We found 596780 price guide item(s) matching your search
There are 596780 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
596780 item(s)/page
Rare First Edition of Irish National Anthem - The Soldier's Song, Words by Peadar O'Cearnaigh [Peadar Kearney] . Music by Padraig O'hAoinaigh. Arranged by Cathal Mac Dubhgahill. Lg. 4to Pub: Whelan & Son, 17 Upper Ormond Quay, Dublin (December 1916), FIRST EDITION. 4pp. orig. decor. title with rifle within a Celtic design border (1).
Songs of the Celtic Past by Norreys Jephson O'Conor. New York: John Lane 1918. With author's dedication 'Frances Cheney with greetings from a fellow craftsman and friend, Norreys Jephson O'Conor. Time is nothing, loveliness is all. May 29th 1918' Selection from the Poems of William O`Leary Graig-na-Managh Illustrated, 8vo Galway 1926, illus., 44 pp., good. The Way That I Went, An Irishman in Ireland by Robert Lyoyd Praeger. Dublin: Hpdges, Figgis. 1939. First, illus with folding map, blue cloth with dust jacket. (Natural History) Arrows: Poems by George Nobel Plunkett. Dublin: M.H. Gill 1921. 64 pp. Cover worn. Girl Friday by Jane Dolinger. London: Jarrolds1967. Seán Ó Corcora bookplate. Illus. Poems by Fanny Fisher. London: T. Fisher Unwin 1889. With dedication from the author. Appreciations with an Essay on Style by Walter Pater. London: McMillan and Co., 1913. Albert Fox, The Devout Merchant, A Memoir by Rev. John Jones. Liverpool: Howell 1867. Christmas at Annesley by M.E. Shipley. London: Marcus Ward & Belfast: Royal Ulster Works 1875 (9).
Books on Mainly Irish Poetry, Literature and Culture. An Ode on The Death of The Earl of Belfast by Denis Florence McCarthy. November 1855; Poems Of Places, Ireland. Edited by Henry W. Longfellow. Boston: 1876; Abhráin Diadha Chúige Connacht, or, The Religious Songs of Connacht by Douglas Hyde. Dublin 1931; Reminiscences and Rhymes of the Ward Hunt. Jim Brindley. Dublin: 1923;Ancient Irish Poetry. Translated by Kuno Meyer, London: Constable and Company. 1911. Bookplate for George Digby Scott; Sweet Meadow A Book of Song From Tyrawly by P. MacHale Daly. Dublin:1881; A Rosary of Song - Poems on Sacred Subjects by Brian O'Higgins. Dublin.[n.d. 1932]; The Ship That Never Returned by Agnes Weston. Sailors Rest Devonport. London; Popular and Patriotic Poetry Part III. Compiled by Richard J Kelly. Dublin: Catholic Truth Society; Poems: Journeys and Scenes by Shotaro Oshima. The Hokuseido Press,, Tokyo:, 1968. First edition, limited to 300 copies, brown printed wrappers, 16 pages, stapled. Shotaro Oshima uses Irish themes and places as the subject of many the poems; The Royal Irish Academy of Music 1856 - 1956 Centenary Souvenir Issue; Twenty Poems by Niall Sheridan and Donagh Mac Donagh. Limited edition print of which this is numbered 75/350. Dublin: 1934; Old Wine XXI Poems (Verses from the Irish, Spanish, and Latin done Chiefly in Irish Metres) by Aodh De Blácam. Dublin: Three Candles [n.d. 1920], 35pp. (13).
Pamphlets & Books: Irish Question/Home Rule/Sinn Féin/Famine: An Open Letter to Thomas MacDonagh by F. Sheehy Skeffington. Reprinted from the Irish Citizen, 22nd May 1915, by the Irishwomen's International League, 4 pp; Songs of Myself by Thomas MacDonagh, Figgis & Co., Dublin, 1910. First Ed; Two Private Union Defence League Publications: Questions and Answers on Home Rule & Notes for Three Addresses on Home Rule. No date, circa 1912? SCARCE; Ireland Dupe or Heroine by The Earl of Midleton, K.P. Cheap Edition, 1932; The Complete Grammar of Anarchy By Members of the War Cabinet and their Friends. London: Nisbet 1919; The Cruise of the 'Erin's Hope'; or, Gun-Running in '67 by M. J. O'Mullane. Published by Catholic Truth Society of Ireland, Dublin 1918; London and Londonderry: Transactions of Three Centuries. London: Marcus Ward 1890; A Scot on the Irish Question, The Oppressed English by Ian Hay. Sydney: Angus & Robertson. 1918; The Barbarous Britishers A Tip-Top Novel by H.D Traill. London: John Lane 1896; Was There A Protestant Massacre in 1641? Reply to the Falsification of History, Entitled The English in Ireland by by John Mitchel by James Anthony Froude. Glasgow: Cameron and Ferguson, [n.d. 187-]; British Plunder and Irish Plunder. Senator Maurice Moore. Second Edition. Dublin: Gaelic Press, n.d., c. 1932; A Tragedy of Errors. J.L Hammond. London: 1921; Cnuasach Bheag Amhrán by An tAthair Padruig Breathnach. Dublin: Brown & Nolan, n.d.; The Potato Blight Famine Questions and Replies between Two Travellers, on its Causes and Results, Edited by One of Them. Dublin: Thomas Webb, n.d., c.1847; The Association of Irish Jurists. First, With ToC, Names of Officers, Trustees and Council (Sean MacBride listed as Chairman and Member of the Council as S.C., Message from Cearbhall Ó Dálaigh, Chief Justice, Introduction, Constitution, …et al, 15pp, green covers. Dublin and Geneva, n.d., c. 1963 (16). .
Rasputin The Mad Monk / The Reptile Hammer Horror 1966 double-bill film poster, starring Christopher Lee, Barbara Shelley and Richard Pasco / Noel Willman and Ray Barrett, folded UK Quad printed in England by Stafford & Co. Ltd., 30 x 40 inches. This poster marks the first time that the Hammer Film company branded themselves 'The House of Horror'. Few minor tears to border and small puncture to one fold.
The Legend Of The 7 Golden Vampires 1974 Hammer Horror film poster, 'The First Kung-Fu Horror Spectacular', starring Peter Cushing, Julie Ege and David Chiang, folded UK Quad, 30 x 40 inches. Small tears around edges, tape marks around 'X', 'Also Starring..' sticker to bottom right. Together with The Legend of The 7 Golden Vampires Belgian poster, 'Imp. Wagram', 21.25 x 14.25 inches (small tear to top and bottom); synopsis booklet (8.5 x 6.25''); two lobby cards (8 x 10''); set of 8 x lobby cards/stills. (13)
BRITISH 18th CENTURY TOKENS, Birmingham Mining & Copper Co., Copper Halfpenny, 1791, obv female seated upon a rock holding a fasces, BIRMINGHAM MINING AND COPPER COMPANY around, 1791 in exergue, the point of the laurel wreath aligns with the centre of the G of MINING, the right-hand corner of the fasces aligns with the first limb of the N of AND, no stop after COMPANY, the upper right limb of the Y close to the foot, rev stork upon a cornucopia, HALFPENNY PAYABLE AT around, the head of the stork to the left of the centre of the space between the Y of HALFPENNY and the P of PAYABLE, the trailing leg of the stork is at an angle, the beak of the stork under the foot of the Y, the tail of the cornucopia to the second limb of the A of PAYABLE, the two centre leaves either side of the first limb of the H of HALFPENNY, edge BIRMINGHAM REDRUTH & SWANSEA (Atkins p.210, 58; D&H Warwickshire 82). Good extremely fine and retaining much original colour.
BRITISH 18th CENTURY TOKENS, Birmingham Mining & Copper Co., Copper Halfpenny, 1792, obv female seated upon a rock holding a fasces, BIRMINGHAM MINING AND COPPER COMPANY around, 1792 in exergue, the point of the laurel wreath is nearly under the first limb of the A of AND, the right-hand corner of the fasces aligns with the second limb of the N of AND, no stop after COMPANY, the upper right limb of the Y does not touch the foot, large numbers in date, rev stork upon a cornucopia, HALFPENNY PAYABLE AT around, the head of the stork to the centre of the space between the Y of HALFPENNY and the P of PAYABLE, the trailing leg of the stork is at an angle, the tail of the cornucopia between the B and L of PAYABLE, the two centre leaves either side of the first limb of the H of HALFPENNY, edge BIRMINGHAM REDRUTH & SWANSEA (D&H Warwickshire 98). A few spots, otherwise good extremely fine and retaining much original colour, very rare. ex Dalton Collection
BRITISH 18th CENTURY TOKENS, Nathaniel Bolingbroke, Copper Halfpenny, 1792, obv arms of Norwich, a castle and lion below, MAY NORWICH FLOURISH PRO BONO PUBLICO around, no stop or annulet after FLOURISH, rev shield of arms of the county of Norfolk, NORFOLK AND NORWICH HALFPENNY. 1792 around, the lower end of the baton on the right aligns under the second N of HALFPENNY, the lower end of the baton on the left aligns under the first O of NORFOLK, edge PAYABLE AT N. BOLINGBROKES HABERDASHER & C. NORWICH .X . (Atkins p.151, 17; D&H Norfolk 16). Minor spots, otherwise nearly mint state with substantial original colour remaining. ex Spink
BRITISH 18th CENTURY TOKENS, Henry Brownbill, Copper Halfpenny, 1793, obv bust of Bishop Blaze in profile right, holding a wool-comb, SUCCESS TO THE YORKSHIRE WOOLEN MANUFACTORY around, the top of the comb to the first limb of F, the lower part to the first limb of R, rev view of Leeds Cloth Hall, LEEDS HALFPENNY above, 1793 in exergue, trees visible in landscape, numbers in date in alignment, edge PAYABLE AT THE SHOP OF H. BROWNBILL SILVERSMITH (Atkins p.253, 33; D&H Yorkshire 34). Diagnostic die flaw and light contact marks, otherwise good extremely fine and bronzed. ex Daniels Collection
BRITISH 18th CENTURY TOKENS, Henry Brownbill, Copper Halfpenny, 1793, obv bust of Bishop Blaze in profile right, holding a wool-comb, SUCCESS TO THE YORKSHIRE WOOLEN MANUFACTORY around, the top of the comb to the first limb of F, the lower part to the second limb of R, knob of hat under the centre of H of YORKSHIRE, rev view of Leeds Cloth Hall, LEEDS HALFPENNY above, 1793 in exergue, trees visible in landscape, numbers in date in alignment, edge PAYABLE AT THE SHOP OF H. BROWNBILL SILVERSMITH (Atkins p.253, 36; D&H Yorkshire 37). Good extremely fine and attractively toned.
BRITISH 18th CENTURY TOKENS, Thomas Clarke, Copper Halfpenny, 1791, obv ship under sail to right, LIVERPOOL HALFPENNY above, the mainmast under the second limb of the L of LIVERPOOL, bowsprit below the foot of Y of HALFPENNY, rev shield and bird above which forms the crest, bulrushes either side of shield dividing the date below, DEUS NOBIS HAEC OTIA FECIT around, straight 1’s in date, inner rush-heads are above the top of the shield, upper flag to right points to the first limb of E of FECIT, upper flag to left points between the U and S of DEUS, edge PAYABLE AT THE WAREHOUSE OF THOMAS CLARKE . X . X . (Atkins p.59, 36; D&H Lancashire 67). A few spots, otherwise good extremely fine and scarce. ex F S Cokayne Collection, acquired January 1887 for 6d
BRITISH 18th CENTURY TOKENS, John Downing, Copper Halfpenny, 1792, obv view of a building, EAST INDIA HOUSE around, the first limb of the H of HOUSE points to the roof supported by the columns, rev Grocer’s arms and supporters, 1792 below, HALFPENNY above, edge PAYABLE AT IOHN DOWNINGS HUDDERSFIELD (Atkins p.251, 16; D&H Yorkshire 14). Nearly very fine and very rare.
BRITISH 18th CENTURY TOKENS, John Downing, Copper Halfpenny, 1792, obv view of a building, EAST INDIA HOUSE. Around, the first limb of the H of HOUSE points to the roof supported by the columns, rev Grocer’s arms and supporters, 1792 below, HALFPENNY above, edge LONDON BRISTOL AND LIVERPOOL (D&H Yorkshire 14, edge unlisted; Davisson as D&H Yorkshire 14a). Nearly very fine and exceptionally rare, no other specimen traced.
BRITISH 18th CENTURY TOKENS, Dunham & Yallop, Copper Halfpenny, 1792, obv shield of arms of the city of Norwich upon a sword and mace, between palm branches, SUCCESS TO THE CITY OF NORWICH around, raised shield, no tie at branches, the hilt of the sword points to the left of the O of OF, the top of the mace points to the first limb of H of THE, rev shop front within a circle, DUNHAM & YALLOP over the door, NORWICH HALFPENNY. 1792 around, edge PAYABLE AT THE SHOP OF DUNHAM & YALLOP (D&H Norfolk 27a). Very fine and very rare. ex Lincoln Collection
BRITISH 18th CENTURY TOKENS, Dunham & Yallop, Copper Halfpenny, 1792, obv shield of arms of the city of Norwich upon a sword and mace, between palm branches, SUCCESS TO THE CITY OF NORWICH around, raised shield, no tie at branches, the hilt of the sword points to the first limb of the O of OF, the top of the mace points to the centre of H of THE, rev shop front within a circle, DUNHAM & YALLOP over the door, NORWICH HALFPENNY. 1792 around, edge PAYABLE AT THE SHOP OF DUNHAM & YALLOP GOLD-SMITHS (Conder p.120, 20; Pye p.39, 1; Virt p.39; Atkins p.153, 29; D&H Norfolk 28). Good extremely fine.
BRITISH 18th CENTURY TOKENS, Dunham & Yallop, Copper Halfpenny, 1792, obv shield of arms of the city of Norwich upon a sword and mace, between palm branches, SUCCESS TO THE CITY OF NORWICH around, raised shield, no tie at branches, the hilt of the sword points to the first limb of the O of OF, the top of the mace points to the centre of H of THE, rev shop front within a circle, DUNHAM & YALLOP over the door, NORWICH HALFPENNY. 1792 around, edge PAYABLE AT THE SHOP OF DUNHAM & YALLOP (D&H Norfolk 28a). Extremely fine and rather rare.
BRITISH 18th CENTURY TOKENS, Dunham & Yallop, Copper Halfpenny, 1792, obv shield of arms of the city of Norwich upon a sword and mace, between palm branches, SUCCESS TO THE CITY OF NORWICH around, raised shield, no tie at branches, the hilt of the sword points to the first limb of the O of OF, the top of the mace points to the centre of H of THE, rev shop front within a circle, DUNHAM & YALLOP over the door, NORWICH HALFPENNY. 1792 around, edge plain (D&H Norfolk 28, edge unlisted; noted as D&H Norfolk 28b). Nearly very fine and exceptionally rare. ex F S Cokayne Collection, acquired 14 January 1939 for 30/-
BRITISH 18th CENTURY TOKENS, John Fielding, Copper Halfpenny, 1793, obv Grocer’s arms and supporters, 1793 below, MANCHESTER PROMISSORY HALFPENNY around, wide date, the tip of the right Griffin’s wing lines with the first limb of A of HALFPENNY, rev East India Co., Tea Mark, PAYABLE AT INo . FIELDINGS GROCER & TEA DEALER . around, the centre point of the shield clear of V, edge plain (D&H Lancashire 129). Very light contact marks on the reverse, otherwise good extremely fine with some original colour remaining.
BRITISH 18th CENTURY TOKENS, John Fielding, Copper Halfpenny, 1793, obv Grocer’s arms and supporters, 1793 below, MANCHESTER PROMISSORY HALFPENNY around, narrow date, the tip of the right Griffin’s wing lines with the first limb of A of HALFPENNY, the tufts of the tails formed of two distinct lines, rev East India Co., Tea Mark, PAYABLE AT INo . FIELDINGS GROCER & TEA DEALER . around, the centre point of the shield nearly touches the second limb of V, the tail of & touches the T of TEA, edge plain (D&H Lancashire 132). Spot of verdigris on the obverse, otherwise good extremely fine with some original colour remaining.
BRITISH 18th CENTURY TOKENS, Thomas Foster, Copper Halfpenny, 1794, obv group of trees and a man picking hops, MAY HOPS FOREVER FLOURISH around, the top of the centre tree points to the right side of the first E in EVER, rev shield of arms between branches dividing the date below, SUSSEX HALFPENNY TOKEN around, edge PAYABLE AT T. FOSTER LAMBERHURST + + + + (Conder p.51, 22; Pye p.45, 10; Virt p.36; Atkins p.53, 32; D&H Kent 34). A little superficial verdigris on the reverse, otherwise good extremely fine and retaining some underlying brilliance.
BRITISH 18th CENTURY TOKENS, William Fuggle, Copper Halfpenny, 1794, obv Kentish horse left, KENT HALFPENNY TOKEN around, 1794 in exergue, rev shield of arms of the city of Canterbury, FOR GENERAL CONVENIENCE * around, edge PAYABLE BY W. FRIGGLES GOUDHURST + + + + + (Atkins p.52, 26; D&H Kent 28). Light contact marks and the remains of old lacquer, otherwise nearly extremely fine, an early state of the obverse die. ex A W Jan Collection, sold by Glendinings, 7 May 1952, this token part of the remainder purchased by Baldwin’s in 1955 William Lutwyche developed a thriving trade in the production of tokens for various merchants in Kent. Among his many commissions were those for William Fuggle, a tallow chandler, and William Mynn, a shopkeeper, both residing in Goudhurst. Lutwyche used identical dies for both issuers, altering the edge inscription to distinguish between the two. William Fuggle got his tokens first, but he seems to have resisted the mis-spelling of his name as Friggles (DH Kent 28) and the issue was suppressed until it could be corrected. The second generation of these dies (DH Kent 28c) were struck on a flan intended for William Peckham, also a Lutwyche client. It’s likely that this was in error as it may have been too much of a stretch, even for Lutwyche, to use the same dies for three issuers. In any case, Peckham had his own set of dies engraved (see DH Kent 3) although it is interesting to note that on at least on a few occasions, an errant Friggles flan received the impression of the dies from his token (DH Kent 3a). Before Fuggle received his corrected order, Lutwyche had already moved on to striking tokens with the same dies for William Mynn (DH Kent 29). Lutwyche then completed the order for Fuggle with two variations (DH Kent 28a and 28b). By this time both Fuggle and Mynn had become aware of the confusion and began counter-stamping their respective tokens with an “F” or an “M”, while Fuggle took the additional step of actually cancelling the inscription on inappropriate edges. See also lots 1583 and 1584.
BRITISH 18th CENTURY TOKENS, Samuel Garbett, Uniface Copper Halfpenny, obv bust in profile right, SAMUEL GARBETT around, stop after T in line with the base of the letters, two ties visible in the queue, nose aligns with the first limb of B of GARBETT, small buttons on coat, rev blank, edge plain (D&H Warwickshire 127). Light spots, otherwise good extremely fine with some original colour remaining, extremely rare, perhaps only four examples traced. ex Thomas Tatton Collection ex F S Cokayne Collection
BRITISH 18th CENTURY TOKENS, Jonathan Garton, Garton & Co., Copper Halfpenny, 1791, obv equestrian statue of William III, GULIELMUS TERTIUS REX. around, MDCLXXXIX in exergue, rev shield of arms bearing three crowns between sprigs of oak, date above, HULL HALFPENNY. around, straight 1’s in date, the first 1 under the first limb of H of HALFPENNY, 16 acorns in sprigs, eight on each side, edge PAYABLE AT THE WAREHOUSE OF IONATHAN GARTON & CO. .X . (Atkins p.252, 19; D&H Yorkshire 19). A few spots, otherwise good extremely fine with a fair amount of original colour remaining, rare.
BRITISH 18th CENTURY TOKENS, Jonathan Garton, Garton & Co., Copper Halfpenny, 1791, obv equestrian statue of William III, GULIELMUS TERTIUS REX. around, MDCLXXXIX in exergue, the horse’s ear points to the I of TERTIUS, the head of William III is slightly to the left of the T, the baton points to U, rev shield of arms bearing three crowns between sprigs of oak, date above, HULL HALFPENNY. around, straight 1’s in date, the first 1 under the centre of H of HALFPENNY, 16 acorns in sprigs, eight on each side, edge PAYABLE AT THE WAREHOUSE OF IONATHAN GARTON & CO. .X . (Atkins p.252, 21; D&H Yorkshire 21). A few spots, otherwise good extremely fine with some original colour remaining.
BRITISH 18th CENTURY TOKENS, George Chapman George, Copper Halfpenny, 1794, obv shield of arms flanked by unicorns, PRO REGE ET POPULO on a ribbon above, LORD DE DUNSTANVILLE in exergue, rev laureate bust upon a scroll, military trophies behind, PENRYN VOLUNTEERS upon a ribbon above, FIRST INROLLD APRIL 3. 1794 in exergue, edge plain (Conder p.26, 3; Pye p.41, 1; Atkins p.17, 4; D&H Cornwall 4). Minor marks, otherwise good extremely fine with subdued colour.
BRITISH 18th CENTURY TOKENS, George Chapman George, Silver Halfpenny, 1794, obv shield of arms flanked by unicorns, PRO REGE ET POPULO on a ribbon above, LORD DE DUNSTANVILLE in exergue, rev laureate bust upon a scroll, military trophies behind, PENRYN VOLUNTEERS upon a ribbon above, FIRST INROLLD APRIL 3. 1794 in exergue, edge plain (Conder p.26, 3; Pye p.41, 1; Atkins p.17, 4; D&H Cornwall 4). Light hairlines, otherwise good extremely fine,
BRITISH 18th CENTURY TOKENS, William Glover, Copper Halfpenny, obv BATH at centre, GLOVERS LONDON SHEFFIELD & BIRMINGM. WAREROOMS . around, the top of the B of BATH aligns with the second limb of the first N of LONDON, rev No. 39 MILSOM STREET, with LATE BATH & SOMERSETSHIRE BANK + around, edge PAYABLE AT No. 39 MILSOM STREET . + . + . (Conder p.132, 13; Pye p.6, 2; Virt p.50; Atkins p.171, 24; D&H Somersetshire 28). Light contact marks and a small spot on the obverse, otherwise good extremely fine with substantial original colour.
BRITISH 18th CENTURY TOKENS, William Glover, Copper Halfpenny, obv BATH at centre, GLOVERS LONDON SHEFFIELD & BIRMINGM. WAREROOMS . around, the top of the B of BATH aligns with the second limb of the first N of LONDON, rev No. 39 MILSOM STREET, with LATE BATH & SOMERSETSHIRE BANK + around, edge PAYABLE IN LANCASTER LONDON OR LIVERPOOL (Atkins p.171, 24a; D&H Somersetshire 28a). Nearly extremely fine and very rare. ex Spink ex Richardson Collection ex F S Cokayne Collection
BRITISH 18th CENTURY TOKENS, William Glover, Copper Halfpenny, obv BATH at centre, GLOVERS LONDON SHEFFIELD & BIRMINGM. WAREROOMS . around, the top of the B of BATH aligns with the second limb of the first N of LONDON, rev No. 39 MILSOM STREET, with LATE BATH & SOMERSETSHIRE BANK + around, edge milled (Atkins p.171, 24c; D&H Somersetshire 28b). Some scattered light spotting, good extremely fine with substantial original colour. ex F S Cokayne Collection
BRITISH 18th CENTURY TOKENS, Goldsmith & Sons, Copper Halfpenny, 1793, obv shield of arms of Sudbury, MAY THE TRADE OF SUDBURY FLOURISH around, the head of the crest is nearly under the S of SUDBURY, rev PRO BONO PUBLICO 1793, the 1 of the date is under the first limb of the B of PUBLICO, edge PAYABLE GOLDSMITH & SONS SUDBURY . XXX. (Virt p.68; Atkins p.191, 37; D&H Suffolk 39). From the fractured obverse die, better than extremely fine. ex A W Jan Collection, sold by Glendinings, 7 May 1952, this token part of the remainder purchased by Baldwin’s in 1955
BRITISH 18th CENTURY TOKENS, Goldsmith & Sons, Copper Halfpenny, 1793, obv shield of arms of Sudbury, MAY THE TRADE OF SUDBURY FLOURISH around, the head of the crest is nearly under the S of SUDBURY, rev PRO BONO PUBLICO 1793, the 1 of the date is under the first limb of the B of PUBLICO, edge PAYABLE AT N. BOLLINGBROKES HABERDASHER &C. NORWICH (D&H Suffolk 39a). From the fractured obverse die, light marks and spots, some discolouration, otherwise extremely fine and extremely rare. ex F S Cokayne Collection
BRITISH 18th CENTURY TOKENS, Goldsmith & Sons, Copper Halfpenny, 1793, obv shield of arms of Sudbury, MAY THE TRADE OF SUDBURY FLOURISH around, the head of the crest is nearly under the S of SUDBURY, rev PRO BONO PUBLICO 1793, the 1 of the date is under the first limb of the B of PUBLICO, edge PAYABLE IN LONDON BRISTOL & LANCASTER (D&H Suffolk 39b). From the fractured obverse die, scattered marks and scrapes, otherwise nearly very fine and extremely rare. ex F S Cokayne Collection, acquired 2 December 1919 for 25/-
BRITISH 18th CENTURY TOKENS, Thomas Hall, Copper Penny, 1795, obv three quadrupeds, THE . KANGUROO, THE . ARMADILLO and THE . RHINOCEROS above, rev T. HALL CITTY ROAD NEAR FINSBURY SQUARE LONDON 1795, with THE FIRST ARTIST IN EUROPE FOR PRESERVING BIRDS BEASTS & : around, edge MANUFACTURED BY W. LUTWYCHE BIRMINGHAM . X . (Conder p.69, 10; Virt p.140; Atkins p.73, 26; D&H Middlesex 25). Good extremely fine with original colour remaining.
BRITISH 18th CENTURY TOKENS, Thomas Hall, Copper Penny, 1795, obv woman standing, MRS. NEWSHAM THE WHITE NEGRESS around, without necklace, rev T. HALL CITTY ROAD NEAR FINSBURY SQUARE LONDON 1795, with THE FIRST ARTIST IN EUROPE FOR PRESERVING BIRDS BEASTS & : around, edge MANUFACTURED BY W. LUTWYCHE BIRMINGHAM . X . (Atkins p.73, 28; D&H Middlesex 27). Light contact marks, otherwise better than extremely fine and bronzed, scarce. Amelia Newsham was an albino slave in Jamaica, sent on to London as a present from her master to his son. She was then acquired by two men who began to display her at fairs throughout Britain. By 1795 she was being exhibited by Thomas Hall at his City Road address, and later at other venues. Mrs Newsham continued to exhibit herself after she gained her freedom, and later married an Englishman with whom she had six children
BRITISH 18th CENTURY TOKENS, Thomas Hall, Copper Halfpenny, 1795, obv three quadrupeds, THE . KANGUROO, THE . ARMADILLO and THE . RHINOCEROS above, rev T. HALL CITTY ROAD NEAR FINSBURY SQUARE LONDON 1795, with THE FIRST ARTIST IN EUROPE FOR PRESERVING BIRDS BEASTS & : around, edge plain (Conder p.88, 152; Pye p.30, 3; Virt p.27; Atkins p.95, 224; D&H Middlesex 313). From the fractured reverse die, nearly good extremely fine.
BRITISH 18th CENTURY TOKENS, Thomas Hall, Copper Halfpenny, 1795, obv deformed dwarf, SIR JEFFERY DUNSTAN MAYOR OF GARRAT around, rev T. HALL CITTY ROAD NEAR FINSBURY SQUARE LONDON 1795, with THE FIRST ARTIST IN EUROPE FOR PRESERVING BIRDS BEASTS & : around, edge plain (Conder p.88, 155; Atkins p.95, 227; D&H Middlesex 316). Good extremely fine with some original colour remaining.
BRITISH 18th CENTURY TOKENS, Robert Heslop, Copper Halfpenny, obv man and a monkey, CAN YOU DO SO around, rev THE FIRST SHOP IN LONDON FOR NATURAL CURIOSITYS PAINTINGS, COINS COLOURS FOR ARTISTS &c., with R. HESLOP NO. 86 CHISWELL STREET FINSBURY SQUARE around, edge engrailed (Atkins p.96, 235; D&H Middlesex 336). Edge flaw as made, otherwise extremely fine and exceedingly rare.
BRITISH 18th CENTURY TOKENS, Robert Heslop, Copper Halfpenny, obv man and a monkey, CAN YOU DO SO around, rev THE FIRST SHOP IN LONDON FOR NATURAL CURIOSITYS PAINTINGS, COINS COLOURS FOR ARTISTS &c., with R. HESLOP NO. 86 CHISWELL STREET FINSBURY SQUARE around, edge milled (Atkins p.96, 235a; D&H Middlesex 336a). Better than extremely fine and patinated, rare. ex A W Jan Collection, sold by Glendinings, 7 May 1952, this token part of the remainder purchased by Baldwin’s in 1955
BRITISH 18th CENTURY TOKENS, Robert Heslop, Gilt-copper Halfpenny, obv man and a monkey, CAN YOU DO SO around, rev THE FIRST SHOP IN LONDON FOR NATURAL CURIOSITYS PAINTINGS, COINS COLOURS FOR ARTISTS &c., with R. HESLOP NO. 86 CHISWELL STREET FINSBURY SQUARE around, edge plain, not in collar (Conder p.89, 161; Pye p.30, 9; Virt p.25; Atkins p.96, 235b; D&H Middlesex 336b). Small spot on the obverse, otherwise good extremely fine and brilliant.
BRITISH 18th CENTURY TOKENS, Peter Kempson, Copper Halfpenny mule, 1794, obv bust of Earl Howe left, EARL HOWE & THE GLORIOUS FIRST OF JUNE around, the queue points to the J of JUNE and the & is close to the E and T, rev figure of Britannia seated, RULE BRITANNIA around, 1794 below, the point of the spear touches the R of BRITANNIA, edge PAYABLE AT LONDON LIVERPOOL OR BRISTOL (Atkins p.36, 9a; D&H Hampshire 13). Good extremely fine with substantial original colour.
BRITISH 18th CENTURY TOKENS, Peter Kempson, Copper Halfpenny mule, 1794, obv bust of Earl Howe left, EARL HOWE & THE GLORIOUS FIRST OF JUNE around, the queue points between the J and U of JUNE and the & is some distance from the E and T, rev figure of Britannia seated, RULE BRITANNIA around, 1794 below, the point of the spear between the B and R of BRITANNIA, edge EMSWORTH HALFPENNY PAYABLE BY IOHN STRIDE X (Conder p.41, 6; Pye p.19, 2; Atkins p.36, 9; D&H Hampshire 15). Struck from the fractured reverse die, good extremely fine with substantial original colour.
BRITISH 18th CENTURY TOKENS, Peter Kempson, Copper Halfpenny mule, 1794, obv bust of Earl Howe left, EARL HOWE & THE GLORIOUS FIRST OF JUNE around, the queue points between the J and U of JUNE and the & is some distance from the E and T, rev figure of Britannia seated, RULE BRITANNIA around, 1794 below, the point of the spear between the B and R of BRITANNIA, edge plain (D&H Hampshire 15, edge unlisted; Davisson as D&H Hampshire 15a). Struck from the fractured reverse die, better than extremely fine with some original colour remaining, exceptionally rare. ex Dudman Collection ex F S Cokayne Collection, acquired 12 May 1938 for 42/-
BRITISH 18th CENTURY TOKENS, Peter Kempson, Copper Halfpenny mule, 1794, obv bust of Earl Howe left, EARL HOWE & THE GLORIOUS FIRST OF JUNE around, the queue points between the J and U of JUNE and the & is some distance from the E and T, rev ship under sail to right, 1794 below, PRO BONO PUBLICO above, edge CURRENT EVERY WHERE (Conder p.226, 134; Atkins p.36, 13; D&H Hampshire 16). Minor spots and contact marks, otherwise good extremely fine with substantial original colour.
BRITISH 18th CENTURY TOKENS, Peter Kempson, Copper Halfpenny mule, obv bust of Earl Howe left, EARL HOWE & THE GLORIOUS FIRST OF JUNE around, the queue points between the J and U of JUNE and the & is some distance from the E and T, rev ship under sail to right, HALFPENNY above, edge plain (D&H Hampshire 17, edge unlisted; Davisson as D&H Hampshire 17a). Obverse and reverse spots, otherwise extremely fine and exceptionally rare, the only recorded specimen. ex Clements Collection ex F S Cokayne Collection, acquired 31 December 1936 for 42/-
BRITISH 18th CENTURY TOKENS, Peter Kempson, Copper Halfpenny mule, obv bust of Earl Howe left, EARL HOWE & THE GLORIOUS FIRST OF JUNE around, the queue points between the J and U of JUNE and the & is some distance from the E and T, rev MAY GREAT BRITAIN EVER REMAIN THE REVERSE radiated within an oak wreath, large letters in inscription, G of GREAT and N of BRITAIN touch the wreath, edge milled (Conder p.226, 132; Atkins p.37, 17a; D&H Hampshire 19a). Struck on a thick flan, a few spots, otherwise better than extremely fine and extremely rare. ex Lincoln “No. 1” Collection, acquired by F S Cokayne 17 March 1934 for 5/-
BRITISH 18th CENTURY TOKENS, Peter Kempson, Copper Halfpenny mule, 1794, obv bust of Earl Howe left, EARL HOWE & THE GLORIOUS FIRST OF JUNE around, the queue points between the J and U of JUNE and the & is some distance from the E and T, rev crown and sceptre radiated, KING AND CONSTITUTION 1794 below, edge engrailed over CURRENT EVERYWHERE (D&H Hampshire 20d). Struck from the late state of the reverse die, good extremely fine with some original colour, exceedingly rare. ex F S Cokayne Collection, acquired 23 February 1918 D&H does not note whether their example was engrailed over an inscription
BRITISH 18th CENTURY TOKENS, Peter Kempson, Copper Halfpenny mule, 1795, obv bust of Earl Howe left, EARL HOWE & THE GLORIOUS FIRST OF JUNE around, the queue points between the J and U of JUNE and the & is some distance from the E and T, rev figure of Britannia seated, RULE BRITANNIA around, 1795 below, edge EMSWORTH HALFPENNY PAYABLE BY IOHN STRIDE X (Conder p.41, 7; Atkins p.36, 10; D&H Hampshire 21). Trifling marks and blemishes, otherwise essentially mint state and retaining nearly full original brilliance.
BRITISH 18th CENTURY TOKENS, Peter Kempson, Copper Halfpenny mule, 1795, obv bust of Earl Howe left, EARL HOWE & THE GLORIOUS FIRST OF JUNE around, the queue points between the J and U of JUNE and the & is some distance from the E and T, rev figure of Britannia seated, RULE BRITANNIA, 1795 below, edge milled (D&H Hampshire 21a). Nearly extremely fine and extremely rare. ex F S Cokayne Collection, acquired 8 March 1915 for 2/6
BRITISH 18th CENTURY TOKENS, Peter Kempson, Copper Halfpenny mule, 1795, obv bust of Earl Howe left, EARL HOWE & THE GLORIOUS FIRST OF JUNE around, the queue above the shoulder, point of hat to E of THE, rev figure of Britannia seated, RULE BRITANNIA around, 1795 below, edge WE PROMISE TO PAY THE BEARER ONE CENT (D&H Hampshire 23, edge unlisted; noted as D&H Hampshire 23f). A few spots, otherwise good extremely fine with a little original colour remaining, exceptionally rare, the only example traced. ex Daniels Collection Collection ex F S Cokayne Collection, acquired 26 March 1921 for 20/-
BRITISH 18th CENTURY TOKENS, Peter Kempson, Copper Halfpenny mule, 1795, obv bust of Earl Howe left, EARL HOWE & THE GLORIOUS FIRST OF JUNE around, the queue above the shoulder, point of hat under the H of THE, rev figure of Britannia seated, RULE BRITANNIA around, 1795 below, edge EMSWORTH HALFPENNY PAYABLE BY IOHN STRIDE X (D&H Hampshire 26). A few spots, otherwise good extremely fine with some original colour remaining, exceptionally rare. ex Clements Collection ex F S Cokayne Collection, acquired 31 December 1936 for 42/-
BRITISH 18th CENTURY TOKENS, Peter Kempson, Copper Halfpenny mule, 1797, obv ship under sail to right, sprigs of leaves below, PAYABLE above, the top of the masthead touches the first limb of A of PAYABLE, rev figure of Britannia seated, RULE BRITANNIA around, 1797 below, edge plain, struck on a small flan (Atkins p.41, 51; D&H Hampshire 77). Struck from lightly rusted dies on a small flan, better than very fine and exceptionally rare. ex F S Cokayne Collection, acquired 10 June 1909 for 5/-

-
596780 item(s)/page