There are 164719 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA 19th century brass combination stamp box and scale with fob suspension ring, length 3.5cm, two 19th century brass stamp cases, detailed '1874', and a 19th century nickel plated pocket postal scale, length 8.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 19th century Russian papier-mâché five-section stamp box, the hinged lid painted with three figures sitting round a table with samovar, the interior bearing maker's stamp, width 13.3cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Three pieces of Victorian Tunbridge ware, comprising a stamp box, length 4.1cm, a box decorated with a cat, length 5.8cm, and a ribbon dispenser.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early 20th century leather covered stick stand, the studded sides with embossed foliage, height 40cm, together with another similar stick stand, both bearing impressed maker's stamp to underside.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A large 19th century Russian papier-mâché canted rectangular box, the lid painted with a horse-drawn carriage, the tortoiseshell effect interior bearing maker's stamp, width 27.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
dating: 17th Century provenance: Germany, Straight, double-edged blade, the central part richly decorated with pierced lozenges, hearts and four-leaved clovers, central raiser, tip ribbed at the centre, concave tang with stamp (crowned S?), iron hilt with quillons bent toward the blade, decorated with waves and chains, at the edges cartouches depicting masks; parry ring with soldier on horseback, the pommel chiselled en suite; wooden grip with iron wire binding (twisted) and moor's heads. length 47.5 cm.
dating: Third quarter of the 19th Century provenance: Kingdom of Italy, Round, rifled, 18 mm cal. barrel (visible groove), with foresight and clutch for the bayonet, foldaway rear sight. Sliding-revolving bolt, with traces of markings and remains of marks, a clearly visible Savoy stamp. Working mechanics, but very weak spring. Full, wooden stock with traces of needle conversion. Iron mounts, with remains of marks. Pitting. Missing ramrod. Ring nut bayonet (length 53 cm.). Attached are historical notes collected by the owner. length 141 cm.
dating: Third quarter of the 19th Century provenance: USA, Rifled, octagonal, 44 cal. barrel, marked with patent, company address and 'NEW MODEL', 'W' mark, with iron foresight; smooth, six-shot cylinder with 'W' mark; frame with upper groove, marked 'J' and 'W', with magazine, brass trigger guard with 'P' mark; handle with smooth, wooden grips, stamp on the left side. 80% of bluing, serial no. '868xx'. Scarce in this fine condition. length 37 cm.
dating: Mid 19th Century provenance: France, Round, smoothbore, 16 mm cal. at the nozzle barrels, in fine damask, with rib and brass fore-sight; St. Etienne stamp at the base on the left side. Breeches engraved at the rib. Tang with broad sight and engraved with racemes. Forward spring locks, signed in gold inside an elliptical frame 'RENOND Fils Paris' on the right and 'A Aubusson' on the left. Plates engraved with a snake on the front part and with fine hunting scenes in relief, with hounds at the tang. Wooden, half stock; fore-end carved as braided ropes (signs of use), the same decoration on the grip; remains of griffons on the back. Butt side with cheek-piece with a relieved lamb holding a basket in the mouth, surrounded by a floral frame. Lower part of the butt side with a fine face of a deity in relief, crowned with grape shoots (probably Bacchus). Iron mounts. Trigger-guard with a beautiful bat in high-relief and engraved rooster; muzzle ring shaped as bull's head. Horn-tipped wooden ramrod. length 116,3 cm.
dating: about 1570 provenance: France, Strong, straight blade, ribbed at the center, of lozenge section. Rectangular tang, sharpened towards the center and with remains of gilding and finishing, stamped on the left side in a shape of stylized bird. Elegant gilded bronze hilt, partially abraded. Parallelepiped quillon block (veined on one side) with frames on the borders and a Pan face in bass-relief on both sides, quillons curved toward the blade (one cracked and slightly bent), decorated with floral motifs and animal's masks at the ends, on both sides as well. Parry-ring chiselled with leaves and spirals holding a female face in relief in the center. Quatrelobed pommel, in two halves joined in the center, surmounted with a two-faced lady's bust composing a button; front and back lobes chiselled with a lion's head, the two lateral are bulbiform and enriched with garlands in relief as well. Grip with a naked female figure, in relief, holding a vase with flowers, surrounded by bands and architectonic elements and flowers. Wooden scabbard, covered with velvet (completely worn) with fantastic, gilded bronze mounts. Cap with a scene in which a group of characters is worshiping an idol (a sort of ape demonic figure) placed on a column: in the center and on the right three ladies in classical period dress, one of which kneeling, on the left two male characters, one with a helmet, the other with a long beard and conical hat, under all the characters a crouching lion, the bottom of the cap with a big mask. Upper part of the cap with rounded ring, with a mask in the center surrounded by flowers and fruits. An additional mouthpiece with double slot in the upper part of the scabbard, a knife and an awl inside of it, provided with wooden grip with gilded brass cap, decorated with masks in relief. Long chape decorated with a beautiful effigy of Hermes, messenger of the Gods, surmounted with a garland; below a mask, flowers and effigy that resumes the idol on the cap. Lower end with carving similar to the pommel but of reduced dimensions and with male faces. Back part of the cap engraved with lozenges, with a big cross and provided with a loop, festooned border and engraved with leaves. Back of chape carved with floral motifs. This fantastic dagger shows many details found on works by Hans Holbein the Elder (Augsburg, 1460 - Issenheim, 1524). See a series of Swiss daggers in the Wallace Collection, illustrated in 'European Arms and Armor - Volume II Arms' on plate 137 which contain various resembles with ours, such as the pommel of the A 768 dagger, the chapes of A 769 and A 770 and the drawing of the cap of A 768 (found in our dagger on the back part). The stamp on the blade is very similar to the stamps of the A 768, and vaguely recalls also those of the A 769 and A 770. See also the very similar knife and awl in the dagger kept in the Victoria and Albert Museum in London, which also shows similarities with ours on the chape and decoration engraved on the cap. Also the subject of the decorative elements of this dagger is of extreme interest, as the suggested theme is not only pagan, but esoteric: The main image, in fact, that is the scene on the cap, is an explicit esoteric reference, in which the idol worshiped on the column is probably Lucifer himself, portrayed inside a building, in a niche under a canopy (Lucifer, bearer of Light, does not need the light of the sun, since he himself is the light), depicted with monstrous features in the act of spreading his arms holding a scepter and (probably) a cornucopia. On his right he is in fact worshiped by ladies, on the left by a bearded man in the act of swearing, and by a man wearing a helmet pointing (or throwing) a torch (or a scale) to the ground. Pommel with button as two-faced female figure can recall the myth of Janus, who sees the future and the past. The naked figures on the grip can also be interpreted as sacrificial victims tied by straps to an altar. The back of the cap bears the effigy of a large crucifix, but this has engraved arms so that each element has both a light and a dark side, and the foliage at the base of the cap can also be interpreted as flames. The depiction of Hermes, messenger of the gods but also god of writing and Magic. Quillon block bears Pan's heads, obviously also assimilated to the iconography of the Devil. An extraordinary dagger that deserves an adequate study of its unique characteristics. Museum restorations. length 38,2 cm.
dating: Mid 19th Century provenance: Paris, Octagonal, rifled, 12 mm cal barrels, with refreshed bluing, signed 'F.ni par Gastinne Renette a Paris', numbered '1' and '2', engraved base, with foresight; blued tangs, engraved and with rear sight; forward spring locks finely engraved and blued as the hammers. Half, wooden stocks carved with floral motif and checkered butts. Blued and engraved iron mounts. Trigger guard with finger support. Kept in their wooden case lined with green cloth with Gastinne Renette stamp in gold with all tools. Missing key. length 42.5 cm.
dating: Mid 19th Century provenance: France, Rifled, round 17,8 mm cal. barrel, provided with clutch for the bayonet, foresight, adjustable and folding rear sight, dated '1851' and with 'VL' mark surmounted by a fleur-de-lis, some pitting and remains of other marks. The inner side with signs of use, groove still well defined. Backward spring lock marked 'LOUIS MALHERBE A LIEGE' and with 'VL' mark surmounted by a fleur-de-lis coeval to the barrel. Working mechanics. Long, wooden stock with remains of Liege stamp on the butt side, the 'VL' stamp is repeated several times under the fleur-de-lis. Iron mounts; Barrel bracket, muzzle ring and ramrod probably replaced. It preserves the rare 'a tige' system inside the breech. This type of rifle was initially equipped with the 'a tige' system invented by M. Thouvenin and applied to rifled weapons from 1846 onwards. As early as 1859-1860, most of the weapons equipped with this system were converted by removing it. This is a rare example that survived the conversion. See 'Armes a Feu Francaises Modeles Reglementaires' by J. Boudriot, chapter 'LES ARMES A TIGE'. length 121 cm.
dating: Mid 19th Century provenance: Paris, Rifled, octagonal, 12,5 mm cal. barrels, in very fine damask, with Liege test bench, smooth steel base engraved with flowers, foresight; tangs with engravings and foresight. Forward spring lock decorated en suite and signed 'Lepage' and 'a Paris'. Half wooden stock, butt with grooves. Trigger with set trigger, engraved iron mounts, trigger guard with finger support. Kept in its wooden case lined with burgundy velvet, stamp 'LEPAGE A PARIS', and with tools (the key and some tools are missing). length 40 cm.
dating: third quarter of the 19th Century provenance: USA, Rifled, octagonal, 44 cal. barrel, with brass foresight; smooth, six-shot cylinder, smooth frame signed 'Rogers & Spencer / Utica, N.Y.'; frame, cylinder and grip-strap with serial no. '42xx', barrel, frame, cylinder and grips marked 'B'; 80% of the original bluing; wooden grips, the left one with stamp. Scarce, only about 5800 examples produced. length 35.5 cm.
dating: 1862 provenance: Austria, Rifled, round, 14 mm cal. barrel, with foresight, adjustable and foldaway rear sight, octagonal breech marked with imperial eagle and 'St 68'. Wänzel system bolt marked 'WERNDL'. Forward spring lock, dated '862' and with Austrian imperial stamp on the tang. Full wooden stock, iron mounts and ramrod. Working mechanics. See 'Die Hand- und Faustfeuerwaffen der habsburgischen Heere', Gabriel, pp. 346/7. length 133.5 cm.
dating: 1875-1890 provenance: Swiss, Rifled, round 10,4 mm cal. barrel (clean bore, clearly visible grooves), with foresight, adjustable rear sight, octagonal breech marked 'M', 'V' and 'O' all with Swiss cross, and serial no. '182xxx'. Bolt action with working mechanics. Frame marked 'WAFFENFABRIK BERN' under the cross, model and coeval serial number. Smooth, wooden butt and fore-end, the butt side with stamp '6' and cross on the back. The butt plate with signs of use. Iron mounts. Trigger guard with finger support. length 131,7 cm.
dating: Mid 19th Century provenance: France, Round, smoothbore, 15,2 mm cal. barrel with remains of a mark. Tang with model inscription. Backward spring lock marked with a 'D' surmounted by a star, bearing the signature 'M.re R.le de Chatellerault'. Three-quarter wooden stock. Brass mounts. Butt-plate with ring for the strap, anchor stamp, marks 'M' and 'D' surmounted by a star. Components with similar marks. Iron belt hook. Articulated ramrod. Working mechanics. length 29 cm.
dating: 1875-1890 provenance: Swiss, Rifled, round, 7,5 mm cal. barrel (clean bore, visible groove), with foresight and adjustable rear sight , marked with Swiss crosses, 'P26'. Sliding bolt with loading lever provided with wooden knuckle-shield. Working mechanics. Frame with grooves; wooden full stock with two short grooves under the rear sight and Swiss stamp on the butt side; iron mounts, extractable magazine. Butt-plate marked with Swiss cross, apart from this component all the others are blued. length 130 cm.
dating: about 1860 provenance: USA, Rifled, cylindrical, 44 cal. barrel with foresight. Smooth, six-shot cylinder. Working mechanics. Serial no. '62xx' visible on the inside when the hammer is cocked and on the barrel. Antique blueing (approx. 70%). Patent and company mark on the sides of the frame. W' marks. Smooth, walnut handle with stamp on the left side. length 32 cm.
dating: 1829 provenance: Turin, Smoothbore, round, 17 mm cal. barrel, octagonal base with four marks and year of manufacture '1829'; tang marked '451'; flintlock signed 'FABB.A R.A IN TORINO', brass pan, some parts marked '10'. Full wooden stock, butt with incomplete stamp 'GENN.O' and with Savoy cross. Iron mounts and ramrod. length 140.5
dating: 1813 provenance: France, Round, smoothbore, 17,4 mm cal. barrel, with octagonal base, remains of marks, date '1813, mark 'B'; tang marked 'M. an 13'. Lock marked 'Manuf.re Imp.le de Charleville' and with remains of a 'C' mark inside a lozenge. Working mechanics.Wooden stock with traces of a stamp next to the counterplate. Brass mounts with remains of marks. Iron ramrod. length 35 cm.
dating: Third quarter of the 19th Century provenance: Austria, Octagonal, rifled, 13, 9 mm cal. barrel (clean bore, visible grooves), with round nozzle, marked 'W', '67', with remains of other marks and with eagle stamp, adjustable rear sight, foresight and clutch for the bayonet. Foldaway bolt, tang with remains of 'LOUISE BENTL.' mark. Forward spring lock dated '859', eagle clearly visible. Working mechanics. Full, wooden stock with remains of stamps visible at the butt side, some woodworm holes. Iron mounts. Butt plate marked 'IL. V.D. / 7573'. With ring nut bayonet (length 70 cm). Including notes collected by the owner. length 109,6 cm.
dating: Late 15th Century provenance: Germany, Hammered skull in one piece, featuring a large and short comb at the top, with outlined borders and base; engraved with flowers at the base, then ribbed along the long tail; three grooves at the front, on each side; air holes decorated with carved, flower-shaped rivets (one of eight is missing), a row of rivets for the scabbard in the middle. Fringed border, a visible mark of Nuremberg at the tip, on the back. Raisable visor with wide eye-slot, protruding at the center and ribbed, carved and engraved on the sides with waves (en suite with the crest), held by flower-shaped rivets; the lateral border carved with a tip, the lower border en suite with the skull. A button-lock with inner spring on the right side. Provenance: Max Kuppelmayr Collection. A private collection in England. Illustrated in 'Sammlung Kuppelmayr' and described together with the complete armor N° 2, provided with the picture of the stamp. 'Eurpaische Helme', Muller Kunter, pag. 96 picture 66/67. 'Waffen und Rustungen', P. Martin, pag. 188, nr. 154. A similar sample, kept in the Bayerischen Nationalmuseum (see Martin) also shows flower-shaped rivets. Max Kuppelmayr, the manufacturer, started to produce his wonderful collection around 1845 and, at the time of his death in 1888, it was one of the most important collection of European antique arms in the world. His son, Rudolph Kuppelmayr, decided to catalogue the collection in an outstanding volume which was presented to the public in January 1895. The 24th of June 1919 the collection was sold at auction by the Hugo Helbing Gallery in Munich. dimensions 40.4 x 21 x 21.7 cm.
dating: mid-17th Century provenance: Brescia, Flat plate with central mark 'CLR' above a circle with a cross. Hammer carved with a curl. Carved and engraved pan. Inside, the signature 'LA ROVE'. Scarce. The stamp is documented and reproduced on 'Brescian Firearms' by N. Di Carpegna (pag. 55, I, 125): 'on a flintlock of early type; mid 17th century...' on a pistol featuring the name of the town of Crema (near Milan, Italy). The gunsmith's name is unknown. length 16.2 cm.
dating: 1878 provenance: Greece, Round, rifled, 11 mm cal. barrel at the nozzle (bore clean, visible grooves on the inside), with clutch for the bayonet and foresight, foldaway and adjustable rear sight, various marks including the Liege bench mark and date '1873'. Falling block bolt. Marking 'EM & L NAGANT A LIEGE' and with mark. The dorsal tang with marking in Greek and wording of the Milena model. In front of the trigger guard, the bolt opening knob. Working mechanics. Smooth, wooden butt and fore-end, the butt side with Greek stamp and date '1873', on the bottom crowned 'R'. Marked iron mounts. With bayonet (matching? the joint doesn't seem to fit very well) with metal scabbard. Attached are historical notes collected by the owner, on this rare rifle adopted by the Greek army. length 101 cm.
dating: 1901 provenance: Kingdom of Italy, For the sons and daughters of Alfonso Litta Modignani. To the sons the title of noble Patrician from Milan, to the other males and daughters the noble title of Marquis of Menzago and Vinago. The coat of arms is the same for everyone, the only difference is that the sons have the coat of arms surmounted by a helmet and a crown, the daughters with only the crown. Two pages of handwritten text, with signature and stamp of the Minister and of the Chancellor of the Heraldic Council. A page with a colored and gold coat of arms with stamp and name LITTA - MODIGNANI in gold. The cover with gold Savoy coat of arms on a blue background decorated with floral impressions. dimensions 27.5 x 39 cm.
dating: 17th Century provenance: Venice, Straight, double-edged blade of hexagonal section, provided with fuller at the forte. The edge with some spikes. Iron, basket hilt. Quillon with quillons curved downwards and with stamp 'I B'. Four quillons, three of them joint to the front ring and ribbed. The back with a ring provided with grip quillon for the thumb. Remains of iron ring-nuts. Wooden grip (antique?) with remains of leather covering. Iron pommel of hexagonal section, provided with central cap on both the sides, the one at the front deeply marked with a flower. length 99,3 cm.
dating: Third quarter of the 19th Century provenance: Italy, Round, rifled, 17.4 mm cal. (at the nozzle) barrel, with octagonal base signed 'E. MONDELLI IN COMO 62', featuring the Savoy shield, the 'CB' mark and remains of other two marks, provided with foldaway and adjustable rear-sight, with foresight and clutch for the bayonet. The barrel is plugged with metal inside. Forward spring lock signed as the barrel. Working one-snap mechanism. Wooden full stock in good conditions, with stamp 'FG' near the counterplate. Iron mounts and ramrod. The counter-plate engraved with 'GIO.NI RICOLFI-DORIA' and racemes. The barrel is plugged with non-ferrous metal, so it can easily be restored, the open parts with well-visible groove. Interesting. length 126,5 cm.
dating: 17th Century provenance: Tuscany, Tiller made of walnut-wood, well-shaped pommel, a pierced decoration at the back. Iron bow with stamp at the center. Iron mounts with with pierced inlays under the nut. Bow, trigger and sight with carvings, pyramidal tip. Original rope, slightly damaged. length 99 cm.
dating: third quarter of the 17th Century provenance: Northern Central Italy, Flat plate with slightly-cusped lower border, tang with double lobe, remains of floral engravings at the center. The screw of the hammer with a head carved in-relief as a mask, the throw finely engraved with flowers and grotesque, and with pierced and carved decorations at the back. The click of the external hammer is moulded and engraved en suite, and mounted below the pan. Dents, the sliding mechanism of the pan cover with defects. The base of the batterie finely engraved with baluster and leaves. The back of the plate with the stamp 'SB' inside a circle. For a similar mark see 'Marchi e Firme di Archibugiari Italiani'; by Barbiroli pag. 152: on a Florentine pistol from 1660 circa with plate for wheel-lock, reused for a flintlock in the archaic Florentine style. length plate 20 cm.
dating: Third quarter of the 19th Century provenance: Papal States, Round, rifled, 12, 7 mm cal barrel at the nozzle (clean bore, visible groove), with foresight, clutch for the bayonet, foldaway and adjustable rear sight, with markings 'EM & L NAGANT' at the base, pontifical mark, various other marks and marks of the Liège test bench. Frame with rolling block bolt with Nagant markings, marks and serial numbers coeval with the barrel. Working mechanics. Wooden butt and fore-end, clearly visible on the right side of the butt side the stamp 'CATHOLIQUES BELGES' with date '1868'. Iron mounts and ramrod. Some pitting on the outside. Bayonet (length 70 cm.) marked with 'S' crowned like the clutch and 'A' inside a circle, different serial number from the rifle and complete with scabbard. Attached are historical notes collected by the owner and information on the marks stamped on the rifle. length 131,5 cm.
dating: last quarter of the 16th Century provenance: Nuremberg, Smooth, two-stage, 12 mm cal. barrel, octagonal at the first part with Nuremberg stamp and, after ring, round; finely angled, smooth tang; flat plate lock with external, convex wheel, stamped with 'NK' among the effigy of glasses, with safety lock and snap pan cover, few engravings; wooden full stock richly decorated with bone tarsia depicting effigy of hunter on horseback, nobleman, eagle, bear and dog fighting, hounds, wild-boar and hare among hops and bands; flattened, spherical pommel depicting bust of a warrior with helmet; iron trigger and trigger guard; bone-tipped wooden ramrod. length 54 cm.
dating: 1875-1890 provenance: Swiss, Rifled, round, 10,4 mm cal. barrel (clean bore, some pitting next to the nozzle, clearly visible rifling), with foresight, adjustable rear sight, octagonal breech marked 'R' and 'S' under Swiss cross, with a large 'M', and serial no. '152xxx '. Bolt action with working mechanics. Frame marked 'WAFFENFABRIK BERN' under the cross, mark of the model and serial number coeval. Smooth, wooden butt and fore-end, the butt side with stamp 'D8+CI' on the back. Butt plate and trigger guard with signs of use. Iron mounts. Trigger guard with finger support. length 132 cm.
dating: early 20th Century provenance: Kingdom of Italy, Made of black cloth, with black-velvet band, stripes embroidered with gilded thread. Fine badge at the front made with gilded threads with number '12' made of metal. Chin-strap and visor made of black leather with gilded buttons featuring the 'Bersaglieri' badge in relief. At the inside a beige sweat-band with remains of the manufacturer's silver-plated stamp and labed of the size 'M 56'. Red-silk lining with remains of silver-plated stamp 'CIGNA TOMMASO TORINO'. height circa 14 cm.
dating: 1600 - 1620 provenance: Nuremberg, Long, smooth, 18 mm cal. barrel, the visible surface entirely chiselled with the effigy of a warrior in his armour and sword from around 1600, the devil and a warrior in antique clothes between floral motifs, stamp of Nuremberg, replaced sight and brass foresight; smooth tang; lock with flat plate and external wheel, sliding pan cover, slightly engraved hammer and wheel, safety lock; full stock of fruit wood decorated with bone-inlaid, engraved plaques and bands, with effigy of a warrior, dragon, lion's head, grotesque animals and floral motifs; anatomic, iron trigger-guard, set trigger, engraved, bone-tipped wooden ramrod with iron base. length 139.5 cm.
BANKSY (BORN 1974)Barcode Leopard, 2004 signed in black ink and numbered 19/150 in pencilscreenprint49.3 x 69.5cm (19 7/16 x 27 3/8in).published by Pictures on Walls, London, with the artist's ink stampFootnotes:This work has been authenticated by Pest Control Office and will be issued with the new certificate of authenticity in due course.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Jamie Reid (British, born 1947)God Save The Queen, 1997No.235/350, screenprint in silver and blue, with original 'Artificial' blind stamp and official Polygram Sex Pistols license stamp to the verso, signed, numbered and dated by the artist to the lower edge, 74 x 99cm (29 x 39in)This lot is subject to the following lot symbols: †AR†VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Jamie Reid (British, b.1947)God Save The Queen, 1997No.323/350, screenprint in gold and blue, with original 'Artificial' blind stamp and official Polygram Sex Pistols license stamp to the verso, signed, numbered and dated in pencil by the artist to the lower edge, 74 x 99cm (29 x 39in)Footnotes:ProvenanceOffered directly by Ragged Kingdom.This lot is subject to the following lot symbols: †AR†VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JAMIE REID (BRITISH, B.1947)God Save The Queen, 1997No.192/200, screenprint in black, with original 'Artificial' blind stamp and official Polygram Sex Pistols license stamp to the verso, signed, numbered and dated in pencil by the artist to the lower edge, 74 x 99cm (29 x 39in)Footnotes:ProvenanceOffered directly by Ragged Kingdom.This lot is subject to the following lot symbols: †AR†VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JAMIE REID (BRITISH, B.1947)Fuck Forever, 1997No.168/200, screenprint in silver, with original 'Artificial' blind stamp and official Polygram Sex Pistols license stamp to the verso, signed, numbered and dated in pencil by the artist to the lower edge, 74 x 99cm (29 x 39in)Footnotes:ProvenanceOffered directly by Ragged Kingdom.This lot is subject to the following lot symbols: †AR†VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Chanel paste brooch, with central 'CC' motif, with paste set 'Chanel',and a paste surround, with bar fitting, in original box, with a pouch,with original receipt from 2015 with Chanel stamp on the back, Condition Report: Gross weight 38 grams Brooch in very good condition Box and pouch in very good condition
JACKSON (C J): 'An Illustrated History of English Plate Ecclesiastical and Secular...', London, Country Life, 1911: 2 vols, publishers green half morocco gilt, spines sunned and rubbed, folio: with 3 others related: from the library of Birmingham Assay Office, small discrete stamp to front endpaper. (2)
PHOTOGRAPHS: two interesting pre-World War II comprising: a black and white photograph of Neville Chamberlain and Nevile Henderson at Berchtesgaden, 20.7 x 15.8cm, names of subjects handwritten to verso in ink with copyright stamp of 'The Times'; together with another showing a fleet of Mercedes staff cars bearing both the Union flag and German swastika, 20.2 x 15cm, note in pencil to verso 'Sphere', London, 1/10/38, with press stamp 'Sport & General Press Agency Limited', both with creases and chips to edges. (2)
SILVER: OMAN (Charles): 'The Golden Age of Hispanic Silver 1400-1665..' London, HMSO, 1968: 4to, publishers cloth with dustjacket, teg: GLANVILLE (Phillipa): 'Women Silversmiths 1685-1845..', London, Thames & Hudson, 1990: HERNMARCK (Carl): 'The Art of the European Silversmith 1430-1830': 2 vols, text and plates: London & New York, 1977, dustjackets, 4to: together with 21 other vols, silver reference and related, ex-Birmingham Assay Office Library with small circular stamp to flyleaf. (25)
A 6 shot .44" Remington New Model Army percussion revolver, number 97449, with dark walnut grips, one with inspector's stamp "OWA" (O.W. Ainsworth, c 1831-1870), the other grip deeply carved with initials "JEBS" ("Jeb" Stuart?), the frame retaining some original blued finish, some wear, faded markings
Loading...
