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Lot 4344
Wolff, Dr. Paul -- Silesian industry. 1930s. Vintage ferrotyped gelatin silver print on Agfa-Brovira paper. 23,5 x 16 cm. Photographer's stamp with negative number, layout marks/notes as well as typed paper caption label on the verso.Corners slightly bumped, some light surface rubbing, some retouching for publication, minimal edge wear, otherwise in very good condition.
Lot 4169
Friedmann, George -- Truman, Stalin, Byrnes and Molotov at Potsdam Conference, Schloß Cecilienhof. 1945. Vintage gelatin silver print. 23,5 x 17,5 cm. Photographer's stamp with negative number, layout marks/notes as well as typed paper caption label on the verso.Corners slightly bumped, silver mirroring in edges, otherwise in very good condition.
Lot 4010
Bresolin, Domenico -- Early views of Venice. 1855. 7 large-format salt prints. Each circa 27 x 35 cm. Each with photographer's blindstamp in lower left in image/on mount, each mounted to thin card (some buckling), each with caption label in lower right on mount.In the 1850s Domenico Bresolin was one of the most important coworkers of Carlo Ponti but also published his photos under his own name. He was one of the last Venetian photographers to work with salt prints up until the late 1850s. Photos with his blindstamp are quite rare as he only used his own stamp 1854/55. – Some lighter, otherwise in good condition.Lit.: Bodo von Dewitz/Dietmar Siegert/Karin Schuller-Procopovici (eds.). Italien Sehen und Sterben. Photographien der Zeit des Risorgimento (1845 - 1870). Cologne 1994, see p. 278.
Lot 4196
Hilsdorf, Jacob -- The writer Stefan George (1868-1933). Circa 1910/printed 1920s by Theodor Hilsdorf. Brown-toned gelatin silver print on heavy chamois paper. 21,5 x 16,5 cm. Studio stamp on the verso, mounted along upper edge to original card (crease in upper right, slightly soiled), signed Müller-Hilsdorf in pencil and studio stamp on mount verso.This image, along with several other images taken by Jacob Hilsdorf of Stefan George, was printed in the mid-1920s by his brother Theodor Hilsdorf using the original negative plates. After Jacob's early death in 1916, Theodor incorporated some of his brother's negatives in his archive. When these were reprinted, they were often signed Müller-Hilsdorf. In 1903 Theodor Hilsdorf had taken over the photography studio of his father-in-law Friedrich Müller. The studio was totally destroyed in 1945 in a bombing raid and only 2000 of the over 100,000 negatives of the archive remained intact. – A fine tonal print in excellent condition.Lit.: Franz Toth. Jacob Hilsdorf 1872 - 1916. Photograph im Jugendstil. Bingen 1984.
Lot 4151
Film Photography -- Scene from the film "Metropolis". 1926/27. Vintage ferrotyped gelatin silver print. 21,3 x 28 cm (23,4 x 29,8 cm). Ufa logo and number 57 in the negative in lower left corner; Photo:Ufa reproduction limitation stamp and film title stamp on the verso.Although "Metropolis" did not enjoy the expected success during its premiere, audiences were impressed with the technical tricks and visual effects, which remain an iconic element of cinematography today. This scene shows the still intact "Heart Machine" of the worker's city just before the masses begin to storm it. – Some handling creases in margins, a few light handling marks, corners bumped, slight oxidation mirroring in edges, otherwise in very good condition.
Lot 4170
Giacometti, Alberto -- Photographer: Peter Fink (1907-1984). The artist Alberto Giacometti at his studio, Paris. 1960s. Vintage gelatin silver print. 24,7 x 19,2 cm. Photographer's stamp on the verso, hinge-mounted in mat.Remnants of mounting glue on the verso, otherwise a rich tonal print in excellent condition.
Lot 4332
Uprising June 17, 1945 -- Photographer: Max Schirner agency.June 17, 1953, riots in Berlin, Leipziger Straße and Potsdamer Platz. 1953. 7 vintage ferrotyped gelatin silver press prints. Each circa 18 x 24 cm. 5 with agency stamp, 3 with typed paper press text label and annotated in pencil/ink on the verso.The riots of 1953 in East Germany took place in June of that year. A strike by East Berlin construction workers on June 16 turned into a widespread uprising against the Stalinist German Democratic Republic government the next day. The riots in Berlin were violently suppressed by tanks of the Soviet Forces in Germany and the Volkspolizei. In spite of the intervention of Soviet troops, the wave of strikes and protests was not easily brought under control. Even after June 17, there were demonstrations in more than 500 towns and villages. – Some traces of use, otherwise in good condition.
Lot 4313
Soupault, Ré -- Wedding, Paris.1934/36/printed later. Gelatin silver print. 16,5 x 16,7 cm (30,3 x 23,8 cm). Signed by the photographer in ballpoint pen below image in margin; editioned 8/15 and initialed by the photographer in pencil as well as estate stamp on the verso. Slight buckling in edges, small dent in upper margin, otherwise in very good condition.
Lot 4194
Hensky, Herbert -- The miner Adolf Hennecke in the former Soviet occupation zone of Germany. 1948. Vintage large-format gelatin silver print. 60 x 50 cm. Photographer's/estate stamp, numbers in red crayon and notations in felt-tip pen on the verso.On October 13, 1948, miner Adolf Hennecke performed four times the required work standard in an East German coal mine. Basically, it was a well-organized propaganda show to create role models and heroes and to raise work standards. The day before and after he had off. In addition, Hennecke received 1.5 kilograms of the then strictly rationed fat, three packs of cigarettes and a bottle of schnapps. The "Hennecke myth" lasted well into the 1970s in the GDR, and even longer among older people, before fading away completely. – Some handling creases, small loss in lower right corner, a few small tears in edges, otherwise in good condition.
![[*] Sewcz, Hans Martin -- "Auguststr. Berlin". 1979/printed later. Panoramic gelatin silver print. 24 x 57,4 cm (30,8 x 60 cm](https://cdn.globalauctionplatform.com/607e7e29-bdf9-4289-808b-af49014d74e2/8505264b-9f78-4acc-9398-af49017128d2/468x382.jpg)
Lot 4308
[*] Sewcz, Hans Martin -- "Auguststr. Berlin". 1979/printed later. Panoramic gelatin silver print. 24 x 57,4 cm (30,8 x 60 cm). Signed, titled, dated and editioned E.A. by the photographer in pencil as well as photographer's stamp on the verso.Light handling mark upper right, corners slightly bumped, otherwise in very good condition.Lit.: Marc Barbey (ed.). Hans Martin Sewcz. Berlin-Mitte, Mai 1979, Berlin 2011, ill. p 15.
Lot 4280
Renger-Patzsch, Albert -- "Mantelpavian". Before 1928. Vintage gelatin silver print on chamois paper. 21 x 17,1 cm. Photographer's RENGER-FOTO D.W.B. stamp, reproduction limitation stamp and number T131 in pencil on the verso.An iconic photograph within Albert Renger-Patzsch's oeuvre, this image was published in the seminal photography book Die Welt ist schön in 1928 and Das Deutsche Lichtbild in 1930. – Slightly rubbed spot and small retouched spot in lower left area near edge, some spots of silver mirroring around edges, otherwise a fine tonal print in very good condition.Lit.: Albert Renger-Patzsch, Die Welt ist schön, Munich 1928, ill. plate 21.Das Deutsche Lichtbild, Jahresschau1930, Berlin, ill. p. 77. Bernd Stiegler/Ann and Jürgen Wilde (eds.). Albert Renger-Patzsch. Die Freude am Gegenstand. Gesammelte Aufsätze zur Photographie, Munich 2010, ill. p. 22.
Lot 4177
Gundlach, F.C. -- "Kostüm aus weissem Wollcrepe von Lanvin, Paris". 1966/printed later. Gelatin silver print. 40,3 x 29,6 cm (50 x 40,1 cm). Signed, titled and dated by the photographer in pencil and photographer's stamp on the verso.A few light handling marks in right area and one in lower left area, one small retouched spot in lower right, minimal buckling in lower edge, otherwise a fine tonal print in very good condition.Lit.: Klaus Honnef (ed.). F.C. Gundlach. Modewelten, Photographien 1950 bis heute. Berlin 1985, ill. p. 185.Published in: Annabelle.
Lot 4173
Güler, Ara -- "Kumkapi Fishermen Returning to Port in the First Light of Dawn, Istanbul". 1950. Large-format gelatin silver print on strong paper. 40,5 x 50 cm. Signed by the photographer in silver marker in lower right corner; photographer's stamp on the verso.After training to be an actor and studying economics, Ara Güler became a photographer and worked for the newspaper Yeni Istanbul. Later he worked for Time Life, Paris Match and Stern. In 1956 he met Henri Cartier-Bresson and Marc Riboud and became a member of Magnum. Ara Güler has received many important prizes. In 1961 Photography Annual named him among the seven best photographers of the world. In 1962 he was nominated 'Master of the Leica' and in 1968 MOMA named him one of the ten masters of color photography. – Small nick in left edge, a few light handling marks, one light fold mark in uper left, a few retouched spots, otherwise a strong print in very good condition.
Lot 4140
Elizabeth II, Queen -- Photographer: Stanley Devon (1907-1995). Princess Elizabeth and the Duke of Edinburgh with their two children, Prince Charles and Princess Anne, in the garden at Clarence House, London. 1951. Vintage warm-toned gelatin silver print. 30,4 x 38 cm. Typed press text label and Associated Press stamp on the verso.Corners bumped, some edge wear, slight silver mirroring in edges, otherwise in very good condition.
Lot 4125
Dance Photography -- Photographer: Herbert Volwahsen (1906-1988). Scene from dance pantomime "Der Weg", choreographed by Mary Wigman. 1932. Vintage gelatin silver print. 13 x 22 cm. Photographer's stamp on the verso.This image shows a scene from the pantomime dance "Der Weg" choreographed by Mary Wigman,1932 and photographed by the sculptor Herbert Volwahsen. – Some mirroring and creases in edges, especially in left edge and corner, small backed tears in left and lower edge, otherwise in good condition.
Lot 4108
Borodulin, Lev -- "Diver". 1960/printed later. Gelatin silver print on doubleweight paper. 21,5 x 19,4 cm (25,3 x 20,8 cm). Signed, titled, dated and annotated in Cyrillic letters by the photographer in pencil as well as collection and Ogonyok archive stamp on the verso.This image was reproduced on the cover of "Ogonyok" for the 1960 Olympic Games in Rome. – Small retouched spot in upper left corner a few light pressure marks, otherwise in very good condition.
Lot 4252
McBride, Will -- "Einer greift nach Seife und berührt Mike. Schule Schloss Salem". 1963/printed later. Gelatin silver print. 53,5 x 35,5 cm (61 x 51 cm). Signed, annotated and numbered 11/12 by the photographer in pencil and collection stamp on the verso.In very good condition.Lit.: Will Mc Bride. I, Will McBride. Köln 1997, ill. p. 205 (variant).Coming of Age: Photographs by Will McBride. New York 1999, ill. p. 29 (variant).Provenance: Directly from the photographer to the present owner.
Lot 4095
Auradon, Jean-Marie -- Female nude. 1950s. Vintage gelatin silver print. 21 x 33 cm (30 x 40 cm). Mounted to original board, photographer's stamp below image in right corner on the mount.Jean-Marie Auradon became well known for his large-scale nudes, which he often posed like classical sculptures. He exhibited his work in 1930 and 1936 at the Salon International D'Art Photographique de Paris. He also belonged to the French 'Group XV' which included such well-known photographers as Robert Doisneau and Willy Ronis. The group existed between 1946-1956 and sought to promote French photography by organizing frequent exhibitions while stressing the importance of technique and quality in photographic prints. – Minimal surface scuffing/rubbing, more visible at an angle, otherwise in very good condition.
Lot 4168
Frankfurt/M. -- Photographer: Gustav J. Essinger and unknown. Views of ruins in Frankfurt/M., Germany, WWII. 1940-45. 13 vintage, mostly ferrotyped, gelatin silver prints, most on Agfa-Brovira paper. Each circa 17 x 23 cm and reverse. 6 with photographer's stamp on the verso. Between 1940 and 1945, the Royal Air Force and the United States Army Air Forces flew about 75 air raids on Frankfurt a. Main. During this time, about 5,559 people lost their lives, including many prisoners of war and forced laborers. In March 1944, almost all important cultural monuments as well as the entire medieval Old Town with its more than 1,800 half-timbered houses were burned down. – Some silver mirroring in edges, some with buckling in edges, some with surfce soiling/rubbing, some with traces of previous mounting on verso, a few with small tears. Errata: This lot contains 13 gelatin silver prints.
Lot 4143
Evans, Walker -- "Railroad Station, Edwards, Mississippi". 1936/printed 1976 by the Library of Congress from the orginal negative. Ferrotyped gelatin silver print on Kodak paper. 19 x 23,5 cm (20,5 x 25 cm). Annotated and with number notations in pencil as well as Reproduced from the collection of the Library of Congress and Tranegarden exhibition stamp (Copenhagen) on the verso.Some light handling marks, some light surface scratches, more visible at an angle, some traces of previous mounting on the verso, otherwise in good condition.Lit.: John T. Hill. Walker Evans: Lyric Documentary. Göttingen 2006, ill. pp. 98-99.
Lot 4097
Barbette -- Photographer: Lucien Walery (1863-1935). The female impersonator Barbette. Circa 1923/24. Vintage toned gelatin silver print on doubleweight chamois paper. 19 x 16 cm. Signed by the photographer in ink in lower left; distributor's stamp and annotated in blue crayon and pencil on the verso.American-born trapeze artist Vander Clyde, who later called himself Barbette, performed in the circus dressed as a woman, among other things. Later, in the 1920s, he traveled through Europe and had great success especially with his travesty shows. He was friends with many artists and the many famous photographers (e.g. Man Ray, d'Ora Benda, Willinger, Walery and others) portrayed him. – Small crease in lower edge, corners minimally bumped, minimal silver mirroring in edges, only visible at an angle, otherwise a fine tonal print in very good condition.
![[*] Sewcz, Hans Martin -- Prenzlauer Berg. 1976. Vintage gelatin silver print. 22,7 x 17,3 cm. Signed, titled and dated by th](https://cdn.globalauctionplatform.com/607e7e29-bdf9-4289-808b-af49014d74e2/797f942e-fb19-4b32-b06d-af4901712500/468x382.jpg)
Lot 4306
[*] Sewcz, Hans Martin -- Prenzlauer Berg. 1976. Vintage gelatin silver print. 22,7 x 17,3 cm. Signed, titled and dated by the photographer in pencil, as well as photographer's stamp on the verso.Hans Martin Sewcz studied at the Academy of Visual Arts in Leipzig. One of his main topics are former East Germany and other East-Bloc countries. He has had numerous exhibitions and his work is in various collections such as the Berlinische Galerie, the Deutsches Historisches Museum, the Institut für Moderne Kunst, Nuremberg and the Deutsche Bank AG Frankfurt a. Main Collection. His work was also shown in the exhibition "Das Gesicht des XX. Jahrhunderts" at the Deutsches Historisches Museum, Berlin. – Corners bumped, handling crease in mid right near edge, otherwise in very good condition.
Lot 4273
Picasso, Pablo / André Villers -- "Diurnes. Découpages et Photographies" portfolio. 30 collotypes. 40 x 30 cm. Each with portfolio number stamp on the verso and with protective sleeve with title, 18 text pages by Jacques Prévert, in original cloth-covered case with decorative color design by Picasso. Paris, Berggruen, 1962.Kibbey 1466. Goeppert 115. Prints in individual folder with printed title, edition 59 of 1000. "Picasso made some cut-outs of heads and silhouettes of men, women and animals. Villers mounted the cut-outs on different photographs - thirty in all - thus varying their effect and quality" (Goeppert). – Very good, clean copy and collotypes in excellent condition.
Lot 4092
Astronomy -- Photographer unknown. The night sky with Paris horizon. 1950s. Vintage ferrotyped gelatin silver print. 15,4 x 23,2 cm. Distributor's/collector's H. Roger Viollet stamp and layout notes/marks in blue/red crayon on the verso.A few minimal handling marks, otherwise in very good condition.
Lot 4104
Blumenfeld, Erwin -- "Model and Mannequin". 1945/printed 1984. Dye transfer print. 30 x 26,3 cm (49 x 40,3 cm). Erwin Blumenfeld Estate authorization stamp, therein monogrammed by F.Gundlach in pencil and editioned 12/50 in pencil on the verso.One of ten images from the portfolio "Blumenfeld Color" published by PPS Galerie F.C. Gundlach, Hamburg 1984. – In excellent condition.Lit.: Folkwang Museum. Erwin Blumenfeld, Essen 1988, ill. plate 51.
Lot 4304
Schneiders, Toni -- "Im Sturm" (Infrarot). 1971. Vintage ferrotyped gelatin silver print. 30,7 x 23,7 cm. Signed, titled and dated by the photographer in pencil and photographer's stamp on the verso.A few handling marks, a few surface pitting marks, a few small retouched spots, otherwise a strong print in very good condition.
Lot 32
Francis Davison (British 1919-1984) "Pylon" Unsigned, circa.1952-63, with a facsimile image of the estate stamp and reference on verso, collage on essex board.54.5cm x 41.5cm (21.5in x 16.25in)Provenance: Bought from Gallery 17, Shrewsbury.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot.The collage is in good, original condition. There are some minor stains, surface marks and pin holes across the paper. There is some light browning and discolouration in areas across the collage and some light creases to the paper. The collage is ornately framed and glazed.
Lot 6
Francis Davison (British 1919-1984) Untitled Unsigned, 1978-83, with a facsimile image of the estate stamp and reference on verso, collage.43cm x 55cm (17in x 21.75in)Provenance: Bought from Gallery 17, Shrewsbury.Private Collection, U.K.Artists’ Resale Right (“droit de suite”) may apply to this lot.The collage is in good, original condition. There are some pin holes and creasing across the collage. There is some light time staining and browning across the paper. The collage is ornately framed and glazed.
Lot 413
Cambellotti, Duilio (1876 Rom - 1960 ebenda)Plakat "Rome 1911 / Fêtes commémoratives de la proclamation du Royaume d'Italie" (Rom 1911 / Jubiläumsfeierlichkeiten zur Ausrufung des Königreichs Italien). Farblithografie, 1911. Gedruckt bei Dr. E. Chappuis, Bologna. Im Stein im Motiv unten links signiert. Oben rechts Stempel der Dresdner Gastwirte. Ungerahmt. 90 x 45 cm (Bl). Angeschmutzt, Randmängel und Einrisse. Großer Knick durch die Bildmitte, ebenso kleinere Kratzer. Nicht hinterlegt. Programmatische Schilderung mehrerer Adler auf einer Säule des Römischen Reiches (S.P.Q.R.), im Hintergrund schlängelt sich die Via Appia Richtung Sonne. Poster Rome 1911 - Jubilee of the establishment of the Italian Kingdom. Colour lithograph, 1911. Printed in Bologna. Signed in the stone in the motif bottom left. Top right corner with stamp of the Dresden Inn keepers Assoc. Unframed. Not relined. Dirty and dusty. Losses and tears at the margins. Large bend across the center, some smaller as well. Scratches. Eagels on a column of the Roman Empire.
Lot 224
Satz von 5 Schüsseln, Hedwig Bollhagen, 2. H. 20. Jh.Keramik. Runde Form, Dekor 086-00, zentrale Spirale in rosa auf weißem Grund im Spiegel, blaue Keile wechseln sich mit roten Streifen ab. Kleinste Schüssel unterseitig monogrammiert, größe Schüssel Prägemarke "HB". Schüssel mit 32,5 cm am Standfuß min. gechipt, größte Schüssel am Rand bestoßen. D. zwischen 19,5 und 37 cm Set of five bowls, Hedwig Bollhagen Ceramic. Round form, libely decor. Smallest one is monogrammed, biggest one has a blind stamp. Two bowls min. chipped.
Lot 349
Weihnachtsengel mit Wolke, Erzgebirge, Mitte 20. Jh.Holz, polychrom bemalt. Weihnachstorchester mit Bläsern, Laternenträgern, Flügel und Petrus als Dirigent, beigegeben: Zweistufige Wolke. Unterseitig Originalstempel oder -etikett, Wendt & Kühn und Drechslerei Ellmann. Sechszehn Stück. Farben teilweise berieben. H. 4 bis 8,5 cm Christmas angels with cloud Wood, polychrome painted. Orchestra with sixteen pieces. Original stamp / label. Wendt & Kühn and woodturning Ellmann. Paint partly rubbed.
Lot 94
Hängerolle, China, Qing Dynastie (1644-1912).Künstler unbekannt, vermutlich 18. Jh. Zwei Katzen (Jungtier und Mutter) unter Baumpäonie und Pfirsichzweigen, ein Schmetterling. Wasserfarbe auf Seide, zwei runde Siegelstempel. Seidenbrokateinfassung. Erhaltung beeinträchtigt, sehr brüchig, großer Einriss im linken Rand. Lagerknicke, Randschäden. Stark gebräunt. Einfassung fleckig. 144,5 x 63,5 cm. Provenienz: Sammlung Peer Hultberg (1935-2007), Hamburg. Hanging scroll, Qing dynasty painter, depicting two cats under a peony tree. Watercolour on silk, two stamp seals, silk bordering. Lacks of condition, tanned. Collection Peer Hultberg (1935-2007), Hamburg. 144,5 x 63,5 cm.
Lot 795
Zwei Mokkatassen mit Untertassen, um 1900Porzellan, gemaltes bzw. geschobenes florales Dekor, Ornamentbordüren, Goldrand. Ein Teil Bodenmarke: J. G. Klingner Dresden (Porzellanmalerei). H. (T) 4,8 bwz. 5,4 cm, D. (U) 10,3 bzw. 11 cm Two porcelain mocha cups with saucers, painted/ printed flower decoration and ornamental borders, one piece with stamp mark: J. G. Klingner Dresden.Ca. 1900.
Lot 577
Ikone Hl. Seraphim von Sarow, Russland, 20. Jh.Darstellung des Heiligen im Wald in Anbetung eines Marienbildes. Tempera auf Holztafel, punzierte Randbordüre und Gloriole goldunterlegt. Schmalseitensponki. Rückseite Stempel (kyrill.), 26,5 x 22 cm, schwarz gefasster Kastenrahmen 19. Jh. mit Spitzbogengiebel, Front verglast, vergoldete Einsatzrahmen mit Applikation Taube des Hl. Geistes. Rahmenrückwand reparierter Riss. Ra. 48 x 35 cm Icon: Saint Seraph in the woods, tempera on wooden panel, stamp at reverse. Russia, 20th ct. In frame box (19th ct.) with glass pane, 48 x 35 cm
Lot 339
Konvolut Blumenmädchen, Erzgebirge, Mitte 20. Jh.Holz, polychrom bemalt. Vier kleine Blumenmädchen mit unterschiedlichen Blüten, darunter ein Schneeglöckchen und eine Narzisse. Unterseitig Stempelmarke, Kunstgewerbliche Drechslerei Ellmann. Blütenblatt lose beiliegend. H. bis 11 cm Four flower girls Wood, polychrome painted. Four flower girls with different flowers. Original stamp. One patel broken off.
Lot 281
Möwe auf Welle, Meissen, Mitte 20. Jh.Modell Prof. Max Esser 1937. Porzellan, weiß. Schwertermarke (Sockelrückseite), drei Schleifstriche, Weißstempel, Jahreszeichen (1956), Model-Nr. A 1118 geritzt. H. inkl. Sockelplatte (Eiche) 44 cm Porcelain figure of a seagull, model by Max Esser 1937. White. Sword mark, 3 scratches to the mark, model no. "A 1118", year stamp 1956. H. 44 cm (incl. wooden base)
Lot 148
Drei Rollbilder, China, sp. Qing-Dynastie.Wasserfarben auf Papier, Seidenbrokateinfassung. Jeweils auf Hartfaserplatte aufgezogen. Landschaftsprospekte mit bizarren Felsformationen, Gebäuden und Figurenstaffage. Jeweils zwei Siegelstempel. Stark verbräunt und Lagerungsschäden, zwei St. mit größeren Fehlstellen. 158 x 54,5 cm. Three hanging scrolls, China, watercolours on paper, mounted on hardboard. Stamp seals. Strongly tanned, damages caused by week storage. Late Qing dynasty. 158 x 54,5 cm.
Lot 91
Gemälde auf Bambusfasermatte, China/ JapanDeckfarben. Philosoph (Konfuzius?) unter einer Kiefer. Rotes Stempelsiegel und Kalligraphie. Hinter Glas gerahmt. 81 x 44 cm (Ra.). Painting on bamboo(?) mat, a philosopher under a pine. Colours on woven bamboo fibres (?), seal stamp, calligraphy. Framed with glass. Frame: 81 x 44 cm
Lot 354
Drei Weihnachtsengel, Erzgebirge, 2. H. 20. Jh.Holz, polychrom bemalt. Drei Engelchen mit Blechblasinstrument, bzw. Cello. Unterseitig Stempel "Franz Karl GmbH, Venusberg". Farben teilweise stark berieben, ein Engel mit fehlendem Arm. H. 6,5 cm Three christmas angels Wood, turned, polychrome painted. Original stamp. Paint partly rubbed, one angel with one arm.
Lot 435
Spiegel, Ferdinand (1879 Würzburg - 1950 ebenda)"Bayrische Gewerbe-Schau München 1912". Ausstellungsplakat. Farblithografie, 1912. In der Darstellung Mitte rechts eingedruckt signiert. Gedruckt in München. Mit Stempel der Gast- und Schankwirte Dresden, 1913. Jugendstil-Plakat in Brombeerviolett und Gold. 51,5 x 36 cm (Bl). Kleine Randmängel, etwas berieben und mit leichten Kratzern. Riß oben rechts (ca 3cm). Exhibition poster for the Bavarian Applied Arts Fair, Munich 1912. Colour lithograph, 1912. Signed in the motif middle right. With stamp, dated Dresden 1913. Art Nouveau poster in deep purple and gold. Small tears at the margins, some scratches. Tear top right (ca 3 cm).
Lot 163
Spazierstock mit Elfenbeinknauf, England, Ende 19. Jh.Elfenbein, Silber, mexikanisches Cocoboloholz. Elfenbeingriff in Form einer bei der Jagd erfolgreichen Katze mit gefangener Maus, gelbe Glasaugen. Silberhalterung mit floralen Verzierungen und "Sterling" Stempel, Schaft aus Cocoboloholz, Metallzwinge. Gesamtlänge: 92 cm, Elfenbeinknauf: 14 x 4 x 3 cm CITES-Handelsgenehmigung von 2022 liegt vor. Cane with ivory knob, England Ivory, silver, mexican cocobolo wood. The ivory knob depicts a wild cat on the hunt with a rat / mouse, yellow glass eyes. Silver collar with floral engravings, "Sterling" stamp, cocobolo wood shaft, metal ferrule. Comes with CITES trading permit from 2022.
Lot 398
Richter, Ludwig Adrian (Dresden 1803 - 1884 ebenda)"Der Kellermeister mit Schurzfell". Bleistiftzeichnung, Mitte 19. Jh. Unterhalb der Darstellung rechts in Tusche bezeichnet "von Ludwig Richter". Rückseitig oben nochmals gleichlautend bezeichnet, ergänzt durch Geburtsjahr und -ort des Künstlers. Darunter Sammlerstempel Bienenkorb im Oval in Violett, daneben das Initial "M". Bleistiftnummerierungen der Sammlung. Auf Untersatz montiert, hier ausführlich in Tusche von unbekannter Hand bezeichnet und betitelt. Sämtliche Bezeichnungen aus dem 19. Jh. 13,4 x 6,4 cm (Bl), 26,8 x 18,3 cm (gesamt). Altersgemäß etwas angebräunt, leicht berieben und leicht stockfleckig; Untersatz deutlicher stockfleckig. The Master of the cellars. Pencil drawing, mid 19th century. Below the motiv with remark on artist. Backside with additional remarks in ink as well as collector's stamp (beehive in violet) and initial M. Mounted on cardboard, here with even more inscriptions. All handwritten remarks dating from 19th century. Age-appropriate condition - a bit dusty and tanned brownish, some foxing.
Lot 392
Maillol, Aristide (1861 Banyuls-sur-Mer - 1944 Perpignan)Zwei weibliche Akte, leicht eingedreht. Farboffsetlithografie nach einer Rötelzeichnung von Maillol. Wohl Mitte 20. Jh. Im Druck in der Darstellung unten Mitte monogrammiert. Unten links Blindprägung. Hinter Glas gerahmt. 37 x 27,5 cm (Darst.), 48,5 x 39 cm (Ra). Leicht angebräunt. Two female nudes, slightly turned. Colour offset lithograph after a red chalk drawing by Maillol. Pres. mid 20th century. Monogram in print. Embossed stamp bottom left corner. Framed behind glass. A bit tanned.
Lot 442
Aurig, James. 1857 Guben-1935 Blasewitz.Ansicht von Blasewitz (Dresden): Gasthof am Schillerplatz. 1890er Jahre. Gelatinesilberabzug ab Albuminpapier, auf Atelierkarton aufgezogen, re. u. Prägestempel. Oberflächenkratzer, Karton beschnitten, rückseitig handschriftl. Ausführungen v. Vorbesitzer. 19 x 26 cm. Historic view of Dresden-Blasewitz, 1890's. Gelatinesilverprint on albumin paper, blind stamp lower right. Mounted on cardbord. Photographer: James Aurig, 1857-1935. Surface scratches. 19 x 26 cm.
Lot 409
Olbricht, Joseph Maria (1867 Troppau - 1908 Düsseldorf)Plakat "Kölner Ausstellung". Farblithografie, 1905 (?). Im Stein oben rechts signiert. Gedruckt bei M. Dumont Schauberg, Köln. Oben links Stempel der Dresdner Gastwirte 1907. Ungerahmt. 105 x 64 cm (Bl). Rückseitig etwas stockfleckig. An Ober- und Unterkante Einrisse. Partiell gebräunt. Nicht hinterlegt. Ornamental umwerfender Jugendstil-Entwurf des Architekten des berühmten Wiener Secessionsgebäudes von 1897. Poster Cologne Exhibition. Colour lithograph, 1905 (?). Signed in the stone top right. Printed in Cologne. Top left corner with stamp the Dresden Inn keepers Ass. Unframed. Not relined. Backside with foxing. Partially tanned, top and lower margins with tears.
Lot 443
Milano, Antonio (lebt und arbeitet in Apulien (Süditalien)Weiblicher Halbakt, überdehnt. S/W-Fotografie, 1990er - 2010. Unten links in Fineliner signiert. Rückseitig Atelierstempel (Gallipoli, Lecce). Ungerahmt. 40,5 x 30,5 cm (Bl). Reste ehemaliger Klebemontierung. Female half-nude, overstretched. B/W-photograph, 1990ies-2010. Signed in fineliner bottom left. Backside with stamp of studio. Unframed. Rests of former mounting.
Lot 287
Kind mit Reh, Selb, Rosenthal, 1943Modell Lore Friedrich-Gronau 1937. Porzellan, elfenbeinfarben. Farbstempelmarke, blindgeprägte Form-Nr. "1665". H. 16,5 cm. Verzeichnis Niecol Nr. 3.0181. Porcelain figure child with fawn, model by Lore Friedrich-Gronau 1937. Selb, Rosenthal, 1943. Stamp mark, model no. "1665". H. 16,5 cm.
Lot 806
Viereck-Platte, Schlesien (?), um 1860Porzellan, geschweifter Rocaillenrand mit Akanthusblattrelief, Fond mit gerundeten Ecken, polychrome Blumenmalerei. Randvergoldung berieben. Blindprägemarke. D. 22 cm Porcelain platter, Silesia (?), ca. 1860, polychrom flower paint, gilding rubbed off mostly. Blind stamp. D. 22 cm
Lot 102
Otto Dix (German, 1891-1969)Selbstbildnis I (Karsch 333) Lithograph printed in black, 1969, on wove, numbered 29/65 in pencil, with the estate stamp and Martha Dix's signature verso, printed by Erker Presse, St. Gallen, with their blindstamp, published by the artist, with margins, 760 x 555mm (29 7/8 x 21 7/8in)(SH)(unframed)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 148
David Hockney R.A. (British, born 1937)My Window The book, 2019, signed on the justification page in black ink and stamp-numbered 0220, from the total edition of 2000, with title-page text and ink-jet reproductions, co-published by the artist and Taschen, Cologne, in the original cloth-bound clamshell box, 550 x 420 x 70mm (21 5/8 x 16 1/2 x 2 3/4in)(overall)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 175
Damien Hirst (British, born 1965)Forever (Small) (H8-4) Diasec-mounted giclée print in colours, 2020, on aluminium panel, with the artist's printed signature on the publisher's label affixed verso and stamp-numbered 1013/2573, published by Heni Productions, London, housed in the original packaging, the full sheet printed to the edges, 390 x 390mm (15 3/8 x 15 3/8in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 177
Damien Hirst (British, born 1965)Fruitful (Small) (H8-2) Diasec-mounted giclée print in colours, 2020, on aluminium panel, with the artist's printed signature on the publisher's label affixed verso, stamp-numbered 1293/3308, published by Heni Productions, London, housed in the original packaging, the full sheet printed to the edges, 390 x 390mm (15 3/8 x 15 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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