Cattanao, Mario -- Children laughing. 1962. Vintage ferrotyped gelatin silver print on doubleweight Gevaert paper. 29,7 x 40 cm. Photographer's stamp, exhibition stamp and annotated in ink/pencil on the verso.Traces of previous mounting on the verso, corners bumped with some emulsion loss, some handling marks, otherwise in very good condition.
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Dada Berlin -- Photographer unknown. Opening of the "Erste Internationale Dada-Messe" (First International Dada Fair) held at the Otto Burchard Gallery, Berlin. 1920. Vintage gelatin silver print. 12 x 16,5 cm. Photothek agency stamp and typed French press text label: Exposition d'art des "Dadaistes" à Berlin, vue generale de l'exposition on the verso.Only a few photographic documents exist today of the International Dada Fair, which opened in Berlin in June 1920. Nonetheless, they succeeded to etch their way into the historic cultural memory. The spectacular show took place at the Kunsthandlung Dr. Otto Burchard, Lützowufer 13. The photo offered here shows the following visitors: from left to right Raoul Hausmann, Hanna Höch, Dr. Burchard, Johannes Baader, Wieland Herzfelde and his wife, Dr. Oz, George Grosz, John Heartfield. On the far left the now missing painting "Kriegskrüppel" by Otto Dix is seen (see also lot 4264). A figure in military uniform with a pig mask dangles from the ceiling, which involved Otto Burchard in a lawsuit. A total of circa 200 exhibits hung on the walls, including printed Dada slogans such as "Nieder die Kunst!" (Down with art!) and "Dada ist die willentliche Zersetzung der bürgerlichen Begriffswelt" (Dada is the willful destruction of the bourgeois conceptual world). – Faded, some buckling from glue on verso, some mirroring in edges/corners, otherwise in good condition.
Dada Berlin -- Photographer unknown. Johannes Baader next to his object "The Great Plasto-Dio-Dada-Drama: Germany's Greatness and Decline" at the opening of the "Erste Internationale Dada-Messe" (First International Dada Fair) held at the Otto Burchard Gallery, Berlin. 1920. Vintage gelatin silver print. 16,5 x 11,5 cm. Photothek agency stamp and typed French press text label: Exposition d'art des "Dadaistes" à Berlin, "la grandeur et la décadance de l'Allemagne" architecture monumentale dadaiste de Johannes Baader on the verso.This photo document is a particularly rare specimen. Only very few prints exist. The creator of this unusual installation was the eccentric Johannes Baader, who later also organized Dada exhibition tours with Richard Hülsenbeck. Some press photos, like this and the previous photo were sent to Paris at the time to promote the Berlin event there as well. Despite the French inscription on the verso of each photo, it is not known whether these photos were published in France at the time. – Faded, some buckling from glue on verso, some mirroring in edges/corners, otherwise in good condition.
Eggleston, William -- "Near Jackson, Mississippi". Circa 1970/printed 1990s. Dye transfer print. 55 x 36 cm (57 x 45,5 cm). Unsigned, with printer's stamp on the verso.In very good condition with rich, bright colors.Lit.: John Szarkowski (ed.). William Eggleston's Guide. New York 1976, ill. p. 111.
[*] Film Photography -- Film still of Marlene Dietrich in "Der blaue Engel". 1930. Vintage ferrotyped gelatin silver print on double weight paper. 24 x 30 cm. Film title in lower margin, letter stamp on verso.Pinholes in corners, some indentation marks/surface scratch marks, a few creases, scratch in emulsion in upper right.
Fischer, Arno -- West Berlin, Kurfürstendamm - Joachimsthaler. 1959/printed later. Gelatin silver print. 27,5 x 42 cm (29,5 x 44 cm). Photographer's stamp, signed, titled and dated by the photographer in pencil on the verso.In very good condition.Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalogue). Ostfildern 2009, ill. p. 40.
Hensky, Herbert -- Images of post WWII Berlin. 1945/46. 5 vintage ferrotyped gelatin silver prints. Each circa 17 x 24 cm. Each with photographer's stamp and numbers in pencil on the verso.Some with irregularities to ferrotype surface, some with buckling, a few handling creases, otherwise in good condition.
Heyden, Bernd -- Old pallbearer at Mahlsdorf cemetery, Berlin. 1973. Vintage gelatin silver print. 29 x 20 cm. Signed and dated in green ink in lower right corner within the image; photographer's Berlin stamp on the verso.Bernd Heyden was closely connected to and integrated in Prenzlauer Berg, Berlin, where he spent most of his life. The autodidact initially trained as a woman's tailor and worked as an ironer, chauffeur and laboratory assistant, until he was admitted as a photographer in 1974. Since 1967, he worked in the Club junger Fotografen (Club of Young Photographers) founded by Arno Fischer and Sibylle Bergemann. His photographs were rejected by GDR officials as "trash can photography", nonetheless they were highly valued by many of his colleagues. – Some light handling marks, especially in right portion, corners slightly bumped, otherwise in very good condition.
Paris, Helga -- Halle; Berlin. 1983-85, 1986. 2 vintage ferrotyped gelatin silver prints. 17 x 24 cm. Each annotated and with layout marks in pencil, Bildende Kunst publication label affixed to verso,1 with photographer's stamp on the verso.Some creases in corners, some handling marks, otherwise in good condition.
Paris, Helga -- Müllkippe Schwanebeck; Halle. 1983-85, 1986. 2 vintage (1 ferrotyped) gelatin silver prints. 18,5 x 27 cm and 17 x 24 cm. Each annotated and with layout marks in pencil and with photographer's stamp on the verso.Some handling creases/marks, traces of previous mounting on the verso, otherwise in good condition.
Schulze Eldowy, Gundula -- "Lothar" from the series "Berlin in einer Hundenacht". 1982. Vintage gelatin silver print. 15 x 22,5 cm (22 x 27,5 cm). Early photographer's stamp on the verso.Traces of previous mounting on the verso, a few small nicks in edges, otherwise a fine print in very good condition.Provenance: Directly from the photographer to the current owner.
Schulze Eldowy, Gundula -- "Tamerlan, Berlin" (series). 1984. Gelatin silver print. 35,5 x 26 cm. 2 photographer's stamp and annotated in pencil on the verso.This image is a classic example of Schulze Eldowy's early black and white work, which was often socially critical with an empathetic portrayal of the sitter. It is part of a series taken between 1979 and 1987 in Berlin. – Some creases on left side and lower right/lef corner, buckled, slight discoloration in lower right edge, otherwise a fine tonal print in good condition.Lit.: Photographie des 20. Jahrhunderts. Museum Ludwig Köln. Cologne 1996, ill. p. 611.
[*] Sewcz, Hans Martin -- "Große Hamburger Straße mit Blick auf die Oranienburger Straße, Berlin". 1979/printed later. Panoramic gelatin silver print. 24,5 x 58 cm (35,8 x 61 cm). Signed, titled, dated and editioned E.A. by the photographer in pencil as well as photographer's stamp on the verso.Light impression mark in upper left, a few light handling marks, otherwise in very good condition.Lit.: Marc Barbey (ed.). Hans Martin Sewcz. Berlin-Mitte, Mai 1979, Berlin 2011, ill. pp. 18-19.
Grimm, Kurt -- Kongresshalle Nuremberg. Circa 1934. 5 vintage ferrotyped gelatin silver prints on Velox paper. Each circa 17 x 23 cm. Each with photographer's label, 2 also with photographer's stamp and 1 with typed press text label on the verso.The images show the model for the Kongresshalle in Nuremberg which, as the one label on verso states, was the: "Modellaufnahme des vom Führer genehmigten und zur Ausführung bestimmten Entwurfs". – Some creases in lower left corner, some handling dents, three with small tear in lower edge/margin, one with small hole near upper edge, otherwise in good condition.
Helbig, Konrad -- Young nude man with grass, Sicily. 1960. Vintage ferrotyped gelatin silver print. 23,5 x 17,5 cm. Photographer's stamp on the verso. Framed under glass in hand gilded frame.Slightly discolored in mid area, otherwise in good condition.Lit.: Boris von Brauchitsch (ed.). Enthüllungen. Berlin 2019, ill. p. 24.
Klophaus, Ute -- Joseph Beuys. 1970/printed 1990. Ferrotyped gelatin silver print. 49,5 x 40 cm. Signed, editioned and dated by the photographer in ink in lower right edge; photographer's copyright stamp and editioned 5/15 in pencil on verso, mounted to grey card, editioned 5/15 in pencil below image on mount.In very good condition.
Krolow, Wolfgang -- "Die beiden Mädchen" (The Two Girls). 1980s. Vintage gelatin silver print. 18 x 23,8 cm. Photographer's stamp on the verso.Some emulsion loss in side margins, a few crease marks in upper corners, light fold mark in lower left, otherwise in good condition.Lit.: Wolfgang Jean Stock (ed.). Großstadt Dschungel (exhibition catalog) Munich 1983, ill. p. 83.Les Cahiers du Musée National d'Art Moderne, Centre Georges Pompidou, no. 32 summer 1990, ill. front cover.
Krolow, Wolfgang -- Photographer: Ernst Volland and Peter Hebler. Portraits of the photographer Wolfgang Krolow. 1984/85. 2 gelatin silver prints. 40,5 x 30 cm and 30 x 40 cm. Each signed, titled and dated by the photographer in pencil and 1 with photographer's stamp (Hebler) on the verso. In very good condition.
Lebeck, Robert -- "Jackie Kennedy and Lee Radziwill, Bob Kennedy's Funeral, New York". 1968/printed 1990s. Large-format gelatin silver print. 58 x 39 cm (60,5 x 50,5 cm). Signed, titled, dated by the photographer in pencil and photographer's stamp on the verso.Light handling marks, otherwise in very good condition.Lit.: Augenzeuge Robert Lebeck. 30 Jahre Zeitgeschichte. Munich and Lucern 1984.
Lehnartz, Klaus -- Berlin, Mauer Potsdamer Platz. 1966/printed 1990s. Gelatin silver print. 30,5 x 40,3 cm. Photographer's stamp and signed, dated and titled by the photographer in pencil on the verso.Slightly buckled in edges, a few handling creases near right edge, otherwise in very good condition.
[*] Leibovitz, Annie -- "Cindy Crawford, New York". 1993/printed 2010. Archival pigment print on double weight paper. 27,5 x 21 cm. Photographer's/copyright stamp and signed/dated "Cindy Crawford" in pencil on the verso.In excellent condition.Lit.: Annie Leibovitz. A Photographer's Life. 1990-2005. New York 2006. Errata: The signature of Cindy Crawford on verso is doubtful.
McBride, Will -- "Jungs schmeißen mit Wasser, Schule Schloss Salem". 1963/printed 1990. Gelatin silver print. 53,5 x 36 cm (60,5 x 50,5 cm). Signed, titled, dated and editioned 12 /12 by the photographer in pencil and collector's stamp on the verso.In near excellent condition.Provenance: Directly from the photographer to the present owner
[*] Mies van der Rohe, Ludwig -- Photographer: Hedrich-Blessing (architectural photography studio, 1929 - present). Ludwig Mies van der Rohe. Circa 1960. Vintage gelatin silver print. 25 x 20,5 cm. Photographer's stamp, therein negative number on the verso.Hedrich-Blessing studio was founded in 1929 by Ken Hedrich and Henry Blessing. Hundreds of photographic assistants would learn their craft at the studio. Beginning in the 1950's Hedrich-Blessing Photography became associated with the modernist movement and Ludwig Mies van der Rohe. Mies collaborated with both Bill Hedrich and Bill Engdahl and the firm's archives contain the most extensive photographic record of Mies' works. With a staff of six photographers, Hedrich Blessing also photographed the works of Albert Kahn, Buckminster Fuller, Minoru Yamasaki, Skidmore, Owings & Merrill and Harry Weese. – A few handling marks, otherwise in very good condition. – With: Typed letter from the office of Mies van der Rohe on his stationery, referring to the signed photograph offered in this lot. - Fold marks.
Monti, Paolo -- The studio of Giorgio Morandi (detail). Circa 1955. Vintage ferrotyped gelatin silver print on doubleweight paper. 28,8 x 18,5 cm. Photographer's copyright/studio stamp Corso Semplone, 28, Milano and annotated in pencil and ink on the verso.A beautiful tonal print in near excellent condition.Lit.: Paolo Monti. Fotografie 1959-1980. Milan 1993.
Moses, Stefan -- "Café Kranzler Serviererin, Berlin"; "Gepäckträger, Köln". 1963/printed 1980s. 2 gelatin silver prints. Each circa 33 x 27,2 cm (40,5 x 30,5 cm). Each with photographer's stamp, each titled and dated by photographer in pencil on the verso.Some minimal edge wear, light buckling in edges, a few handling dents, otherwise in very good condition.
Moses, Stefan -- Theodor W. Adorno, Frankfurt. 1963/printed 1980s. Gelatin silver print. 36 x 25,3 cm. Signed, annotated and dated by the photographer in ink, annotated in another hand in pencil and photographer's stamp on the verso.A fine tonal print in very good condition. Lit.: Ulrich Pohlmann/ Matthias Harder (eds.). Stefan Moses. Die Monographie. Munich 2002, ill. p. 129 (variant).
National Socialist and Anti-Semitic Documents -- Proscription postcard showing Otto Dix' famous painting "Die Kriegskrüppel" (1920) as part of the "Entartete Kunst" (Degenerate Art) exhibition, Munich. 1937. Vintage gelatin silver photo postcard (postally used and written in ink on verso). 9 x 14 cm. "Die Kriegskrüppel" (The War Cripples) was one of the main exhibition works shown in Otto Burchard's Kunsthandlung during the first large Dada Fair in Berlin in 1920. The Städtische Galerie Dresden has an inventory card of the painting with a photo, inventory number, title and stamp "Entartete Kunst", dated 1919 with a price notation of 3000,- MK. The first exhibition of "degenerate art" took place in September 1933, in Dresden city hall. This painting was one of the most hated by the National Socialists and was likely destroyed after the last "Entartete Kunst" exhibiton in the late 1930s. – Edges/corners slightly bumped, a few light indentation marks, otherwise in very good condition.
Paul, Manfred -- "Akt I". 1995. Gelatin silver print. 30,5 x 24,4 cm (37 x 27,8 cm). Photographer's stamp, therein signed, titled, dated by the photographer in pencil on the verso.A few light handling marks, small retouched spot in upper area, upper right corner with fold mark, otherwise in very good condition.
[*] Railroad -- Photographer: Arnold Müll (1906-1989). Railroad images. 1958-78/printed later. 8 gelatin silver prints on RC paper. Each circa 17 x 23 cm and 23 x 17 cm. Each with extensive notations by the photographer in pencil and photographer's stamp on verso; each mounted to paper with copied text from versos.Some with small retouched spots, some with indentation marks, otherwise in very good condition.
Rome 1931 -- Chancellor Brüning visiting Benito Mussolini in Rome. 1931. Vintage gelatin silver press print. 18 x 23,8 cm. Agency blind stamp in lower right and Luce agency stamp and typed text label affixed to the verso.In 1931, a year of crisis, Chancellor Brüning led a delegation to Rome to meet with Mussolini. Questions of disarmament and general economic matters, such as reparations were discussed. A visit to the Pope was also planned. The photo offered here shows the Italian Minister of Justice Grandi, Chancellor Brüning, Mussolini, Foreign Minister Curtius and Ambassador C. v. Schubert (from left to right). – A few light handling marks, otherwise in very good condition.
Sintenis, Renée -- Photographer: Gerda Schimpf and Georg Tietzsch. The artist Renée Sintenis. 1930s. 3 vintage gelatin silver prints. 24 x 16 cm and 29 x 23 cm. 2 with photographer's/copyright stamp on the verso.Some images show Renée Sintenis working on sculptures in her Berlin studio. – One photo with retouched spots and airbrushing for publication, otherwise in very good condition. – With: Some newspaper clippings on Renée Sintenis.
Steinert, Otto -- La Comtesse de Fleury. 1952/printed later by Andreas Horlitz. Gelatin silver print. 26,8 x 17,8 cm (30,5 x 24 cm). Printer's stamp and annotated in pencil on the verso.A few light pressure marks, otherwise a strong print in very good condition.Lit.: Ute Eskildsen. Der Fotograf Otto Steinert. Göttingen 2000, ill. p. (variant) .
Stone, Sasha -- The actress Tilla Durieux at home, Berlin. Circa 1926. 2 vintage ferrotyped gelatin silver prints. 23 x 17 cm. Mounted to both sides of album page (tears, traces of use), copyright stamp Atelier Stone..., Berlin W 10, Kaiserin-Augusta-Strasse 69 on the verso (not fully visible due to mounting).The images show the actress Tilla Durieux at home with her Siamese cat Minkusch. Additional photos show the very stylish interior of her apartment.For other photos of Tilla Durieux, see lots 4123-4126. – Some mirroring, some crease marks, otherwise in good condition. – With: Sasha Stone. Interiors of Tilla Durieux's apartment. 5 vintage gelatin silver prints. Each circa 16 x 22,5 cm. Each with photographer's/copyright stamp and number in pencil on the verso. - Some corners bumped, one with stronger crease in lower right corner, some mirroring in edges, otherwise in good condition.
Thiemann, Elsa -- Designs for wallpaper.1930-31. 3 vintage gelatin silver prints on ivory paper. Various sizes ca 32 x 22,3 cm, 22,5 x 15 cm and 29,7 x 20 cm. Each with photographer's estate stamp on the verso.Minimal edge wear, some retouched spots, a few small areas of light silver mirroring, otherwise fine tonal prints in very good condition.Lit.: Annemarie Jaeggi/Margot Schmidt (eds.). Elsa Thiemann: Fotografin. Bauhaus und Berlin. Berlin 2004, see pp. 18-27.Provenance: From the estate of the photographer
Windstosser, Ludwig -- Rolling mill worker in movement; Untitled (Mannesmann) 1950s/1956. 2 vintage ferrotyped gelatin silver prints. Each circa 29,5 x 23,7 cm. Each with photographer's stamp, 1 annotated in pencil and 1 with layout marks on the verso.Edges and corners bumped/small creases, some handling marks, a few stronger in edges and corners, one with retouching for publication on the recto, otherwise rich glossy prints in good condition.
GEORGE ROCHEGROSSE (FRENCH 1859-1938)AN ALLEGORY OF THE ANGEL GABRIEL, A TRIPTYCHOil on canvas laid on board, a set of threeTwo with studio stamp (on the reverse)Two 26 x 32cm (10 x 12½ in.) and one 35 x 27.5 cm (13.1/2 x 10.7.8 in.) (3)Provenance:Marambat-Malafosse Atelier Rochegrosse, ToulouseGeorges Rochegrosse was a child prodigy and entered the Académie Julian at the age of twelve, followed by the Ecole des Beaux-Arts, where he was twice a finalist in the competition for the Prix de Rome. He made his debut at the Salon de la Société des Artistes Français in 1882 and his entry the following year, Andromache, was purchased by the State for the Musée de Rouen. His early literary and historical genre was succeeded by more Symbolist works, exemplified by his large painting The Knight of the Flowers which is now in the Musée d'Orsay. From 1900 onwards he spent the winter months in Algeria and became one of the leading exponents of Orientalism in France, exhibiting his work at the annual Salons, as well as at the Salon des Peintures Orientalistes Français.
WILLIAM GILPIN (BRITISH 1724-1804)EIGHT CAPRICCIO LANDSCAPE STUDIESPencil, pen and brown ink, brown, ochre and grey washAll with dry stamp 'WG' (lower left)16.5 x 23.7cm (6¼ x 9¼ in.) oval (8)Provenance:With William Drummond, LondonGilpin was a clergyman, schoolmaster and artist, and is best remembered as one of the originators of the idea of the picturesque. In his 1768, Essay on Prints he defined the picturesque as 'that kind of beauty which is agreeable in a picture', and during the following two decades he travelled extensively, committing his thoughts and spontaneous sketches to notebooks. He began to expound his "principles of picturesque beauty" and circulated the manuscripts of his tour journal to his friends including Thomas Gray, Horace Walpole and King George III. In 1782, he published Observations on the River Wye.. which was illustrated with aquatints of his sketches, similar to the present lot.
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