MITREITER, TORVALD (19TH CENTURY) Serbian Officer , variously inscribed in Cyrillic, titled twice, once in Cyrillic, and numbered “No 242” on the reverse. Albumen print, hand-coloured with watercolour and oil, laid on cardboard, 23.5 by 17.5 cm. Executed c. 1860s–1870s. Provenance: With the B. Avanzo Art Shop, Moscow, c. 1890s–1900s (stamp on the reverse). Private collection, Europe. Torvald Mitreiter was a Danish photographer active in Russia in the late 19th century, working for the Imperial Court. Between 1879 and 1897, Mitreiter was affiliated with the Rumyantsev Museum, Moscow’s first public museum, which commissioned a photographic album from him. In 1867 he participated in the Moscow Ethnographic Exhibition, with a series of photographs of mannequins wearing Russian folk costumes. Four works from the offered here Mitreiter collection were possibly included in this exhibition. He owned a salon in Moscow, Viennese Photography. Some of his photographs are in the collection of the Russian Ethnographic Museum in St Petersburg.
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MITREITER, TORVALD (19TH CENTURY) The Bride's Sister, Slovenia , variously inscribed in Cyrillic, titled twice, once in Cyrillic, and numbered “225” on the reverse. Albumen print, hand-coloured with watercolour and oil, laid on cardboard, 23.5 by 17.5 cm. Executed c. 1860s–1870s. Provenance: With the B. Avanzo Art Shop, Moscow, c. 1890s–1900s (stamp on the reverse). Private collection, Europe. Torvald Mitreiter was a Danish photographer active in Russia in the late 19th century, working for the Imperial Court. Between 1879 and 1897, Mitreiter was affiliated with the Rumyantsev Museum, Moscow’s first public museum, which commissioned a photographic album from him. In 1867 he participated in the Moscow Ethnographic Exhibition, with a series of photographs of mannequins wearing Russian folk costumes. Four works from the offered here Mitreiter collection were possibly included in this exhibition. He owned a salon in Moscow, Viennese Photography. Some of his photographs are in the collection of the Russian Ethnographic Museum in St Petersburg.
MITREITER, TORVALD (19TH CENTURY) Croatian Man , titled twice, once in Cyrillic, and numbered “No 230” on the reverse. Albumen print, hand-coloured with watercolour and oil, laid on cardboard, 23 by 17 cm. Executed c. 1860s–1870s. Provenance: With the B. Avanzo Art Shop, Moscow, c. 1890s–1900s (stamp on the reverse). Private collection, Europe. Torvald Mitreiter was a Danish photographer active in Russia in the late 19th century, working for the Imperial Court. Between 1879 and 1897, Mitreiter was affiliated with the Rumyantsev Museum, Moscow’s first public museum, which commissioned a photographic album from him. In 1867 he participated in the Moscow Ethnographic Exhibition, with a series of photographs of mannequins wearing Russian folk costumes. Four works from the offered here Mitreiter collection were possibly included in this exhibition. He owned a salon in Moscow, Viennese Photography. Some of his photographs are in the collection of the Russian Ethnographic Museum in St Petersburg.
MITREITER, TORVALD (19TH CENTURY) The Wedding Herald, Slovakia , titled twice, once in Cyrillic, and numbered “No 226.” on the reverse. Albumen print, hand-coloured with watercolour and oil, laid on cardboard, 23 by 17.5 cm. Executed c. 1860s–1870s. Provenance: With the B. Avanzo Art Shop, Moscow, c. 1890s–1900s (stamp on the reverse). Private collection, Europe. Torvald Mitreiter was a Danish photographer active in Russia in the late 19th century, working for the Imperial Court. Between 1879 and 1897, Mitreiter was affiliated with the Rumyantsev Museum, Moscow’s first public museum, which commissioned a photographic album from him. In 1867 he participated in the Moscow Ethnographic Exhibition, with a series of photographs of mannequins wearing Russian folk costumes. Four works from the offered here Mitreiter collection were possibly included in this exhibition. He owned a salon in Moscow, Viennese Photography. Some of his photographs are in the collection of the Russian Ethnographic Museum in St Petersburg.
MITREITER, TORVALD (19TH CENTURY) Montenegrin Man from the Bay of Kotor Region , variously inscribed in Cyrillic, titled twice, once in Cyrillic, and numbered “No 238.” on the reverse. Albumen print, hand-coloured with watercolour and oil, laid on cardboard, 23.5 by 17 cm. Executed c. 1860s–1870s. Provenance: With the B. Avanzo Art Shop, Moscow, c. 1890s–1900s (stamp on the reverse). Private collection, Europe. Torvald Mitreiter was a Danish photographer active in Russia in the late 19th century, working for the Imperial Court. Between 1879 and 1897, Mitreiter was affiliated with the Rumyantsev Museum, Moscow’s first public museum, which commissioned a photographic album from him. In 1867 he participated in the Moscow Ethnographic Exhibition, with a series of photographs of mannequins wearing Russian folk costumes. Four works from the offered here Mitreiter collection were possibly included in this exhibition. He owned a salon in Moscow, Viennese Photography. Some of his photographs are in the collection of the Russian Ethnographic Museum in St Petersburg.
MITREITER, TORVALD (19TH CENTURY) Russian Girl , variously inscribed in Cyrillic, titled and numbered “No 269.” on the reverse. Albumen print, hand-coloured with watercolour and oil, laid on cardboard, 23 by 17 cm. Executed c. 1867. Provenance: With the B. Avanzo Art Shop, Moscow, c. 1890s–1900s (stamp on the reverse). Private collection, Europe. Exhibited: Possibly, Ethnographic Exhibition, Moscow, 1867. Torvald Mitreiter was a Danish photographer active in Russia in the late 19th century, working for the Imperial Court. Between 1879 and 1897, Mitreiter was affiliated with the Rumyantsev Museum, Moscow’s first public museum, which commissioned a photographic album from him. In 1867 he participated in the Moscow Ethnographic Exhibition, with a series of photographs of mannequins wearing Russian folk costumes. Four works from the offered here Mitreiter collection were possibly included in this exhibition. He owned a salon in Moscow, Viennese Photography. Some of his photographs are in the collection of the Russian Ethnographic Museum in St Petersburg.
MITREITER, TORVALD (19TH CENTURY) Slovenian Bride , titled twice, once in Cyrillic, and numbered “No 227.” on the reverse. Albumen print, hand-coloured with watercolour and oil, laid on cardboard, 23 by 17.5 cm. Executed c. 1867. Provenance: With the B. Avanzo Art Shop, Moscow, c. 1890s–1900s (stamp on the reverse). Private collection, Europe. Exhibited: Possibly, Ethnographic Exhibition, Moscow, 1867. Torvald Mitreiter was a Danish photographer active in Russia in the late 19th century, working for the Imperial Court. Between 1879 and 1897, Mitreiter was affiliated with the Rumyantsev Museum, Moscow’s first public museum, which commissioned a photographic album from him. In 1867 he participated in the Moscow Ethnographic Exhibition, with a series of photographs of mannequins wearing Russian folk costumes. Four works from the offered here Mitreiter collection were possibly included in this exhibition. He owned a salon in Moscow, Viennese Photography. Some of his photographs are in the collection of the Russian Ethnographic Museum in St Petersburg.
MITREITER, TORVALD (19TH CENTURY) Serbian Man , titled twice, once in Cyrillic, and numbered “233” on the reverse. Albumen print, hand-coloured with watercolour and oil, laid on cardboard, 23.5 by 17 cm. Executed c. 1867. Provenance: With the B. Avanzo Art Shop, Moscow, c. 1890s–1900s (stamp on the reverse). Private collection, Europe. Exhibited: Possibly, Ethnographic Exhibition, Moscow, 1867. Torvald Mitreiter was a Danish photographer active in Russia in the late 19th century, working for the Imperial Court. Between 1879 and 1897, Mitreiter was affiliated with the Rumyantsev Museum, Moscow’s first public museum, which commissioned a photographic album from him. In 1867 he participated in the Moscow Ethnographic Exhibition, with a series of photographs of mannequins wearing Russian folk costumes. Four works from the offered here Mitreiter collection were possibly included in this exhibition. He owned a salon in Moscow, Viennese Photography. Some of his photographs are in the collection of the Russian Ethnographic Museum in St Petersburg.
MITREITER, TORVALD (19TH CENTURY) Bulgarian Boy from the Danube Region , variously inscribed in Cyrillic on the reverse, further titled twice, once in Cyrillic, and numbered “260” on the label on the reverse. Albumen print, hand-coloured with watercolour and oil, laid on cardboard, 23 by 17 cm. Executed c. 1860s–1870s. Provenance: With the B. Avanzo Art Shop, Moscow, c. 1890s–1900s (stamp on the reverse). Private collection, Europe. Torvald Mitreiter was a Danish photographer active in Russia in the late 19th century, working for the Imperial Court. Between 1879 and 1897, Mitreiter was affiliated with the Rumyantsev Museum, Moscow’s first public museum, which commissioned a photographic album from him. In 1867 he participated in the Moscow Ethnographic Exhibition, with a series of photographs of mannequins wearing Russian folk costumes. Four works from the offered here Mitreiter collection were possibly included in this exhibition. He owned a salon in Moscow, Viennese Photography. Some of his photographs are in the collection of the Russian Ethnographic Museum in St Petersburg.
GRACHEV, MIKHAIL (1916-2009) Moscow by Night , stamped with the photographer's stamp. Gelatin silver print, 37 by 28.5 cm. Photographed and printed c. 1940s–1950s. Provenance: Private collection, Europe. A prominent Soviet photographer, Mikhail Grachev (1916–2009) started his career working for the daily Izvestia in 1936. He took pictures of the major Soviet construction sites, including the construction of the Great Fergana Canal. During World War II, he led the photo department of Izvestia and worked as a photo correspondent for Vechernyaya Moskva. He was deployed to the Kalinin and Western Fronts, and worked in Leningrad during the siege. During the Battle of Moscow in 1941–1942, he photographed the offensives for Volokolamsk and Tula. From 1949, he worked for the magazine Sovetsky Soyuz.
GRACHEV, MIKHAIL (1916-2009) Children's Railway Built by Schoolchildren , stamped twice with the photographer's stamp and titled in Cyrillic on the reverse. Gelatin silver print, 26 by 39 cm. Photographed and printed c. 1940s. Provenance: Private collection, Europe. A prominent Soviet photographer, Mikhail Grachev (1916–2009) started his career working for the daily Izvestia in 1936. He took pictures of the major Soviet construction sites, including the construction of the Great Fergana Canal. During World War II, he led the photo department of Izvestia and worked as a photo correspondent for Vechernyaya Moskva. He was deployed to the Kalinin and Western Fronts, and worked in Leningrad during the siege. During the Battle of Moscow in 1941–1942, he photographed the offensives for Volokolamsk and Tula. From 1949, he worked for the magazine Sovetsky Soyuz.
IGNATOVICH, BORIS (1899-1979) Military Exercise . Gelatin silver print, 52.5 by 37.5 cm. Photographed and printed c. 1930s. Provenance: With the Grekov Studio of Military Artists, from 1948 (stamp on the reverse). Private collection, Europe. The iconic Russian photographer Boris Ignatovich (1899–1979) started out as a journalist, but from 1922 developed an interest in photography. In 1926 became one of the directors of the Association of Photo-Correspondents at the Publishing House (Dom pechati); and in 1928 together with Alexander Rodchenko he set up Oktiabr, a group of progressive artists, architects and filmmakers. He also worked for Ogoniok, Sovetskoye foto and SSSR na stroike. In the 1930s, Ignatovich filmed several documentaries, continuing at the same time to work as a journalist. He also headed the illustration department of the newspaper Vechernyaya Moskva and collaborated with the agency Soyuzfoto and several other periodicals specialising in construction. During World War II, he worked as a war correspondent on German-occupied territories, producing a well-known series of photographs documenting the Soviet resistance movement. After the war, Ignatovich became one of the directors of the legendary Moscow photo club Novator.
BALTERMANTS, DMITRY (1912-1990) She Found Her Husband..., from the Series “That's How it Was” , stamped with the photographer's stamp and the photographer's estate stamp, titled in Cyrillic, inscribed “seriya “Tak eto bylo” and dated “(Kerch 1942 g.)” on the reverse. Gelatin silver print, 30.5 by 40.5 cm. Photographed in January 1942, printed c. 1970. The photograph depicts the massacre of Kerch residents by the Nazis in 1941. One of the women, V. Tereshchenko, is captured searching among the bodies for her husband. The photograph was published in the Ogoniok magazine in March 1942. Provenance: Estate of the photographer. Acquired directly from the above by the previous owner. Acquired from the above by the present owner. Private collection, Europe. Dmitry Baltermants (1912–1990), a prominent Soviet photojournalist and war correspondent, earned his fame during World War II, in particular thanks to his coverage of the Battles of Stalingrad and Moscow, and military offensives in the Crimea. One of his most famous photographs is Grief, from the series “That’s How it Was”, capturing the massacre by the Nazis of the Kerch inhabitants in 1941. After the war, Baltermants worked as photo editor at the magazine Ogoniok. Many of his war images were initially censored because of their disturbing content and were only first published in the 1960s during the Thaw. Baltermants had personal exhibitions in London and New York, and was one of the very few photographers of the Soviet era who won widespread acclaim in the West during his lifetime.
ZELMA, GEORGY (1906-1984) Mass Grave. Stalingrad , signed, stamped with the photographer's estate stamp and titled in Cyrillic on the reverse. Gelatin silver print, 44.5 by 58 cm. Photographed c. 1942–1943, printed c. 1960s. Provenance: Estate of the photographer. Acquired directly from the above by the previous owner. Acquired from the above by the present owner. Private collection, Europe. Georgy Zelma (Zelmanovich) (1906–1984) began his photographic career working for the agency Russfoto in 1921; he was its correspondent in Uzbekistan, Iraq, Afghanistan and Central Asia in 1924–1927. After he relocated to Moscow in the late 1920s, Zelma, alongside his peer Alexander Rodchenko, began to experiment with avant-garde photographic technologies. In the decade that followed, Zelma’s work was published on the pages of Izvestia, Krasnaya zvezda, SSSR na stroike and other periodicals. At that time he specialised in documenting major construction projects, collaborating most notably with the celebrated documentary filmmaker Roman Karmen. During World War II, Zelma was a correspondent for Izvestia, shooting on the frontlines in Moldova and Ukraine. His most important work during the war is the Battle of Stalingrad series.
MITREITER, TORVALD (19TH CENTURY) Serbian Man , titled twice, once in Cyrillic, and numbered “259” on the reverse. Albumen print, hand-coloured with watercolour and oil, laid on cardboard, 23 by 17.5 cm. Executed c. 1860s–1870s. Provenance: With the B. Avanzo Art Shop, Moscow, c. 1890s–1900s (stamp on the reverse). Private collection, Europe. Torvald Mitreiter was a Danish photographer active in Russia in the late 19th century, working for the Imperial Court. Between 1879 and 1897, Mitreiter was affiliated with the Rumyantsev Museum, Moscow’s first public museum, which commissioned a photographic album from him. In 1867 he participated in the Moscow Ethnographic Exhibition, with a series of photographs of mannequins wearing Russian folk costumes. Four works from the offered here Mitreiter collection were possibly included in this exhibition. He owned a salon in Moscow, Viennese Photography. Some of his photographs are in the collection of the Russian Ethnographic Museum in St Petersburg.
ZELMA, GEORGY (1906-1984) Yuri Gagarin with His Family , signed, stamped with the photographer’s estate stamp, inscribed in Cyrillic “1961 god./posle poliota”, titled, numbered “87” and dated 1961 on the reverse. Cibachrome print, 48 by 41 cm. Photographed and printed c. 1961. Provenance: Estate of the photographer. Acquired directly from the above by the previous owner. Acquired from the above by the present owner. Private collection, Europe. Georgy Zelma (Zelmanovich) (1906–1984) began his photographic career working for the agency Russfoto in 1921; he was its correspondent in Uzbekistan, Iraq, Afghanistan and Central Asia in 1924–1927. After he relocated to Moscow in the late 1920s, Zelma, alongside his peer Alexander Rodchenko, began to experiment with avant-garde photographic technologies. In the decade that followed, Zelma’s work was published on the pages of Izvestia, Krasnaya zvezda, SSSR na stroike and other periodicals. At that time he specialised in documenting major construction projects, collaborating most notably with the celebrated documentary filmmaker Roman Karmen. During World War II, Zelma was a correspondent for Izvestia, shooting on the frontlines in Moldova and Ukraine. His most important work during the war is the Battle of Stalingrad series.
§ BINDE, GUNARS (B. 1933) Seated Nude by the Chair , stamped with the photographer's stamp, titled in Cyrillic and numbered “43” on the reverse. Gelatin silver print, 49 by 40 cm. Photographed and printed c. 1960s–1970s. Provenance: With the Museum of Viljandi, Estonia, c. 1980 (stamp and inscription on the reverse). Private collection, Europe. Gunars Binde (b. 1933) is a Latvian photographer who is perhaps best known for his erotic photos. He taught at Riga School of Applied Arts (1964–1975), worked as a photographer for the Research Council of the Latvian Society for the Preservation of Historical Sites (1975–1977), then for the Daugava Museum (1977–1994) and for the Latvian Ministry of Defence. Binde’s favourite genres are portraiture, landscape and particularly nudes. He has had over 30 personal exhibitions all over the world and is an Eminent Photographer of the International Federation of Photographic Art. His works are held in the museums in France, Denmark, Austria and others.
§ BINDE, GUNARS (B. 1933) Praying Nude and Nude, from the series “Heliography” , two works, one signed, titled in Cyrillic and dated, and the other stamped with the photographer's stamp on the reverse. Each gelatin silver print, measuring 25.5 by 17.5 cm and 24.5 by 18 cm respect. Photographed and printed c. 1960s. Provenance: Private collection, Europe. Gunars Binde (b. 1933) is a Latvian photographer who is perhaps best known for his erotic photos. He taught at Riga School of Applied Arts (1964–1975), worked as a photographer for the Research Council of the Latvian Society for the Preservation of Historical Sites (1975–1977), then for the Daugava Museum (1977–1994) and for the Latvian Ministry of Defence. Binde’s favourite genres are portraiture, landscape and particularly nudes. He has had over 30 personal exhibitions all over the world and is an Eminent Photographer of the International Federation of Photographic Art. His works are held in the museums in France, Denmark, Austria and others.
MITREITER, TORVALD (19TH CENTURY) Serbian Boy from Dalmatia , titled on the reverse, also further titled in Cyrillic and numbered “No 240.” on the label on the reverse. Albumen print, hand-coloured with watercolour and oil, laid on cardboard, 22.5 by 17 cm. Executed c. 1860s–1870s. Provenance: With the B. Avanzo Art Shop, Moscow, c. 1890s–1900s (stamp on the reverse). Private collection, Europe. Torvald Mitreiter was a Danish photographer active in Russia in the late 19th century, working for the Imperial Court. Between 1879 and 1897, Mitreiter was affiliated with the Rumyantsev Museum, Moscow’s first public museum, which commissioned a photographic album from him. In 1867 he participated in the Moscow Ethnographic Exhibition, with a series of photographs of mannequins wearing Russian folk costumes. Four works from the offered here Mitreiter collection were possibly included in this exhibition. He owned a salon in Moscow, Viennese Photography. Some of his photographs are in the collection of the Russian Ethnographic Museum in St Petersburg.
A collection of used and mounted stamp sheets, Queen Victoria and later, to include a page of Edward VII Straits Settlements including a block of six with two 1902 cancellations and a block of two, the page showing shade variations of the 8C, a page of twelve Crown CA 8C stamps again with shade varieties, a page of QV, and broken and mounted booklets including Nyasaland, Canada and Southern Rhodesia
A Rockingham part tea and coffee service comprised of a teapot, 19.5cm high, sugar box, slops bowl, eight plates 21cm diameter, ten small plates (twifflers), one cake plate, nine saucers, eight coffee cups and nine tea cups, all with printed and painted floral spray decoration and blue banding CONDITION REPORT: All items unmarked (ie no factory stamp etc) Teapot - Spout and lid restored. Handle with firing cracks Slops Bowl - Stained and crazed with two hair line cracks running down from the rim. Firing fault to the exterior near the foot. Transfer decoration worn to the centre. Lidded Sugar Bowl - Small firing crack to the rim by the handle Cake Plate - Large yellow crack running in from the rim . Patches of yellow staining to the raised areas of decoration and foot. Small hairline crack and chip to the foot. Coffee Cups (8) - One condition good. One with minor yellow staining to the foot and small chips to the underside of the foot. One with slight yellowing to the inside. One with a firing crack to the top of the handle where it meets the cup. Two with staining to the interior. One with staining to the interior with a hairline crack. One with yellow staining and a broken handle. Plates (8) - Two heavily yellowed. Two heavily yellowed with hairline cracks. Two with less severe yellowing (one with a hairline crack). Two with yellowed areas (one with hairline crack). Saucers (9) - Three with noticeable yellow staining. Remaining six, none perfect, some with pitting to the glaze, small chips to rim or base, minor yellow areas, or hairline cracks. Teacups (10) - One with broken handle. Remainder all with varying degrees of yellowed handles, some with additional yellowing to areas of the rim and foot. One with a firing crack to the base of the handle and two with small chips to the underside of the foot. Twifflers (10) - All with a varying degree of yellow staining and crazing to the glaze and five with hairline cracks.
A Grainger and Co porcelain trio, pattern no. 2/728, with apple green and gilt decoration, all with factory stamp to the base, coffee cup 6.75cm high, tea cup 6.25cm high, saucer 14.75cm diameter CONDITION REPORT: Coffee cup - Condition good. Tea cup - Condition good. Saucer - Condition good. All with painted pattern no. to base
A Davenport porcelain trio and small plate (twiffler), pattern number 2349, with apricot ground and gilt decoration, each piece with factory stamp to base, coffee cup 7.25cm high, tea cup 7cm high, saucer 14.5cm diameter, twiffler 13.75cm diameter CONDITION REPORT: Coffee cup - Slight wear to gilding. Tea cup - Slight wear to gilding. Saucer - Crazing to glaze and slight wear to gilding. Twiffler - Crazing to glaze and slight wear to gilding, all with painted pattern number to the base
A Ridgway porcelain trio, pattern no. 2/6317, with light sage green ground and gilt borders and printed and painted floral spray decoration, each piece with factory stamp to base, coffee cup 7.5cm high, tea cup 6.25cm high, saucer 14.5cm diameter CONDITION REPORT: Coffee cup - Minor wear to gilding. Tea cup - Very small factory chip to rim as glazed over. Saucer - Minor wear to gilding
Aristide Maillol (1861-1944) - Study for L'action enchainee, (Action enchained, without arms) bronze, signed with monogram, numbered 3/6, Alexis Rudier foundeur, Paris stamp, circa 1906, brown green patina, height 27cm Provenance - Purchased by Arnold Haskell on 6th December 1960 from Rowland Browse and Delbanco, London. From the estate of Vivienne & Arnold Haskell
Aristide Maillol (1861-1944) - Etude de Torse sur le Dauphine, bronze, signed with artists monogram, numbered 2/6, Alexis Rudier Fondeur Paris foundry stamp, circa 1925, height 17cm. Exhibited: 'Arnold Haskell Collection of Sculptures and related Drawings', City Art Gallery, Bristol in 1963, Sculptures -exhibit no. 50. Literature: Waldemar George, Aristide Maillol, Cory Adams & Mackay: London, 1965 Illust. p. 161 From the estate of Vivienne & Arnold Haskell
A late Victorian ' The Compresser Corset' in dark green silk with yellow stitching and a black lace trim, the back with sixteen eye holes and the sides with four oval metal loops with buckle fastenings to link to the bust, the interior in cream silk with purple stamp mark stating Patented 4311 and dated 23 October 1879
Operation Black Buck Vulcan memorabilia collection. Nice selection of bits and bobs relating to the Vulcan aircraft, and Operation Black Buck in particular. Operation Black Buck was the mission which sent seven RAF Vulcan Bombers on attack missions during the Falklands conflict. This collection consists of a Falkland Islands liberation stamp sheet, citation for the Award of the DFC to Neil McDougall (unsigned), three 8x6 colour Vulcan photographs with printed autographs of pilots, three small 6x4 colour photos of Vulcans, 8x10 vulcan photograph with the genuine autograph of pilot Flt Lt Mike Pearson, 80th Anniversary of RAF Waddington cover signed Nimrod captain, 1982 disbandment of 44 Sqn at Waddington, flown on the last Vulcan bomber sortie, 80th Anniversary of RAF Waddington signed by the four OC from 1967 to 1995, full page of 36 RAF Waddingon Bomber Command Museum appeal labels, and a booklet entitled The Five Black Bucks - the Story of Vulcan Operations in the South Atlantic. Lovely collection. Good condition. All signed items come with Certificate of Authenticity. Can be shipped worldwide.
Barbara Harmer autographed presentation. 2006 Benham Concorde first day cover doubled with a nice Concorde Gibralta stamp and autographed by the only female Concorde pilot - Barbara Harmer. Presented underneath the cover is a nice inset selection of photos of Concorde and the whole thing is mounted in blue to an overall size of 11x16 inches. Good condition. All signed items come with Certificate of Authenticity. Can be shipped worldwide.
A STAMP COLLECTION. A collection of GB and World content stamps, set out in well laid albums. Mint and used examples of Victorian, Edward V11, George V & V1 issues, also Elizabeth 11. First Day Covers and Stamp packs, complete the collection. In total (18) Albums of GB and Commonwealth, 1d Reds onwards, overprints and colonial issues. The World Albums are from the 19thC onwards, including many European Countries and their empire states of South America , etc
BERMUDA STAMPS & MINT SHEETS etc. Sheets and part sheets/blocks of mint Bermuda Stamp issues of GV1 & QE11 etc. A pair of Mint Unmounted GV1 2/-/2/6d blues also a green 10/- together with a brown & grey 12/6d and a pink £1. Two Bermuda £1 1948 stamps as a corner pair. A well laid out album of mint Island issues of GV1, completes the collection
PRE WAR GERMAN EROTICA; A collection of three rare pen and ink illustrations, German in origin, each with a pornographic / erotic scene. To each pieces is an official believed censors stamp, showing the pieces to have passed some kind of certification. Each stamped and dated 10th Aug 1934. Each sketch signed ' Lushe '. Framed and glazed, largest being 41cm x 31cm.
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165558 item(s)/page