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Stamp Interest:- UK well filled album 1840-1970 with many high catalogue stamps and a few covers eg SG 117 plate 4 used on cover Capetown cancel, scrappy 2d blue 1840, SG181, cat £250 fine used, 1883-4 set (10) (various faults but some ok) 1887 Jubilee set used and some mint, SG265 1902-10 10/- ultramarine, heavy used but good otherwise (cat £500) 14 KGV seahorses, including 2 x 10/-. A lovely collection, very high catalogue and serious money spent building it!
A 1960s Swedish rosewood dining suite, comprising; extending dining table having rounded corners, pull-out action, and two extra drop-in leaves, on turned tapering supports, h.73cm, max length 240cm, d.90cm, and a set of six slat back dining chairs having white fabric reupholstered stuff over seats on turned forelegs, with stamp marks "Made in Sweden" verso, width 46.5cm (7)Surface of table generally a little faded but consistent in colour.Small water mark to top.One cleated corner with widening to join line.Structurally fine but legs are quite spindly so the table does wobble when handled.The two leaves are darker in colour.Chairs are all good, solid and complete.
Postal History. Collection including pre-stamp correspondence from 1797 to QV; postal stationery; halfpenny postcards; Penny Red covers, and others. Featuring mileage marks, village cancellations, duplex cancellations, skeletons. Approximately 80 pieces of correspondence arranged in two slipcased albums for Dudley & Worcestershire with typed notes by Brian Brookes (deceased) P.T.S. (2)
Barrie, J. M. Peter and Wendy, illustrated by F. D. Bedford, first edition, London: Hodder & Stoughton, [1911]. Octavo, publisher's gilt green cloth, frontispiece, pictorial title and eight [of 11] plates. Contents generally good & bright, peculiarly set with some pages & plates slanted, neat contemporary gift inscription & small ownership stamp, Christmas 1911, a few pale spots & marks in places, one plate loose with edges worn, a couple of pages with nicks, cloth with some discolouration, wear at corners, sold as found with all faults
A Gilt Metal-Mounted Blue John Scent Flask and Stopper, 19th century, of semi-ovoid form with waisted neck4cm highA Tumbridgeware Stamp Box, decorated with the head of Victoria4.2cm wideA Similar RulerTwo DisksA Collection of Carved Nut BeadsA Similar Necklace (qty)The bottle with surface abrasions to the Blue John (images a good representation of the colour) small chips to the underside panel, some perishing to the cork stopper, stopper removes ok and is a loose fit, ruler free from cracks and chips, minor surface wear, stamp box, small strip of loss to the inlay along the top edge of the base, the two winders in good condition.
Orwell (George)Nineteen Eighty-Four, Secker & Warburg, 1949, first edition, original cloth (lacking dust jacket);idem, The Road to Wigan Pier, Victor Gollancz - Left Book Club, 1937, first edition, original cloth covers. (2)1984 - Name to front pastedown, cloth stained, contents VG. Collated (312 pages) Road to Wigan Pier - Name, date, and initial stamp to front free endpaper. XXIV, 264 pages including 32 illustrations, first leaf a blank, tear to page 161 (without loss), page 251 with corner crease, foxing to closed edges, hinge gaping in places, spine creased, covers well used, some light staining/foxing in places internally.
Fleming (Ian)Thunderball, Cape, 1961, first edition, dust jacket, (priced 15s); idem, You Only Live Twice, Cape, 1964, first edition, first edition dust jacket (priced 16s);idem, The Man with the Golden Gun, Cape, 1965, first edition, dust jacket (priced 18s);idem, Octopussy and the Living Daylights, Cape, 1966, first edition, dust jacket (priced 10s 6d) (4) You only live twice - Name and Dates to front pastedown Thunderball - Booksellers stamp to front pastedownOther two volumes free of inscriptions
Pair of Empire style vases. France, second half of the 19th century.Polychrome and gilded porcelain.With porcelain stamp on the base.With wear and tear.Measurements: 25 x 14 x 10 cm.Pair of French Empire style vases, in gilded porcelain with central medallions with pastoral and landscape scenes. They have a cup shape typical of this style, with moulded handles on the sides.
Sèvres vase. France, 18th century.Hand-painted porcelain and gilt bronze mount.With stamp on the inside of the lid indicating that the date of production was around 1753.Measurements: 48 x 25 x 19 cm.Ornamental vase with bronze base and structure. It is decorated with pictorial scenes, the front with winged angels and the back with musical instruments, both delicately worked in its brushstrokes. Originally founded in Vincennes in 1740, the Manufacture Nationale de Sèvres was moved here in 1756. One of Europe's leading porcelain factories, the Manufacture was successively named after different political regimes: royal, imperial and national manufactory. Still active today, the firm continues to produce objects created since 1740, although its current production is largely oriented towards contemporary creation. The Manufacture de Vincennes was founded with the support of Louis XV and Madame de Pompadour, with the idea of creating pieces for the court and competing with the porcelain productions of Meissen and Chantilly. In fact, the first experiments were carried out by the brothers Robert and Gilles Dubois, who came from the Chantilly manufactory. By 1745, under the direction of the Gravant couple, important results had already been achieved, in particular the creation of models of porcelain flowers to decorate all kinds of pieces. The new building in Sèvres, where the manufactory moved in 1756, was built on the initiative of Madame de Pompadur. Three years later, it was designated a royal factory, and from that time onwards it was the only one in France to use fine gold. In its early years, the factory produced mainly soft paste; hard porcelain, with kaolin, was not marketed in Sèvres until 1770. Among the innovations of this manufactory in the 18th century were coloured backgrounds and the use of biscuit for small sculptures. During the French Revolution, the factory suffered a decline in production, but experienced a revival between 1800 and 1847 under the direction of Alexandre Brongniart, who brought the factory international fame. During these years, many important technical innovations were made, and a number of contemporary artists collaborated with the manufacture. During this period, a new gilding technique was introduced, which was made shiny by burnishing the surface with an agate stone. The pieces were also decorated with opaque gilding, which was done by rubbing the gold with very fine sand. It was at this time that, for ornamental vases, a cartouche became established as the central theme, in the manner of an oil painting, with a gilt cartouche on a monochrome background. From the mid-19th century onwards, the dominant styles were eclecticism and historicism, and some models revived typologies from the past, such as the Mannerism of Fontainebleau and the Baroque of Versailles.
Herbal.- Dodoens (Rembert) Rams little Dodeon [sic] A briefe epitome of the new herbal, or history of plants, black letter, woodcut head-pieces, lacking A2, F7, G5, K1, L8, and N6, title with ink stamp, trimmed, chipped and laid down, A3 repair to upper corner, just touching part of head-piece and 1 letter, final f. margins repaired, affecting head-line, water-stained, some spotting, lightly browned, 20th century blue morocco, spine gilt and with red morocco label, spine little faded, rubbed and marked, [Henrey 114; STC 6988], rare in commerce, small 4to, By Simon Stafford, dwelling in the Cloth Fayre, at the signe of the three Crownes, 1606. sold not subject to return.
Accidents & First Aid.- Earle (Henry) Two Lectures on the Primary and Secondary Treatment of Burns, only edition, 2 engraved plates, 8pp. publisher's catalogue at end, ex-library copy with stamp to title, contemporary half calf, 1832 § Sage B.G.) Expériences propres a faire connoitre que l'Alkali Volatil Fluor est le Remedie le plus efficace dans les Asphyxies, third edition, half-title, marginal staining, final leaf defective at lower corner (repaired) and with library stamp to verso, modern calf-backed marbled boards, uncut, Paris, 1778 § Hall (Marshall) Prone and Postural Respiration in Drowning.., first edition, frontispiece and illustrations, ink signature to head of title, original cloth, recased, 1857 § Struve (C.A.) A Practical Essay on the Art of Recovering Suspended Animation..., 6pp. advertisements at end, modern cloth, 1801, the first and third rubbed; and c.20 others on accidents, first aid and domestic medicine, 4to & 8vo (c.25)
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165558 item(s)/page