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Lot 1159
A SMALL DATED ICON OF THE QUICK TO HEAR MOTHER OF GOD(SKOROPOSLUSHNITSA) Mount Athos, dated 1912 Oil on wood panel. Against a golden background, the borders ornately incised and painted in faux enameling. On the reverse stamp of a monastery and dedication inscription, dated '1912'. Partially restored. 17.8 x 14.5 cm. KLEINE DATIERTE IKONE MIT DER GOTTESMUTTER 'DIE SCHNELLERHÖRENDE' (SKOROPOSLUSNITSA) Berg Athos, datiert 1912 Laubholz-Tafel. Ölmalerei auf Kreidegrund, Goldgrund ornamental graviert, Rand farbig akzentuiert. 17,8 x 14,5 cm. Verso Stempel eines Athosklosters mit handschriftlicher Beischrift, datiert '1912'. Partiell rest.
Lot 1170
A VERY RARE ICON SHOWING THE HANDOVER OF THE ICON OF THE DORMITION OF THE MOTHER OF GOD BY THE MOTHER OF GOD Russland, um 1900 Russian, circa 1900 Schwere Zypressenholz-Tafel. Ölmalerei auf Kreidegrund, vergoldeter Rand ornamental Oil on wood panel. The gilt borders ornately incised and painted in faux enameling. The lower edge minimally chipped. On the reverse stamp (illegible). 26.7 x 22.5 cm. SEHR SELTENE IKONE MIT DER ÜBERGABE DER ENTSCHLAFEN-IKONE DURCH DIE GOTTESMUTTER Russland, um 1900 Schwere Zypressenholz-Tafel. Ölmalerei auf Kreidegrund, vergoldeter Rand ornamental graviert. 26,7 x 22,5 cm. Verso Stempel (unleserlich). Unterer Rand min. best.
Lot 1175
AN ICON SHOWING THE MOTHER OF GOD OF KAZAN Russian, circa 1900 Oil on wood panel. On a gilt ground carved in imitation of an enamelled oklad. Minor losses. On the reverse Cyrillic workshop stamp 'I.I.W.'. 30.8 x 26.2 cm. BEZEICHNETE IKONE MIT DER GOTTESMUTTER VON KASAN (KASANSKAJA) Russland, um 1900 Verbund zweier Zypressenholz-Bretter mit zwei Stirnseiten-Sponki. Ölmalerei auf Kreidegrund, Goldgrund und Rand ornamental graviert. 30,8 x 26,2 cm. Verso Stempel mit kyrillischen Initialen 'I. I. W.'. Kleinere Farbabsplitterungen.
Lot 1205
A FINE ICON SHOWING THE FEODOROVSKAYA MOTHER OF GOD Raja (Estonia), Frolov Brother, circa 1900 Tempera on wood panel with kovcheg. The halo made of gold. The Child wearing an orange tunic with profuse chrysography. Minor area of retouching. On the reverse Cyrillic stamp. 31.1 x 26 cm. FEINE IKONE MIT DER GOTTESMUTTER FEODOROWSKAJA Raja (heute Estland), Werkstatt Frolow, um 1900 Einzeltafel mit zwei Rückseiten-Sponki. Kowtscheg, Eitempera auf Kreidegrund, Nimben und Gewandfalten vergoldet. 31,1 x 26 cm. Verso Werkstattstempel. Minimale Einstimmung.
Lot 1480
A SMALL ICON SHOWING THE MANDYLION 19th/20th century Oil on wood panel. On the reverse stamp of the Monastery of the Great Martyr St. Panteleimon on the mount Athos. Overpainted. 23 x 18.3 cm. KLEINE IKONE MIT DEM MANDYLION 19./20. Jh. Holztafel, Ölmalerei, Vergoldung. 23 x 18,3 cm. Verso Marke des Panteleimon-Klosters auf dem Berg Athos. Übermalungen.
Lot 1583
A SMALL ICON SHOWING THE DORMITION OF THE MOTHER OF GOD Russian, St. Petersburg, workshop of Arseniy Semenovitch Melnikov, circa 1900 Tempera on wood panel. The background with etched design, the border emulating contemporary enamelwork. On the reverse Cyrillic workshop stamp. Minor losses. 22.1 x 17.6 cm. KLEINE BEZEICHNETE IKONE MIT DEM ENTSCHLAFEN DER GOTTESMUTTER Russland, St. Petersburg, Werkstatt Arsenij Semenowitsch Melnikow, um 1900 Laubholz-Einzeltafel. Eitempera auf Kreidegrund, Goldgrund und Rand ornamental graviert und punziert. 22,1 x 17,6 cm. Verso kyrillischer Werkstattstempel. Min. Farbabsplitterungen.
Lot 567
AN ICON SHOWING ST. PANTELEIMON Mount Athos, Monastery of St. Panteleimon, circa 1900 Oil on wood panel. The young saint is shown holding a medicine box and an instrument. The abbreviated inscription identifying him as, The Holy Great Martyr Panteleimon. Inscribed on the lower border in Cyrillic. On the reverse stamp of the Monastery of the Great Martyr St. Panteleimon on the mount Athos. Minor losses. 26.8 x 22 cm. IKONE MIT DEM HEILIGEN PANTELEIMON Berg Athos, Panteleimon-Kloster, um 1900 Verbund dreier Laubholz-Bretter. Ölmalerei auf Kreidegrund, Goldgrund. 26,8 x 22 cm. Verso Stempel des Klosters. Kleinere Substanzverluste, vertikale Risse.
Lot 568
A SMALL ICON SHOWING ST. PANTELEIMON Mount Athos, Panteleimon Monastery, circa 1900 Oil on wood panel. On the reverse stamp of the monastery. Losses. 18 x 14.5 cm. KLEINE IKONE MIT DEM HEILIGEN PANTELEIMON Berg Athos, Panteleimon-Kloster, um 1900 Laubholz-Einzeltafel. Ölmalerei auf Kreidegrund. 18 x 14,5 cm. Verso Stempel des Panteleimon-Klosters. Fehlstellen.
Lot 692
AN ICON SHOWING ST. PAISIY Raja (Estonia), Frolov Brother, circa 1900 Tempera on wood panel with kovcheg. The halo made of gold. On the reverse Cyrillic stamp of the workshop. 32.3 x 27.6 cm. IKONE MIT DEM HEILIGEN PAISIJ Raja (heute Estland), Werkstatt Frolow, um 1900 Verbund zweier Bretter mit zwei Rückseiten-Sponki. Kowtscheg, Eitempera auf Kreidegrund, Nimbus vergoldet. 32,3 x 27,6 cm. Rückseitig eingeschlagener Werkstattstempel.
Lot 206
MOORE JAMES. A Narrative of the Campaign of the British Army in Spain Commanded by His Excellency Lieut-General Sir John Moore. Eng. port. frontis & 2 fldg. eng. maps. Quarto. Quarter calf with Duncan of Camperdown library stamp. Browning & spotting, particularly to frontis, title & 2nd map. 1809.
Lot 169
Tartan ware cribbage board containing a smaller Tartanware circular box lid with facsimile Penny Red stamp, and a selection of playing cards, the box 12.5cm x 8cm x 5cm high Condition: Catch missing to main box, general scuffing to corners, joints and hinges loose, playing cards unchecked. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 3125
A collector's lot to include: cast steel figure of Carl XIII, foundry stamp; Deritend Drop Forgings letter opener; set of Japanese lacquer coaster in fitted box and cover; a Sitzendorf style blue and white figure of an 18th Century lady and a Phillips bronze 1891-1966 75 Years of Progress presentation plaque depicting Cellini, in fitted box (1 box);
Lot 1232
A group of Studio pottery to include: Waechsterbach "Elba" vase no: 10550/1; Langley large baluster vase decorated with heart shaped band of decoration, green and yellow; Denby brown tray; Denby grey plant pot; blue striped vase, stamp to base; Pool 1960s vase; David Firth pottery plate; Thornton potter vase (Q)
Lot 1264
A large collection of mainly Turkey models / figures various sizes and materials to include resin, ceramic, bronzed, plastic, glass - napkin rings, salt & pepper pots, mug, tureens - collection also includes a stamp album holding Cuban and other stamps with Turkey or fowl themes, silvered and gilt metal brooches, cufflinks (Q )(2 boxes)
Lot 235
Louis-Léopold Boilly (La Bassée 1761-1845 Paris)A study for The Movings black chalk and charcoal heightened with white on brown paper26.7 x 19.9cm (10 1/2 x 7 13/16in).Footnotes:ProvenanceE.Mans (Frits Lugt 878b, indistinct stamp)Sale, Audap-Picard-Solanet & Associés, Paris, 19 March 1997, lot 6With Hazlitt, Gooden & Fox, London, 1998 LiteratureS. Maison, Nineteenth and early Twentieth Century Drawings and Oil Sketches, exh.cat., London, 1998T. Burollet, Les Peintures, Musée Cognacq-Jay, musée du XVIIIe siècle de la ville de Paris, Paris, 2004, p. 44P. Zuber and E. Breton, Le Peintre De La Société Parisienne De Louis XVI a Louis-Philippe, Paris, 2019, vol. II, pp. 711-2 cat. no. 882D, ill.The present work is a preparatory study for the central figure in Boilly's finished painting The Movings, dated 1822, now in the Art Institute of Chicago, USA.For further information on this lot please visit Bonhams.com
Lot 83
Circle of William Sartorius (active Britain, 1730-1740)An overturned bowl of strawberries with a squirrel on a forest floor oil on canvas30 x 36.8cm (11 13/16 x 14 1/2in).Footnotes:ProvenanceWith Galeria Sacerdoti, Milan (according to a stamp on the reverse)For further information on this lot please visit Bonhams.com
Lot 1360B
Stamp Interest Extensive Old Time Europe Collection on 7 album leaves, mainly mint, + used just a few unused classics from 1853 France 1 cent 4 margin + 5 cent green 3 margin just touched on 4th cat £2,500, etc to 1930's mint sets include Belgium 1914 red cross in pairs cat £200+ over 25 countries represented with 200+ mint stamps total stamps over 300+, total cat approx £4,400, some minor imperfections here and there, overall very good.
Lot 1377
Mixed Collection to include a Jerusalem Souvenir Album, to include pressed flowers and topographical images, together with a tin containing mixed loose stock stamps to sort, Queen Elizabeth II stamp booklets, etc. wooden nursery money box, and a cigar box containing two penknives, a cut-throat razor, souvenir knife, etc.
Lot 476
Royal Worcester Pair of Hand Painted Porcelain Vases of Pleasing Form and Proportions. Each Decorated with Naturalistic Painted Images of Butterflies, Flowers and Foliage on Ivory Ground. Royal Worcester Printed Stamp for 1889. One Vase with Chip to Top Rim Area. Heights 6.75 Inches - 16.90 cms. Please Confirm with Photo.
Lot 905
William Russel Flint 1880 - 1969 Artist Signed Ltd Edition Coloured Lithograph ' Reclining Female Nude ' Published In 1963 by Frost and Reed of Bristol and London, with Blind Proof Stamp. Mounted and Framed Behind Non - Reflective Glass. Print Size Only 13.75 x 24 Inches - 34.40 x 60 cms. Size with Frame 25.25 x 35.25 Inches - 63 x 88 cms.
Lot 906
Michael Lyne 1912 - 1989 Artist Signed Pencil Colour Print In a Ltd Edition - Titled ' The Grand National - Canal Turn ' 1965. Published by Frost and Reed, Bristol In 1967 - Artists Blind Proof Stamp, Artist Signed In Pencil Lower Right Margin, Excellent Colours, No Fading. Mounted and Framed Behind Non Reflective Glass. Size - Image Only 22 x 25.5 Inches - 55 x 63.75 cms, Size with Frame 30.5 x 34.75 Inches - 76.5 x 88 cms.
Lot 174
BeechTextile upholstery pined with yellow metal tacksStamped "BOVO"France, 18th century(signs of wear)105x150x70 cm Additional InformationThe BOVO stamp is attributed to Léonard Beauvau, a French ébénist from the 18th century who inherited his father's studio on rue de Cléry, and who remained active during the 1750s, until the reign of Louis XVI, having died in the early 1780s.His cabinetry activity is marked by the attention to the balance of the carvings, whether they are made of natural wood in the shape of flowers, of Rococo influence, or of a Neoclassical influence. His work also shows us the purity of the lines highlighted by the simple treatment of the wood in the molding of the upholstery, as can be seen in this example.Of his authorship stands out a chair from the Wrightsman collection that is now in the collection of the Metropolitan Museum in New York.Bibliografia/Literature:J. Nicolay, L'art et la manière des maîtres ébénistes français au XVIIIe siècle, Paris, 1982, p.80;P. Kjellberg, Le mobilier français du XVIIIe siècle, Dictionnaire des ébénistes et des menuisiers, Les éditions de l'Amateur, Paris, 2002, p. 127.
Lot 293
Kette mit Medaillon, Medaillon mit Blumenbouquet, Uhrkette und RingFrankreich, um 1870-1880 Kette: Gold en deux couleurs 750/-, getestet. Medaillon mit Blumenbouquet: Gold en trois couleurs 750/-, getestet. Uhrkette: Gelbgold 750/-, getestet, Pariser Garantiestempel ab 1838. Ring: Gelbgold 750/-, getestet. Ring: schwarzes und weißes opakes Email. Kette: L. ca. 47 cm. Medaillon: ca. 4 x 2,2 cm (im Oval). Uhrkette: L. ca. 33 cm. Ringgröße: 48. Ca. 42,7 g. SvP A necklace with locket, locket with bouquet of flowers, watch chain and ringFrance, circa 1870-1880 Necklace: bicolour gold 750/-, assayed. Locket with bouquet of flowers: tricolour gold 750/-, assayed. Watch chain: yellow gold 750/-, assayed, Paris guarantee stamp as of 1838. Ring: yellow gold 750/-, assayed. Ring: black and white opaque enamel. Necklace: length approx. 47 cm. Locket: approx. 4 x 2.2 cm (in the oval). Watch chain: length approx. 33 cm. Ring Size: 48. Approx. 42.7 g.
Lot 294
Armreif, Anhänger und Ring mit Saatperlen und AchatgemmeFrankreich, um 1870-1880 und Anfang 20. Jh. Armreif: Gelbgold 750/-, gestempelt, französische Garantiestempel ab 1838 und 1847, Juwelierpunze. Anhänger: Gelbgold 750/-, gestempelt, französischer Garantiestempel für Goldfeingehalt ab 1838, Juwelierpunze. Ring: Gelbgold 750/-, getestet. Ring: Achatgemme. 20 hellgraue und 13 weiße Saatperlen. Armreif: ca. 5,77 x 4,89 cm (im Oval). Brosche: ca. 4,96 x 3,01 cm. Ringgröße: 50. Ca. 29,19 g. Der Anhänger ist auch als Brosche zu tragen. SvP A bangle, pendant and ring with seed pearls and engraved agate gemFrance, circa 1870-1880 and early 20th century Bangle: yellow gold 750/-, hallmarked, French guarantee stamp as of 1838 and 1847, jeweller's hallmark. Pendant: yellow gold 750/-, hallmarked, French guarantee stamp for fineness of gold as of 1838, jeweller's hallmark. Ring: yellow gold 750/-, assayed. Ring: engraved gem in agate. 20 light grey and 13 white seed pearls. Bangle: approx. 5.77 x 4.89 cm (in the oval). Brooch: approx. 4.96 x 3.01 cm. Ring Size: 50. Approx. 29.19 g.
Lot 509
Adrian Zingg1734 St. Gallen - 1816 Leipzig"Schloss Gnandstein"Im Vordergrund Hirtenkinder mit Kühen und Ziegen. R. u. (im Stein) signiert, l. u. Sammlungsstempel W. G. Becker, Dresden (Lugt 324). Rücks. betitelt sowie weitere Bezeichnungen und Nummerierungen. Lavierte Tuschzeichnung auf Velin. 39,5 x 31 cm. Montierungsreste. Min. gebräunt. Rahmen. Adrian Zingg1734 St. Gallen - 1816 LeipzigGnandstein CastleSigned (in the stone) lower right, collection stamp W. G. Becker, Dresden (Lugt 324) lower left. Titled, further inscriptions and numberings verso. Ink and wash on vellum. 39.5 x 31 cm. Remnants of mounting. Slightly browned. Framed.
Lot 510
Adrian Zingg1734 St. Gallen - 1816 Leipzig"Schloss Sachsenburg im Erzgebirge"R. u. monogrammiert. Rücks. bezeichnet, nummeriert sowie Sammlungsstempel W. G. Becker, Dresden (Lugt 324). Tuschzeichnung, Sepia laviert, auf Velin. 39,2 x 30,7 cm. Fleckig. Montierungsreste. Rahmen min. besch. Adrian Zingg1734 St. Gallen - 1816 LeipzigSachsenburg Castle in the Ore MountainsMonogrammed lower right. Inscribed, numbered and collector's stamp W. G. Becker, Dresden (Lugt 324) verso. Ink drawing, sepia wash on vellum. 39.2 x 30.7 cm. Stained. Remnants of mounting. Minor damage to frame.
Lot 523
Carl Spitzweg1808 München - 1885 ebendaSitzende junge FrauR. u. Nachlass-Stempel in Blau (Lugt 2307). Bleistiftzeichnung auf Velin. 19,4 x 14,5 cm. Gebräunt. Knickfalten. Rahmen. Carl Spitzweg1808 Munich - 1885 ibid.Sitting young woman Estate stamp in blue (Lugt 2307) lower right. Pencil drawing on vellum. 19.4 x 14.5 cm. Browned. Creases. Framed.
Lot 603
Carl Spitzweg1808 München - 1885 ebendaWaldbachR. u. zweifacher Nachlass-Stempel in Blau (Lugt 2307). Rücks. nummeriert 230. Auf rücks. Karton bezeichnet sowie Angaben zur Provenienz ("... gekauft ... 09. Stammt aus dem Nachlass des Künstlers"). Ölstudie auf dünnem Karton. 24 x 39,5 cm. Knickfalten. Fleckig. Rahmen min. besch. Vgl. Wichmann, Siegfried, Carl Spitzweg. Verzeichnis der Werke. Stuttgart 2002. WVZ-Nr. 152. Carl Spitzweg1808 Munich - 1885 ibid.Forest streamDouble estate stamp in blue (Lugt 2307) lower right. Numbered 230 verso. Inscribed and information on the provenance ("... gekauft ... 09. Stammt aus dem Nachlass des Künstlers") on the cardboard verso. Oil study on thin cardboard. 24 x 39.5 cm. Creases. Stained. Minor damage to frame. Cf. Wichmann, Siegfried, Carl Spitzweg. Verzeichnis der Werke. Stuttgart 2002. Catalogue raisonné number 152.
Lot 1002
Richard Müller1874 Tschirnitz - 1954 Dresden-LoschwitzNach dem Sturm. (1910) Neckerei (1912). Auf Freiersfüßen (1914). Bogenschütze II (1918). Ruhm (1919)Alle Blätter links unten mit Bleistift nummeriert, in der Platte signiert bzw. monogrammiert und datiert. Fünf posthume Drucke (Vier Radierungen und eine Lithografie) auf Velin. Ein Blatt mit Trockenstempel PROF RICHARD MÜLLER DRESDEN. Bis ca. 40 x 29 cm. Blattgröße: Bis ca. 40 x 66 cm. Mit Tesa montiert. Alle gerahmt. Werkverzeichnis: Vgl. Günther 61, 66, 70, 88, 95 Provenienz: Privatbesitz Süddeutschland Richard Müller1874 Tschirnitz - 1954 Dresden-Loschwitz After the storm. (1910) Teasing (1912). On Free Feet (1914). Archer II (1918). Glory (1919)All sheets numbered, signed / monogrammed and dated in the plate, lower left, in pencil. Five posthumous prints (four etchings and one lithograph) on vellum. One sheet with blind stamp PROF RICHARD MÜLLER DRESDEN. Up to approx. 40 x 29 cm. Up to approx. 40 x 66 cm. Mounted with tape. All framed. Catalogue Raisonné: Cf. Günther 61, 66, 70, 88, 95 Provenance: private owner, South Germany
Lot 1016
Friedensreich Hundertwasser('Fritz Stowasser')1928 Wien - 2000 Queen Elizabeth 2, Pazifischer OzeanLook at it on a rainy day. 1971/72Mappe mit 10 Blättern. Blatt 5 (Regen auf Regentag) handsigniert und nummeriert 142/300 sowie 1415/3000, die anderen im Druck signiert und nummeriert. Im Innendeckel signiert "Friedensreich". 10 Farbserigrafien mit Metallprägungen auf verschiedenen Papieren, teils mit Trockenstempel. Lose Bogen in O.-Holz-Kassette mit Deckelillustration in Farbserigrafie und Metallprägungen. Im Innendeckel Titelverzeichnis. Ex. 142/300 sowie 0115/3000. Blatt 5 mit abweichender Exemplarnummer 142/300 sowie 1415/3000. Verlegt von Ars Viva, Zürich. Gedruckt bei Dietz Offizin, Lengmoos/Bayern in Zusammenarbeit mit Günter Dietz. Alle mit den Stempeln der Herausgeber. Kassettengröße: 54,5 x 72 cm. Zum Teil etwas fleckig, ein Blatt mit Kratzspuren, sonst farbfrische Drucke. Ein (fehlendes ) Blatt ergänzt (Blatt 5). Werkverzeichnis: Koschatzky 44 - 53. Fürst HWG 44 - 53 Friedensreich Hundertwasser('Fritz Stowasser')1928 Vienna - 2000 Queen Elizabeth 2, Pacific OceanLook at it on a rainy day. 1971/72Portfolio with 10 sheets. Sheet 5 (rain on a rainy day) hand-signed and numbered 142/300 and 1415/3000, the others signed and numbered in the print. Signed "Friedensreich" on the inside cover. 10 colour serigraphs with metal embossings on different papers, partly with a blind stamp. Loose sheets in original wooden box with cover illustration in colour serigraphs and metal embossings. List of titles on the inside cover. Copy 142/300 and 0115/3000. Sheet 5 with different copy number 142/300 and 1415/3000. Published by Ars Viva, Zurich. Printed by Dietz Offizin, Lengmoos/Bavaria in collaboration with Günter Dietz. All with the publisher's stamps. Box size: 54.5 x 72 cm. Partly stained, one sheet with scratch marks, otherwise prints with well-preserved colours. One (missing) sheet was added (sheet 5). Catalogue Raisonné: Koschatzky 44 - 53. Fürst HWG 44 - 53
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