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Lot 320
AMAZING SPIDER-MAN #81 & 83 (2 in Lot) - (1969/70 - MARVEL CENTS Copy with pence stamp & Pence Copy) - Origin and first appearance of the Kangaroo + First appearances of the Schemer (aka Richard Fisk, the Kingpin's son) and Vanessa Fisk, the Kingpin's wife + Kingpin appearance John Romita Sr. and John Buscema covers with Romita, Buscema, Jim Mooney interior art- Flat/Unfolded - a photographic condition report is available on request
Lot 321
AMAZING SPIDER-MAN #87 & 93 (2 in Lot) - (1970/71 - MARVEL Cents Copy with pence stamp & Pence Copy) - Peter Parker reveals to his friends that he is Spider-Man + Prowler appearance + First appearance of Arthur Stacy - John Romita Sr. cover with Romita and Jim Mooney interior art - Flat/Unfolded - a photographic condition report is available on request
Lot 334
DETECTIVE: BATMAN #359 - (1967 - DC Cents Copy with pence sticker/stamp) - First appearance and origin of fan-favourite Batgirl (Barbara Gordon) - First Silver Age appearance of the Killer Moth - Carmine Infantino and Murphy Anderson did the cover and interior art - Flat/Unfolded - a photographic condition report is available on request
Lot 338
INCREDIBLE HULK #105 & 106 (2 in Lot) - (1968 - MARVEL Cents Copy with pence stamp) - First appearance of the Missing Link + Nick Fury, Reed Richards appearances - Marie Severin, George Tuska, Herb Trimpe covers and interior art - Flat/Unfolded - a photographic condition report is available on request
Lot 339
INCREDIBLE HULK #107, 108, 109 (3 in Lot) - (1968 - MARVEL Cents Copy with pence stamp) - Hulk vs. Mandarin + Nick Fury, S.H.I.E.L.D., Ka-Zar, Savage Land appearances - Marie Severin, Herb Trimpe, Syd Shores covers & interior art - Flat/Unfolded - a photographic condition report is available on request
Lot 46
AMAZING SPIDER-MAN KING-SIZE ANNUAL #6 - (1969 - MARVEL - Cents Copy with Pence Stamp) - Reprints stories from Amazing Spider-Man #8 (art by Jack Kirby and Steve Ditko), Amazing Spider-Man Annual #1 (the first group appearance of the Sinister Six - art by Ditko), John Romita Sr. cover - Flat/Unfolded - a photographic condition report is available on request
Lot 108
UNCANNY X-MEN #11 - (1965 - MARVEL Cents Copy with Pence Stamp) - First appearance of the Strange + Magneto and the Brotherhood of Evil Mutants (Scarlet Witch, Quicksilver, Mastermind, Toad) appear - Jack Kirby cover and interior art - Flat/Unfolded - a photographic condition report is available on request
Lot 159
UNCANNY X-MEN #33 & 34 (2 in Lot) - (1967 - MARVEL Cents with Pence Stamp & Pence Copy) - Juggernaut, Ancient One, Doctor Strange appearances + X-Men battle Tyrannus and the Mole Man - Gil Kane cover Werner Roth interior art - Flat/Unfolded - a photographic condition report is available on request
Lot 202
Collection of seventy-six post 1932 Winter Olympic stamp covers including; Cortina 1956 Official maximum cards, in one album, a stockbook of Olympic stamps and a sheet of twenty-four 'London 2012 Olympic Games' Jessica Ennis first class stamps with a total face value of 16.8 GBP Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Lot 220
Queen Victoria penny black stamp, black MX cancel, housed in a display wallet, various stamp covers relating to Royalty, an album of 'Limited Edition first-day Lithographs', various stamp sheets from the 'Wildlife of the World mint sheet stamp collection' and various 1981 Royal Wedding stamps Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Lot 224
'The Empire Postage Stamp Album' containing Queen Victoria and later Great British and World stamps including, GB QV one penny black with red MX cancel, various perf penny reds, Gibraltar, Heligoland, Malta, Ceylon QV two shillings, Hong Kong, India including QV imperfs, Cape Colony, Mauritius including overprints, New Brunswick, Barbados, France including imperfs etc Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Lot 1298
MAN UNITED 1968 A collection of Manchester United items pertaining to winning the European Cup in 1968. The two Semi Final programmes against Real Madrid and the Final programme against Benfica, 1st Day cover 29/5/1968 with a Harrow & Wembley CDS strangely with an England Winners World Cup 1966 stamp, 3 Spanish newspapers covering the Real Madrid match and the Manchester Evening News special supplement. Comes with a George Best pennant "Manchester & Ireland" plus a 1998 Dinner Menu from the London Marriott celebrating the 30 year anniversary of the Wembley Final. Generally good
Lot 21
The Stamps of Royalty Silver Stamp Collection, twenty three sterling silver stamp replicas, together with two commemorative medals issued by Britannia Commemorative Society Ltd. depicting Elizabeth I and Stonehenge, each medal .999 silver proof and three bronze Monarchs of the Napoleonic Wars medals in original packaging (quantity).
Lot 73
Edward Lear (British, 1812-1888)Kom Ombo, Egypt signed with monogram (lower left); stamped with the collector stamp of Earl Spencer (lower right) watercolour17.6 x 37.8cm (6 15/16 x 14 7/8in).Footnotes:ProvenanceEdward John Spencer, 8th Earl Spencer Collection, UK (Frits Lugt L.2341a). Max Harari Collection, UK (acquired from the above). Thence by descent.I strongly long to go to Egypt....I am quite crazy about Memphis and On & Isis & crocodiles... the contemplation of Egypt must fill the mind... with great food for the rumination of long years.(Edward Lear, letter to Chichester Fortescue, 1848)Lear's fascination with Egypt led him to make three visits during his lifetime; the first, in January 1849, was a week-long stay, exploring Cairo and the Pyramids before carrying on towards Sinai. His second visit came at the end of 1853, with his first trip down the Nile in early 1854, travelling as far south as Philae. He returned in December 1866, staying for three months, and making a second trip on the Nile in January 1867, reaching Wadi Halfa. Lear's letters reveal his joy in capturing the life and landscape of Egypt: 'In no place ... can the variety & simplicity of colours be so well studied as in Egypt; in no place are the various beauties of shadow more observable, or more interminably numerous. Every mud bank is a picture, every palm- every incident of peasant life'. But Lear was also frustrated in his efforts, critical of his earlier work, noting 'It seems to me, my former drawings were not severe enough: & certainly I never made enough of the grayness of local colour, nor of the atmosphere'1.When back in his studio, Lear worked his colour sketches into finished compositions, producing over 40 oils of Egyptian subjects - including Royal Academy submissions in 1856 and 1871 - as well as numerous watercolours. The high finish and lack of annotation and numbering on the present lot and lots 74, 75 and 76 suggests that these works may have been produced in his studio, rather than having been drawn on the spot. The Temple of Kom Ombo lies 30 miles north of Aswan, its location a crossroads between the caravan route from Nubia and the trails to the gold mines in the eastern desert areas. Constructed during the Ptolemaic dynasty, with later additions made during the Roman period, the temple's unique double design was intended for the devotion of two sets of gods. Lear first visited Kom Ombo in 27 January 1854, during his first Nile trip (see Christie's, London, 12 July 1994, lot 122), stopping again on his return on 10 February: a very similar composition to the present lot is in the collection of Harvard University, Houghton Library, with the interesting colour note 'The stones are/just like those below Winchelsea & Hastings'.Lear also visited Kom Ombo on 20 February 1867, during his second Nile trip (see Christie's, London, 5 July 2016, lot 128); inbetween these visits, he also produced an oil of Kom Ombo in 1856, working from watercolour sketches made in 1854, as was his practice.See also Christie's, South Kensington, 1 July 2004, lot 182 and 6 December 2012, lot 276 for further examples.1 Quoted in Vivien Noakes, The Painter Edward Lear, Newton Abbot, 1991, passim.This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com
Lot 74
Edward Lear (British, 1812-1888)Plain of Thebes, Egypt signed with monogram (lower right); signed with monogram (lower left); stamped with the collector stamp of Earl Spencer (lower left) watercolour17.4 x 37.6cm (6 7/8 x 14 13/16in).Footnotes:ProvenanceEdward John Spencer, 8th Earl Spencer Collection, UK (Frits Lugt L.2341a). Max Harari Collection, UK (acquired from the above). Thence by descent.Lear visited Thebes in February 1854, spending ten days sketching the temples, ruins and landscape, as part of his journey along the Nile. A similar composition to the present lot, painted in 1885 and based on sketches made during this visit, is in the collection of the RISD Museum, Rhode Island.This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com
Lot 75
Edward Lear (British, 1812-1888)Boats on the Nile signed with monogram (lower left); stamped with the collector stamp of Earl Spencer (lower right) watercolour9.7 x 20cm (3 13/16 x 7 7/8in).Footnotes:ProvenanceEdward John Spencer, 8th Earl Spencer Collection, UK (Frits Lugt L.2341a). Max Harari Collection, UK (acquired from the above). Thence by descent.The present lot depicts three gyassis- traditional cargo vessels- two of which are laden with straw; it closely relates to another watercolour, dated 30 December 1853, in the collection of The National Maritime Museum (PAD9111).This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com
Lot 76
Edward Lear (British, 1812-1888)Boats on the Nile near Deir El Kadige signed with monogram (lower right); stamped with the collector stamp of Earl Spencer (lower left)watercolour9.7 x 20cm (3 13/16 x 7 7/8in).Footnotes:ProvenanceEdward John Spencer, 8th Earl Spencer Collection, UK (Frits Lugt L.2341a). Max Harari Collection, UK (acquired from the above). Thence by descent.Lear produced a study of of Nile vessels, inscribed and dated 'Deir Kadige/noon-1.PM./Janry 2 1867', which shows the dome of the mosque on the river bank (National Maritime Museum collection, PAD9103). For a similar composition to the present lot, painted in 1871, see Sotheby's, London, 5 March 2014, lot 281.This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com
Lot 145
Trials.- The Trial of the Hon. Mrs. Catherine Newton...at the Consistory Court of Doctor's Commons; upon libel and allegations, charging her with the crime of adultery, with Mr. Isham Baggs, a young Oxonian; Mr. Brett, a player at Bath; Thomas Cope, Mrs. Newton's coachman; Isaac Hatheway, her footman; John Ackland, of Fairfield, in the county of Somerset, Esquire; and divers other persons..., hinges repaired with brown tape, clippings laid down to pastedown and endpapers, ex-library copy with usual stamps and markings, occasional spotting, lightly browned, later half calf, rubbed, 8vo, by C. Ethreington, 1782 § Trial of Charles Pinney, Esq. in the Court of King's Bench...charging him with neglect of duty, in his office as Mayor of Bristol, during the riots, title browned and chipped with light ink marks, ex-library stamp, later half calf, library label removed to spine, Bristol, by Gutch and Martin, 1833; and another, trial, 17th century (3)
Lot 2
NO RESERVE Architecture.- Hitchcock (Henry-Russell) Early Victorian Architecture in Britain, 2 vol., reprint, 1972 § Port (M.H.) 600 New Churches: The Church Building Commission 1818-1856, Reading, 2006 § Hill (Rosemary) God's Architect: Pugin and the Building of Romantic Britain, 2007 § Fisher (Michael) 'Gothic for Ever': A.W.N.Pugin, Lord Shrewsbury, and the Rebuilding of Catholic England, Reading, 2012 § Stamp (Gavin) Gothic for the Steam Age: An Illustrated Biography of George Gilbert Scott, 2015 § Brooks (C.) The Albert Memorial, New Haven & London, 2000, illustrations, some colour, original cloth or boards with dust-jackets, the first slightly frayed at edges; and c.25 others on Victorian architecture, mostly Pugin and Gothic revival, 4to & 8vo (c.30)
Lot 228
NO RESERVE Darwin (Charles) The Origin of Species by Means of Natural Selection, sixth edition (35th thousand), half-title with ink stamp, folding plate slightly frayed and browned at edge, 32pp. publisher's catalogue at end, front free endpaper detached and chipped at edges, original cloth, spine ends worn, extremities rubbed, [Freeman 423], 8vo, John Murray, 1888.
Lot 41
Architecture.- Vicenza.- Scamozzi (Ottavio Bertotti) Il forestiere istruito delle cose più rare di architettura, e di alcune pitture della città di Vicenza dialogo, first edition, engraved portrait frontispiece of dedicatee Mario capra, title vignette and 36 folding plates, armorial ink stamp to title, marginal worming, occasionally touching the odd letter or within platemark, occasional spotting, modern calf, gilt spine in compartments and with black leather label, [Fowler 43; Millard, Italian, 19], 4to, Vicenza, Giovambattista Vendramini Mosca, 1761.⁂ First edition of this architectural guide to Vicenza, and in particular the buildings of Palladio. Provenance: J.B. and Michael Bury (bookplates).
Lot 373
KOREAN SCHOOL "Tree with blossom and finches" inscribed top left "To Mr Clive M Beck friend of Korea from K W Lee June 25th 1987" watercolour, artist stamp lower right Size approx. 32cm high x 99cm wide excluding frame CONDITION REPORTS Appears to be in good condition with no signs of foxing 32.5cm x 98cm see images for further detail
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