We found 165558 price guide item(s) matching your search
There are 165558 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
165558 item(s)/page
Lot 712
Alexander I., Kaiser von Russland 1801 - 1825, St. Petersburg, Felix Chopin, 1867 Bronze, patiniert. Plastisches Brustbildnis von Alexander Pawlowitsch Romanow, Sohn des Kaisers Paul I. und seiner zweiten Gemahlin, Maria Fjodorowna, und Kaiser von Russland 1801 - 1825. Er trägt einen Lorbeerkranz. Unter der Brust in Kyrillisch bezeichnet "Alexander I". Auf einem runden Standfuß. Rückseite Gießerstempel "F.CHOPIN" in Kyrillisch und Datierung "1867". Höhe 24 cm.Felix Chopin (1813 - 1892), geboren in Paris, kam 1838 nach St. Petersburg und übernahm später die Gießerei Guerin. Er war auch für den Zarenhof tätig. Zustand: II +Keywords: tsar, Zar, emperorAlexander I, Emperor of Russia 1801 - 1825, St. Petersburg, Felix Chopin, 1867 Patinated bronze bust showing Aleksandr I Pavlovich, son of Emperor Paul I and Maria Fedorovna. With inscription "Alexander I" in Cyrillic. Back with stamp "F.CHOPIN" in Cyrillic and date "1867". Height 23 cm.Felix Chopin (1813 - 1892), born in Paris, worked in St. Petersburg from 1838. He executed a considerable number of bronzes for the Imperial court.Condition: II +Keywords: tsar, Zar, emperor
Lot 283
Zwei-Dollar-Schein, signiert und gestempelt "Andy Warhol", 1976 Zwei-Dollar-Banknote mit dem Portrait von Thomas Jefferson (amerikanischer Präsident von 1801 bis 1809). Die Rückseite zeigt die Darstellung der Unabhängigkeitserklärung nach einem Gemälde von John Trumbull. Die Frontseite ist mit Filzstift signiert "Andy Warhol", aufgeklebte US-Postage Briefmarke Alexander Graham Bell Issue 13 Cent von 1976, abgestempelt in Atlanta am 13. April 1976, sowie mit der Nr. "F10549427A" versehen. Die Rückseite ist mit seiner Signatur gestempelt. Im Plexiglasrahmen. Mit Expertise der Galerie 32 Nice, Frankreich. Maße 6,5 x 15,5 cm bzw. 15 x 20 cm (Rahmen).Zustand: I -A two dollar bill signed and stamped "Andy Warhol", 1976 A two dollar bill with portrait of Thomas Jefferson (US-president from 1801 to 1809), the reverse with the Declaration of Independence after a painting by John Trumbull. Front is signed "Andy Warhol" with a black marker, US postal stamp Alexander Graham Bell Issue 13 Cent from 1976 and No. "F10549427A". Stamp of Andy Warhol on the reverse. With perspex frame. Expertise of Galery 32 in Nice France. Dimensions 6.5 x 15.5 cm, 15 x 20 cm (frame).Condition: I -
Lot 711
Elisabeth I., Kaiserin von Russland 1741 - 1762, St. Petersburg, Felix Chopin, 1867 Bronze, patiniert. Darstellung von Jelisaweta Petrowna Romanowa, Tochter von Peter dem Großen und Katharina I. und Kaiserin von Russland 1741 - 1762. Auf einem runden Standfuß. Unter der Brust bezeichnet "Elisabeth" in Kyrillisch. Rückseite mit Gießermarke "F. CHOPIN" in Kyrillisch. Höhe 24 cm.Felix Chopin (1813 - 1892), geboren in Paris, kam 1838 nach St. Petersburg und übernahm später die Gießerei Guerin. Er war auch für den Zarenhof tätig. Zustand: II +Elisabeth I, Empress of Russia 1741 - 1762, St. Petersburg, Felix Chopin, 1867 Patinated bronze. Bust showing Yelizaveta Petrovna Romanova, daughter of Peter I the Great and Catherine I and empress of Russia 1741 - 1762. On a round foot. Titled in Cyrillic "Elisabeth". Back with stamp "F. CHOPIN" in Cyrillic and date "1867". Height 24 cm.Felix Chopin (1813 - 1892), born in Paris, worked in St. Petersburg from 1838. He executed a considerable number of bronzes for the Imperial court.Condition: II +
Lot 284
Zwei-Dollar-Schein, signiert "Andy Warhol", 1976 Zwei-Dollar-Banknote mit dem Portrait von Thomas Jefferson (amerikanischer Präsident von 1801 bis 1809). Die Rückseite zeigt die Darstellung der Unabhängigkeitserklärung nach einem Gemälde von John Trumbull. Die Frontseite ist mit Filzstift signiert "Andy Warhol", sowie mit der Nr. "L12963393A" versehen. Die Rückseite ist mit seiner Signatur gestempelt. Im Plexiglasrahmen. Mit Expertise der Galerie 32 Nice, Frankreich. Maße 6,5 x 15,5 cm bzw. 15 x 20 cm (Rahmen).Zustand: I -A two dollar bill signed "Andy Warhol", 1976 A two dollar bill with portrait of Thomas Jefferson (US-president from 1801 to 1809), the reverse with the Declaration of Independence after a painting by John Trumbull. Front is signed "Andy Warhol" with a black marker and No. "L12693393A". Name stamp on the reverse. With perspex frame. Expertise of Galery 32 in Nice France. Dimensions 6,5 x 15,5 cm, 15 x 20 cm (frame).Condition: I -
Lot 218
Terre de faience conceived in 1963white unglazed earthenwarediameter: 27 cm (10 5/8 in.)Madoura Plein Feu workshop stamp, Empreinte Originale de Picasso impressed in paste, edition 25/100 in black, with workshop numeral T.107 incised in paste, all visible to undersideCONDITIONThe plate is in very good condition. Very minor surface scuffing. Inspection under UV light shows no sign of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 219
Tormented Face conceived in 1963white unglazed earthenwarediameter: 27 cm (10 5/8 in.)Madoura Plein Feu workshop stamp, Empreinte Originale de Picasso impressed in paste, edition 41/100 in black, workshop numeral T.M 5 incised in paste, all visible to undersideCONDITIONThe plate is in very good condition. Very minor surface scuffing. Minor discoloration to the edge. Inspection under UV light shows no sign of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 220
Visage conceived in 1963white unglazed earthenwarediameter: 27 cm (10 5/8 in.)Madoura Plein Feu workshop stamp, Empreinte Originale de Picasso impressed in paste, edition 39/100 with workshop numeral T.119, both in black, all visible to undersideCONDITIONThe plate is in very good condition. Very minor surface scuffing. Inspection under UV light shows no sign of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 221
Femme Echevelee conceived in 1963white unglazed earthenwarediameter: 27 cm (10 5/8 in.)Madoura Plein Feu workshop stamp, Empreinte Originale de Picasso impressed in paste, edition 57/100 with workshop numeral T.103, both in black, all visible to undersideCONDITIONThe plate is in very good condition. Very minor surface scuffing. Inspection under UV light shows no sign of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 222
Visage de Face conceived in 1963white unglazed earthenwarediameter: 27 cm (10 5/8 in.)Madoura Plein Feu workshop stamp, Empreinte Originale de Picasso impressed in paste, edition 2/100 with workshop numeral T.109, both in black, all visible to undersideCONDITIONThe plate is in very good condition. Very minor surface scuffing. Inspection under UV light shows no sign of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 225
La Danse des Faunes, Published by Le Patriote, Nice 1957lithograph40.5 x 52.5 cm (16 x 20 5/8 in.)framed dimensions: 65.5 x 76 cm (25 3/4 x 29 7/8 in.)artist stamp lower rightCONDITIONObserved in frame, the lithograph is in very good condition. Fine creasing visible to the lower right margin.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 278
Woman in Red Cap oil on canvas74 x 58 cm (29 1/8 x 22 7/8 in.)framed dimensions: 84 x 69 cm (33 1/8 x 27 1/8 in.)signed lower right; export label with stamp on versoPROVENANCECollection of Helen and Frederick Serger, Woodstock, New YorkAcquired by the present owner from the above (copy of provenance letter available upon request.)CONDITIONObserved in frame, the painting is in age-appropriate condition. Overall very fine and age-appropriate craquelure, most notably against the shaded areas. The canvas has warped slightly in frame. Inspection under UV shows no sign of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 281
Theater oil on canvas55 x 80 cm (21 5/8 x 31 1/2 in.)framed dimensions: 63.5 x 88 cm (25 x 34 5/8 in.)signed lower right; export stamp on versoCONDITIONObserved in frame, the painting is in good age-appropriate condition. Overall very fine craquelure. Inspection under UV light shows no sign of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 345
Nude with Pearls 1866oil on canvas161 x 100 cm (63 3/8 x 39 3/8 in.)framed dimensions: 180 x 119 cm (70 7/8 x 46 7/8 in.)signed and dated lower right; with Hungarian export label and stamp on versoCONDITIONObserved out of frame, the painting is in fair age-appropriate condition. The canvas has been striped lined. Inspection under UV light scattered retouching mainly to the background. Minimal retouching to her face, chest and body.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 353
Sunshine oil on canvas60 x 81 cm (23 5/8 x 31 7/8 in.)framed dimensions: 77.5 x 98 cm (30 1/2 x 38 5/8 in.)signed lower right with Hungarian export stamp on versoPROVENANCEGekkoso Gallery, TokyoCONDITIONObserved in frame and under glass, the painting is in very good condition.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 59
Queen Matilda 2008acrylic on four panels173 x 452 cm (68 x 178 in.)unframedsigned lower rightPROVENANCEAcquired at Graffiti Gone Global Exhibition by SUSHISAMBAEXHIBITIONWoodward Gallery Project Space, NYC, Lady Pink mural, June – August 2009. [stamp on verso]Graffiti Gone Global by SUSHISAMBA, Miami, December 3-6, 2009LITERATUREJames and Karla Murray Graffiti Gone Global by SUSHISAMBA (2009), ex. cat., p. 27 (illustrated)LOT NOTESQueen Matilda by Lady Pink is not only a visually vibrant work in the artists quintessential style for which she is most known, synopsistic of Sandra Fubaras oeuvre, but the painting is also a window into the life of the artist, her values, and her life as a young artist in the emerging street art movement in New York City in 1980s.To be more specific, the street art movement was centered in New York City's East Village neighborhood of Manhattan. The East Village is represented in the painting through use of the logos from some of the city's most popular hangouts among counterculture youth -- fertile breeding grounds for creativity that were frequented by the likes of Harring, Basquiat, and a litany of punk and folk musicians. In Queen Matilda, one can see the logos of -- among others -- CBGB, one of the city's most iconic music clubs, the birthplace of punk music and previously a biker bar, and Gem Spa, perhaps the East Village's most iconic corner store, located on St. Marks Place since the 1920s selling newspapers, candy, and one of the pioneers of the Egg Cream, a beverage synonymous with New York City. The logos of such establishments, and the East Village-scaled street seen in the bottom half of the painting, demonstrate the cultural mecca that this neighborhood came to be, and its influence on Lady Pink.Lady Pink often depicts architectural forms in her work. Occasionally, these forms personify a female figure like that of the large form made of pink brick that can be seen as the centerpiece in Queen Matilda. Lady Pinks artistic journey started with graffiti; she became a known member of the tagging scene in New York City and gained acclaim for her work. At the time, there were very few female graffiti artists. In her work, the female form and an overall message of female empowerment can be often seen. In Queen Matilda the architectural, female form shows the city itself as a living, nurturing entity - and emphasizes the role the city played for Lady Pinks upbringing, and the role women play as the backbone of societies overall. One can also see a train running through the city, emerging from behind the female figure on the right side of the work -- an allusion to her artistic beginnings tagging subway trains prior to her finding fame in the fine arts world.This painting showcases Lady Pinks roots, like the roots seen tangled over the head of the female figure the painting is centered around. This work, like the neighborhood Lady Pink hails from, is colorful, fertile, and magical. Perhaps most notably, it is hard to discern whether the work should be seen as solely an ode to the neighborhood the artist calls home, or something of a self portrait as well. As is true with so many now-ubiquitous artists, there would likely not be a Lady Pink were it not for New York City’s East Village.CONDITIONThe group appears in good condition. Minor scattered scuffing to the lower right of the panels with lettering Mendel. Minor cracking and lifting along of the lower edges of the one with the lettering Spa. Each with minor losses to the corners and edges consistent with age. Inspection under UV shows no apparent signs of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 67
Untitled (Defile) 1990woodcut with hand additions40.5 x 150 cm (16 x 59 in.)framed dimensions: 51 x 161 cm (20 1/8 x 63 3/8 in.)signed and dated lower right with artist stamp, edition 61/75 lower left all in pencilPROVENANCEAcquired directly from BAM (Brooklyn Academy of Music)Private Brooklyn Heights collection since 1987-1988CONDITIONObserved in frame and under acrylic, the woodcut is in very good condition. Minor waviness present.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 1004
Konvolut Militaria. Orden. Abzeichen. Hindenburg.Konvolut Militaria. Orden, Feldkarte, Reservisten - Feldflasche aus dem 1. Weltkrieg, 1 Paar Epauletten, Bildreihenbroschüre, Zigarettenspitze im Etui, Messingdose, Darlehensschein, Stempel mit Initialen (H. M.), Metallstück mit Aufschrift "Verdun 1916", Satz loser Postkarten, kleiner Kamm, sehr kleine Metallkapsel zum Aufdrehen, gerahmtes Foto Hindenburgs mit Widmung, 1 Armbinde Rotes Kreuz, Erkennungsmarke. Nach Aussage der Enkelin war der Großvater Fahrer/Soldat bei Hindenburg, 1923 (siehe beiligendes Foto von Hindeburg mit Widmung). Zustand siehe Fotos. Versand kann organisiert werden.Mixed Militaria. Medals. Badges. Hindenburg. Mixed Militaria. Medals, field card, reservist - field bottle from the 1st World War, 1 pair of epaulettes, picture series brochure, cigarette holder in case, brass box, loan bill, stamp with initials (H. M.), metal piece with inscription "Verdun 1916", set of loose postcards, small comb, very small metal capsule to twist on, framed photo of Hindenburg with dedication, 1 armband Red Cross, dog tag. According to granddaughter, grandfather was a driver/soldier for Hindenburg, 1923 (see attached photo of Hindeburg with dedication). Condition see photos. Shipping can be organized.
Lot 63
UNSIGNIERT (um 1900). Stillleben.54 cm x 46 cm. Gemälde. Öl auf Platte. Pokal, Kermaik Delft, Früchte. Keine Signatur gefunden. Verso Stempel und Schrift. Versand kann organisiert werden. UNSIGNED (circa 1900). Still life. Painting. Oil on panel. Goblet, Kermaik Delft, Fruits. No signature found. Stamp and writing on verso. Shipping can be arranged.
Lot 392
Historic Competition Machine. Believed to be the only "Factory" Scrambler Royal Enfield ever made.The only known factory trials/scrambler produced and verified by the Royal Enfield Owners ClubBuilt and raced by Royal Enfield employee Anthony DonachieFactory engine stamp of X99 (experimental). Frame number starting with a 'T' for trialsDonachie finished 3rd at the 1961 Red Marley event with copies of the results on fileNon-standard comp parts include engine plates, top yoke and rear sprocketHistory file including REOC dating letter, letters, old photos and other associated paperworkWill need recommissioning before useSpecificationMake: ROYAL ENFIELDModel: CRUSADER TRIALS/SCRAMBLERYear: 1957Registration Number: UNREGISTEREDEngine Number: X99Click here for more details and images
Lot 226
2000 Rover Mini Sport Final EditionRegistration number: X344 HETDate of first registration: 06/10/2000 VIN number: SAXXNPAZE1D187737Engine number: 12A2LK70399668MOT expires: 28/04/2023V5C present listing 0 former keepersCurrent mileage shown: 17,7241275ccGreenA rare British racing green example with silver roof, bonnet stripes, alloy dash and interior pack. With nickel silver leather with black facings, and print out of previous MOT history from 2006 at 17,426 miles to August 2020 at 17,719 miles. With owners handbook and service portfolio (one stamp at 17,462 miles in 2006).Click to view VIDEO CONDITION REPORT
Lot 680
René MAGRITTE (1898-1967) Lithograph Golconde 1953 Numbered 165/275 with dry stamp ADAGP and Succession Magritte. initials by Charly Herscovice (The Fondation Magritte). Lithografie Golconde 1953 Genummerd 165/275 met droogstempel ADAGP en Succession Magritte. paraf van Charly Herscovice (The Fondation Magritte). 37.5 x 45 cm Justification on the back Justificatie op de achterzijde
Lot 216
René MAGRITTE (1898-1967) Lithograph Decalcomanie 1966. Numbered 106/275 with dry stamp ADAGP and Succession Magritte. initials by Charly Herscovice (The Fondation Magritte). Lithografie Decalcomanie 1966. Genummerd 106/275 met droogstempel ADAGP en Succession Magritte. paraf van Charly Herscovice (The Fondation Magritte). 38 x 47 cm
Lot 678
René MAGRITTE (1898-1967) Lithograph L'Entrée en scène 1961 Numbered 234/275 with dry stamp ADAGP and Succession Magritte. initials by Charly Herscovice (The Fondation Magritte). Lithografie L'Entrée en scène 1961 Genummerd 234/275 met droogstempel ADAGP en Succession Magritte. paraf van Charly Herscovice (The Fondation Magritte). 52 x 36.5 cm Justification on the back Justificatie op de achterzijde
Lot 851
René Magritte (1898-1967) Lithography La reconnaissance infine 1963. Signed in the plate. Numbered 163/275. Stamp Succesion Magritte. Justification de tirage (back). Lithografie L La reconnaissance infine 1963. Gesigneerd in de plaat. Genummerd 163/275. Met stempel successie Magritte. Met justificatie. 38 x 46.5 cm
Lot 850
René Magritte (1898-1967) Lithography La magie noire 1945. Signed in the plate. Numbered 198/275. Stamp Succesion Magritte. Justification de tirage (back). Lithografie La magie noire 1945. Gesigneerd in de plaat. Genummerd 198/275. Met stempel successie Magritte. Met justificatie. 51 x 37.5 cm
Lot 679
René MAGRITTE (1898-1967) Lithograph La trahison des images 1929 Numbered 106/275 with dry stamp ADAGP and Succession Magritte. initials by Charly Herscovice (The Fondation Magritte). Lithografie La trahison des images 1929 Genummerd 106/275 met droogstempel ADAGP en Succession Magritte. paraf van Charly Herscovice (The Fondation Magritte). 38.5 x 51.5 cm Justification on the back Justificatie op de achterzijde
Lot 217
René MAGRITTE (1898-1967) Lithograph La Bataille d'Argonne. Numbered 269/275 with dry stamp ADAGP and Succession Magritte. initials by Charly Herscovice (The Fondation Magritte). Lithografie La Bataille d'Argonne. Genummerd 269/275 met droogstempel ADAGP en Succession Magritte. paraf van Charly Herscovice (The Fondation Magritte). 38 x 45.5 cm
Lot 218
René MAGRITTE (1898-1967) Color Lithograph La nuit de pise Numbered 263/275 with dry stamp ADAGP and Succession Magritte. initials by Charly Herscovice (The Fondation Magritte). Kleurenlithografie La nuit de pise Genummerd 263/275 met droogstempel ADAGP en Succession Magritte. paraf van Charly Herscovice (The Fondation Magritte). 38 x 49 cm
Lot 849
René Magritte (1898-1967) Lithography L'Empire des lumières 1954. Signed in the plate. Numbered 193/275. Stamp Succesion Magritte. Justification de tirage (back). Lithografie L'Empire des lumières 1954. Gesigneerd in de plaat. Genummerd 193/275. Met stempel successie Magritte. Met justificatie. 47.5 x 37.5 cm
Lot 303
A WWII typed message to 64 Medium Regiment RA and 52/419 Heavy Battery RA from Major General Roy Urquhart, Commander of 1st Airborne Division, and the British Second Army, praising them for their support and efforts in the Battle of Arnhem in September 1944, where Urquhart writes, 'The Commanders of 30 Corps and the Airborne Corps have agreed to our request that we may be allowed to present your Regiment with our Airborne sign, the Pegasus, to be worn on the lower half of the right sleeve. We shall regard it as a great privilege if you will undertake to wear this as a lasting remembrance of our liaison during the battle of Arnhem', housed behind glass in plain oak frame with date stamp to the reverse '-9 DEC 194 ', 20cm x 23cm CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Lot 47
A large Royal Doulton figure of King Charles I, the original by Charles Noke and Harry Tittensor, the base with green factory stamp and 'Charles I' in gilt Gothic print, 43cm high CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Lot 147
A silver stamp holder, London 1900, raised on four ball feet with glazed hinged lid, 3.3cm long CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Lot 458
The New Imperial Album For The Stamps Of Great Britain, The British Empire, Egypt And Iraq From 1840 to Mid-1936 Vol I Great Britain, And Atigua to Malta and Vol II Mauritius to Zululand, the sparse contents to include Cape of Good Hope and Ceylon etc., together with The New Age Stamp Album British Commonwealth Queen Elizabeth II Issues in vols I-III, in later homemade dust jackets. (5)
Lot 352
K M Haviland (British, 20th century) - a graphite study, 'The Farmyard, Umbria'. Signed lower left and various labels verso detailing Paris Salon 1964, official British Agents: James Bourlet & Sons, Ltd. 17-18 Nassau St. London, W.1 and Society des Artistes Francais Salon 1964 stamp. Glazed parcel-gilt frame (image size 26cm x 36cm)
Lot 307
20 Graphiken und Zeichnungen mit Markthändlern und Schaustellern 1) Jean Jacques de Boissier, Radierung, "Die großen Scharlatane", 25 x 19 cm. – 2) Ferdinand Götz (1874–1936), handkolorierter Andruck, 1918, "Der Riese Jonathan", für die Meggendorfer Blätter, 17 x 23 cm. – 3) Martin Claus, Bleistiftzeichnung auf Pergament, "Schwertschlucker", datiert 22.4.1936, vom Künstler selbst signiert, für die Fliegenden Blätter, 22 x 25 cm. – 4) 3 altkolorierte Lithographien, um 1850, "Fahrende Händler", Maße jeweils 26 x 18 cm. – 5) Eugen Kirchner (1865–1938), Tuschfederzeichnung, um 1925, "Im Biergarten", für die Meggendorfer Blätter, Verso mit Verlagsstempel, 17 x 22 cm. – 6) Elsa Niemeyer-Moxter, Aquarell, datiert 13.7.1937, "Spielzeugbude auf dem Jahrmarkt", von der Künstlerin selbst signiert, für die Fliegenden Blätter, Verso mit Verlagsstempel, 22 x 25 cm. – 7) Carl Storch, Original-Zeichnung, 1922, "In der Schaubude", vom Künstler selbst signiert, für die Fliegenden Blätter, 18 x 14 cm. – 8) Hugo Frank (1892–1962), Tuschfeder- und Pinselzeichnung, "Bierhalle", für die Fliegenden Blätter, Verso mit Verlagsstempel, 12 x 11 cm. – 9) E. Regler, Tuschfederzeichnung, um 1900, "Bauchladen Verkäufer", 21 x 29 cm. – 10) Hugo Frank (1892–1962), Aquarell über Bleistift, "Marktschreier", vom Künstler selbst signiert, für die Meggendorfer Blätter, 32 x 27 cm. – 11) 2 x Heinrich Fick, Tuschfederzeichnungen, um 1900, "Der Jahrmarkt Jongleur", für die Meggendorfer Blätter, Maße jeweils 16 x 22 cm. – 12) Hugo Frank (1892–1962), Tuschfederzeichnung, "Ringkampfbude", für die Fliegenden Blätter, Verso mit Verlagsstempel, 21 x 13 cm. – 13) Hugo Frank (1892–1962), Tuschfederzeichnung, "Kasperl-Theater", 12 x 11 cm. – 14) 2 Blätter, unsigniert, Tuschfederzeichnung, datiert 9.12.1918, "Storch, der Nasendoktor", Maße jeweils 23 x 9 cm. – 15) Hugo Frank (1892–1962), kolorierte Bleistiftzeichnung, 1925, "Jahrmarkt", vom Künstler selbst signiert, für die Meggendorfer Blätter, Verso mit Verlagsstempel, 21 x 13 cm. – 16) P.O. Engelhard, Tuschfederzeichnung, 1903, "Froschmeier's Affen und Hunde Zirkus", für die Meggendorfer Blätter, Verso mit Verlagsstempel, 35 x 45 cm. – Und: 17) Hans Kalmsteiner, handkolorierter Andruck, um 1910, "Jahrmarkt", für die Meggendorfer Blätter, 17 x 24 cm. Start Price: EUR 280 Zustand: (2-3/-)20 Prints and Drawings of Market Traders and Showmen 1) Jean Jacques de Boissier, etching, "The Great Charlatans", 25 x 19 cm. – 2) Ferdinand Götz (1874–1936), hand-colored proof, 1918, "Der Riese Jonathan", for the Meggendorfer Blätter, 17 x 23 cm. – 3) Martin Claus, pencil drawing on vellum, "Schwertschlucker", dated 22.4.1936, signed by the artist, for the Fliegende Blätter, 22 x 25 cm. – 4) 3 colored lithographs, c. 1850, "Fahrende Händler", each measuring 26 x 18 cm. – 5) Eugen Kirchner (1865–1938), pen-and-ink drawing, c. 1925, "Im Biergarten", for the Meggendorfer Blätter, publisher's stamp on verso, 17 x 22 cm. – 6) Elsa Niemeyer-Moxter, watercolor, dated 13.7.1937, "Spielzeugbude auf dem Jahrmarkt", signed by the artist, for the Fliegende Blätter, publisher's stamp on verso, 22 x 25 cm. – 7) Carl Storch, original drawing, 1922, "In der Schaubude", signed by the artist, for the Fliegende Blätter, 18 x 14 cm. – 8) Hugo Frank (1892–1962), pen-and-ink drawing, "Bierhalle", for the Fliegende Blätter, publisher's stamp on verso, 12 x 11 cm. – 9) E. Regler, pen-and-ink drawing, c. 1900, "Bauchladen Verkäufer", 21 x 29 cm. – 10) Hugo Frank (1892–1962), watercolor over pencil, "Marktschreier", signed by the artist, for the Meggendorfer Blätter, 32 x 27 cm. – 11) 2 x Heinrich Fick, pen-and-ink drawing, c. 1900, "Der Jahrmarkt Jongleur", for the Meggendorfer Blätter, 16 x 22 cm. – 12) Hugo Frank (1892–1962), pen-and-ink drawing, "Ringkampfbude", for the Fliegende Blätter, publisher's stamp on verso, 21 x 13 cm. – 13) Hugo Frank (1892–1962), pen-and-ink drawing, "Kasperl-Theater", 12 x 11 cm. – 14) 2 sheets, unsigned, pen-and-ink drawing, dated 9.12.1918, "Storch, der Nasendoktor", 23 x 9 cm each. – 15) Hugo Frank (1892–1962), colored pencil drawing, 1925, "Jahrmarkt", signed by the artist, for the Meggendorfer Blätter, publisher's stamp on verso, 21 x 13 cm. – 16) P.O. Engelhard, pen-and-ink drawing, 1903, "Froschmeier's Affen und Hunde Zirkus", for the Meggendorfer Blätter, publisher's stamp on verso, 35 x 45 cm. – And: 17) Hans Kalmsteiner, hand-colored proof, c. 1910, "Jahrmarkt", for the Meggendorfer Blätter, 17 x 24 cm. Start Price: EUR 280 Condition: (2-3/-)
Lot 3193
Adrien Étienne Gaudez (1845 Lyon - 1902 Neuilly-sur-Seine)"Labor" (Die Arbeit). OriginaltitelBronze, dunkelbraun patiniert. Sign.; Runder Gießerstempel "F. P. Sanson Succ Neuer Wall Hamburg" (in Versalien). Betitelt u. bez.; Auf einer runden Plinthe stehender Halbakt eines Schmiedes bei der Arbeit am Amboss als allegorische Figur. H. 59,5 cm.Dark brown patinated bronze. Signed, foundry stamp. Inscribed and titled on a plaque.
Lot 3209
Anton Büschelberger (1869 Eger - 1934 Dresden)GoldfasanenpaarBronze, braun bzw. dunkel patiniert. Sign. u. monogr.; Gießerstempel "BILDGIESSEREI KRAAS (/) BERLIN S 42". Anthrazitfabener Marmorsockel. Große, typische Gruppe Büschelbergers, der für seine realistischen Tierskulpturen intensive Studien im Dresdener Zoo betrieb. Sockel minim. best.; Ges.-H. 80 cm.Patinated bronze. Signed. Cast by Kraas, Berlin (foundry stamp). Minor chips to the dark marble base.
Loading...-
165558 item(s)/page