Balász Studio -- Portrait of the Danish silent screen actor Arne Molander. Late 1920s. Vintage matte sepia-toned gelatin silver print. 22,7 x 17 cm. Mounted to original board (soiled, pinholes in corners), signed by the photographer in pencil below the image on the mount; photographer's studio stamp and annotated in pencil on the verso.Danish actor Arne Molander had a relatively limited presence in German cinema, featuring in just three films. He had a leading part in the war drama Richthofen, der Rote Ritter der Luft (Peter Joseph, Desider Kertesz, 1929) as the son of the famous German Baron and WWI hero. Following this, his subsequent appearances were smaller parts in Der höhere Befehl (Gerhard Lamprecht, 1935) and Schlussakkord (Douglas Sierck [later Douglas Sirk], 1936). – Light silver mirroring in edges, otherwise in near excellent condition.
We found 165558 price guide item(s) matching your search
There are 165558 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
165558 item(s)/page
Balkin, Serge -- Female nude studies. 1920s. 2 vintage gelatin silver prints. Each circa 17 x 22,7 cm. Each with photographer's/copyright stamps and annotated in pencil on the verso. Sergeij Balkin, originally from Russia, started his career in the late 1920s in Berlin-Charlottenburg, primarily working with the agency Photo-Ballé. Photos from this time are quite rare, and only a few have his personal copyright stamp, as the ones presented here. In the early 1930s, he moved to the United States and began a successful photography career with Condé Nast Publications, spanning more than two decades. His highly sought-after fashion spreads, in both black and white and color, appeared in prestigious magazines like Vogue, Glamour, House & Garden, and others. In 1950, Balkin co-founded a commercial photography studio with photographers Fredrich Baker, Constantin Joffé, and Herbert Matter. – Some mirroring in edges, a few small surface spots, some small nicks in edges, otherwise in good condition.
![[*] Berlin Wall -- Photographer unknown. Early views of the Berlin Wall. 1961. 25 vintage gelatin silver prints on doubleweig](https://cdn.globalauctionplatform.com/38096143-df28-45b5-8f6b-b0b600a3287b/c8c43fa1-7f22-4693-b8c1-b0b600b68f62/468x382.jpg)
[*] Berlin Wall -- Photographer unknown. Early views of the Berlin Wall. 1961. 25 vintage gelatin silver prints on doubleweight paper. Between 17,7 x 23,7 cm and 20,7 x 25 cm. Annotated in pencil and with Zollfahdungsstelle Berlin copyright stamp on verso. Accompanied by an official document issued by the Berlin Customs Office. These photographs, commissioned by the Berlin Customs Office, serve as a detailed chronicle of the initial stages of the construction of the Berlin Wall spanning from August to November 1961. Within this collection, significant historical moments are vividly captured, such as scenes at the Brandenburg Gate border crossing, families waving to each other across the wall, border officials stationed at Potsdamer Platz and Bernauer Strasse, and the iconic confrontation between Russian and American tanks at Checkpoint Charlie. This remarkable archive holds immense historical significance, offering a poignant glimpse into a pivotal period in Berlin's history. – Some buckling, creases and pressure marks, otherwise in very good condition.
Both, Katt -- "Atikah Cigaretten", from "Bauhaus - 20 Photographs" portfolio 1931/printed 1984. Gelatin silver print. 27,2 x 20,8 cm (30 x 23,5 cm). Annotated in pencil and Pressprint & Copyright Galerie Rudolf Kicken stamp on the verso.The Bauhaus left a significant imprint on advertising photography and design, highlighting the importance of clean lines, basic geometric shapes, and clear typography to produce uncluttered visuals that effectively communicate messages, as seen in this advertising sketch for Atikah cigarettes. – A few light smudges in margins, otherwise in very good condition.
Clergue, Lucien -- "Urban Nude". 1979. Vintage gelatin silver print. 30,2 x 23,7 cm. Photographer's stamp (partially cut off), layout notations and dated in pencil on the verso.Renowned French photographer Lucien Clergue is celebrated for his captivating and artistic nude photography. While he is primarily associated with naturalistic outdoor nude studies, he also delved into the realm of urban nudes, enabling him to juxtapose the human form with architectural and urban landscapes. In this new context, he experimented with angles, reflections, and compositions to produce images that pushed the boundaries of traditional nude photography, achieving a unique fusion of sensuality and urban surroundings. – Some handling creases, especially in right and lower edge, corners bumped, otherwise in good condition.
Dutton, Allen A. -- Surrealistic collage. 1970s. Vintage gelatin silver print. 19 x 23,2 cm. Mounted to card, with photographer's stamp and annotated in ink on the verso.Born in 1922 in Kingman, Arizona, Allen Dutton studied painting and sculpture at the Art Center School in Los Angeles. He held a variety of teaching posts in public schools in Arizona, before joining the art department at Phoenix College in 1960, where he taught photography and later served as head of the department until 1982. Between 1963-1964, he studied with Minor White and has acknowledged this time to be one of the greatest influences in his photographic development. His work is in the collections of the Museum of Modern Art, Bibliothéque Nationale in Paris and the Corcoran Gallery in Washington DC. – Light crease in upper left corner of photo, crease in upper right corner of mount, otherwise in very good condition.
Madame D'Ora -- Madame Domergue, wife of the painter Gabriel Domergue, in a cloak designed by her husband. Circa 1920. Vintage gelatin silver print. 22,2 x 12,5 cm. Photographer's stamp, annotated in pencil and typed press text label on the verso.Dora Kallmus, known professionally as Madame D'Ora, was an Austrian photographer who became famous for her portrait and fashion photography during the early 20th century. Born in Vienna in 1881, she became known for her striking portraits of famous personalities such as Pablo Picasso, Josephine Baker, and Gustav Klimt. Her innovative and elegant approach to fashion photography made her a leading figure in the Parisian fashion scene during the 1920s and 1930s, leaving a lasting impact on the industry. – A few small nicks in edges, minimal mirroring in lower area and upper edges, corners slightly bumped, otherwise in very good condition.
Madame D'Ora -- Fashion photo. Circa 1925. Vintage matte gelatin silver print. on chamois paper 22,3 x 29,5 cm. Signed by the photographer in pencil in lower right; photographer's RUE Eugène-Flachat, Paris stamp and number in pencil on the verso.Madame D'ora's fashion photographs from Paris showcase her remarkable ability to capture the elegance and style of the city's fashionable society during the early 20th century. – Traces of previous mounting on the verso, otherwise a fine tonal print in excellent condition.
Fashion 1920s -- Photographer: Paul Géniaux (1873-1930). Fashion photos. 1923. 16 vintage gelatin silver prints. Circa 18 x 13 cm. Most with number in the negative in upper/lower corner; most with photographer's stamp and some annotated in pencil on the verso.Paul Géniaux's photography is distinguished by a unique artistic sensibility, covering a diverse array of subjects, from landscapes and portraits to genre scenes and fashion photography. In the early 1920s, he produced several striking series that beautifully encapsulate the elegance and style of French fashion in the early 20th century. – Edges slightly curled, some with silver mirroring, otherwise in very good condition.
Feininger, Andreas -- "Rockefeller Center, New York". 1942. Vintage large-format gelatin silver print. 47 x 40 cm. Titled by the photographer on label, affixed in lower left, flush-mounted to board, annotated Please return to Andreas Feininger c/o LIFE PHOTO LAB, 5th floor 9 Rockefeller Plaza, NYC. and signed by the photographer in ink, Life Picture Service stamp and with 2 exhibition labels on mount verso, framed under museum glass in gilded wooden frame with glass backing.Andreas Feininger's photography in New York is distinguished by his expert handling of light and composition, skillfully capturing the city's urban landscape with a sense of dynamism and allure. His photographs frequently highlight the interaction between architecture, shadows, and human activity, providing a distinct and visually captivating view of the city's lively atmosphere. The two exhibition labels on the verso of the mount confirm that this photograph was featured in two exhibitions during the 1940s, and it stands out as an exceptionally well-crafted print, further enhanced by its rarity in this larger vintage format. – A fine tonal print in very good condition.Provenance: Collection Prof. Hans Kollhoff, Berlin
![[*] Christel, Detlef -- Kids, Berlin. 1980s. Vintage gelatin silver print. 42,7 x 32,7 cm. Photographer's stamp on versoDetle](https://cdn.globalauctionplatform.com/38096143-df28-45b5-8f6b-b0b600a3287b/f579dfd3-26f3-4040-b2fd-b0b600b6ff3f/468x382.jpg)
[*] Christel, Detlef -- Kids, Berlin. 1980s. Vintage gelatin silver print. 42,7 x 32,7 cm. Photographer's stamp on versoDetlef Christel pursued a photography education at the Hochschule für Grafik und Buchkunst Leipzig between 1976 and 1981. Subsequently, from 1982 to 1991, he worked as a photojournalist for the magazine Freie Welt, with a significant focus on capturing the lives of children in the GDR and their transition into adulthood. His approach involved portraying them in candid, everyday scenarios, offering insights into their inner worlds and the surrounding social circumstances. – In excellent condition.Provenance: From the estate of the photographer
![[*] Christel, Detlef -- Palast der Republik, Berlin. 1980s. Vintage ferrotyped gelatin silver print. 29 x 39 cm. Photographer](https://cdn.globalauctionplatform.com/38096143-df28-45b5-8f6b-b0b600a3287b/96733bf2-96ae-4b9d-808b-b0b600b705bc/468x382.jpg)
[*] Christel, Detlef -- Palast der Republik, Berlin. 1980s. Vintage ferrotyped gelatin silver print. 29 x 39 cm. Photographer's stamp on verso.The Palast der Republik in Berlin, built between 1973 and 1976, was a notable structure that functioned as both the headquarters of the East German parliament and a hub for cultural activities. It boasted a unique copper-toned exterior and accommodated theaters, art galleries, dining establishments, and various entertainment amenities. – Some surface pitting, light fold mark upper left, otherwise in very good condition.Provenance: From the estate of the photographer.
Fischer, Arno -- "West-Berlin, Masurenallee". 1958/printed 1980s. Gelatin silver print. 27,5 x 40,8 cm. Signed, titled and dated by the photographer in pencil and with photographer's oval stamp on the verso.In excellent condition.Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 149.
Fischer, Arno -- "West-Berlin, 1. Mai, Tiergarten". 1959/printed 1980s. Gelatin silver print. 27,5 x 42 cm. Signed, titled and dated by the photographer in pencil and with photographer's oval stamp on the verso.A few retouched lines, otherwise in excellent condition.Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 54.
Paris, Robert -- Berlin. 1980s. 2 vintage gelatin silver prints. 10,5 x 14,8 cm and 18,3 x 24 cm. Both signed by the photographer on verso, 1 also annotated in pencil and with photographer's copyright stamp on verso.During the 1980s, photographer Robert Paris traversed the deteriorating streets of East Berlin, capturing the decaying facades, forsaken factories, and empty squares. He embarked on a mission to preserve the essence of his city, transforming its buildings, streets, and urban vistas into subjects that he portrayed with a unique blend of nostalgia and stark realism. The transient quality evident in his photographs foreshadowed the imminent decline of the GDR system as the decade drew to a close. – Corners slightly bumped, some creases and pin holes in corners, otherwise in good condition. Lit.: Robert Paris. Entschwundene Stadt: Berlin 1980-1989. Mitteldeutscher Verlag, 2013.
![[*] Sewcz, Hans-Martin -- Rostock. 1971. 4 gelatin silver prints mounted on board. Each circa 19,2 x 29,4 cm (72,2 x 87,2 cm)](https://cdn.globalauctionplatform.com/38096143-df28-45b5-8f6b-b0b600a3287b/d6ecc1f6-0a8b-41f8-86ae-b0b600b72f95/468x382.jpg)
[*] Sewcz, Hans-Martin -- Rostock. 1971. 4 gelatin silver prints mounted on board. Each circa 19,2 x 29,4 cm (72,2 x 87,2 cm). Each print signed, titled, numbered and dated, with the photographer's stamp on verso; signed, titled and dated in pencil on mount. Hans Martin Sewcz is a multifaceted German artist known for his work in photography and conceptual art. His creative pursuits span a diverse array of styles, ranging from documentary to subjective photography. Moreover, since the 1990s, he has successfully ventured into installation and video art. A notable aspect of Sewcz's artistic journey is his exploration of "everyday culture" during the era of the German Democratic Republic (GDR). – Some very light scuff marks, otherwise in excellent condition.
Häusser, Robert -- "Nescafé". 1956. Vintage ferrotyped gelatin silver print. 15,5 x 23 cm. Mounted to board, signed, titled and dated by the photographer in pencil below the image on the mount; photographer's stamp and titled and dated by the photographer in pencil on mount verso.Throughout his career, Robert Häusser consistently exhibited an extraordinary talent for encapsulating the quintessence of his subjects, whether they were people, landscapes, or still life. His photography is marked by a pervasive sense of timelessness, achieved through a meticulous dedication to detail and a keen eye for composition. Häusser's ability to transcend temporal boundaries and convey the enduring beauty of his subjects is a hallmark of his remarkable body of work. – Light surface pitting visible at an angle, upper edge slightly bumped, otherwise a rich dark print in very good condition.Lit.: Robert Häusser. Photographische Bilder. Werkübersicht der Jahre 1941 - 1987 (exhibition catalog). Stuttgart 1988, ill. plate 216.
Kempe, Fritz -- Otto Steinert. 1970. Silver gelatin print. 37,3 x 27,1 cm (39,5 x 28,5 cm). Signed, titled and dated by the photographer in felt-tip pen, with photographer's copyright stamp and negative number in pencil on verso.Fritz Kempe's portrait photography is a masterful exploration of human expression and emotion, capturing the essence of his subjects with a unique blend of intimacy and artistic flair, inviting viewers to connect with the personalities and stories behind each face. In this image the German photographer Otto Steinert (1915-1978) is depicted, one of the key proponents of the "Subjective Photography" movement, who played a significant role in the development of post-war European photography. – Corners slightly bumped, some handling creases, otherwise in good condition.
Klemm, Barbara -- Leonid Breschnew with Willy Brandt in Bonn. 1973. Vintage ferrotyped gelatin silver print. 29 x 39 cm. Photographer's/copyright 6 Frankfurt/Main Brüder-Grimm-Strasse 39 stamp and annotated by the photographer in pencil on the verso.Barbara Klemm, the highly acclaimed German photojournalist, has made extraordinary contributions to the field of documentary photography. Her work not only captured historical events but also provided a valuable glimpse into the intricacies of Cold War politics and diplomacy, leaving a lasting impact on the field. – Some edge wear, corners bumped, crease marks throughout, small paper loss on the verso, otherwise in good condition. – With: Some newspaper clippings pertaining to the event.
Krausz, Tom -- "Amerikanischer Seeadler". 2021. Pigment print on Fine Art Hahnemühle Baryta paper. 51,6 x 41,3 cm (59,3 x 42 cm). Photographer's blindstamp in upper margin; signed, titled and dated in felt-tip pen and photographer's stamp on the verso. From an edition of 20.Born in 1951 in Hamburg, Tom Krausz began working as an assistant in public television and for various advertising photographers after his studies. Since 1980, he has been working as an independent photographer and filmmaker. His photographs have been widely exhibited and have appeared in numerous photo books. – A rich strong print in excellent condition.
Landauer, Lou -- Photogram of oat grass. 1942. Vintage gelatin silver print. 24 x 18 cm. Photographer's estate stamp on the verso.Born in 1897 in Cologne, Lou Levi married Georg Landauer, a prominent Zionist politician, in 1923 after attending the Commercial Academy in Cologne. Her passion for photography led her to the Staatliche Fotoschule in Munich in 1928/29. She continued her photographic studies in Berlin, at the Lette Verein, and in 1934, she immigrated to Palestine with her husband and parents. Lou Landauer worked as a press photographer for the Jüdische Rundschau, still published in Berlin at the time, and later as a photography teacher at the Bezalel Hechadash, the new arts and crafts school in Jerusalem. In 1949, she relocated to the USA, where she pursued a career as an advertising photographer and experimented with the Carbro process before transitioning to an assistant librarian position at the Leo Baeck Institute in New York. – Some light handling marks, corners slightly bumped, light spot in upper right, otherwise in very good condition. Provenance: From a descendant of the photographer
Landauer, Lou -- Stapelia. 1944. Vintage matte gelatin silver print on strong paper. 28 x 23,5 cm. Annotated and dated by the photographer in ink/pencil and photographer's Jerusalem stamp on the verso.A rich tonal print in very good condition. Provenance: From a descendant of the photographer
Man Ray -- Rayographs. 1924/1928. 2 gelatin silver prints, printed 1980s. 27,8 x 20,8 cm (30,6 x 23,8 cm). Both prints annotated in pencil on verso, one print annotated Man Ray in pencil and with the photographer's studio stamp and one with A.D.A.G.P. Paris stamp, both with Tirage original réalisé par Pierre Gassmann stamp and Foto von einem Fotogramm stamp on the verso . Man Ray's rayographs involved placing objects directly onto photosensitive paper and exposing them to light, resulting in ethereal and often abstract compositions. This technique allowed him to explore the interplay of light and shadow, shape and form, in a way that challenged conventional photography. Offered here are two photographs of Man Ray's photograms made by Pierre Gassmann. The original prints of these works are in the collection of the Museum of Modern Art in New York. – Minimal buckling along edges of prints, a few handling marks, otherwise in excellent condition.
Mapplethorpe, Robert -- "Dennis Speight, New York City" from "Portfolio Z". 1980/printed later. Gelatin silver print. 35 x 35 cm (50,8 x 40,6 cm). Signed and editioned 6/15 by the photographer in ink in lower margin, edition/copyright stamp, therein signed and numbered by the photographer in ink and titled, numbered and dated in pencil in lower edge on verso, framed under glass in silver gilded wooden frame.Robert Mapplethorpe's oeuvre is distinguished by his meticulous black-and-white photography, which explores themes like sexuality, beauty, and the human form. His work pushes the boundaries of artistic expression and has left a significant mark on the world of photography. This work is from Mapplethorpe's notorious "Z" portfolio, notable for its explicit exploration of sexuality, which challenged societal norms and prompted debates about artistic freedom and censorship. It remains a pivotal part of the artistic discourse on these themes. – A fine tonal print in excellent condition.Lit.: Robert Mapplethorpe. Black Males. Galerie Jurka, Amsterdam 1980, illustrated.
McBride, Will -- "Jungs schmeißen Wasser auf sich, Schule Schloss Salem". 1963/printed 1990. Gelatin silver print. 36 x 54 cm (50,5 x 60,5 cm). Signed, titled, dated and editioned 1/12 by the photographer in pencil and collector's stamp on the verso.Will McBride's photographs of Schule Schloss Salem capture the everyday life and educational activities at the progressive co-educational boarding school in Germany during the 1950s, characterized by their candid and documentary style, while some of the images are slightlty controversial for their depiction of young students in various stages of undress. – Buckled in side edges, otherwise in near excellent condition.Provenance: Directly from the photographer to the present owner
McBride, Will -- "Mike schmeißt Wasser auf sich, Schule Schloß Salem". 1963/printed 1990. Gelatin silver print. 53,5 x 36 cm (60,5 x 51 cm). Signed, annotated, dated and numbered 1/12 by the photographer in pencil and collection stamp on the verso. Matted.Buckled in upper portion, slightly buckled in lower edge, otherwise in very good condition.Provenance: Directly from the photographer to the present owner.
Meydenbauer, Albrecht -- Messbild photographs of Eltz Castle, Magdeburger Dome, Limburg Dome, St. Lambert's Church Münster, and Cologne Cathedral. 1910s. 5 vintage gelatin silver prints. Each circa 38 x 38,8 cm. Each annotated in pencil and Cologne image with stamps on the verso and AUSSCHUSS perforated stamp in lower right. Albrecht Meydenbauer, a distinguished German architect and civil engineer, gained recognition for his significant advancements in photogrammetry, a field focused on acquiring accurate information about physical objects and environments by recording, measuring, and interpreting photographic data. Through his work at the image measurement institute he founded in 1885, Meydenbauer established an extensive monument archive, now recognized as one of the world's largest and protected of such archives by UNESCO. – Two with handling creases, otherwise in good condition.Lit.: Rudolf Meyer (Hrsg.). Albrecht Meydenbauer. Baukunst in historischen Photographien. Leipzig 1985.
Munkácsi, Martin -- Horseback riding at Wannsee. 1930s. 2 vintage ferrotyped gelatin silver prints on doubleweight paper. Each circa 24,5 x 30 cm. Each with photographer´s stamp on verso. Martin Munkácsi, born in Hungary in 1896, stands as a pioneering figure in the realms of fashion and sports photography. His groundbreaking work reshaped the world of fashion photography by liberating models from the confines of the studio, capturing their dynamic grace in outdoor settings. – Some creases, scratches and handling marks, one print with retouched lines in upper sky area and slight mirroring visible in dark areas, more visible at an angle, one with light rust stain in upper left, otherwise in good condition.
![[*] Reidt, Hedda -- Hands with ring. Circa 1925. Vintage gelatin silver print mounted to board (lifting off of mount). 12 x 1](https://cdn.globalauctionplatform.com/38096143-df28-45b5-8f6b-b0b600a3287b/39437e5a-0fb9-4bb3-9f2a-b0b600ba7891/468x382.jpg)
[*] Reidt, Hedda -- Hands with ring. Circa 1925. Vintage gelatin silver print mounted to board (lifting off of mount). 12 x 17 cm (29 x 21 cm). Signed by the photographer in pencil below image, lower right on mount; photographer's stamp on print verso. Hedda Reidt trained in photography in Munich from 1917 to 1919, studying alongside future cinematographer Willy Zielke and fellow photographer Lotte Jacobi. During her development as a photographer she transitioned from Pictorialism to embracing the New Objectivity style. By 1928, she had established herself as an independent photographer, and her assignments included product photography for diverse clients, such as designers, educational institutions, and the Deutsche Werkstätten. Her material-focused photographs garnered recognition and were featured in prominent photography exhibitions. – Upper left corner slightly bumped, some light mirroring in edges, only visible in raling light, otherwise in very good condition.
![[*] Schensky, Franz -- Helgoland in rough seas. 1912/printed later. Gelatin silver print. 17,8 x 24 cm. Photographer's blinds](https://cdn.globalauctionplatform.com/38096143-df28-45b5-8f6b-b0b600a3287b/d0636163-6324-4b52-b29a-b0b600ba9448/468x382.jpg)
[*] Schensky, Franz -- Helgoland in rough seas. 1912/printed later. Gelatin silver print. 17,8 x 24 cm. Photographer's blindstamp on lower right corner; copyright stamp on verso. Franz Schensky, a renowned German photographer, gained acclaim for his courageous commitment to documenting the dramatic landscapes of Helgoland, particularly under harsh weather conditions during the early 20th century. His evocative photograph, dated 1912, is aptly titled 'Helgoland in Rough Seas,' reflecting his skill in capturing the island's rugged beauty and the relentless power of the sea. – Traces of previous mounting on the verso, otherwise in excellent condition.
Steinberg, Uwe -- "Abschied Elfriede Schielski". 1971/printed later. Gelatin silver print. 25 x 37,5 cm (27 x 39,5 cm). Titled and dated in pencil, with the photographer's stamp on verso. Uwe Steinberg, an exceptional photographer and chronicler of his time, skillfully navigated beyond the confines of official perspectives to capture the authentic essence of individuals. He harnessed photography as an autonomous medium, even within the constraints of a socialist context. Steinberg's extensive body of work, spanning various themes such as labor, daily life in the German Democratic Republic, and portraits of youth, serves as a testament to his discerning choice of subjects and his mastery of composition techniques. – Upper right corner bumped, some surface irregularities, otherwise in good condition.
Stöcker, Alex -- Rhön Glider Competition. Early 1930s. Vintage gelatin silver print on strong chamois paper. 12 x 16,5 cm. Photographer's stamp, copyright/reproduction limitation stamps and typed press text label on the verso.Alexander Stöcker, a versatile German photographer, is celebrated for his diverse portfolio encompassing aviation, sports, and early 20th-century history, particularly his meticulous documentation of the groundbreaking 1930 Rhön Glider Competition, a pivotal event that spurred significant advancements in aviation and gliding. – Corners minimally bumped, otherwise in excellent condition. Provenance: The estate of the photographer
Thiemann, Elsa -- Design for wallpaper.1930-31. Unique vintage ferrotyped gelatin silver print collage. 49,7 x 42,3 cm. Mounted to board, photographer's estate stamp on mount verso.Lifting off of mount in edges, some retouched spots/lines, some handling dents, some mirroring in edges. Lit.: Annemarie Jaeggi/Margot Schmidt (eds.). Elsa Thiemann: Fotografin. Bauhaus und Berlin. Berlin 2004, see pp. 18-27.Provenance: From the estate of the photographer
Thiemann, Elsa -- Design for wallpaper.1930-31. 4 unique vintage gelatin silver prints, finely hand-colored, mounted as a collage. 48 x 31,8 cm. Mounted to board; photographer's estate stamp and number 863 in red crayon and annoated in pencil on mount verso.This unique photo collage is the only known color work by Elsa Thiemann. – Some photos lifting off mount, some light soiling, a few creases, otherwise in good condition.Lit.: Annemarie Jaeggi/Margot Schmidt (eds.). Elsa Thiemann: Fotografin. Bauhaus und Berlin. Berlin 2004, see pp. 18-27.Provenance: From the estate of the photographerErrata/Addenda:The four gelatin silver prints are finely hand-colored and not on color photo paper as stated in printed catalogue.
Trülzsch, Holger and Vera Lehndorff -- "Verschlossene Haustüre, Paros 1977". 1977/printed 1979. Dye transfer print. 27,5 x 39,8 cm (61 x 51 cm). Signed, titled, dated and numbered 10/15 in pencil as well as artists' copyright stamp on verso. Renowned German photographer and painter Holger Trülzsch collaborated with the internationally celebrated supermodel Vera "Veruschka" Lehndorff to produce a diverse and compelling body of work during the 1970s and 80s. The highlighted pieces are drawn from their collaborative body-art project titled "Trans:figurations." These images prominently feature the colors of oxidation, showcasing rust, soot, and chalk, which are beautifully rendered in the dye transfer prints. – Some buckling and discoloration from previous mounting in edges, otherwise in very good conditon. Lit.: Lehndorff & Trülzsch, Veruschka, Trans-figurations, Bullfinch Press, 1988.Oxydationen. Vera Lehndorff & Holger Trülzsch. Museum für Kunst und Gewerbe Hamburg 1979.
Umbo -- Dance images. 1936. 8 vintage ferrotyped gelatin silver prints. Each circa 12 x 8,7 cm. Each with PHOTO UMBO Berlin-Grunewald Niersteiner Str. 6 stamp and annotated in pencil on the verso.Otto Umbehr, known as UMBO, played a significant role in avant-garde and modernist photography during the early 20th century. His exceptional photographs of dancers exemplify his innovative approach to this art form, portraying the grace, energy, and fluidity of dance in a manner that surpasses conventional representations. UMBO's images of dancers are characterized by dynamic compositions and a compelling use of light and shadow, imparting a palpable sense of motion and vitality to each frame. One of these photos features the dancer Gret Palucca. – Traces of previous mounting on the verso, several light handling marks, some silver mirroring in dark areas, otherwise in good condition.
Wall, Danny -- "The Beatles performing at Star-Club, Hamburg". 1962/printed later. Gelatin silver print. 26,8 x 26,8 cm (40,5 x 30,3 cm). Star-Club blindstamp in lower margin; copyright/edition stamp, therein numbered in pencil on the verso. From an edition of 250. An early photograph taken by Danny Wall showing the Beatles during their residence at the Star Club in Hamburg, Germany. – Small nick in upper right corner in margin, otherwise in excellent condition.
Windstosser, Ludwig -- Ball bearing. 1950s. Vintage ferrotyped gelatin silver print on Agfa paper. 19,5 x 29,5 cm. Photographer's and SAAR stamp and number in pencil on the verso.Ludwig Windstosser's work is a testament to his passion for capturing the beauty and essence of architectural forms and the built environment. He meticulously documented architectural details, landscapes, and everyday scenes, with a profound appreciation for the aesthetic qualities of structures and their relationship to their surroundings. His photographs are characterized by a keen sense of composition and attention to detail, offering viewers a visually compelling journey through the architectural wonders of Germany and beyond. – Corners bumped, some creases in upper right corner, a few light handling marks/creases, a few retouched spots, otherwise in very good condition.
World War II/Displaced Persons -- Photographer: Wolf Schärf. Jewish Displaced Persons camps in Vienna. Circa 1946-1948. 33 vintage ferrotyped gelatin silver prints. Each circa 8,5 x 13,5 cm. Each with photographer's stamp in lower left/right corner.Following World War II, Jewish Displaced Persons (DPs) in Austria and Germany mainly consisted of Holocaust survivors who had been left homeless and stateless due to the war's destructive impact. These individuals were initially accommodated in DP camps, which played a crucial role in offering them essential support, including food, medical care, and educational services. Various organizations, including Jewish relief agencies, worked tirelessly to help DPs recover from the trauma of the Holocaust, reunite with surviving family members, and find a path to a better future. Their ultimate objective was to facilitate the emigration of these survivors to countries like Israel and the United States, where they could rebuild their lives, form new communities, and make valuable contributions to their adopted societies. This transition marked a significant step in their journey towards recovery and resilience. – In very good condition.
Samuel Palmer (London 1805-1881 Redhill)Portrait of George Richmond signed and dated 'S.Palmer 1831' (lower left)graphite on wove paper stamped with the blind stamp of Dobbs, London21.8 x 17.3cm (8 9/16 x 6 13/16in).Footnotes:ProvenanceWith Katharine House Gallery, Marlborough, where acquired in 2006 by the present private ownerSamuel Palmer was living at Shoreham in Kent between 1826 and 1835 where this portrait of his close friend George Richmond would have been drawn on one of the latter's visits to stay with him. They had met through their mutual friend John Linnell who also introduced them to William Blake, a formative influence in the artistic group they were to create with Frederick Calvert, Frederick Tatham and others which became known as the Ancients. Their visionary paintings ran counter-current to the mainstream artistic style of the day and drew much from the Italian primitives. Palmer embraced the sentiments of the group in his personal life as well, wearing his hair long, growing a beard and adopting flowing, 'archaic' clothing. In contrast Richmond, whose career as a fashionable portraitist was gaining ground in London, is shown in Palmer's portrait dressed in the high collar, silk tie and tailored coat of the day, the same attire we see in his self-portrait miniature of 1830 now in the National Portrait Gallery, London (no. 6586). The identification of the present portrait was first put forward by Raymond Lister presumably with that miniature in mind, and it serves as a record both of a friendship and of a particularly productive period in the life of both artists. Richmond was the son of a miniature painter and showed precocious talent which won him a place at the RA schools at the age of 15. He made a number of trips to stay with Palmer at Shoreham in the later 1820s and they formed a close and enduring friendship. He fell in love with Julia Tatham, but having failed to get her father's approval to marry the two eloped to Gretna Green and married the year the present portrait was taken. Later in the 1830s Palmer married Hannah Linnell, John Linnell's daughter and the Palmers and Richmonds travelled to Italy together on a two year painting tour. Although the Ancients disbanded and the artists' painting styles took different directions, Palmer and Richmond remained close friends for life.For further information on this lot please visit Bonhams.com
An Austrian carved walnut pipe case and clay pipe, circa 1754The foot with the Austrian eagle on the top and a martial trophy on the underside and dated '1754', the shaft with three sections depicting animals against stylised foliage, the foot with a hinged cover, the long-stemmed clay pipe with a crowned S stamp underneath the bowl, the case: 31cmFootnotes:Provenance:Acquired in 1980Literature:D. Gage/M. Marsh, Tobacco Containers & Accessories (1988), no. 31;S. Fellner, Die lasterhafte Panazee (1992), no. II/63Exhibited:London, The International Ceramics Fair and Seminar, The Dorchester Hotel, Special Loan Exhibition, The British-American Tobacco Company Collection of Tobacco Containers & Accessories, 10-13 June 1988;Vienna, Österreichisches Tabakmuseum, Die lasterhafte Panazee 500 Jahre Tabakkultur in Europa, 11 June-4 October 1992For further information on this lot please visit Bonhams.com
Claes Oldenburg (Swedish/American, born 1929)Double Nose/Purse/Punching Bag/Ashtray; A History of the Double Nose/Purse/Punching Bag/Ashtray (Axsom & Platzker 71; Gemini 257) Leather, bronze and wood, with leather-covered book with letterpress text and one reproductive image, 1970, the multiple stamp-numbered 16/75 (there were also three artist's copies), the book signed in pencil and numbered 16/200A (there were also 25 artist's proofs), published by Gemini G.E.L., Los Angeles, with their blindstamp incised on the bronze rim of the ashtray, housed within the original wooden box as issuedBook 114 x 820mm (4 1/2 x 3 1/4in)Overall 213 x 530 x 273mm (8 3/8 x 20 7/8 x 10 3/4in)(Multiple)(2)For further information on this lot please visit Bonhams.com
Hermann Struck (German/Israeli, 1876-1944)Land of Israel The complete portfolio comprising 25 etchings, circa 1903, on laid and wove papers, plate 22 on blue wove paper, with justification page, stamp-numbered '8' on the justification, from the edition of 100, each signed in pencil, published by J. Kauffmann Verlag, Frankfurt am Main, the full sheets, hinged to individual wrappers (as issued), within the original portfolioSheet 230 x 360mm (9 x 14 1/8in)(and smaller)(25)For further information on this lot please visit Bonhams.com
Damien Hirst (British, born 1965)Taytu Betul, from The Empresses (H10-5) Laminated giclée print with screenprinted glitter, 2022, on aluminium composite panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 1412/2814, published by Heni Editions, London, the full sheet, housed within the original packagingSheet 1000 x 1000mm (39 3/8 x 39 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Chris Levine (Canadian/British, born 1972)Lightness of Being (Blue) Inkjet print in colours, 2016, on heavy wove paper, signed and dated in pencil recto, numbered 79/200 in pencil verso, published by Jealous Gallery & Print Studio, London, with their ink stamp verso and the artist's blindstamp, with full marginsImage 304 x 236mm (12 x 9 1/4in)Sheet 410 x 300mm (16 1/8 x 11 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Damien Hirst (British, born 1965)Theodora, from The Empresses (H10-3) Laminated giclée print with screenprinted glitter, 2022, on aluminium composite panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 1885/3315, published by Heni Editions, London, the full sheet, housed within the original packagingSheet 1000 x 1000mm (39 3/8 x 39 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Arman (French, 1928-2005) Défi à Newton (Challenge to Newton) Bronze multiple, 2004, incised with the artist's signature and stamp-numbered 'EA 10/20' on the base, one of 20 artist's proofs aside from the edition of 100, published by Venturi Arte, Bologna, with their foundry mark Overall 435 x 300 x 120mm (17 1/8 x 11 7/8 x 4 3/4in) Footnotes: This work is recorded in the Arman Studio Archives, New York under no. ARM24279. Provenance Galerie de Souzy, Paris. Acquired directly from the above by the present owner in 2011. This lot is subject to the following lot symbols: AR W AR Goods subject to Artists Resale Right Additional Premium. W Lot is located in the Bonhams Warehouse and will only be available for collection from this location. For further information on this lot please visit Bonhams.com
Henri Matisse (French, 1869-1954)D. Galanis, 'Paysan' (Duthuit 70) Etching, 1915-16, on chine collé applied onto wove paper, signed and numbered 6/15 in black ink (there were also three proofs), with the artist's ink stamp verso, the full sheet, framedPlate 141 x 100mm (5 1/2 x 3 7/8in)Sheet 321 x 247mm (12 5/8 x 9 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Ai Weiwei (Chinese, born 1957)Pequi Tree Miniature Tin sculpture multiple, welded, polished and finished by hand, 2012, incised with the artist's signature and stamp-numbered 193/250 on the underside, published by Serralves, Portugal, housed within the original packagingOverall 310 x 95 x 90mm (12 1/8 x 3 3/4 x 3 1/2in)For further information on this lot please visit Bonhams.com
Laurence Stephen Lowry R.A. (British, 1887-1976)Station Approach Offset lithograph in colours, on wove paper, signed in pencil, stamp-numbered '044', from the edition of 850, printed by Max Jaffe, Vienna, published by Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, with margins, framedImage 405 x 510mm (16 x 20 1/8in)Sheet 525 x 610mm (20 3/4 x 24in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Banksy (British, born 1974)Barcode Screenprint in colours, 2004, on wove paper, numbered 79/600 in pencil, with the artist's red ink stamp, published by Pictures on Walls, London, the full sheetSheet 496 x 695mm (19 5/8 x 27 1/2in)Footnotes:This work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937) A Year in Normandie; Vide Poche; Astray (detail) Three hand-cast, fine bone china ceramic ashtray multiples, 2020-21, the first two stamp-numbered 162/170 and 085/200 respectively verso, the first two housed within the original boxes Overall 163 x 203mm (6 1/2 x 8in)(and smaller)(3) This lot is subject to the following lot symbols: AR AR Goods subject to Artists Resale Right Additional Premium. For further information on this lot please visit Bonhams.com
Damien Hirst (British, born 1965)To Belong Photogravure in colours, 2008, on wove paper, signed and dedicated 'For Brad ♡ XXX' in pencil, a proof aside from the numbered edition of 75, with red ink stamp 'Happy Christmas 2008', with full margins, framedPlate 247 x 297mm (9 3/4 x 11 3/4in)Sheet 410 x 442mm (16 1/8 x 17 3/8in)Footnotes:ProvenanceGifted by the artist to the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Loading...-
165558 item(s)/page