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After Sir Alfred Munnings PORTRAIT OF MAJOR TOM BOUCH WITH THE BELVOIR HOUNDS signed in pencil by the artist lower right, blind stamp lower left, a colour print published by Frost and Reed 1956, mounted, framed & glazed, 55 by 63cm., 21 3/4 by 24 3/4in.; sold together with a Vanity Fair print by Lib titled 'Newmarket, 1885', mounted, framed & glazed, 29 by 47cm., 11 1/2 by 18 1/2in. (2)
Eleven World Cup Willie first day covers signed by England 1966 World Cup winners, comprising: Banks, Cohen, B Charlton, Hurst, Hunt, Stiles, Peters, Ball, Hunter, Eastham and a cover signed by the Charlton brothers, Hunter & Stiles, all cards with an England Winners postage stamp and postmarked Harrow & Wembley 18 AUG 1966
Darlington Bank, Jonathan Backhouse and Co., £5 notes, No. F/X 92, 17.12.1879, small hole, ink notations to obv., red stamp and ink notation to rev. and cut cancelled at signature, otherwise fair and No. G/Q 942, 4.11.1892, 'East Cowton' PO stamp to rev. and cut cancelled at signature, otherwise fine (2)
Durham Bank, Jonathan Backhouse and Co.,£5 notes, No. C/M 551, 16.2.1882, ink signature to rev. and cut cancelled at signature, otherwise fair and No. C/U 740, 14.10.1890, ink notation to obv., black stamps to rev., in two pieces joined at centre by strip of marginal stamp paper and cut cancelled at signature, otherwise fine (2)
GB, Victoria to EII (decimal), collection, inc. 1840, penny black, 'JA', four margins, bottom reduced at right, with slight tear into stamp, pale red MX cancel, 1841, penny reds, mainly with margins, used, inc. one, three margins, slightly cut into at right, mint (6) and twopence blues, used (2), 1847-54, embossed issue, shilling green and sixpence purple, used and cut around, 1883-91, halfcrown lilac and five shillings rose, both used, 1887, Jubilee, to tenpence, mint and Edward VII, halfcrown purple, used, otherwise mint and used, with EII issues all mint, mainly stuck in with marginal paper, in album (small lot)
After Norman Hepple ARNOLD PALMER AT THE 'POSTAGE STAMP' 1962 two prints from the limited edition of 750, numbered 448 & 449, both signed by the artist and by Palmer, in pencil, 54 by 45cm., 21 by 17 1/2in.; sold together with an original watercolour by John I. Williams dated 1989 of Hoylake club house; a print of the Berkhampstead club house circa 1935, and a panoramic colour photograph of St Andrews, all unframed (5)
A Robert Forgan St Andrews brassie circa 1875, beech scared head with early large Forgan stamp and Prince of Wales's Feathers, hickory shaft; together with a William Henderson, Monifieth, transitional driver circa 1890 with scared hornbeam head and greenheart shaft; & a W. Wilson, Burslem, bulger driver circa 1907, scared holly head and hickory shaft (3)
A Robert Forgan long nosed short spoon circa 1880s, scared neck, beech head with golden patina, Prince of Wales's Feathers stamp, 38 1/2in.; together with a scared neck Willie Park brassie; A Cann & Taylor J.H. Taylor Autograph socket head driver; and a Mills Aluminium head putter, all hickory shafted (4)
A J.W. BENSON K18 STAMPED GOLD CASED OPEN FACE POCKET WATCH inscribed to inside "J.W. Benson, TO H.R.H. THE PRINCE OF WALES, 58 & 60 LUDGATE HILL, LONDON", together with key winder and a yellow metal chain with an agate mounted swivel fob, all in original Benson's presentation case, having Royal Warrant of Appointment stamp. C.1900. Watch 4cm diameter.
TWO VICTORIAN SILVER CIRCULAR SALTS both having embossed floral decoration raised on three lion's head and paw supports. London 1874, maker's mark part rubbed, engraved monogram. 8cm diameter. The other London 1890, maker's mark over struck, retailers stamp Lambert, Coventry Street, London, crested with motto. 9cm diameter. 270g (8.70oz) (2)
A PAIR OF 20TH CENTURY JAPANESE RED CLOISONNE BALUSTER VASES having stemmed dianthus with butterfly decoration between a copper neck and basal rim. 15.5cm high. Also A BLUE JAPANESE CLOISONNE "CRANE AND BAMBOO" VASE, of metallic dimpled turquoise ground. Signature stamp to base (part rubbed) 15.5cm high (3)
A JAPANESE SATSUMA MEIJI PERIOD (1868-1912) TEA CUP AND SAUCER c.1900, depicting Japanese women in a mountainous landscape. Black and gold signature mark to base, possible by Gyokozan. Also A SATSUMA SIDE PLATE of similar period, depicting Japanese women in a garden setting. Red mon mark above a black and gold signature. stamp to base. 8.5cm diameter
AN ARTHUR W. SIMPSON, KENDAL, OAK BREAK-FRONT SIDEBOARD having central moulded cornice over a reeded frieze and bevelled rectangular mirror plate flanked by two shelves with shaped supports and turned finials. The rectangular break-front top above a central drawer with small cupboard and open shelved section below, the scrolling apron and turned central pendant flanked on each side by drawers ( bearing the stamp A.W. SIMPSON) and quadruple panelled cupboard doors which enclose the internal shelving, raised on turned legs 60cm x 198cm x 158cm ***For provenance see A.W. Simpson GATE LEG TABLE
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