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Lot 131
ANDRE VERDET (French, 1913-2004) 'Méridienne', Linocut printed in colours, 1972, An impression printed in blue, red, yellow, green and purple outside the signed and numbered edition of 150. From the archive of Imprimerie Arnéra, who worked with Picasso on all his linocuts, with their stamp verso. 60x 47.5 cm, framed and glazed. (Please Note Clause 6 of Buyers Conditions)
Lot 171
ANDRE VERDET (French 1913-2004) 'Icare - Icarus', Linocut printed in colours, 1972. An impression printed in peach, orange, red and black. Printed by Imprimerie Arnera. Watermark: Arches. From the archive of Imprimerie Arnéra, who worked with Picasso on all his linocuts, with their stamp verso. 57x 47.5 cm, framed and glazed. (Please Note Clause 6 of Buyers Conditions)
Lot 132
ANDRE VERDET (French, 1913-2004), 'La prétesse - The priestess' an impression printed in brown, green, yellow, pink, dark blue and blue on auvregne, outside the signed and numbered edition of 150, framed, 57cm x 42cm. From the archive of Imprimerie Arnéra, who worked with Picasso on all his linocuts, with their stamp verso. (Please Note Clause 6 of Buyers Conditions)
Lot 133
PABLO PICASSO (Spanish,1881-1973) 'Picasso et le theatre' vintage poster 1965 Gwiklitzer 222, from the edition of 1000, printed by Inuprinuerie Aruena and published by Musee des Augustines, Toulouse, framed and glazed, 85cm x 54.5cm. From the archive of Imprimerie Arnéra, who worked with Picasso on all his linocuts, with their stamp verso.
Lot 123
AFTER LAURENCE S LOWRY (1887-1976) "Level crossing with LNER steam train", colour print, signed in pencil lower right, 46 cm x 56 cm (ARR) CONDITION REPORTS Generally good. Some small dotted brown marks to the top of the picture. Frame with some marks, scratches and general signs of wear and tear. Appears to be in basically sound condition, although the paper is of a slightly cream colouring suggesting discolouration, although uniform throughout. There is no visible Edition Blind Stamp. Signature in pencil bottom right, appear legitimate. Frame is modern and with minor surface blemishes. The slip has spotting to the giltwork particularly down the left hand side and bottom left corner. Provenance: local private source. (Postage and packing details, including charges/information can be found on our Moore Allen website under "essential information", rough estimate - packing up to £30 inc materials, postage with parcel force approx £30 - approx £60 total, to be confirmed once packed).
Lot 375
A 19th Century French rosewood and marquetry inlaid cased mantel clock with circular engraved silvered dial, the movement with silk suspension and striking on a bell, with "Japy Frères Medaille D'Or" stamp and No'd. "H735", 22 cm high CONDITION REPORTS Dial, movement and case appear contemporary (19th Century). Please note that we can make no guarantees as to whether or not in working order.
Lot 223
A Wemyss pottery tyg, retailed by T Goode & Co. South Audley Street, London NW, the cylindrical body painted with fruiting cherry branches, the three handles with green painted ribbed decoration, base un-marked but bearing retailer's stamp, 14.5 cm high CONDITION REPORTS Crazing throughout which is fairly even. There are some pinhead size chips around the green rim which have been crudely repainted. Slightly dirty. Some repainting to one handle to the green, and a flake to the green on one handle.
Lot 226
A large circa 1900 Wemyss mug with green painted rim and green painted raised band to the handle, painted with daffodils, retailed by T Goode & Co. South Audley Street, London NW, 14.5 cm high, a large Wemyss pottery mug with green painted rim and green painted raised band to the handle, painted with fruiting cherry branches, retailed by T Goode & Co., South Audley Street, London NW, 14 cm high, together with a large Wemyss pottery mug with red painted rim and red painted raised band to the handle, painted with poppies, 14 cm high (3) CONDITION REPORTS Daffodil has crazing all over, hairline cracks running from top, a dent to the main body which can be seen on the outside and felt on the inside, there is staining and discolouration all over. Cherry decorated mug - hairline crack running from top of mug, firing fault to main body. Poppy mug - significant chipping to rim and handle, right of handle there is an area of restoration/overpainting on both the outside and inside, there is a faint vertical crack. All items have all over crazing, nibbling, staining, chips and wear. Poppy mug stamped Wemyss to base like the other two, but poppy mug has no printed stamp.
Lot 153
Charles III (Spain) Mexico 8 reales 1778, with George III duty stamp, drilled, 27 grams, EF. At the end of the 18th century, a severe shortage of silver coins existed in Britain, and the Bank of England was running out of their gold reserves. At the same time, the Bank of England had approximately 6 Million ounces of minted silver in its vaults, most of it in Spanish Dollars. To solve the coin shortage problem, it was decided to translate the holdings of Spanish Dollars into 'circulating medium', by applying a counterstamp to the coins. On March 3, 1797, the Treasury of England issued a warrant to the Royal Mint to 'prepare the necessary means of Stamping the Mark of the Kings' Head used at Goldsmiths' Hall for distinguishing the Plate of this Kingdom on such Silver Dollars as shall be sent to your Office from the Bank of England'.
Lot 595
A Victorian silver chatelaine in ornate pierced design with foliate, swag and cherub decoration, hallmarked for London 1889 with maker's mark for Cornelius Saunders and Frank Shepherd, having attached pin cushion with heavily embossed silver mounts, silver cased pen knife, silver pencil holder and silver double stamp case, each hallmarked with maker's marks Length of chatelaine alone (no attachments|) approx 14.5cm
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164719 item(s)/page