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A group of three George V First World War medals "To Artificer Engineer later Chief Artificer Engineer Frederick Smith, Royal Navy", comprising - 1914 Star, War Medal and Victory Medal, complete with Certificates of Conduct on the various ships he served from 1904 to 1919, with two commissions, a selection of photographs, a Naval Officer`s dress sword by J. Friedgberg, Queen Street, Portsea, with 31ins etched steel blade, the brass hilt with lion`s mask pommel and wire bound shagreen grip, complete with brass mounted black leather scabbard, 28ins overall, a Naval Officer`s black silk cocked hat with gilt braid, contained in black japanned metal hat box, and a small leather attaché case with various other sundry personal possessions
A group of eleven George V and George VI First and Second World War medals "To Sub. Lieutenant Douglas V. Duff, Royal Naval Reserve and later Assistant Superintendent Palestine Police", comprising - 1914-1918 War Medal, Mercantile Marine Medal, Victory Medal, George VI Long Service Medal with one bar "Palestine", 1939-1945 Star, the Atlantic Star, the Africa Star, the Italy Star, 1939-1945 War Medal (with oak leaves), a French enamel Order, the Order of the Crown of Rumania (all mounted as one group), and a silver and enamel Order of the Holy Sepulchre, complete with two photographs of Mr Duff in later life, a copy of a telegram dated 9th September 1939, a citation of the Order of the Crown of Rumania dated 27th January 1927, and a copy of his autobiography "Bailing with a Tea Spoon" by Douglas V. Duff, published by John Long Ltd 1953
Henry Bone (1755-1834) - Fine enamel shoulder length miniature portrait after Sir Thomas Lawrence of "Anne, The First Lady Ellenborough", 3.75ins x 3ins, signed on reverse, painted by H. Bone A.R.A., Enamel Painter to H.R.H. The Prince of Wales after T. Lawrence, and dated July 1806 (?), contained in contemporary gilt deep moulded frame with bold leaf scroll inner panel and acanthus leaf borders (reverse No. 1818, and inscribed "Henry Bone" and address 15 Berners Street, London). Note: Thomas Lawrence exhibited a portrait of Lord Ellenborough at the Royal Academy in 1806, No. 35, and subsequently Henry Bone exhibited a lady after T. Lawrence in 1807 (No. 747)
A Large Interesting Cigarette Card Collection, in excess of 1500 cards, to include John Player & Son Life On Board A Man O War, full set, Ogden Ship`s Portraits, Naval Guns, etc, Ogden The Blue Ribband of The Atlantic, full set, Will`s Famous British Liners, Carreras Airmen and Air Women, Wizzard Famous Footballers, John Player & Sons Victoria Crosses, John Player & Sons Army Life, R & J Hill Ltd Aviations Series, first series, and many others within albums and loose See illustration
* Lear (Edward, 1812-1888). Owl on a leafy branch, & Owl on a bare branch, together two pen, ink & watercolour drawings, the second with traces of pencil, signed, and dated May 25th 1848 to the first image only, 21 x 13.5cm (8.25 x 5.25ins), mounted and framed as one. These two watercolour drawings recall the drawings made by Edward Lear of the animals in the menagerie at Knowsley Hall belonging to the 13th Earl of Derby. A selection of Lear`s drawings were produced for private publication in 1846, entitled Gleanings from the Menagerie and Aviary at Knowsley Hall. On May 25th 1848 (the date inscribed in the drawing) the artist was in Corfu. See Vivien Nokes, Edward Lear (1985), pages 84-90. Provenance: These two drawings were purchased by the current owner from an Irish country house album of photographs and drawings, some ten years ago. (1)
* Mene (Pierre Jules, 1810-1877). Stag by a tree, bronze, signed P.J. Mene on base, 220 x 250mm (9 x 9.75ins) Mene was arguably the most successful and prolific animalier sculptor of his time. He was largely self-taught, although his father was a successful metal turner, and taught his son the principles of casting at an early age. By 1837 Mene had established the first of his many foundries. He exhibited one or two bronzes every year at the Salon, winning several medals there, as well as being awarded First Class Medals at the London Exhibitions of 1855 and 1861. Mene drew the finest craftsmen to work for him and his home became a fashionable meeting place for the painters, sculptors and musicians of Paris. In 1861 he was awarded the Cross of the Legion d`Honneur in recognition for his contributions to art. His bronzes were cast with the utmost attention to quality, detail and workmanship. Mene made sure that all the models and casts were kept in perfect condition so that the last bronze cast in an edition was just as sharp and detailed as the first, and in doing so set the standard for all other foundries. (1)
* Gunn (Sir Herbert James). Portrait of a British Officer, First World War, pencil on buff paper, signed, dated October 1st 1916, with additional later inscription `Delighted to see this again. Let us meet & see what the years have done to eager youth. James Gunn, 1956`, 18 x 11cm (7 x 4.25ins), framed and glazed, with Parker Gallery label to verso (1)
* Prudhon (Pierre Paul, 1758-1823). Woman restraining a young girl, pencil sketch on paper, with stamped initials PP to lower right, sheet size 18.5 x 11.5cm (7.25 x 4.5ins), mounted with ruled and wash border, together with Goodall (Frederick, 1822-1904), two pen & ink sketches of a walking male and female classical figure, pen and ink on note paper headed Graemes Dyke, Harrow Weald, 17.5 x 11cm (7 x 4.5ins) With printed mounted label inside the mount, stating that the first drawing is from the collection of S. J. Leresche Esq., and with the number L219. An additional typed written label to the mount verso reads `Original drawing by P.P. Prudhon circa 1820. From the collection of Dr. Walter Stokes. (Lugt 1114)`. (2)
* Legrand (Louis, 1863-1951). Marchee aux Pommes, Des vertes et des blettes, etching with aquatint, second state (of five), plate size 17.2 x 11.7cm (6.75 x 4.4ins), the full sheet 47.5 x 31cm (18.75 x 12.25ins), together with the rare first state of the same print, sheet size 31 x 23.5cm (12.25 x 9.25ins), each with stamped L to lower right corner, plus Epaves de Famille, etching with drypoint, a proof on japan, with remarque, signed and dedicated to Felix Buhot in pencil, 22 x 15cm (8.75 x 6ins), with full margins (3)
* Tanner (Robin, 1904-1988). An archive of ephemera, comprising thirty-five autograph letters signed, from Robin Tanner to Philomena & Ivor, in his clear calligraphic hand, a single page poem in Robin`s hand `If the day ever comes... `, two greetings cards from Robin, two small mounted wood engs., and a 4pp. prospectus for Heather & Robin Tanner`s Woodland Plants, pub. 1981, plus some newspaper cuttings related, all contained in plastic pockets in a ring binder. Robin Tanner was Philomena`s art teacher, and she renewed contact by writing to him later in life. The first of Tanner`s letters to his former pupil is dated 1980, and he writes `How could I ever forget you? You were one of the sweetest girls I ever taught`. Their correspondence fostered a warm relationship, and continued almost until his death in May 1988; in February 1988 he wrote `I feel very well. My cancer is still quiescent`. Robin was an accomplished letter writer, his epistles often running to four pages, and each letter is beautifully written, with infinte care. His letters cover many topics, including art, education, religion, nature, gardening and literature. In 1981 Philomena met her tutor again, after which Robin wrote `It was good to have you under our roof-tree, & I don`t think you could have enjoyed the afternoon more than we did. It was a lovely reunion`. The archive is being sold by Philomena`s niece. (a folder)
* Ardizzone (Edward, 1900-1979). The Porter`s Lodge, Trinity College, Oxford & Chapel Quadrangle, Trinity College, Oxford, together two b&w lithographs, signed and titled in the plate, image size 29.5 x 44.5cm (12 x 17.5ins), and smaller, sheet size 38 x 56cm (15 x 22ins), with margins to each, some scattered foxing to first title, matching wood frames, glazed. This pair of lithographs were published in 1954, in an edition of c. fifty, and thought to have been commissioned by undergraduates at the college. (2)
Erni (Hans, 1909-). Homere, Odyssee, 3 vols. pub. Andre Gonin, Lausanne, 1958, 112 col. lithos. by Hans Erni, incl. 26 full-page, limited edition of 126/186, signed by publisher and artist and translated into French by Victor Berard, each vol. loose in orig. pictorial wrappers, held within dec. chemise with vellum gilt spine, and matching slipcases, with joints weak or partly broken to first vol., lightly rubbed, folio. A sumptuous publication, with over sixty colour illustrations including twenty-seven plates and dozens of letter ornaments and chapter headings. Hans Erni`s illustrations for this most famous of all of the tales of Greek mythology manages to combine a classical style together with a subtle eroticism. (3)
* Gere (Margaret, 1878-1965). Portrait of a boy, chalk and pastel, of a young boy dressed in blue, signed and dated to lower right, approx. 375 x 268mm (14.75 x 10.5ins), mounted, framed and glazed. Margaret Gere, closely associated with the Birmingham Group of Artists-Craftsmen which included Joseph Southall, Arthur Gaskin, Bernard Sleigh and others, studied first at the Birmingham School of Art under her brother Charles M. Gere, and later at the Slade School. Her first joint exhibition was held with her brother at the Carfax Gallery in 1912. She exhibited at the New English Art Club from 1910 and became a member in 1925. (1)
* Littleford (Robert, 1940-). `Panoramic Beach Scene with Pier`, watercolour and coloured inks, signed lower right, 32 x 52.5cm (12.5 x 20.75ins), framed and glazed. Robert Littleford (born 1940) grew up in Oldham, taking up painting after a succession of low-paid jobs. His first major exhibition was at the Salford Art Gallery, and he has since held numerous exhibitions in the North of England and elsewhere, before he was taken up by Van Reimstyk Fine Art in the 1980s. He is a Fellow of the Royal Society of Arts, and a Member of the British Watercolour Society. (1)
* Cunningham (John, 1927-2000). Entrance to Fez, Morocco, oil on canvas, signed lower right, 44 x 54cm (17.25 x 21.25ins), framed. John Cunningham was born in Lanarkshire, Scotland, and first studied then taught at the Glasgow School of Art. He exhibited regularly at the Royal Scottish Academy. (1)
* Wardle (Arthur, 1864-1949). Wild ponies on Exmoor, oil on board, signed with initials lower left, 26 x 38cm (10.25 x 15ins), framed. Arthur Wardle (1864-1949), a self-taught sporting artist, best known for his images of hunting dogs, exhibited at the Royal Academy and the New Society of Painters in Watercolours. His first one-man exhibition was held at the Fine Art Society in 1931. Sporting subjects include `Grouse Shooting`, `An Otter Hunt on the Moors`, `Shetland Ponies`, as well as studies of big game. (1)
Collins New Naturalist, four books, all hardback: No 44 The Peak District, second edition with dust jacket, good condition No 45 The Common Lands of England and Wales, first edition with dust jacket No 47 The Snowdonia National Park, second edition with dust jacket, good condition No 49 Nature Conservation in Britain, second edition with dust jacket, good condition
Collins New Naturalist, ten books, all hardback: No 1 Butterflies, first edition, very good condition with dust jacket No 2 British Game, first edition, slight foxing, no dust jacket No 3 London`s Natural History, first edition, slight foxing with dust jacket, small piece missing front top corner No 4 Britain`s Structure and Scenery, first edition, foxing with dust jacket No 5 Wild Flowers, first edition, light foxing to edges with dust jacket No 6 Natural History in the Highlands and Islands, first edition, light foxing to edges with dust jacket No 7 Mushrooms and Toadstools, first edition, foxing to edges with dust jacket, good condition No 8 Insect Natural History, first edition with dust jacket, light foxing No 9 A Country Parish, first edition, no dust jacket No 10 British Plant Life, first edition with dust jacket
Collins New Naturalist, nine books, all hardback: No 99 Gower, first edition, mint condition No 100 Woodlands, first edition, mint condition No 101 Galloway and the Borders, first edition, mint condition No 102 Garden Natural History, first edition, mint condition No 103 The Isles of Scilly, first edition, mint condition No 104 A History of Ornithology, first edition, mint condition No 105 Wye Valley, first edition, mint condition No 106 Dragonflies, first edition, mint condition No 107 Grouse, first edition, mint condition
Collins New Naturalist, five books, all hardback: Monograph, The Badger, first edition with dust jacket Monograph, The Redstart, first edition with dust jacket, good condition Monograph, The Yellow Wagtail, first edition with dust jacket Monograph, The House Sparrow, first edition with dust jacket Journal, The New Naturalist, first edition with dust jacket, discoloured
Collins New Naturalist, nine books, all hardback: No 11 Mountains and Moorlands, first edition with dust jacket No 12 The Seashore, first edition with dust jacket No 13 Snowdonia, first edition with dust jacket No 14 The Art of Botanical illustration, third edition, no dust jacket No 15 Life in Lakes and Rivers, first edition with dust jacket No 16 Wild Flowers of Chalk and Limestone, first edition with dust jacket No 17 Birds and Men, first edition with dust jacket, good condition No 18 A Natural History of Man in Britain, first edition with dust jacket, good condition No 19 Wild Orchids of Britain, first edition with dust jacket
Collins New Naturalist, six books, all hardback: No 20 The British Amphibians and Reptiles, first edition with dust jacket No 21 British Mammals, first edition with dust jacket, good condition No 22 Climate and The British Scene, first edition with dust jacket No 23 An Anglers Entomology first edition with dust jacket No 24 Flowers of the Coast, first edition with dust jacket No 25 The Sea Coast, first edition with dust jacket

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596772 item(s)/page