himself into many of his pictures, wearing wellies and invariably a black and white striped cotton jumper, apparently the jumper was the only "new" item of clothing he ever remembered receiving as a young boy. Most of his life was spent working as a trainee chef in Harrogate, when some murals he painted on the walls of the hotel he worked at were discovered, it caused quite a stir and for several weeks a search was carried out with the help of the local newspapers to find out who had produced them, it is generally accepted that this had been a publicity stunt, which obviously worked to promote his work in Harrogate and Leeds, it is said that he produced pub signs for local hostelries. Although successful he was often faced with financial difficulties and was declared bankrupt towards the end of his career, he sadly died of a brain haemorrhage at the early age of forty six. His works are now extremely popular and realise many tens of thousands both in the Salerooms and in retail Galleries. **Sold together with a facsimile of a letter from the artist to the vendor's husband. May be subject to artist resale rights.
Brian Shields 'Braaq' (1951-1997) A young boy with a hoop wearing wellington boots, possibly the artist, Another young boy smoking a cigarette wearing a 'Fame' tee shirt and wellington boots, A young girl playing with a small balloon, possibly the artist's sister Ann, A young girl wearing a pink jumper, all signed 'Braaq' and inscribed Ann, oil on board, each 12.5cm x 10cm, unframed (a set of four) The artist was born in Liverpool, purportedly in Kinder Street washouse. He is renowned for producing industrial scenes of Northern life, in fact he was referred to as the 'Liverpool Lowry'. He acquired the nickname 'Braaq' in his school days, on account of his artistic talent after the French painter Georges Braque, a misspelling then transformed Braque into 'Braaq'. He was the fourth child of a large family (twelve siblings) his father Dennis was an established artist, and one of his brothers also called Dennis is a Lanarkshire (Coatbridge) based sculptor and painter. Brian held his first exhibition in 1974, and in 1977 was invited to hold four shows in London, he was described by 'The Times' as "one of the six most successful artists in England. The Liverpool Echo also featured him in many of their issues, often comparing him to Manchester's, Laurence Stephen Lowry. In the late 1970's tragedy struck and his sister Ann sadly died at the extremely young age of twenty, in memory of her, many of his pictures were not only signed, but inscribed 'Ann'. He is also renowned for painting himself into many of his pictures, wearing wellies and invariably a black and white striped cotton jumper, apparently the jumper was the only "new" item of clothing he ever remembered receiving as a young boy. Most of his life was spent working as a trainee chef in Harrogate, when some murals he painted on the walls of the hotel he worked at were discovered, it caused quite a stir and for several weeks a search was carried out with the help of the local newspapers to find out who had produced them, it is generally accepted that this had been a publicity stunt, which obviously worked to promote his work in Harrogate and Leeds, it is said that he produced pub signs for local hostelries. Although successful he was often faced with financial difficulties and was declared bankrupt towards the end of his career, he sadly died of a brain haemorrhage at the early age of forty six. His works are now extremely popular and realise many tens of thousands both in the Salerooms and in retail Galleries. **Sold together with a facsimile of a letter from the artist to the vendor's husband. May be subject to artist resale rights.
A Gentlemans 14ct gold Cartier Marine wristwatch, the square dial with Arabic numerals, the water resistant two part case construction secured by clasp with banded ends, manual wind, with attached leather strap Note- Created in 1932, the Omega Marine novel case construction made it the first water resistant rectangular wristwatch model, as well as the first diving watch of any shape
Eugene Galien-Laloue (1854-1941) 'La Porte Saint-Martin,' Figures and horse drawn Omnibuses on a Parisian boulevard, evening. signed, also inscribed on a plaque attached to the frame, with a further exhibition label verso, gouache heightened with white, 18 x 29.5 cm, **The artist was born in Paris, he was mainly known for his impressionistic portrayal of that City. In 1877 he was a student of Charles Laloue, a long time member of the Artistes Francais. During the early part of his career he used a number of pseudonyms to overcome an exclusive contract with a major gallery, these included, L.Dupuy, J.Lievin and E.Galiany, all of which are listed in the catalogue raisonne. He worked mainly in gouache with a light expressive style. He depicted the early 1900's with an accuracy that reflected that iconic era, indeed he was one of the first painters to historically represent these bustling streets and as such has been a great influence to a host of later artists, such as Edouard Cortes and Antoine Blanchard.
After John Piper CH (1903-1992) 'Llangloffan, Pembrokeshire, the baptist chapel' (Levinson, No 140) inscribed on various labels verso, reproduction print, 54 x 71.5 cm ** The final proof before the artist authorised the complete run of prints this print and the following item represent the first stage of production, Mark Goldmark of the 'Goldmark Gallery' in Uppingham purchased them both from the Curwen archive when sold by, Stanley Jones. **Both images are from the series entitled, 'A Retrospective of Churches' (1964) published by Jones on the basis that 'Piper' would authorise (or not) the production of the final proofs. May be subject to artist resale rights.
PROGRAMMES, mixed sports, inc. Rugby League (43), World Cup (7), Charity Shields (8); 1984 Mansfield Marksman first season in league (14), St Helens, Bradford Northern, Hull K.R., Leeds; testimonials; non-league football (30), some Bradford Park Avenue; Cricket (32), Yorkshire C.C.C. etc., G to EX, 100*
GOLF, early postage stamps, 1953 Japanese 5-yen pictorial from series of National Parks, showing Mount Unxen from Sasebo golf course (believed to be the first golf stamp); 1948 block of six South African postage stamps (in original booklet with golfer illustrating clothing advert to inside cover); set of four 1971 Bermuda laid down to FDC (first set of stamps specific to golf), loose mounted to A4 pages with collectors typed annotation, from the Schulenburg collection, VG, 3
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